• 한국사회복지학
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• 제67권4호
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• pp.301-324
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• 2015

최근 사례관리가 사회복지실천의 주류 실천방식이자 전달체계의 하나로 빠르게 자리매김하고 있지만 정작 그 수행주체인 사례관리자들은 계속 혼란과 스트레스를 호소해 오고 있다. 본 연구는 이러한 현상의 근원적 이유를 탐색하기 위하여 Foucault의 계보학을 이용하여 사례관리의 발생지점에 대한 역사적 미분을 시도함으로써 존재론, 주체론, 방법론 측면에서 사례관리에 내재된 본질적 특성들을 분석해 보았다. 그 결과 20세기 후반 사회적 필요에 따라 인력과 자원의 효율적인 관리기제로 출현한 사례관리의 태생적 속성들과 이를 신자유주의적 방식으로 제도화하려는 시도들이 사회복지실천 고유의 지향이나 정체성과 충돌하면서 혼란과 고통을 가중시키고 있음을 확인할 수 있었다. 결론적으로 사회복지실천 본연의 정체성을 실현해 가기 위해서는 사례관리에 배태된 통제성과 관리성을 인식하고 사례의 주인공인 인간성을 강화하며 과도한 관리성을 견제하려는 지속적 노력이 필요함을 제언하였다.

• 복식문화연구
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• 제25권4호
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• pp.458-475
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• 2017

Opera is the most comprehensive musical art. In recent years, contemporary opera worlds has seen a variety of attempts to reinterpret operas of the past in a modern light. This has resulted in a dramatic change in the production of musical style and stage art. The purpose of the study was to modernize and streamline opera costumes by extending the scope of existing stage costume design, through the reinterpretation and application of the decorative elements in the Middle Age of Rococo, such as ruffles, frills, shirring, embroidery, buttons, etc., in such a way as to effectively communicate the moods of an opera to a modern audience. The costumes of the Rococo period were reinterpreted in a modern way, with the following results. First, in this work, the male main character was played by a bass to express the image of an older, lazy, rich man. A key element in modernizing the stage costume was selection of the costume color in such a way as to visually represent the voice tones sung by the major characters in the opera. Second, the maid hat and aprons were decorated with frills by applying the curves of Rocaille decoration from the Rococo period symbolize the role of the maids. This represented the distinction between occupation according to class and status at that time, while also expressing the ideals of modern feminine beauty. This makes for more comfortably-worn costumes, and is economical for production expenses. In the future, the stage costume design for classical opera will need to be revised consideration of a modern viewpoint.

• 한국도서관정보학회지
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• 제1권
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• pp.69-87
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• 1974

As a part of the status report of all the libraries of Gyeong Buk Province, the libraries of the higher educational institutions in the province were first examined in this study. The following methods were employed for this investigation: 1) questionnaires were sent to the libraries to gather necessary data and 2) the library standards as set by the government were applied for the analysis of the data and other related statistical studies and reports were consulted. Eighteen libraries in the 22 higher educational institutions in the province were examined as of August 1974. For the convenience of the study, the 18 libraries were classified into the following four categories: four-year college library, two-year normal school library, two-year junior college library, and three-year nursing school library. Paul Buck contends that the library is the center of academic life and that the quality higher education is not possible without a quality library. This is so because all the research activities have to be supported by good library facilities. Moreover it is difficult to justify the raison d'etre of an academic community if there is no active research activities in it. If the proposition is accepted that the library plays one of the most important roles in research and that research is one of the most important aspects of an academic community, it cannot be helped but observe that the role the libraries in the province play today is irregular and is far from the educational ideals the higher educational institutions envisage. The present study revealed that there was not a single library in the province which could truly support the research and classroom activities of the higher educational institutions. The college and the normal school libraries, nonetheless, had some facilities to be analyzed. The nursing school and the junior college libraries unfortunately had virtually nothing. It is hoped on the basis of the present study that the libraries should reorganize themselves and look for new directions for active support of research activities.

• 대한수학회지
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• 제50권3호
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• pp.557-578
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• 2013

