• Journal of Information Technology Applications and Management
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• 제28권6호
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• pp.69-85
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• 2021

In the era of the 4th Industrial Revolution, not only artificial intelligence, big data, robots, and biotechnology, but also cultural industries that require human creativity will lead. Among the cultural industries, the animation industry has high industrial utilization value due to its high connection with other industries. Among them, animation characters play the most important role as the subject leading the story of animation. In particular, the villain character not only serves as a medium for the main character to lead the story, but also captivates the audience with a different presence from the main character, adding to the fun and completeness of the animation. These characters consist of visual elements such as form and color, of which color is a tool that effectively conveys the character's personality and role to the audience, and is the first visual element to be considered in delicately describing the character's emotions and the relationship between characters. Therefore, this study attempts to analyze the color of the villain character. To this end, we will select eight Disney animations to derive the characteristics of the villain character's color by analyzing the color, value, chroma, and color association of the colors used in the Disney villain character. As a result of the analysis, the colors mainly used by Disney to convey the villain's image were red (R) and Orange (YR), and there was no difference depending on the times or animation production methods. Second, the brightness of Disney villain characters appeared to be the same medium/famous regardless of the times and production methods, and the frequency of use of high brightness was very low. In terms of saturation, the frequency of use of high and low saturation was high. Third, blackish (Bk), Strong (S), dull (Dl), and deep (Dp) tones were mainly used for tones. In particular, in recent 3D animations than previously produced 2D animations, the use of low chroma and the high black mixing rate increased. Fourth, it can be seen that Disney uses color as a visual method to more clearly express the psychology of the villain character using color association. In conclusion, the color selection of animation characters should be carefully considered as a tool to convey the character's personality, role, and emotion beyond simply using color, and the color selection of characters using color associations and symbols strengthens the narrative structure. It is hoped that this study will help analyze and select the character color of animation.

• 한국균학회지
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• 제49권3호
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• pp.405-412
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• 2021

복령은 한국, 일본, 중국을 포함한 동북아시아 지역에서 사용되어 왔던 중요한 약용버섯이다. 복령은내부색깔을기준으로적복령과백복령으로구분하며, 일반적으로 백복령이 농가에서 재배되고 있다. 본 연구에서는 2가지 재배 복령과 3가지 야생 복령을 이용하여 이원교배를 통해 만들어진 균주로부터 톱밥배지에서 균핵을 형성하는 균주를 선발하려고 하였다. 단포자는 PDA 배지에서 만들어진 복령의 자실체로부터 분리하였다. 분리된 교잡균주 338개 중 39개가 소나무 톱밥배지에서 3개월 동안 배양하는 과정에서 백색 또는 황색의 균핵을 형성하였다. 톱밥배지를 이용한 균핵 형성 균주의 선발은 매우 간단하고 쉬운 방법이며 본 논문에서 처음으로 제시하는 것이다. 그리고 선발된 균주는 향후 새로운 품종을 개발하고자 야외실험을 시도할 계획이다.

• 한국의류학회지
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• 제33권6호
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• pp.990-1001
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• 2009

본 연구는 지각자의 성별, 의복, 헤어스타일이 남성의 전문성 및 선호도의 시각적 평가에 미치는 영향을 조사하는데 그 목적이 있었다. 연구방법은 준실험방법이었으며, 실험설계는 $2\times8\times2$(지각자의 성별$\times$의복$\times$헤어스타일)의 요인설계를 사용하였다. 자극물은 20대 남성의 사진 16장이었다. 의복은 베이지색과 남색의 테일러드 칼라 재킷, 베이지색, 남색, 빨강색의 점퍼와 스웨터였고, 하의는 청바지를 착용하였다. 헤어스타일은 길이에 따라 짧은형과 중간형으로 구분하였다. 조사대상자는 서울지역의 남성 208명과 여성 223명이었다. 청바지와 함께 베이지색 스웨터를 착용하는 것은 지성적 이미지가 높게 보였고, 빨강색 점퍼의 착용은 지성적 이미지가 낮게 보였으며, 베이지색 재킷은 역능적 이미지가 낮게 평가되었다. 남성의 짧은 헤어스타일은 중간형 헤어스타일보다 전문성이 높게 평가되었다. 남자 지각자는 여자보다 짧은 헤어스타일을 더 선호하였으나 여자는 헤어스타일 선호도가 유사하였다. 여자는 테일러드 칼라의 재킷과 수티앵 칼라의 점퍼에 대한 선호도가 유사하였으나 남자는 재킷보다 점퍼의 선호도가 더 높았다. 베이지색 재킷에는 중간형 헤어스타일, 빨강 스웨터에는 짧은 헤어스타일이 전문성이 높게 평가되었다. 남자 지각자는 청바지에 수티앵 칼라의 점퍼를 착용한 것을 청바지에 테일러드 칼라의 재킷을 착용한 것보다 더 긍정적으로 평가함으로써 남자가 여자보다 옷차림에 대해 보수적인 태도를 나타냈다. 또한 청바지 차림에서는 점퍼를 입고 짧은 헤어스타일을 한 남자가 긍정적으로 평가되었고, 재킷을 입고 중간형 헤어스타일을 한 남자는 부정적으로 지각되었다. 결론적으로 베이지색 재킷에는 중간형 머리, 빨강 스웨터에는 짧은형 머리가 전문성이 높게 보였으므로 의복과 헤어스타일이 상호작용하여 전문성 평가에 영향을 준다고 할 수 있다.

