• Proceedings of the Korean Institute of Interior Design Conference
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• 2007.05a
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• pp.275-280
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• 2007

The modern society of the 21century is becoming a discussion as spaces appearing as ambiguous boundaries caused by complexed cultural phenomenon. As for the spacial factors we recognize, which appears as phenomenon in which is emphasizing the existing system of cognizance and thinking through drawing inviable parts of the effort within escaping the limits of gravity. This Merleau-Ponty and Gilles Deleuze refines it as theories called "Perception" and "Sense", and through the 'visible and invisible' of Merleau-Ponty and the 'Nonsense and paradox' of Gilles Deleuze, this study object is forming these inviable representations into space. Using the similarities of these two theories as a tool, we will analyze the examples of space with drawing the force that forms invisibility into embodiment, building a possibility of improvement in future spaces.

• Journal of Information Technology Applications and Management
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• v.23 no.2
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• pp.11-28
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• 2016

In this paper, we proposed a dictionary extension and a ternary decomposition technique to improve the effectiveness of Khmer word segmentation. Most word segmentation approaches depend on a dictionary. However, the dictionary being used is not fully reliable and cannot cover all the words of the Khmer language. This causes an issue of unknown words or out-of-vocabulary words. Our approach is to extend the original dictionary to be more reliable with new words. In addition, we use ternary decomposition for the segmentation process. In this research, we also introduced the invisible space of the Khmer Unicode (char\u200B) in order to segment our training corpus. With our segmentation algorithm, based on ternary decomposition and invisible space, we can extract new words from our training text and then input the new words into the dictionary. We used an extended wordlist and a segmentation algorithm regardless of the invisible space to test an unannotated text. Our results remarkably outperformed other approaches. We have achieved 88.8%, 91.8% and 90.6% rates of precision, recall and F-measurement.

• Proceedings of the Korea Contents Association Conference
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• 2004.05a
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• pp.449-455
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• 2004

In aspects of materializing rational and reasonable beauty in motion picture contents design area, it intends to conceptualize the visual design through studies of the invisible area, the virtual space of the dematerialized era, contrary to the commonly practiced visual design area of the concrete substance and to provide an opportunity to gain new senses and the embedded meanings of the motion picture graphics, which are created in the electronic space. Especially, although the invisible phenomenon such as electromagnetic wave exist in space, it was treated as a conceptual subject. However, it intends to seek a design approach about physical, poetical, aesthetical experience of the design in the invisible area, escaped from the limited existing perspective. Based on such theory, it denotes to secure the possibility of new design through the application of sound, rhythm, color and image in fractal design area.

• Journal of the Korean Geographical Society
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• v.46 no.6
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• pp.767-780
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• 2011

The present paper discusses the relationship between human being and space through 'recognition.' Recognition is the natural desire of human being. Every human being wants to be recognized for what they do in everywhere. Human being enhances their own identity and fight for the raison d'etre to be recognized by others. Hegel's recognition is grounded by a process of mutual recognition based on the subject-object view of human beings. On the other hand, the recognition based on inter-subjectivity is founded by the view of human beings emphasizing "we" on the basis of the relationship between you and I. These two meanings of recognition make it possible to newly recognize the relationship between human beings and space. In the paper, I emphasize the role of geography about the invisible space over the geographical recognition regarding the visible space dealing in previously geography. I expect to be recovered the nature of geography by revealing the invisible space. Also, the geographical discovery is presented about two spaces including inaudible space and unwritable space but having story via '$\acute{e}$criture blanche.' In terms of the discovery, I criticize irrationalities and discrepancies of our society and suggest ways of solving problems. The goal of the discussion is to support the overcoming of the immediate geography crisis as well as communicate with the world as humanity.

• Proceedings of the IEEK Conference
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• 2002.06d
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• pp.117-120
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• 2002

In this paper, we propose a new text watermarking method using space coding and PN sequence. A PN sequence generated from user message modifies the space between words in each line. The detection can be done without original text image using the average space with in the text. Experimental results show that proposed method has the invisible property and robustness to the attack such as the elimination of words in the text.