For an ideal $\mathcal{I}$ of a preadditive category $\mathcal{A}$, we study when the canonical functor $\mathcal{C}:\mathcal{A}{\rightarrow}\mathcal{A}/\mathcal{I}$ is local. We prove that there exists a largest full subcategory $\mathcal{C}$ of $\mathcal{A}$, for which the canonical functor $\mathcal{C}:\mathcal{C}{\rightarrow}\mathcal{C}/\mathcal{I}$ is local. Under this condition, the functor $\mathcal{C}$, turns out to be a weak equivalence between $\mathcal{C}$, and $\mathcal{C}/\mathcal{I}$. If $\mathcal{A}$ is additive (with splitting idempotents), then $\mathcal{C}$ is additive (with splitting idempotents). The category $\mathcal{C}$ is ample in several cases, such as the case when $\mathcal{A}$=Mod-R and $\mathcal{I}$ is the ideal ${\Delta}$ of all morphisms with essential kernel. In this case, the category $\mathcal{C}$ contains, for instance, the full subcategory $\mathcal{F}$ of Mod-R whose objects are all the continuous modules. The advantage in passing from the category $\mathcal{F}$ to the category $\mathcal{F}/\mathcal{I}$ lies in the fact that, although the two categories $\mathcal{F}$ and $\mathcal{F}/\mathcal{I}$ are weakly equivalent, every endomorphism has a kernel and a cokernel in $\mathcal{F}/{\Delta}$, which is not true in $\mathcal{F}$. In the final section, we extend our theory from the case of one ideal$\mathcal{I}$ to the case of $n$ ideals $\mathcal{I}_$, ${\ldots}$, $\mathca{l}_n$.

• 복식
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• 제54권6호
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• pp.101-117
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• 2004

Opposed to following the contours of the human body, the voluminous enlargement in costume, which characterizes the distinguished enlargement in space rather than the contour of human body, mean the enlargement aspect involving the vertical protrusion and the expansion of shape and volume as well as the extension of length. The costume enlargement as a different method of expression is a symbol showing a meaning of something and an aesthetic expression containing man's will. This voluminous enlargement of costume, as an aesthetic expression, has different formative characteristicsand immanent meanings according to ideals and thoughts as well as social and cultural background of each age Accordingly, the aesthetic consciousness also differaccording to the change of the times. To study the aesthetic consciousness of costume's voluminous enlargement, focous had been given to milieus that show comparatively conspicuous voluminous enlargement Periods that have been subjected to this study include costumes of the ancient Egypt, the Gothic period in the Middle age, the Renaissance, the Baroque Rococo of the recent times, and the modern era (Empire, Romantic, Art Nouveau. etc) With focus given to the principle of design obtained through this study were used to analyze the aesthetic characteristics, Futhermore, based on the spirit of the times and the socio-cultural symbolism, research on immanent meanings, as supported by objectivity and universal validity, was also made, the enlargement beauty of costume had been placed under the aesthetic category and, by interpreting the analogies of presented in aesthetic consciousness, the true nature of the voluminous enlargement in costume had been traced. To Conclude, the aesthetic consciousness of the voluminous enlargement of the costumes in history was found to have following characteristics: (l) Metaphorical (2) Unlooked-for irregularity (3) feeling of satisfaction driven by self-enlargement (4) Dignified sublimity (5) Symbol of wealth and class (6) Ceremonial dignity (7) Tradition of the nobility (8) Aesthetic ornament (9) Ideal contour of the body

• 한국의류학회지
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• 제34권5호
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• pp.740-753
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• 2010

This study analyzes the motives of Korean women for choosing breast augmentation in a cultural and relational context; in addition, it investigates their evaluations after surgery. Data was collected through in-depth interviews with 10 Korean women in their 20s and 30s who have received cosmetic breast augmentation. Enlarged and made-up breasts are a form of clothing that symbolizes the socio-economic status of women. In the vertical and individualized Korean society, the desire of women for a fashionable body invigorated the appearance management market. Fashion consumers have passively internalized the ideal body trends as the concept of the ideal body-image, which has been constructed by the social structure, markets, and the media. The analysis was rooted in post-modern feminist perspectives on the female body. The ideal body-image internalization process through the social interactions of participants was the main cultural factor to choose breast surgery. The self-image and conformity/individuality of participant were categorized as relational factors for the motivation to undergo breast surgery. The result showed that after surgery the participants achieved positive feedback from their social relationships. They expressed or hid their socio-economic statuses through their purchased fashion bodies. They also showed higher self-esteem and feelings of satisfaction by pursuing individuality and conformity as a member of society. Moreover, they achieved wider fashion options and greater controls over their public/private/secret clothing choices for certain occasions. Cosmetic breast surgery positively empowered individual women while reinforcing the socially manipulated body ideals that oppress women at the same time. Participants internalized socially constructed values and justified their surgery choices.

• 디자인학연구
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• 제11권1호
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• pp.259-268
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• 1998

