• 복식문화연구
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• 제13권5호
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• pp.763-776
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• 2005

The purpose of this study is to analyze the glamour image in contemporary women's fashion since 1990. The method of study is to analyze the documentary and fashion magazines about the glamour images. Most of all, glamour has been composed by connection of hollywood film industry and fashion. Glamourous body image showed sensual, threatening and vague body. Formative characteristics in fashion showed a tight silhouette, neglige, lace look, dress showing neck and shoulder, fur coat, stiletto, diamond, gold, big and thick jewelry, satin, velvet, lace, mink and fox fur, etc. Internal meaning was a fantasy, ideal, wealth, fame, hyper-feminity, vagueness, vulgarity, sexuality, mystery, professional, fatalness, aggressiveness and evil. Since 1990, the glamour images in fashion were as follows; First, the glamour with hyper-feminity showed a classical femme-fatal image as fearful existence with a power more than allure. Second, the glamour with vulgarity showed an exaggerated, cheap and popular kitsch image, which have intense colors, lavish surfaces and excessive sexual signs. Third, the glamour with classical sensuality showed a hi-glamour image of hollywood actresses being active from 1930 to 1950, which was expressed glittery dress, stole, diamond, fur wrap, hill, luxury dress. Fourth, the glamour with sexual perversion showed an erotic, vague and sexual drag image, and fetish costume. Fetishistic elements were rubber, PVC, stiletto, thick and high boots and corset and particularly, they were a main method of expression of glamour image. Fifth, the glamour with future image showed a mechanical and mysterious image and it was a conscious style by metallic, plastic and sleeky fabric. In conclusion, glamour fashion image is an ideal beauty type of women and will exist as a meaningful aesthetic sign in women's fashion.

• 패션비즈니스
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• 제19권5호
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• pp.34-47
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• 2015

Sexiness is the image of a person who attracts attention regardless of his/her age, and today's society has created a more positive impression by transforming the image into something others consider even more attractive. Consequently, we begin to take interest in makeup, - a means of portraying a good impression. Eyebrow makeup in particular, being at the center of the determining factor of a good facial image, can be thought of as the makeup that can most effectively transform one's image. The purpose of this study was to analyze the difference in perceived sexiness depending on the general perception of eyebrow makeup. This study produced an eyebrow stimulus that applied the average rate of change in an image transformation of different eyebrows in order to raise the objective credibility of the sensibility evaluation so it could determine the figure of influence that eyebrows had on facial impressions. The research results showed that the majority of female university students believed that eyebrows were an effective means of expression in changing facial images and attributed a higher mature and sexy image if the average ratio of change was higher. The study, could also identify that a sexy image was perceived when the average rate of change was between 0.39~0.44. In addition, when the gradient of the shape of the viewers' own eyebrows was low, it could be verified that they perceived an image to be sexy from seeing eyebrows with a relatively high gradient.

• 한국전기전자재료학회논문지
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• 제31권7호
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• pp.490-495
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• 2018

A multielectrode electronic paper film capable of expressing a single-color image was fabricated by injecting color electronic ink into an electronic paper panel; on the basis of its reflective or transparent properties, it is possible to control the expression of six single-color images and their transmittance. In this study, a single-color image was represented by driving a multielectrode electronic paper film; color coordinates were measured. The six capable single colors were yellowish pink (0.444, 0.354), white (0.355, 0.352), black (0.241, 0.241), orange (0.514, 0.360), reddish orange (0.606, 0.338), and reddish purple (0.469, 0.145). Color particles used in this paper were black and white, by which six colors are accomplished, but more single-color images can be combined by using cyan, magenta, and yellow particles.

• 만화애니메이션 연구
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• 통권24호
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• pp.155-172
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• 2011

본 연구는 영화 <아바타>에 등장하는 나비족 유형의 캐릭터를 중심으로 성격에 따른 제스처 특징을 분석하고자 한다. 먼저 시나리오로 토대로 캐릭터의 성격 분류를 하여, 각 캐릭터의 특징적 장면을 추출하였고, 추출한 장면은 에니어그램으로 캐릭터들의 성격을 분석하였다. 다음으로 분석된 캐릭터의 성격과 제스처 분석을 통해 각 캐릭터가 가지는 에니어그램 유형의 특징적 제스처표현 메타포를 살펴보았다. 영상디지털콘텐츠에서 인물 캐릭터 설계 시 캐릭터의 특징과 성격을 최대한 반영하는 비언어적 행위 설정이 필요하다. 따라서 향후 성격유형에 적절한 제스처를 동반한 캐릭터 창조 및 표현방법을 제안하고자 한다.