• 한국콘텐츠학회논문지
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• 제20권5호
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• pp.261-270
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• 2020

영화에서 색상은 스토리텔링을 이끄는 도구이며 이야기 주제를 암시하는 메타포다. 본 연구는 관객에게 전달되는 영화의 색상이미지를 분석하여 효율적이고 객관적인 데이터를 구축한다. 영화에서 색상의 시각적 인지과정을 살피고 관객에게 수용되는 과정을 연구한다. 이 연구과정을 통해 영화 색상의 시각적 자극에 의해 인과적으로 발생하는 감성적 반응을 살피고, 영화를 관람하는 관객의 감성적 반응을 효과적으로 유발시키는 요인으로 영화에서 색상을 통한 시각적 요인의 정량화 연구를 진행한다. 본 연구는 웨스 앤더슨 감독의 영화<로얄테넌바움>의 미장센을 분석하고, 영화적 색상의 커뮤니케이션 역할에 대해 연구 한다. 영화 속 10개의 챕터별 미장센을 통해 나타난 색상을 컴퓨터 색채 분석 프로그램을 이용하여 색채 분포데이터의 정량적 분석을 수행한다. 색채분석을 통해 앤더슨 감독이 이 영화에서 저채도와 중명도의 레드(R)와 옐로우레드(YR)를 중심 색상으로 영화 장면들을 구성한 것으로 분석되었다. 이 분석을 통해서 영화가 표현하는 색상이 관객의 감성을 제어하는 심리적 요소로 사용되기 위해 영화 전반에 어떻게 색상을 사용하고, 그 사용의 정량적 형태는 어떠한지에 대해 연구한다.

• 패션비즈니스
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• 제18권6호
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• pp.174-187
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• 2014

This study intended to propose a guideline designed to secure safety by developing a functional color design for the color of the ordinary working clothes worn in the actual industrial settings of the machine industry in national industrial complexes in Korea. For this, a total of 6 sets of actual working clothes were produced for test, using 2-color arrangements with blue, of varying brightness and chroma for top and bottom, in relation to the visibility proven in preceding studies and evaluated in the machine industry. Blue was suggested the best proper color for machine industry by previous studies. For the material of working clothes, a total of 111 swatches were collected from the Dongdaemoon Fabric Market, and they were analyzed for color values. A total of 6 materials were used to produce working clothes for testing, which represented high brightness, medium brightness, low brightness, high chroma, medium chroma, and low chroma. Clothes were tried at the industrial settings for machine industry in a national industrial complex located in Gyeongsangnam-do and the expert satisfaction evaluation was performed based on items related with safety. As a result, higher satisfaction was shown when the brightness difference of top and bottom clothes was greater, and for chroma, relatively higher satisfaction appeared when the chroma of both top and bottom clothes was high. To secure satisfaction for both brightness and chroma, it is possible to deduce that the 2-color arrangement using the strong tone with high brightness and high chroma and the dark tone with somewhat low brightness and high chroma would be effective. Top and bottom clothes in the same color with high chroma had high visibility but had somewhat low evaluation for harmonious arrangements. This indicated that the arrangement of vivid colors for top-bottom clothes is inappropriate.

• Natural Product Sciences
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• 제21권1호
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• pp.30-33
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• 2015

Anthocyanins are water soluble plant pigments which are responsible for the blue, red, pink, violet colors in several plant organs such as flowers, fruits, leaves and roots. In recent years, anthocyanin-rich foods have been favored as dietary supplements and health care products due to diverse biological activities of anthocyanins including antioxidant, anti-allergic, anti-diabetic, anti-microbial, anti-cancer and preventing cardiovascular disease. High-performance countercurrent chromatography (HPCCC) coupled with reversed-phase medium pressure liquid chromatography (RP MPLC) method was applied for the rapid and efficient isolation of cyanidin 3-glucoside (C3G) and peonidin 3-glucoside (P3G) from black rice (Oryza sativa L., Poaceae). The crude black rice extract (500 mg) was subjected to HPCCC using two-phase solvent system composed of tert-butyl methyl ether/n-butanol/ acetonitrile/0.01% trifluoroacetic acid (TBME/B/A/0.01% TFA, 1 : 3 : 1 : 5, v/v, flow rate - 4.5 mL/min, reversed phase mode) to give enriched anthocyanin extract (37.4 mg), and enriched anthocyanin extract was sequentially chromatographed on RP-MPLC to yield C3G (16.5 mg) and P3G (8.7 mg). The recovery rate and purity of isolated C3G were 76.0% and 98.2%, respectively, and those of P3G were 58.3% and 96.3%, respectively. The present study indicates that HPCCC coupled with RP-MPLC method is more rapid and efficient than multi-step conventional column chromatography for the separation of anthocyanins.

