• 한국조경학회지
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• 제32권4호
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• pp.105-117
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• 2004

The Pasadena Freeway follows the Arroyo Seco through foothills and scenic passes to link Downtown Los Angeles with Pasadena. The approximately 10 mile road was the first freeway built in the West during the 1930's and is today designated as a Historic Parkway. As it approaches Pasadena, it terminates at a traffic light intersection at Glenarm Street, and then becomes a commercial road the Arroyo Parkway. This one and a quarter mile long, north south road moves significant volumes of traffic both into and out of Pasadena. The Arroyo Parkway is thus a major 'gateway' and an important axis of orientation and movement, terminating in the City's core civic, commercial and retail district. Planting, lighting, signage, paving, furnishing and fixtures ought to all be properly designed and coordinated to create a distinctive 'gateway' experience arriving to Pasadena and driving along the Arroyo Parkway. Alternate design studies, developed in discussion with City officials and others involved in the redevelopment of the area, would need to be done to properly decide on the best direction. Issues of heritage and traditional streetscape will likely have to be reconciled with both the reality of the vehicular character of the road and more contemporary themes. Obviously with such large parcels of property available in the Arroyo Fair Oaks corridor, there is a huge potential for redevelopment and building. This potential would only be strengthened by the Light Rail Line and its stations, the improvements to the Arroyo Parkway, and the redevelopment of the Arts Center College of Design. Guides and controls to the development process, including programming and physical design studies, would need to be developed in order to ensure that the maximum potential for the corridor be realized. This concept proposal suggests that the whole strip might be developed as a Arts and Technology corridor, with special emphases on education, public culture, media and lifestyle. The full programming possibilities need to be further developed. Additionally, appropriate urban design guidelines to ensure high quality development also need to be incorporated into an overall development plan.

• 생물환경조절학회지
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• 제18권2호
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• pp.95-100
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• 2009

본 연구는 식물체 캘러스의 접종공정의 자동화기술 개발하기 위하여 캘러스를 인식하는 영상처리 시스템과 캘러스를 새로운 배지로 접종하는 접종용 엔드이펙터, 매니퓰레이터 및 자동화 제어장치를 개발하고 그 성능을 평가하기 위하여 수행되었으며, 본 보에서는 영상처리 시스템 및 매니퓰레이터에 대한 연구결과를 소개한다. 캘러스의 인식을 위하여 영상처리부와 조명부로 구성한 영상처리 장치를 개발하였다. 영상처리부는 CCD 카메라와 PC로 구성하였으며, 조명부는 55W/3 파장 램프를 전면과 측면에 각각 설치하여 항상 일정한 조도가 유지되도록 하였으며, R, G, B 각 프레임별 화소특성을 검토한 결과, 캘러스와 배양용기는 B 프레임에서 분리가 가능하였다. 또한 캘러스 분할을 위한 알고리즘의 개발결과 캘러스가 원형인 경우는 도심을 기준으로 절단하고 장변형인 경우는 길이방향의 수직으로 절단하도록 하였으며, 장변형의 경우 위치하고 있는 방향을 인식하여 $0{\sim}180^{\circ}$ 범위내의 결과 값을 로봇측에 전송하여 엔드이펙터의 방향을 결정하도록 하였다. 영상취득부터 캘러스의 분할위치 결정까지 1사이클에 소요되는 시간은 디스플레이 1.5초, 영상처리 0.7초 등으로 총2.2초였으며, 개발된 인식 알고리즘의 정확도는 용기인식의 경우 전체 30개중에서 28개가 정확히 인식되어 성공률은 93%가 되었다.

• 화훼연구
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• 제17권1호
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• pp.48-51
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• 2009

충남농업기술원 예산국화시험장에서는 황색 홑꽃의 다화성 스프레이국화 신품종을 육성하기 위하여 2003년에 모본으로 'Noa'를 부본으로 'SP03-05-04'를 인공교배하여 'Yes Arang'을 육성하였다. 2005부터 2007년까지 3년 동안 촉성 및 억제재배 등 주년재배 특성검정을 하였다. 'Yes Arang'의 자연개화기는 10월하순경이나 촉성 및 억제재배로 주년생산이 가능하다. 이 품종의 고유특성은 황색이고 홑꽃이며 줄기 굵기가 굵고 착화수가 15.1개로 많은 편이다. 꽃의 직경는 4.3 cm이고 화심 직경은 1.2 cm이다. 이 품종의 절화수명은 17.2일이며 흰녹병에 대해 저항성이고 소등 후 개화반응기간은 7주로 빨리 개화하는 편이다.

