• 대한수의학회지
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• 제38권4호
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• pp.898-908
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• 1998

The aim of this experiments were to assess the time-interval change of motional characteristics in frozen-thawed semen of Korean native cattle (KNC) by using computer aided semen analysis (CASA) technology. Twenty-six KNC frozen semen straws were obtained from Korean KNC improvement department, livestock improvement main division, national livestock cooperatives federation in Korea. Specimens were allowed to thaw at $37^{\circ}C$ for 30 sec in water bath. Semen analysis was performed on semen image analysis system (SIAS, Medical supply, Korea) adjusted to the gate settings and used the semen droplet ($5{\mu}l$) placed on Makler counting chamber (Sefi medical instrument, Israel) prewarmed at $37^{\circ}C$. The same person used the same micropipette to fill the Makler counting chamber. A total of 150 or more of sperms were analysed in each specimen by a single trained person by scanning at least 5 to 10 fields. The measurement parameters in SIAS were as follows ; frame rate = 30 frames per sec, image capture = 1 sec, minimum motile speed = $10{\mu}m/s$, maximum countable sperm number = 400. Statistical analysis was done by Student t-test with use of the Sigma plot program on a IBM personal computer. The dancemean(DNM) and hyperactivated sperm(HYP) of frozen-thawed KNC semen kinematics were significantly decreased(p < 0.05) after 10 min of incubation at $37^{\circ}C$ water bath. But, wobble(WOB) of same sample semen was significantly increased(p < 0.05) after 10 min of incubation and significantly decrease(p < 0.05) after 60 min of same incubation. And, after 30 mim of incubation, significantly differences were found most of motion kinematics, motifity(MOT), curvilinear velocity(VCL), straight line velocity(VSL), average path velocity(VAP), amplitude of lateral head displacement(ALH), beat cross frequency(BCF), mean angular displacement(MAD), dance(DNC), on same sample semen. The DNM of KNC semen sample was variable kinematics after 30 min of incubation. Also, the linearity(LIN) and straightness(STR) was significantly decreased(p < 0.05) from 60 min of incubation. In conclusion, the AI within 30 min after thawing of frozen semen can be an effective method for obtaining high fertility rate in KNC reproductive program.

• 공연문화연구
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• 제35호
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• pp.287-338
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• 2017

1910년대 고종 탄신 기념 연회는 예악의 조화로운 장엄미가 빛나는 조선시대의 공연 연출방식과 다르게 이행될 수밖에 없었다. '예식 - 오찬 - 공연'의 구도로 분리 이행되어 예악의 분화를 분명히 드러내는 형태를 드러냈다. 공연은 만찬 석상에 수반되거나 저녁 여흥에서 가볍게 구현되었다. 여흥이란 용어를 사용하게 되면서 이에 속하는 공연 종목들은 그저 즐길거리, 오락, 재미, 놀거리 정도로 전락하게 되었다. 공연의 컨텐츠들이 연회 전체와 긴밀한 짜임새를 지니지 못한 채 개별화 되었고, 상황에 따라 유동적으로 연행되는 방식으로 흩어져 버렸다. 그러므로 공연의 전체적인 완성도와 탄탄한 구성력은 기대하기 어려워졌다. 공연 종목은 궁중에서 연행된 전통 악무(樂舞)보다는 오히려 이전에 고종 친림 전통 연향에서 상연되지 않았던 양악, 민간 성악곡, 민간 기악곡, 마술, 영상이 각각 배치되었다. 즉 궁중 전통 악무로 일관될 수 없었고 민간 공연물과 신예술이 넘나드는 향연장으로 변환되었던 것이다. 궁중 공연의 외연 확장이라기보다는 전통을 망각시키고 유흥적인 분위기로 일제가 몰고 가는 형세에 처해 있었다.

• 동양고전연구
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• 제43호
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• pp.183-207
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• 2011

본 연구는 현재 이루어진 종묘제례악의 미의식과 다른 관점에서 여러 사상을 배경으로 완성된 종묘제례악의 피리 선율을 중심으로 미적 요소를 찾아보고 그에 따른 미의식을 살펴보았다. 종묘제례악은 조선시대 역대 왕과 왕비의 신위를 모신 곳에 제사를 지내는 것으로, 유교제사 의례의 결정체이자 제례문화의 대표적 문화유산으로 1964년 국가중요무형문화재(國歌重要無形文化財) 제 1호로 지정되었다. 또 2001년 5월 18일에는 유네스코(UNESCO)지정 '인류구전 및 무형유산걸작'으로 한국에서는 가장 먼저 등재되어 그 우수성을 인정받았다. 오랜 기간 조선왕조와 명운을 같이한 제례문화의 대표적인 문화유산일 뿐만 아니라, 우리조상들에 의해 창조된 악 가 무에 따른 총체적 예술형태의 아름다움을 집대성한 우리음악의 정수(精髓)로 인정받으며 전해지고 있다. 또 유교사상 뿐 아니라, 예악사상을 비롯하여 음양오행사상과 삼재사상(三才思想), 팔괘사상(八卦思想)의 전통사상을 배경으로 하고 있다. 이러한 종묘제례악에는 정관미 유장미 자연미 장려미 조화미가 내제되어 있다. 정관미는 희문과 전폐희문에서 찾아 볼 수 있었다. 유장미는 정대업에만 나타나는 특징이라 할 수 있다. 자연미는 변주시 선율진행에서 노련한 연주기교로 자연스런 창작이 연결되는 부분으로 희문과 전폐희문에 잘 나타나고 있다. 장려미는 보태평 악장선율의 가장 두드러진다. 또 조화미는 종묘제례악의 불협화음이 협화로 음악에서 자연스러운 조화미적인 관점의 미의식이 두드러지게 나타나는 정대업의 소무에 잘 나타나고 있다.

