• 건축역사연구
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• 제26권2호
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• pp.43-52
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• 2017

While going into troops for writing in the vignette style(小品文) in opposition to the Classical Chinese(古文), Yi Ok stopped by Songgwangsa Temple in Wanju. The things he felt during this stop were recorded in the Temple Chapter("寺觀") written in 1795. Therefore, the present dissertation evaluates the Songgwangsa Temple of the time based on this Temple Chapter. Data in the Temple Chapter draws attention to the fact that it records the layout of the temple in detail. Thus the study was able to confirm the change in layout by reviewing relevant records about repair. This reveals that the form of layout in general has been maintained although there were changes involving the relocation of the buildings and their names. Furthermore, the original Buddhist building was changed to a quarter for the monks. Also, in terms of layout after the 18th century, there are frequent name changes of the Myeongbujeon(冥府殿) and Nahanjeon(羅漢殿). After two repairs, in order to find the appearance of a Daeungjeon(Main Buddhist hall) with a two-storied structure of five bays at the front, the study evaluated the Geugnakjeon at Muryangsa Temple and the Daeungbojeon at Magoksa Temple. The evaluation revealed that the 'Jeol' used in the Temple Chapter were small pillars erected on a ridgepole just like the Geugnakjeon at Muryangsa Temple, and that the angle rafters were installed to corner bays in rectangular form. The intellectual Yi Ok left behind invaluable architectural data that reveals the Songgwangsa Temple of the 18th century.

• 과학기술학연구
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• 제14권1호
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• pp.35-57
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• 2014

본 논문이 주목하는 것은 서구에서 형성된 생명정치가 어떻게 한반도에서 전사회적으로 받아들여졌는가 하는 것이다. 이를 위해 구한말, 일제강점기의 주요 의료담론인 "위생"과 "매약"을 통해 생명정치 시선의 대두를 조망해 보고자 한다. 개항이전의 위생과 개항이후의 위생은 음도 같고 한자도 같지만 의미는 괄목할 만한 차이를 보인다. 그 의미의 간극에서 관찰되는 것은 1인칭에서 3인칭으로 전이된 몸을 바라보는 시점의 변화이다. 이 시점의 변화를 통해서 수동형의 몸과 몸에 개입하는 정치의 고리가 구축된다. 매약은 이러한 시점을 확대강화 시키며 구매 가능한 재화로서의 건강을 일상화시킨다. 위생과 매약은 과거의 담론과 실천이지만 결코 과거에만 남아있지 않다. 지금 한국의 의료체계가 바탕으로 하는 몸과 질병에 대한 관점이 위생, 매약과 깊은 연관을 가진다. 본 논문은 지금 한국사회의 강력한 의료담론인 검진의 예를 통해서 현재진행형인 위생, 매약 담론과 거기에서 관찰되는 한국사회 생명정치의 시선을 드러내보이고자 한다.

• 복식
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• 제64권6호
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• pp.78-90
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• 2014

This paper examines the way that the principles of coloration for Hoecha(繪次) and Sucha(繡次) were applied for shoe making in ancient China and Korea. Hoecha is the principle of drawing, and Sucha is the principle of embroidery. Hoecha and Sucha is the application principle of the five colors(五方色) from the five elements(五行: metal, wood, water, fire, and earth). Hoecha matchs a color with the opposite side color, and Sucha matchs a color with the beside color. A shoe consists of Sinul(body of shoe) and ornaments attached to it. According to the ratings of shoes, Hoecha and Sucha were differently applied for coloration of Sinul and its ornaments. In general, shoes were classified into Seok and Gu. For Seok, which was the high-ranked shoes, Hoecha was applied, while Sucha was applied to Gu, the low ranked shoe. As Hoecha was originally a principle of coloration for patterns on tops(jacket. 上衣), it was applied to the high ranked shoes i.e., Seok. Also, as Sucha was a principle of coloration for patterns on bottoms(skirt. 下裳), it was applied to the low ranked shoes i.e., Gu. Thus, black was decorated on red Seok, blue on white Seok, red on black Seok, yellow on hyeon(玄: a kind of black color) Seok, and white on blue Seok, all of which were applications of the principle of Hoecha. As the application of the principle of Hoecha to Seok was also done for red Seok for males and females in late Joseon, and red Seok for the crown prince in the period of the Korean Empire, black decorations were used for red Sinul. However, for blue Seok, worn by females in the period of the Korean Empire where Ming's systems prevailed, black decorations were used, which was an application of Sucha. Though there had been no discrimination between genders in the application of Hoecha and Sucha originally, the low ranked principle of coloration was applied to Seok for females.