본 연구의 목적은 앞으로 지속될 전통도구의 미적 체험에 관한 새로운 인식을 체계화하는데 있다. 아름다움의 이상을 실현하기 위한 노력은 시대와 사회를 막론하고 끊임없이 다양한 형태로 표출되었다. 서로 다른 문화권에서 각기 다른 언어가 사용되듯이 도구 또한 고유한 형태언어를 갖는다. 시각적 의사소통을 전제하는 도구의 형태언어 또한 고유한 어휘와 문법을 갖는다. 우리는 종종 언어의 코드가 일치하지 않는 상황에서 타 문화권의 사고방식과 행동특성을 충분히 이해하는데 어려움을 느끼는 것 처럼 이해의 상황이 준비되지 않고는 진실한 미적 체험에 도달할 수 없다. 도구형태의 미적 가치를 올바로 인식하기 위해서는 도구의 탄생과 진화를 추진해 온 상황과의 역학관계를 인식하여야 한다. 어느 문화권이나 시대를 막론하고 그들이 설정한 에토스에 가장 진실하게 접근하고 그것을 가장 진실하게 표출해 온 도구들은 오랫동안 우리에게 사랑을 받고 보존되어 왔다. 그것은 아름다움을 추구하는 여성의 의복이나 장신구와 같은 미적 대상 뿐 아니라 언어와 같이 그들의 공동체의식을 가장 잘 표현하고 전달할 수 있는 것이라면 시대와 정신이 바뀌어도 변함없는 가치를 발휘할 것이다.

• 복식
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• 제56권9호
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• pp.66-82
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• 2006

Clothes and human body are inseparably related. Aesthetic consciousness of the body determines the form of clothing, reflecting the time and culture as well as the individual and society. Clothes can even reorganize the meaning of the body, while transcending their instrumental functions of protecting, expanding and deforming the body. Using 'body' to analyze the clothing form, my study develops a framework by which to classify the representation of the body in fashion focusing on the representation of physicality. In order to inquire the formative style and aesthetic values expressed in representing body in fashion, my study examines subjects from the 14th century European costumes to fashion collections of the 20th century. In fashion, representation of the body is visually analogous to the ideal boily shape and structure, including a realistic presentation of the body as well as reflection of aesthetic ideals. Manipulation of physicality entails the reconstruction of the ideal body image through the clothes that modify physicality into unnatural body. Ruff collar, gigot sleeve, crinoline, bustle, stomacher, and corset were all used to materialize the fictitious curves symbolizing femininity, authority, healthiness, maternity, virginity, socioeconomic status, and fertility. Accentuating specific clothing parts represents emphasizing the symbolism of the correspondent body parts. Consequently, in this phase signifiant is $signifi\'{e}$. Aesthetic ideal of the body is visualized in the firm of a dress. Fashion continues to explore forms and images that transcend the traditional representations of the clothed body. As a type of intimate architecture, fashion always mediates the dialogue between clothes and body, or fashion and figure. My study suggests a framework to analyze bodily representation in fashion, focusing on the relationship between the clothes and body.

• 한국전자통신학회논문지
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• 제12권6호
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• pp.1181-1188
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• 2017

수체의 단수와 기본단수계는 RSA 암호계에서는 400자리 이상의 큰 수가 소수인지를 판별하는 소수판정법과 그 수를 소인수분해하는 데에 사용되는 다양한 수체선별법에 사용되며, 복소이차체를 기반으로 하는 암호계에서는 이데알의 곱셈과정과 류수(class number)를 계산하는 과정 등 다양한 암호계에서 사용되고 있다. 본 논문에서는 기본단수계를 이용하는 암호계의 구현시간과 공간을 줄이기 위하여, 수체의 기본단수계의 존재성을 증명한 Dirichlet의 정리와 몇 가지 기본단수계의 성질을 중심으로 우리가 제안하는 기본단수계의 생성 과정을 소개한다. 그리고 그에 따른 기본단수계의 H/W 구현의 시간과 공간을 최소화할 수 있는 효율적인 기본단수계의 생성알고리즘과 그 알고리즘을 H/W 상에서 구현한 결과를 제시한다.

• 경영과정보연구
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• 제31권4호
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• pp.309-337
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• 2012

오늘날의 시장은 기술의 진보로 인하여 과거에는 기대할 수 없던 여러 가지 기능을 제공할 수 있게 되었고 뛰어난 접근성과 반응은 고객이 원하는 때에, 원하는 물건을, 원하는 방식으로 살펴볼 수 있도록 제공해주어 고객의 욕구를 만족을 스스로 결정할 수 있는 구조를 가능하게 한다. 즉, 고객에게 스스로의 가치기준에 맞는 선택의 기회를 부여함으로서 만족을 달성하는 이러한 서비스를 TBSS (Technology-Based Self-Service)라 할 수 있다. 본 연구에서는 TBSS를 이용한 배송서비스 산업에서의 고객 만족 및 재구매의도 향상의 선행요인을 탐구하는 이론적 모형을 제안하고자 한다. 구체적으로 고객 만족과 재구매의도에 영향을 주는 지각된 가치를 '편익-비용'으로 구성하고 결과 편익과 과정 편익, 금전적 비용과 비금전적 비용의 영향력 크기를 비교하는 연구를 수행할 것이며 이를 통해 TBSS가 고객만족도 및 재구매 의도에 미치는 영향을 확인하고 유용성을 판단하는 본 연구의 결과가 고객 만족 및 재구매 의도 제고를 위한 실무적 정보를 제공하는데 도움이 되기를 기대한다.