• 문화기술의 융합
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• 제7권3호
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• pp.375-382
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• 2021

장애 청소년은 부자연스러운 행동과 언어를 가지고 있어 부드럽고 유연한 언어와 행동이 어렵고, 학습의 경험이 부족하여 성숙한 행동과 의사소통이 자유롭지 못한 한계가 있다. 장애 청소년은 행동 변화를 가져오는 편안하고 창의적이며 독창적인 생각을 하도록 유리드믹스 음악적 리듬 요소를 시간과 공간, 힘과 무게 그리고 균형과 유동성으로 구분하여 교수학습에 반영하였다. 유리드믹스 리듬 요소를 적용한 학습지도안은 장애 청소년의 자아존중감, 의사 소통, 창의성이 향상되는 효과를 관찰하는 방향으로 교육의 효과를 높이기 위하여 음악교육, 미술교육, 체육교육에 융합하여 연구 참여자를 선정하여 인터뷰 질문지를 토대로 장애 청소년의 연구에 적합한 관찰 방법으로 진행하였다. 연구 결과, 음악, 미술, 체육(라인댄스, 플레이타임)을 융합하여 유리드믹스 리듬요소인 시간과 공간, 힘과 무게, 균형과 유동성을 적용하여 수업을 진행한 결과 장애 청소년 교육효과가 향상된 것을 관찰되었다. 따라서 이 학습 과정에서 한계점을 보완하고 장애 청소년 교육에 적용할 수 있는 다양한 교육방안과 유리드믹스의 신체 놀이를 통한 교육이 반영될 수 있는 지원제도, 그리고 다양한 학습 도구를 적절하게 구성하는 방안을 제시하고자 한다.

• 한국의류산업학회지
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• 제6권1호
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• pp.41-50
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• 2004

This research proposes the on-stage costumes for the play Hamlet of Shakespeare performed by Yunheedan Guhri Pae - the Street Theater Troupe. Stage costumes have an important role in displaying the characteristics of each characters to the audience and has big visual effects. However, in order to design the costumes in the object viewpoints of the audience, the survey on the images of the characters who had actually watched the performance was taken place and proposed the costume design according to the results of the survey. Hamlet a: This result was applied to propose a sweater in black color, black leather pants and vest. Hamlet b: This result was applied to propose hooded coat in purple in middle level of brightness and color spectrum and yellow coat. For free image, loose pants in blue and vest in the same color tone were proposed. Gertrude a: This result was applied to use purple (violet) with reddish tone to propose the formation of a dress applying tailored suit. Gertrude b: This result was applied to propose purple gown and the one-piece dress with black laces. Ophelia a: This result was applied to propose feminine white dress and cape in purple color tone. Ophelia b: This result was applied to propose dyed and weaved clothes. Through the surveys as above, the images of each character was driven in adjectives, and using the results driven from the brightness, coloration, and color, color images were proposed. Only one costume cannot make up for the stage costumes and because it exists as an element of stage production, it is true that costumes are limited in some areas. However, that limit can become the motive of the costume. There is a limit, which the designer cannot produce the costumes as he or she had designed but I believe it is the center of the on-stage customers to display the characteristics of the characters according to the given concept. The limit of this research is the fact that because the costumes were designed so they fit the conditions already given, thus it was difficult to regard the process of designing and producing the costume as a project done according to the interaction. And in the future, if it is possible, I wish for the joint research with the people responsible for stage art to take place as a practical stage art. It was possible to produce practical costume since they were produced for actual performance and the production of costumes considering the dance steps, line of flow, and acting, was able to reduce the trial and error on stage. Through this research, I felt that the understanding and smooth interaction on diverse other areas not limited to the costume design should be taken place and believe that this was a research that proposes new research method since there had been only a few previous research regarding the on-stage costumes for actual performances. Therefore, this research had depended on the surveys given to the audiences to endow objectivity, however, I wish this research can contribute to defining effective process and methods for the on-stage costumes with more active researches with diverse methods and in diverse areas. I am sorry that the costume production for all the characters and all the scenes in Hamlet couldn't be done due to many limitations. As the following research assignment, I am planning on designing the costumes for all the scenes.

