• 한국실내디자인학회논문집
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• 제20권3호
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• pp.98-109
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• 2011

To interpret a change of discourse can be a method to understand architectural space in progress. With this idea, features of modern age which motivated sense of the contemporary were considered in this study and subsequently characteristics of contemporary space differentiated from the modern were researched. First of all, features of subject which provided a base of modern thoughts were contemplated. The word 'modern' is used in wide and various terms but basically its core conception consists of reason and universal rationality. The subject of the modem age has vision-centric features just like an ideal representation principle of perspective. Given the fact, it was confirmed that a position to become a right subject, that is, a position controlled by reason existed and that it was to guarantee subject a truth. However, the contemporary subject keeps changing with a purpose of escaping from modern characteristics. It presents a tendency to escape from rationalism of the modern age and Platonism of the ancient Greece which established a basis of western ideology. The subject-centered ideas came to focus on the structure and relationship firmed fundamentally in deep inside of subject. The contemporary subject which escaped from the stiffen ideas bears a meaning through events taking place on immanence surface and serialization. Also, the contemporary architectural space is considered to go abreast with the change and trend. In conclusion, this study proved that features of event-oriented architectural space based on the changing contemporary subject appear as process-based space, user-participated space and individual-cognition space and the like.

• 정보관리학회지
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• 제33권4호
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• pp.27-57
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• 2016

본 연구의 목적은 한국근대문학 주제가이드에 대한 활성화 방안을 모색하는 것이다. 이를 위해 이용자 및 작가들을 대상으로 주제가이드 서비스에 대한 인지도 조사를 실시하고, 전문가 의견조사 및 수렴과정을 통해 한국근대문학 주제가이드에 대한 홍보방안 및 개선방향을 도출하고자 하였다. 본 연구에서 제안한 활성화 방안은 다음과 같다. 첫째, 다양한 홍보매체를 활용한 적극적인 홍보를 해야 한다. 둘째, 주제가이드의 유용성에 대한 이해 증진을 위해 이용자 교육을 제공하여야 한다. 셋째, 한국근대문학 주제가이드 서비스를 위한 별도의 사이트 구축이 필요하다. 넷째, 주제가이드 품질 향상 및 개선을 통한 효율적 주제서지정보서비스 방안으로 원문제공, 지속적 콘텐츠 추가, 유관기관과의 연계 등이 요구된다. 다섯째, 본 연구에서 분석된 성별, 연령별, 직업별, 학력별 요구도 차이를 기반으로 이용자 맞춤형 서비스를 제공해야 한다. 향후 연구에서는 주제가이드의 활성화를 위해 상호협력체계 모색, 구체적인 홍보전략을 제시하는 연구가 수행되어야 할 것이다. 또한 한국근대문학 주제가이드의 평가지표가 체계적으로 개발될 필요가 있다.

• 한국도서관정보학회지
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• 제47권3호
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• pp.315-341
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• 2016

이 연구에서는 국립중앙도서관이 소장하고 있는 한국근대문학 자료를 대상으로 한국근대문학 주제가이드를 개발하였다. 이는 특수한 역사적 조건하에 존재하는 한국근대문학만의 특성을 반영하기 위해 한국근대문학 및 주제가이드에 대한 이론적 고찰, 이용자 인식조사, 국내외 사례조사 등의 과정을 통해 개발하였으며, 실제 데이터 구축 결과는 다음과 같다. 첫째, 한국근대문학 저자 117명에 대한 인물정보 및 작품 23,731건에 대한 서지데이터를 구축하였다. 둘째, 1894년부터 1945년까지 해당 저자에 의해 생산된 원자료와 이를 바탕으로 현재까지 다른 저자에 의해 생산된 파생자료를 범위로 하였다. 셋째, 저자별, 장르별, 시기별 배열체계를 통해 관련정보의 군집화를 시도하였다. 이와 같은 연구결과는 관련 학계조차 당시의 작가에 대한 정확한 통계를 알 수 없을 만큼 복잡한 양상으로 존재하는 한국근대문학에 대해 체계화와 구조화를 시도하였다는 점에서 의의가 있다고 본다.