• 한국환경과학회지
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• 제19권1호
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• pp.115-124
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• 2010

Urban watershed can be found in the visible changes in technology, the most realistic satellite images is to use the data. Satellite image data on the indicators for progress on the nature of the change of land use is consistent and repetitive information, regular observation makes possible the detailed analysis of space-time. These remote sensing techniques and the type of course and, by using the time series history, the past, the dynamic model and the randomized prediction methodology for the conversion process if the city and river basin cooperation of the space changes effectively will be able to extrapolate. For each of the main changes in river flow, depending on the area of urbanization as determined according to reproduce the duration of the relationship between the urbanization of the area and runoff can be represented as a linear polynomial expression was, if a linear expression in the two fast slew rate of 0.858 to 0.861 showed up, and fast slew rate of 0.934 to 0.974 for the polynomial are reported. Change of land use changes in the watershed of the flow is one of the most affecting elements. Therefore, changes in land use of the correct classification of rivers is a more accurate calculation of the amount of the floodgate. In particular, using the Landsat images through the image of the land use category, land use past data and calculated using the Markov Chain model and predict the future land use plan in the water control project will be used for large likely.

• 디자인학연구
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• 제18권4호
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• pp.147-154
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• 2005

다양한 미디어 환경으로 인한 이미지의 재매개화 과정은 디미털 미디어문화 세대에게 또 한번의 거울단계를 거치게 하고 있다고 보고, 라캉의 거울단계이론과의 연관성을 고찰하는데 연구의 목적이 있다. 전통적인 매체가 인터넷으로의 재매개, 컴퓨터그래픽으로 인한 초실재적 환상의 재현으로 조성되는 가상세계와 실재세계와의 혼돈, 가상적 이민지가 선망의 대상으로 부각되며 실제적 이미지를 변화시키는 동일시 현상 등은 다양해지는 영상미디어의 상호 연계로 인한 재매개 기능으로 유발되는 것이다. 주체와 이상화된 자아만의 관계인 2자적 관계에서 발생하는 타인이 배제된 '나르시스적' 동일성은 새로운 자기표현을 찾는데 능숙한 마니아 문화를 형성한다. 능동적인 마니아문화의 '자기반영 성'(Reflexivity)은 현대 미디어 문화의 특징이 될 수 있는 것이다. 그러나 디지털 미디어문화 세대가 자기 반영에 사로잡혀 타인이 배제된 나르시스즘에서 벗어나지 못한 채 이미지 은하계에서 소모적인 재미에 빠져 길을 잃는다면, 이러한 세대는 새로운 인간형으로 성장하지 못할 수도 있다. 이에 따라 거울단계와 연관된 '영상 리터러씨'(Visual Literacy)교육에 대한 체계적 연구를 필요케 한다.

• 한국전통조경학회지
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• 제37권3호
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• pp.108-118
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• 2019

정원박람회에서 정원을 감상한다는 것은 자연에 대한 아름다움과 함께 조형예술로서 정원의 내면에 숨겨진 작가들의 개념과 아이디어들을 감상하는 데 의미를 가진다. 본 연구는 정원에 표출된 조형 매체를 통하여 작가의 의도된 표현 특성을 파악하는 데 목적을 두고, 2018 태화강 정원박람회에 전시된 정원 중 총 20개 작품을 대상으로 공간에서 전개되는 시각적 서술의 조형 구조를 파악하였다. 이것은 조형 구조가 조형 매체와 조형 언어를 통하여 내용과 형식으로 전달되는 특성을 반영한 것이다. 작품에 대한 분석은 정원에 표현된 서사구조로부터 조형 구조인 시각언어와 공간 언어를 통하여 매체의 표현 특성을 파악하였으며 결과는 다음과 같다. 첫째, 상호텍스트성을 통한 매체 이미지는 다수의 작품이 '도형적 이미지(figure image)'를 통하여 메시지를 전달하고 있다. 즉 개념은 매체를 통하여 '실제 대상의 유사성'으로 전달되며, 이에 따른 '의미와 의미작용'을 기대하는 것이다. 둘째, 정원에서 상징성을 보여주기 위한 기호(sign) 특성은 '도상(icon)', '지표(index)', '상징(symbol)'으로 구분하여 추출하였다. 그 결과 대부분의 작품은 '도상'과 '상징'을 통하여 이미지와 의미 사이의 공통된 특성을 표현하고 있다. 셋째, 조형 원리에 따른 공간 구성요소들은 '주체적(dominant)'인 역할과 '종속적(subordinate)'인 역할의 요소들이 개념전달을 위한 주요 인자로 도출되었다. 또한 '중첩에 의한 공간 구성'과 '투명에 의한 공간 구성'을 통하여 개념적 층위를 강화하고 있음을 알 수 있다. 넷째, 매체의 공간 점유유형은 중앙홀형, 통로형, 개실형 등이 주를 이루며, 개실형의 경우 특정한 오브제가 아닌 공간 전체영역을 개념화한 특징을 가진다. 동선의 유형은 순회형, 통과형, 회귀형의 순으로 빈도가 도출되었다. 이와 같은 정원디자인에 나타난 시각적 서술의 표현 특성에 대한 연구는 향후 개념의 시각적 연출을 위한 공간설계 기법의 기초자료를 마련하는 데 의의가 있다.