• 가정과삶의질연구
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• 제23권2호
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• pp.107-125
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• 2005

Each ethnic group has a different cultural background and has developed its own culture in the name of a tradition. The interaction between different cultures is ever increasing through the process of acculturation or culture contact The purpose of this study is to provide baseline information about domestic living of Korean immigrants in Australia and Australians for a larger cross-cultural study project. As the first step, the usage of domestic space and seating styles of 52 Korean households in Melbourne were analyzed. Ethnographic research was conducted, utilizing a questionnaire. The findings of this research are as follows: 1. The most popular type of Living-Dining-Kitchen arrangement was the one which the kitchen is separated from the living and dining area. The level of satisfaction was the highest when the living room, dining room, and kitchen were all separated. 2. A laundry room was indispensable for Koreans in Australia, and they wanted to dry laundry and do ironing in there. Most people were satisfied with the toilet separated from the bathroom A drain hole on the floor of the bathroom was not indispensable for most Korean-Australians. 3. Korean-Australians tend to engage in various activities in their individual rooms, and they estimated that the size of most rooms were small. They also wanted to renovate the house to expand the rooms. 4. The seating style of Korean-Australians was mostly chair-seating. Yet, they often made beds on the floor for guests, and made kimchi sitting on the floor. Also, when they were relaxing, they were using both chair-seating and floor-seating. 5. Korean-Australians were not very satisfied with the use of floor carpets because of the dust collected on the carpets, and the difficulty to clean. It may be related to their preferred floor seating style, as well. 6. Almost all Korean-Australians take off their shoes inside of the house for hygienic reasons. They had a shoes cabinet at the entrance inside of the house. 7. The most popular heating system was ducted heating. The level of satisfaction about this was moderate because hot air contains lots of dust and it makes rooms very dry. Many were using electric blankets and their desired heating system was Ondol (heated floor). 8. Korean-Australians thought that the living room was the most important place for the family, and believed it should be decorated well to entertain guests. They also pointed out that the lighting was not bright enough in general.

• 해양환경안전학회지
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• 제26권1호
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• pp.84-92
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• 2020

본 연구는 마비성 독소 표준물질의 안정적인 공급을 위해 친환경적이고 경제성이 우수한 발광다이오드 광원의 파장을 이용하여, PST의 원인종 Alexandrium catenella와 A. pacificum의 독 함량을 증대시킬 수 있는 가능성을 살펴보았다. 파장별 광량과 생장속도의 관계를 보면, 반포화상수(Ks)는 두 종 모두 적색파장에서 가장 높게 나타났고, 청색파장에서 가장 낮았다. 빛 파장에 따른 독함량의 경우, 적색 파장이 A. catenalla은 최고 약 8배 그리고 A. pacificum은 약 3.4배 다른 파장보다 높았다. 그리고 광량에 대한 친화성을 나타내는 Ks와 독농도와 밀접한 관련이 있는 것으로 나타났다. 따라서 세포당 독농도 증가를 위한 배양법은 초기에 세포수량의 확보 및 빠른 생장속도를 유도하기 위해서 청색파장을, 대수생장기 후기에는 적색파장을 주사하여, 세포내 독함유량을 증가시킬 수 있는 2단계 배양법을 제시할 수 있을 것으로 생각된다.

• The International Journal of Costume Culture
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• 제13권2호
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• pp.141-153
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• 2010