• 한국도서관정보학회지
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• 제46권3호
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• pp.381-405
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• 2015

이 연구는 한국근대문학 주제가이드 개발 과정에서 수행된 것으로, 주제가이드의 개선점과 한국근대문학의 주제 특수성에 기반한 주제접근도구를 개발하기 위해 수행된 이용자 요구분석이다. 이는 설문으로 수행되었으며, 307명의 자료 분석 결과는 다음과 같다. 첫째, 주제가이드에 대한 이해도 및 이용경험은 낮은 반면 이용의향은 매우 높았다. 둘째, 한국근대문학의 생산형태의 중요도는 원자료와 파생자료 모두 높게 나타났다. 자료유형의 중요도는 시와 소설이 높았다. 자료구축은 저자별, 장르별, 시기별, 사조별 구축방법을 선호하며, 집단별 로 차이가 있었다. 셋째, 주제가 이드의 홍보에 대한 동의도가 매우 높았다.

• 복식문화연구
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• 제24권3호
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• pp.349-357
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• 2016

As a solemn and serious uniform, military uniform can be differentiated easily from any other clothing in the aspects of color, material and style. Inspired by military uniform, fashion designers have been applying military uniform elements into modern fashion design in recent years, which helps to bring military uniform from the trench onto international fashion runway. The primary method of this research is theory analysis method and exampling study method. Based on the collected materials of modern military uniform, this paper takes the fashion and cultural study theory of the famous American scholar Susan B. Kaiser as the leading theory to analyze four subject positions embodied in military uniform, including nation, rank, gender and time and space. By analyzing the subject positions embodied in military uniform, it shows the rich cultural connotation of military uniform and the function of various small details. Meanwhile, by giving specific examples, this paper explores the influences of military uniform on modern fashion design in respect to color, style, material, pattern and accessory. Through the conduct of this research, it comes to the conclusion that military uniform also has the characteristics and properties described in the fashion and cultural theory of Susan B. Kaiser, in addition, designers can be inspired by every specific object around them, which shows the talents of designers.

• 복식
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• 제50권4호
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• pp.5-20
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• 2000

Through his geometric design, the Cyprus born fashion designer Hussein Chalayan raises intriguing questions about the very fact of wearing clothes. By purposefully displacing the function of each part of the clothing, such as neck line, hem line, seam, sleeve, etc., Chalayan transforms the meaning of the body that wears clothes. of the human subject as a sovereign possessor of the clothing and the visibility related to fashion. This transformation is achieved by distorting the spaces of his clothing in an unorthodox way. This thesis argues that the significance of such a practice can not be properly understood without relation to the current debate on deconstructionism under way in humanities. Instead of immediately negating the modern frame of Ideas and practices, deconstructionism asks what the assumptions for the modern regime of truth is. In this process, things that lead human beings to sovereign master of knowledge and truth such as reason, subject, body and vision are questioned. In the same context, Chalayan's design not only forces us to rethink the very function of dividing inside and outside by the clothing but also the meaning of boundary operating in numerous sites of modern life. As the human subject is not something pre-given but constructed according to the cultural representation, to which the clothing belongs, fashion can be evaluated to be an active ingredient of constructing the subject. Therefore, Hussein Chalayan's design is at the cross road between the modern and the postmodern regime of fashion.

• 패션비즈니스
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• 제23권6호
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• pp.1-15
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• 2019

Appropriation is of considerable significance in a cultural trend of thought, as one of the means of realizing the post-modernism period. With the increasing use of appropriation techniques in modern fashion, it is necessary to study the external performance and internal aesthetic value of appropriation in fashion. In the book of cultural appropriation, American scholar James o young divides into three categories of appropriation in culture, namely: object appropriation, content appropriation, and subject appropriation. Based on James O Young's three types of appropriation techniques summarized in the theory of the cultural appropriation, the purpose of this study is through the appropriation of the poncho of traditional Mexican clothing in modern fashion as an example; analyzing the external appropriation characteristics and internal aesthetic significance of different appropriation type. The results are as follows. First, designers take the Originality in modern fashion by expressing Mexican Poncho's form, color, pattern, and material as it is through object appropriation technique. Second, through the Mexican folk poncho's style, designers used these to show the similarity produced by content appropriation in modern fashion. Third, designers used the poncho's design concept or poncho's culture, blending the theme of the collection, adding different color, pattern or materials such as fur, lace, and wool, and presenting a new image different from folk costumes through creative subject appropriation technique.