• 한국의류학회지
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• 제31권2호
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• pp.225-235
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• 2007

The purpose of this study is to grasp the character of consumers and the situation of domestic kidult fashion market. By grasping the distribution of kidult generation and the factors of product-selection based on products images, this research could be a substantial data to kidult associated company product planning and marketers. Subjects for this study were 213 Daegu women from 20 to 30 yearn of age who have high propensity to kidult. The statistical treatment of material used by SPSS 1.0 program consists of frequency analysis, factor analysis, multiple regression analysis, cluster analysis, and t-test. As a results, the characteristics of kidult consumers are classified as six factors. On image toward of kidult fashion goods, there was a significant difference 20 and 30 aged generation. According to fashion goods group, each group recognized on image of fashion products as follow: Group A is 'fancy', group B is 'childish', group C are 'familiarity', group D was recognized as 'fancy' and was identical to A on adjective expression, but was different A on recognition. All consumer characteristics of fun, character, girlish, nostalgia have a significant relation with the recurrence of products selection factor, and its order was character, girlish, nostalgia, and fun.

• 감성과학
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• 제11권3호
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• pp.375-385
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• 2008

본 연구에서는 인간의 제품에 대한 이미지 연상과 관련된 인지 반응 특성을 파악하고, 제품 선호도 및 경험과의 상관관계 분석을 목적으로 하였다. 이를 위하여, 휴대폰과 제안형 제품사진을 실험자극으로 선정하여, 연상되는 감성어휘를 표현하는 실험과 각 제품사진의 선호도를 평가하는 실험을 진행하였다. 실험 결과로부터 두 가지 결론이 도출되었다. 먼저, 사용 경험이 있는 제품에 대한 언어적 지각 반응에서는 비유 언어와 정서적 이미지의 표현을 혼용하며 선호도 수준이 높아짐에 따라 정서적 표현의 적용이 많아진다. 두 번째는, 제품의 비사용 경험은 선호도와 관계없이 인지 대상을 단지 지각적으로 이해하고 자신의 일반적 경험 정보와 유사성을 고려하여 대응시키는 반응을 유발한다.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.79-86
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• 2007

The recent works of architecture and interior design take on too various aspects to be classified as a trend or tendency. Many subjects, seeking the superiority between form and function in space which was the issue of Modernism, got to face the works which transcend the limitation of architecture due to the development of a variety of media and technology these days. In result, we could see the works which are to be Included into the category of art rather than architecture. This study starts from the thought that the common aspects of these works are based on the strangeness to pursue uniqueness, peculiarities or novelty. 'The subject of this study, $'D\acute{e}paysement'$, creates a new relation, disconnected from customs, to an architecture which became familiar through defragment, fixation and abstraction by the habitual relation and makes it reborn as an architecture which gives us a fantasy and a pleasure, by converting into the shape and image which are different from its original shape when a stimulus is given to an architecture. This study starts from the artistic aspect which has a close correlation with the architecture. The subject, $'D\acute{e}paysement'$ could be historically considered in two aspects - $D\acute{e}paysement$ of Surrealism which developed in paintings and Defamiliarization of Russian Formalism in the area of literature. This study is carried in a category of $D\acute{e}paysement$, focusing on the visual aspect of the architecture. This study is composed as follows: In chapter 2, a theoretical research is performed according to the definition and meaning of the $D\acute{e}paysement$ expression techniques, its origination and evolution, and type classification by the features of expression techniques in the era of Surrealism when $D\acute{e}paysement$ developed most vigorously in the area of art. In chapter 3, the system which formalizes the expression method of the techniques is presented, focusing on the case analysis of the artistic works according to the types of $D\acute{e}paysement$. In chapter 4, the application of the expression techniques of $D\acute{e}paysement$ is discussed by conducting cases analysis of the modern interior design.