Fashion needs to be understood as practicality and creative behavior and various movements of paintings act as inspirations of original design for fashion designers. This study seeks to find sources of fashion designs in the works of Mark Rothko who is in the center of color-field abstract. Color-field of Rothko provides infinite inspirations as colors are identically treated as shapes and lighting and textures are all included on top of it. In this study, the purpose is to create color focused artistic fashion design by exploring the possibility of expression with the colors of Rothko as the main motive. The study method is as follows. First, the concept and significance of color-field abstract are researched through documented data. Works of Rothko is divided into three periods according to their characteristics. The background of the formation of color-field abstract of Rothko is understood by analyzing the trends of the works in each period. Second, twenty representative works from 1949 to 1969 are selected and analyzed in formative components of color, shape and textures in order to more accurately understand shape of colors, brilliance, simplicity that appear in the mature color-field abstract of Rothko. Third, preexisting methods of color-field of paintings developed into motives of clothing are studied focusing on the collections from 1997 to 2006. Examples of applications of color-field images in modern fashion designs are analyzed. Fourth, motives are selected based on general characteristics of color-field abstract of Rothko and the results of the formative analysis. Clothing is produced that expresses the colors of the paintings of Rothko more effectively. As the results of the study, restrained shapes and textures and various forms of color combinations shown in color-field abstract of Rothko provided deep inspirations on material composition and color planning for fashion design focused on colors. Additionally, needle-punching technique using wool for the production technique enabled relief texture expressions of materials by colors and effective applications of soft and warm atmosphere of color-field abstract of Rothko on clothing. Especially, the ideology of color-field abstract of Rothko of shaping of colors could be expressed and the direction of the development of motives could be presented at the same time by specifically applying color combination method using horizontal division of atypical color-field from the formative characteristics of color-field abstract of Rothko.

• 원예과학기술지
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• 제30권2호
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• pp.220-223
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• 2012

'Dream Water'는 경기도농업기술원에서 2009년도에 육성한 절화용 스프레이 국화 신품종이다. 2005년도에 화색이 진한 노랑색이면서 홑꽃형 스프레이 국화 'Patra' 품종을 모본으로 하고 흰색의 스프레이 국화 'Ruces' 품종을 부본으로 하여 교배를 하였다. 2006년에 실생을 양성하여 선발 후 화색과 화형이 우수한 3계통을 예비선발을 수행하였으며, 2007-2009년에 주년 재배성을 위한 3회 이상의 특성 검정과 품평회를 실시한 결과, 절화생육과 개화특성이 우수한 'GCS06-28-3' 계통을 최종 선발하여 '드림워터(Dream Water)'로 명명하였다. 화색은 연한 아이보리 색상을 띄는 흰색계열로(White Group 155B) 깨끗한 이미지를 주고, 홑꽃형이며 중앙의 통상화가 시원한 느낌의 녹색(Yellow Green Group 144A)을 나타내었다. 꽃잎수는 26.8매이고, 화경은 5.6cm에 절화장은 89.7cm, 흰녹병 발생은 거의 없었으며, 절화수명은 16.7일이었다.

• 원예과학기술지
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• 제31권4호
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• pp.517-521
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• 2013

'Dream Round'는 경기도농업기술원에서 2010년도에 육성한 절화용 스프레이 국화 신품종이다. 2006년도에 화색이 흰색이면서 갈색심을 가지는 아네모네형 스프레이용 국화 'Hebo' 품종을 모본으로 하고 분홍색의 아네모네형 스프레이용 국화 'Samos' 품종을 부본으로 하여 교배를 하였다. 2007년도에 실생을 양성한 후 선발된 실생계통 중에서 화색과 화형이 우수한 8계통의 예비선발을 수행하였으며, 2008-2010년에 주년 재배성을 위한 3회 이상의 특성검정과 품평회를 실시한 결과, 절화생육과 개화특성이 우수한 'GCS 06-'99-10' 계통을 최종 선발하여 'Dream Round'로 명명하였다. 'Dream Round'는 흰색의 설상화(RHS White Group 155B)에 진분홍색(RHS Red Purple Group 68A)의 통상화를 가지는 아네모네형으로 꽃잎수는 26.1매이고, 꽃직경은 34.1mm 이며, 절화장은 92.4cm이고 흰녹병 발생은 거의 없었으며, 절화 수명은 21.7일 이었다.