• 한국언론정보학보
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• 제32권
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• pp.247-293
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• 2006

이 연구는 근대 의약품 광고에 드러난 신체 담론에 관한 연구이다. 최근 근대 형성기에 대한 미시적 접근은 일상사의 영역연구에서 두드러지는데, 일상적인 영역이야말로 사람들의 구체적인 경험이기 때문이다. 특히 근대 광고에는 당시 생활세계를 구성했던 대중문화, 소비문화, 성, 가족, 의 식 주, 질병 등의 구체적인 영역이 고스란히 담겨있다. 근대 이후 일상생활의 재조직화에서 신체는 이전까지 상속되고 신분적 질서에 의해 규정되었던 전근대적인 신체와 달리 어떤 규칙과 가치 속에서 자신의 신체를 자기 스스로 만들고 조립하여야 하는 근대적인 신체로 변화했다. 이 연구는 의약품 광고를 통해서 그 당시 사람들이 자신의 신체를 어떻게 인식하는지를 분석하고자 했고 분석방법으로 푸코의 담론형성이론을 활용하였다. 분석결과, 근대 초기의 의약품 광고 각각의 텍스트를 가로지르는 몇 가지 공통의 규칙, 즉 담론-장치를 찾을 수 있었고, 그 규칙성 속에서 의약품 광고가 근대적 아픔의 주체를 구성하는 과정을 살필 수 있었다. 근대 의약품 광고에 투영된 '임상의학적 시선의 내면화'와 '자기감시'라는 규율 권력적 요소는 '근대적 아픔의 주체' 형성에 기여했고, 사회 권력과 접합된 방식으로 표상되기도 했다.

• 패션비즈니스
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• 제16권6호
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• pp.63-79
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• 2012

Modern art is getting more comprehensive and diversified regardless of genre in many forms due to the pluralism and anti-aesthetic trend of the time which is impacted by post modernism. This atmosphere is also applied to fashion illustration which creates synergy effect in cooperation with many different genres. This study selected Matisse' paper cut-out as the subject which would reflect the minimalism and ionism of modern plasticity. By taking this as the motive for fashion illustration, I made seven illustration works with the subject of minimalism of form and color. The conclusion of this study is as following. First, Matisse's paper cut out has controlled plasticity related to the modern ionism and it well fits the modern trend and sensibility which is appropriate for motive of fashion illustration. Second, by upgrading the technique of Matisse' paper cut-out in a modern way such as combination of hand drawing and computer graphic using Photoshop, I was able to make originative and creative illustration works with background and patterns that were closely connected with each other. Third, applying the fashion illustration to other various products is being well received now and I made my illustrations that could lead to follow up studies to apply the fashion illustration to other different products. Matisse' paper cut-our has forms, colors and patterns that can contain both commercial and artistic value. Therefore it is quite feasible for follow up research to apply into many different areas.

• 영어영문학
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• 제55권6호
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• pp.961-973
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• 2009

Walter Benjamin expresses his concern that the new technologies of mechanical reproduction robs the artwork of its own uniqueness, its "aura." Benjamin uses the word "aura" to refer to the sense of awe or reverence one presumably experiences in the presence of works of art. This aura does not merely inhere in the works of art themselves, because Benjamin extends his notion of aura to the level of how he both understands and positions the modern subject in the world of uncertainty and transitoriness. The theoretical framework of Benjaminian aura becomes a crucial and efficient strategic apparatus to read The Education of Henry Adams. As for Benjamin the modern implies a sense of alienation, a historical discontinuity, and a decisive break with tradition, Adams observes that modern civilization has wiped out "tradition," a mythic home in which man can experience order and unity. Adams claims that the growth of science, reason, and multiplicity at the expense of religion, feeling, and unity has been accompanied by a parallel growth in individualism at the expense of community and tradition. To Adams the collapse of traditional values such as maternity, fecundity, and security in America is a waking nightmare of the moral dilemmas of a capitalist society, in which the cruel force of the modern Dynamo is becoming a prime governing principle.