• 건축역사연구
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• 제23권5호
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• pp.7-22
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• 2014

It is identified that an initial person who built of 'Seoul Gyedong Modernized Hanok(former Min Hyeong-gi house)' used as 'Bukchon Culture Center' in present, was not Min Hyeong-gi, but his wife, Yu Jin-gyeong, and she built it when 8 years went on after his death(1879~1973), and the construction year was at the gate of Chuseok in 1921. Yu Jin-gyeong was Head Family's Eldest Daughter-in-law in family of Yeo Heung-min who was an influential person at the late Joseon Dynasty and was widow who had only son for 3 generations. And she built this house and moved to gain daughter and live futher grandchilds together in law in new nest. It is arranged that an annex surrounds with main building as the central figure. And this house emulates Yeonkeong-dang in backyard of the Changdeok Palace for 'preservation of main building' and Chim-bang-ga-toe applied on a bedroom in a palace is applied around nobleman family's the main room. It is rare case and expresses that a palace factor is borrowed. Yu Jin-gyeong's house is that a tradition Hanok is adjusted closely in city and central and basing mode as 'protective bedding' and building concept as 'a noble and protective architecture' is realized. So it has a character that development of Hangrang architecture is appeared and Head Family's Eldest Daughter-in-law widow of modern upper class had a special benefit. As well as, a meaning that it is experimental house based on tradition and is build of Hanok with housekeeping as the central figure for appear a form which has minimal Hangrang for housekeeping in yangban family of modern city, can be found.

• 보존과학회지
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• 제29권4호
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• pp.445-450
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• 2013

이 연구에서는 사찰벽화에 사용된 안료에 대한 성분 분석 자료들을 종합, 비교하여 조선 후기 사찰 벽화에 사용된 채색재료의 특징을 고찰하였다. 연구대상은 ED-XRF를 이용한 분석자료로 전국의 8개 사찰벽화 61점에 대한 것이다. 이들 벽화의 제작 시기는 대체로 18~19세기에 해당한다. 벽화 채색층의 색상은 대략 7가지 계통으로 분류되며, 백색은 Pb, Fe, 육색은 Pb, Ca, 황색은 Fe, 적색은 Fe, Pb, Hg, 녹색은 Cu, Fe, 청색은 As, Co가 검출되었고, 흑색에서는 색상원소가 검출되지 않았다. 자료들을 비교 분석해 본 결과 조선후기 경상도와 전라도 소재 사찰벽화에 사용된 안료들은 그 종류에 있어 시기나 지역적인 차이가 크게 관찰되지 않았다. 한편, 동종 안료라도 채색부위의 위치에 따라 다른 색상과의 혼색에 차이가 관찰되었다. 이것은 사찰벽화에서 선호되는 색상표현방식이나 안료의 귀천에 따라 그림에서의 위치(주제부와 주변부)에 따른 용도가 달랐음을 시사한다. 이러한 결과는 향후 비파괴 분석법을 이용한 사찰벽화 분석자료를 이해하는 데 참고자료로서 활용될 것으로 기대된다.

• 한국문헌정보학회지
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• 제45권4호
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• pp.235-251
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• 2011

이 연구는 그 동안 밝혀지지 않았던 꼴레쥬 드 프랑스에 소장된 한국고서를 실사(實事)하여 소장본의 규모와 전래경위, 자료적 특징을 살피는 것을 목적으로 하였다. 이를 위하여 꼴레쥬 드 프랑스 도서관에 한국고서가 유입된 역사적 배경과 과정을 조사하였으며, 서지목록을 작성하고 이를 대상으로 주제별 판종별 시기별로 분석하였다. 특히 구한말 한국고서의 현황과 프랑스 내 한국고서 소재파악의 중요한 참고문헌인 "한국서지(Bibliographie Cor$\acute{e}$enne)"를 저술한 모리스 꾸랑(Maurice Courant, 1865-1935) 개인 소장본과 꼴레쥬드 프랑스 소장본과의 관계를 규명하였다. 또한 이들 자료에 대한 서지데이터베이스를 구축하고 공동활용의 방안을 모색하여, 본 연구가 앞으로 국외소재 한국 전적문화재의 발굴과 조사에 일조하고자 하였다.