• Journal of the Korean housing association
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• v.10 no.4
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• pp.121-135
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• 1999

Korean Traditional Houses had been composed of several territory. Sarang-Chae was territorialized from the functional differentiation and the sexual discrimination of Confucianism. The territory of ancestral shrine was formed with the filial duty of Confucianism. Korean Traditional Houses have the visible, material boundary and invisible, symbolic boundary which is repeated into the inner space. Korean Traditional Houses are appreciated as the enclosed territory which the sacred inner space of the house is in opposition with the profane outer space, and the inner space of the house has hierarchical boundary by the hierarchy of the house god.

• Archives of design research
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• v.12 no.4
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• pp.243-250
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• 1999

Interior design is depend on combination way of between invisible meaning and visible form, then it has a several meaning by that. The meaning of interior space is a invisible concept which is shown by a form and it is mainly recognized by a image. The purpose of this study is to explore that characters of image in communication process, typical aspect and structural aspect have been shown in interior design. On this study, I try to study space analysis about commercial space to explore character of spatial image through theoretical approach. In a result, the image of interior space is made by deep representation as a designer's basic concept and is delivered by conversion of various codes. Therefore, the image of interior space is not a additional concept which is made by natural factor of space, it is a design concept which must be dealt with space planning.

• Korean Institute of Interior Design Journal
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• v.22 no.2
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• pp.89-99
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• 2013

The comtemporary architecture has not an discourse on form and representative style, but a new architectural concept of the generative process through the various relationship of the urban context, the continuity of the time and the experience of the people. This architectureal concepts make new and various architectural attempts to have a virtuality. The viruality is a reality to coexist with the present in contemporary philosophy. Daniel libeskind makes various arhcitectural experimentative attempts to reveal his virtuality through his memory as the Jews and his unconscious virtuality. The 'line' has the connotation of architectural reality and virtuality. Every line drawn becomes architectural form for example, walls, windows and makes spaces, and reveal a boundary as a connection. Architecture's visibility understates and structures its invisible aspect, so that the visible and the invisible make the architecture together. Daniel libeskind maks the virtual lines having the invisible of unconsious, time, and place. He no longer divide the form of architecture, its spatiality from all the implications which it adresses beyond its own particular built time and place and public unconsious mind. He demands the 'virtual line' that remembers distress and the past and reveal the virtuality of time and place. The virtual line is the sentimental communication of architecture.

• Journal of the Korean Institute of Telematics and Electronics S
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• v.35S no.7
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• pp.86-94
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• 1998

The rosette-scan seeker is a device mounted on the infrared guided missile. It offers the positions and iamges of target to missiles servo system by scanning a space about target in rosette pattern with a single detector. An instantaneous field of view (IFOV), which is a diameter of a detector moving along the path of the rosette pattern, has the property that its smaller size provide the less interference of background signals and detector noise. If its size is too small to voer the total field of view (TFOV), however, it produces the invisible regions in the TFOV. In this case, the invisible regions cause the performance of the seeker to deteriorate. For full scan-coverage, it is necessary to design the small IFOV without the invisible regions in the TFOV, as possible. In this paper, we propose the new method of designing the smaller IFOV than the conventional method and verify full coverage of the scanned region. By comparing the nose equivalent flux density (NEFD) of the proposed method with the that of the conventional one, we confirm that the former is better than the latter in terms of performance.

• International Journal of Advanced Culture Technology
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• v.7 no.4
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• pp.308-312
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• 2019

When one enters a space, perceives the material geometry of that space. Walking inside buildings or across the city is generating a geometry of moving bodies that fills the space. These two geometries coexist: a static geometry of the space and an invisible one of the moving bodies. The space that we actually experience, whether interior or exterior, is a continuous network of voids. Individuals' movement will fill the network of voids that we understand as "the city". Our environment of voids and borders is organized by the means of architecture and urbanism. The geometry generated by motion affects both the limits and the voids, thus space can be defined by the tandem of the moving bodies and their environment. We propose in this study a mean of investigating users' movement and thus understanding the qualities of space while introducing the concept of space scores as analytical maps and design tools.