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A Study on the virtual line on Daniel Libeskind Architecture Space

다니엘 리베스킨트 건축공간에 나타난 잠재적 선에 관한 연구

  • 이영선 (국민대학교 테크노디자인대학원 스페이스건축학과 실내디자인전공) ;
  • 윤상영 (국민대학교 디자인대학원 전시디자인학과) ;
  • 윤재은 (국민대학교 조형대학 실내디자인학과)
  • Received : 2013.02.28
  • Accepted : 2013.04.12
  • Published : 2013.04.30

Abstract

The comtemporary architecture has not an discourse on form and representative style, but a new architectural concept of the generative process through the various relationship of the urban context, the continuity of the time and the experience of the people. This architectureal concepts make new and various architectural attempts to have a virtuality. The viruality is a reality to coexist with the present in contemporary philosophy. Daniel libeskind makes various arhcitectural experimentative attempts to reveal his virtuality through his memory as the Jews and his unconscious virtuality. The 'line' has the connotation of architectural reality and virtuality. Every line drawn becomes architectural form for example, walls, windows and makes spaces, and reveal a boundary as a connection. Architecture's visibility understates and structures its invisible aspect, so that the visible and the invisible make the architecture together. Daniel libeskind maks the virtual lines having the invisible of unconsious, time, and place. He no longer divide the form of architecture, its spatiality from all the implications which it adresses beyond its own particular built time and place and public unconsious mind. He demands the 'virtual line' that remembers distress and the past and reveal the virtuality of time and place. The virtual line is the sentimental communication of architecture.

Keywords

References

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