• 한국응용과학기술학회지
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• 제35권2호
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• pp.519-531
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• 2018

본 연구는 여성노인을 대상으로 라인댄스와 저항성운동을 적용한 복합운동프로그램이 신체수행능력, 골밀도 및 부갑상선호르몬에 미치는 영향을 구명하기 위하여, 만65세~75세 여성노인을 대상으로 운동군 11명, 대조군 11명으로 분류하여 회당 60분씩 주 2회 라인댄스, 1회 저항성운동을 12주간 실시하였다. 운동 수행강도는 운동자각도(RPE)를 이용하여 '가볍다'에서 '약간 힘들다' 정도인 11~14 사이를 유지하였다. 라인댄스와 저항성운동 전 후에 측정한 자료의 그룹 내 차이 비교를 위해 대응표본 T검정, 그룹 간 차이는 운동 전 후의 변화량을 산출하여 독립표본 T검정을 실시하였고, 측정변인들에 대한 그룹 및 시기간 상호작용을 검증하기 위해 이원배치 반복측정 분산분석으로 하였으며, 각 항목별 통계적 유의수준은 .05로 설정하였다. 그 결과, 운동군이 신체수행능력 중 균형(p<.05), 보행속도(p<.01), 의자에서 일어서기(p<.001), SPPB 종합점수(p<.001)가 증가하였으며, 골밀도는 요추(L2~L4)골밀도에서 운동군이 유의하게 증가하였고(p<.05), T-score점수는 운동군이 유의한 증가를 보였으나(p<.01), 대조군은 유의한 차이가 나타나지 않았다. PTH수준은 운동군이 유의하게 감소하였고(p<.05), 대조군은 유의한 차이가 나타나지 않았다. 이상의 결과 규칙적이고 지속적인 신체활동은 여성노인의 신체수행능력, 골밀도 및 부갑상선 호르몬의 변화에 긍정적인 영향을 미친 것으로 사료된다.

• 한국연극학
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• 제49호
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• pp.5-47
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• 2013

Among the styles of performing arts, perhaps the genre that has attracted the largest audience would be musical. Popularity of musical has brought diverse changes in our performing arts market, and, upon emerging another musical genre, called 'Korean Traditional Musical Comedy,' it has been well-received by the audiences. 'Korean Traditional Musical Comedy' is a word that are formed by merging two other terms such as 'Korean Traditional Music' and 'Musical (Comedy).' In the meantime, however, it has yet some problems in order to be defined as the genre that has concrete concepts. It is because the term such as Korean Traditional Musical Comedy was created being closely associated with a marketing purpose rather than a term that defines the characteristics of a genre of performing arts. Although this new musical genre has drawn attentions of many audiences by adding 'Musical Comedy' to 'Korean Traditional Music' that was not quite popular to the public, it still does not have any established forms so that there is a fine line between "Korean Traditional Musical Comedy" and another genre like traditional style folk opera ("Changgeuk"). Looking at the characteristics of the musical work called 'Korean Traditional Musical Comedy, in general, first of all, it is a performance where music and drama are played. Here, the distinctive characteristic of this musical is that 'Korean Traditional Music' is sung. And the kinds of Korean traditional musics being sung are mainly Pansori (dramatic story-singing) and folk-songs, and, in most cases, Korean traditional musical instruments are being used as accompanying music. In this paper, the researcher investigated the aspects of experiment centering around Korean Musical Group, Taroo. These days, various experiments has been repeated not only for the works of Taroo but other musical work presently called 'Korean Traditional Musical Comedy' also. Having encompassed overall performance factors including use of musical instruments, dance, acting, materials for drama as well as music in drama, the researcher has gone through experiments repeatedly. Meanwhile, however, the subject matters that make 'Korean Traditional Musical Comedy' mostly attractive to the audiences are music and songs or sounds. ["Sori" also called "Chang" (唱)] Particularly, under the current situation of our musicals, the role of "Sori" is extremely important. The factor that plays absolutely most important role in acceptance and transformation of "Sori" is the created Pansori. Since the created Pansori is composed with new rhythmic patterns and new narrative poems, it tells the present story. Also it draws good responses from the audiences owing to easy conveyance of dialogues. And, its new style brings diversification to organization of musical instruments, so then this leads to the arrangements of music for Korean traditional music instruments, as well as instrumental music ensemble, orchestra, and jazz band, etc. Likewise, upon appearing creative musics in 'Korean Traditional Musical Comedy,' professional music and vocal compositions have begun to emerge naturally. And, the song specialist and writer, of course, staffs including direction, lighting, and sounds, etc are required. That is, professional composition method are forced to be introduced to all areas. Other than this, there are many music pieces which are based on our unique songs and sounds ("Sori") and such traditional factors as use of lead singer for ceremony or chorus, and the method that puts weight on Pansori. Accordingly many things accomplished. However, it is required that 'Korean Traditional Musical Comedy' go through numerous discussions and more experiments. Above all, the most important things are the role of actor and actress, and their changes, and training of actor and actress further. Good news is there are good audience responses. 'Korean Traditional Musical Comedy' is an open genre. As musicals are divided into several domains according to the characteristics thereof, 'Korean Traditional Musical Comedy' will be able to show its distinctive features in various styles according to embodiment.