• 한국실내디자인학회논문집
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• 제20권5호
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• pp.42-50
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• 2011

In the 21st century, people began to pay more attention on the culture, and the chances for them to participate in the cultural lives also increased. The spaces for entertainments can also be deemed as the center of the cultural contents. The entertainment is, in consideration of its definition by the literal meaning and the origin of the word itself, 'an act that entertains, or any artificial creation that is designed to give entertainment with a view to relieve the subjects from the burdens they have as they live.'Of the modem entertainment spaces, the one with the most profound visual manifestation of the entertainment element is the club. The purpose of this study is to examine the influence from the entertaining element manifested in the club spaces. Only until a few years back, the club spaces were deemed with negative impressions that comes with the more negative side of the entertaining world. But, recently such negative impressions are lift off considerably, and the club spaces are regarded with positive impressions as to be the kind of place where the young people can enjoy performances and other kind of culture in healthy atmosphere. In Chapter 2, we will examine the entertainment and the nature of the pleasure it gives, as well as the correlation between the entertaining environments and the pleasure they give. In chapter 3, the entertaining elements within such contexts are classified into the experience, form, color, objects, and the lightings and examine the characteristics of each of them. Also, the influences of these elements to the entertaining environment will be reviewed. In the case study in chapter 4, 9 overseas and domestic club spaces that were introduced in 'Interior World' magazines, that is, in the issues that are focused on 'Entertainment,'such as Issue 59, 68, and 79. As a result of the analysis, the influences of the entertaining, or pleasing, elements were discovered. The particular expression characteristics of the pleasing designs in the club spaces are, namely, the form elements, material elements, color elements, objects elements, and the lighting elements. As the society changes and the cultural level goes up, the club spaces are required to adopt more changes. Therefore, the pleasing elements of the space should receive further emphasis. These elements will act as a trend in the space and make the people appreciate the space more refreshing.

• 복식
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• 제22권
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• pp.159-176
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• 1994

This study's purpose is to find the ancient costume of the folk song's words on Dunhuang manuscripts in the background wass-carvings sculptures and several art works. Dunhuang had played the part of major route between ancient China and Europe. It is located on kam-suksong the west of China. 1. In the aspect of costume arrangement hair Styling is represented by Naegagyo, Wangyesa, Kyongburak, Bonkwyun, Pogurak, Chonsonja, Namgaja, Tongson-ga, Ojesa, Chanboja in Dunhuang manuscripts. tugue is sim-ilar to Sabyokkwanja in Naegagyo as of that time these kinds of Kwan-ja was very popular. It was told that emperor's wife concubine and maid of honor would wear kwnaja favorably. And the kinds of Tugeu is PuyongKwyunkye, Aangunkye, Chunkye from Kyuwanjon except Sangunkye, Ounkye in Dunhuangsa. 2. Jangdaegy is guoted from Kyuw-anjon -A series of the chinese history book-tells us about women's make-up . The narmes of make-up are Hongjang Unjan--g, Yiljang chwejang, Tam-ajang Murgjang, Sanagjang, Light-make up are referred in Naegagyo is included as packjang Besides we can find other make-up skills Huphwaro and Rujang from the Kaewonch onbon-wisa which was Yangkwibi's episodes. We can find the a corpus of song's words about cosmetic custom in Kor-ea. Which is 'Haecho' folk song in the souther-en costal regions 'Jinggum' folk song in Kim-hae regions and so on.... It's words is similar to Dunhuangsa in China. 3. Bichun inherited to China with India Bud-dism art in the middle of Dunhuang wall-pain-tings is one of the important Buddist saint. Sometimes it is painted with Giakchun Its arms of fly-dnacing in heaven with colored belt on body has almost the form of play on the musical instrument, We can see seasily the form in the painting of Buddist ser-mon. It was progressed and changed with the background of chinese traditional culture. When Dang's period came the color was chan-ged lighting dark blue has rhythmical and viv-id power of life. 4. Among the corpus of song's words which express the singers' system and rites of their tradition or habits. Dunhuang manuscripts des-cribes on behalf of the folk song's words in tra-ditional costume. This is following: (1) Naegagyo o sabyokwanja o Chyrasam o Rashang (2) Wangyesa o Sokryugun o Costume for fisher man (3) Bungajang of the chanboja o Ajang (4) Pongkwyun o Chongui (5) Tongsongs o Junofore (6) Namgaja o thin-Rasam (7) Yuchungnang o Hongsam o Sokryugun : The color of red costume (8) Kyongburak o Hongrasam o Sokryugun : Costume for charming woman Therefore traditional costume could be extracted according to the Dunhuang folk song's words out of culture such as learning rit-es three-obedience four-virtues and in-struction. As the same time it reflects ancient China's characteristics directly. I would endeavor to development for the history of the costume furher creative design and participat-ed in research activity with concerns forward continuously.