• 한국경제지리학회지
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• 제18권4호
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• pp.556-572
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• 2015

이천 도자기 산업공간은 전통도자기를 재현 및 계승하는 전승도예 공간과 대학 도자공예 교육에 기반을 둔 현대도예 공간이 혼재되어 나타나 이원적 공간구조를 형성하고 있다. 따라서 본 연구는 이천 도자기 산업의 발달경로와 네트워크 실태 분석을 통해 전승도예와 현대도예의 이원적 공간구조를 분석하고자 하였다. 그 결과, 첫째 이천 도자기 산업공간은 점차 전승도예 공간에서 전승-현대도예의 이원적 공간으로 이행하고 있으며, 전승도예의 발달경로는 점차 쇠퇴하는 한편, 기존의 전승도예 발달경로를 기반으로 새로운 현대도예 발달경로가 창출되어 점차 이천 지역에 뿌리를 내리고 있다. 둘째, 전승도예와 현대도예는 기업 간 관계와 기업 외 관계 측면에서 상이한 양상을 띤다. 셋째, 정부는 대학교와 이천 도자기 업체(주로 전승도예 업체)간 기술협력 및 공동연구가 이루어질 수 있도록 재정적 행정적 지원 역할과 네트워크 중개 역할을 수행하고 있다.

• 동국한의학연구소논문집
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• 제10권
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• pp.62-76
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• 2008

연구목적: 한방소아과학은 조선후기에 집어들어 자주적이고 독립적인 발전을 이룩하여 왔으나 일제침략기에 이르러 서양의학의 유입과 일제의 한의학 말살정책으로 인하여 점차 쇠퇴해져 갔다. 한의계는 일제의 한의학말살정책에 맞서 한의학술잡지를 간행하였으며, 이는 근세 한방소아과학의 학술적 경향을 이해하는데 매우 중요한 자료라고 할 수 있다. 연구방법: 한의학지식정보자원 웹사이트에 있는 12종 80권의 한의학술잡지 중 소아와 관련된 내용을 포함하고 있는 9종 31권의 학술잡지를 조사하였다. 결론 및 고찰: 이러한 학술잡지를 조사함으로써 당시의 한방소아과학의 학술적 경향은 동양의학과 서양의학의 상호작용과 서로의 장점을 균형적으로 받아들이려는 새로운 형태의 모습으로 변화된 것으로 보인다.

• 건축역사연구
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• 제27권3호
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• pp.15-26
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• 2018

As a result of reviewing various documents and existing researches, since the late Goryeo period, the most active period in the Ondol(溫突, Korean floor heating system) facilities is the 17th century. The phenomenological reason was recovering the buildings destroyed by the Japanese Invasion of Korea in 1592(壬辰倭亂) & the Manchu War of 1636(丙子胡亂), but the underlying cause was an abnormal climate in which a pair of summer and winter cold continued. In the 17th century, as the Ondol facilities grew rapidly without distinction between regions and classes, the supply and demand of fuel caused economic and natural environmental problems. And a negative and positive view on Ondol was suggested. Since the middle of the 18th century, when the demand and supply of Ondol reached its peak, which could no longer increase, a new awareness of Ondol began to grow. The room was called the Panbang(板房) and the Ondol, depending on the material that made up the floor. It was considered natural to have the Ondol from this time on. The Incan(因間) and Jo(竈) that were made to burn were started to be recorded as a kitchen, regardless of size and function. Changes in social awareness of Ondol have led to concerns about heating efficiency. A variety of architectural explorations were conducted. Such a search was later realized in concrete architectural form. There is a double Ondoll structure, and the column spacing is reduced compared to the previous one. The heat buffer space is formed around the Ondol room, and the double window can control the light and the air going in and out.

• 한국한의학연구원논문집
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• 제17권3호
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• pp.17-24
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• 2011

Bonchoyuham Nyoryeong(本草類函要領) shows how Donguibogam(東醫寶鑑) -Mirror of Eastern Medicine- is understood, digested into Korean medicine, and at the same time how it participated in the historical shaping of Korean medicine since the publishing in the early 17th century. The author, Hyeon Jae-deok, internalized the structure, content, and significance of Donguibogam and drew out a novel, concise, but comprehensive type of medical manual, while many other medical books since the 17century in Korea are estimated to have been an abridged edition of the Donguibogam. It may well be estimated as exemplar of the extent to which Donguibogam informed Korean medicine since the 17 century. The book shows as well how Bencao Gangmu(本草綱目) -Compendium of Materia Medica- and Donguibogam are merged and set a new medical stream in the 19th century Korea. Hyeon Jae-deok looked at the Bencao Gangmu from the lens of clinical treatment and prescription such that he focused on sections, elements, or parts of procedures, treatments, and prescriptions, not on the herbal taxonomic knowledge of the book. This perspective was embodied in Bonchoyuham(本草類函), which cited simple remedies, prescriptions, or treatments from Bencao Gangmu.