• International Journal of Advanced Culture Technology
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• 제8권3호
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• pp.123-132
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• 2020

In contemporary times, there is an increasing demand for a dedicated healthcare environment, all over the world. The main motivation for this demand is the level of awareness manifested by the users and reflected on their expectations. Therefore new research strategies and design actions are investigated in order to answer to the users' needs and to provide objective design tools for the specialist. This study continues a series of previous developments of the Healthcare Environment Color Index that should be used for public facilities in Korea and abroad. The cross-cultural approach is a new opportunity for exchanging know-how and for testing and calibrating the perception of the users on the color index. The gathering of results was made based on the online survey provided in this phase in English version for the Romanian users. The survey was intended as an objective mean of research and an efficient way of disseminating information on the subject thus contributing to increasing the level of awareness of the users. A total of 86 Romanian and 89 Koreans with valid answers took part in the survey. Comparative visualizations of the results showed significant similarities concerning the patterns of color preferences but also cultural and emotional differences. As a result both categories of users proved to be aware of the relation between healthcare environment color and its effects on health. They also showed a common understanding on the potential of the color index. As a result the most appealing colors to be applied to the healthcare environment were the series G and B, and the most effective ones were proved to be the ranges of high lightness and low saturation but also the medium high lightness and medium saturation. Both the similarities and the differences of choice between Romanians and Koreans show that cultural and emotional differences of color recognition are important and that should be taken into consideration in design, in order to generate an inclusive and efficient healthcare environment.

• 한국자원식물학회지
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• 제12권4호
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• pp.297-302
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• 1999

화훼용 작약 품종육성의 기초자료로 활용하고자 작약 혼계집단내에서 화형의 특성 및 분포를 조사하였다. 개화기의 분포는 중간형이 56%로 가장 많았고, 빠른 것은 18%, 늦은 것은 26%였으며 개화지속기간은 8일 이하가9%, 9∼11일이 50%, 12∼14일이 37% 그리고 15일 이상은 4%였다. 꽃의 크기는 중간형 크기가 65%로 가장 많았으며 대형은 24%, 소형은 11%였고, 화색은 6가지로 분포하였으나 분홍이 56%로 가장 많았으며 붉은색과 횐색은 각각 8%, 2%였다. 화기는 암술에 있어서 많은 것이 26%였으나 전혀없는 것은 4%였으며, 수술은 많은 것이 77%로 대부분이었으나 전혀 없는 것도 19%나 되었다. 화형은 single형이 76%로서 대부분을 차지하였고 anemone, crown, bomb, japanese형 등이 분포하였다. 화경직경은 꽃크기 및 수술수, 수술수는 암술수와 고도의정의상관이 그리고 수술수와 꽃잎수, 수술수와 꽃잎수와는 부의상관이 있었다.

• 한국정보처리학회:학술대회논문집
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• 한국정보처리학회 2016년도 추계학술발표대회
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• pp.510-513
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• 2016

Detecting of the object in image processing is substantial but it depends on the object itself and the environment. An object can be detected either by its shape or color. Color is an essential for pattern recognition and computer vision. It is an attractive feature because of its simplicity and its robustness to scale changes and to detect the positions of the object. Generally, color of an object depends on its characteristics of the perceiving eye and brain. Physically, objects can be said to have color because of the light leaving their surfaces. Here, we conducted experiment in the aquarium fish tank. Different color of fish robots are mimic the natural swim of fish. Unfortunately, in the underwater medium, the colors are modified by attenuation and difficult to identify the color for moving objects. We consider the fish motion as a moving object and coordinates are found at every instinct of the aquarium to detect the position of the fish robot using OpenCV color detection. In this paper, we proposed to identify the position of the fish robot by their color and use the position data to control the fish robot gathering in one point in the fish tank through serial communication using RF module. It was verified by the performance test of detecting the position of the fish robot.

• 천문학논총
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• 제30권2호
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• pp.761-763
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• 2015

Colors have been derived from the observed optical spectrum of Mars and Jupiter. It is known that the planets and the Moon emit reflected sunlight and thus their spectra are similar to the spectrum of solar radiation. The question was then why is the color of Mars different from that of other planets, i.e. red, although it would share the same spectrum of reflected sunlight. Can one derive color from the spectrum? Therefore, we observed the optical spectra of the scattered sunlight in day time for the Moon and Mars using a 1-D array spectrograph on the 12-inch reflecting telescope in the Korea Science Academy of KAIST in Busan, Korea. We adopted the International Commission on Illumination (CIE) in 1931 of three spectral sensitivity peaks for the human eye in short, medium and long wavelengths in visible light. The observed spectra were imposed on CIE sensitivities and the color detected by the human eye was derived. The Mars spectrum represents red color and the Moon white. It is a similar color to that which a human would see. This result means that color is easily derived from astronomical spectra. The appearance of the planets surface can be determined for Mars, which is the result of iron oxide.