• 한국의류산업학회지
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• 제13권5호
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• pp.769-777
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• 2011

Anti-aging is one of the key words to have characterized Korean society, and Korean adults in their 40s and 50s are very interested in this word. In this study, their cognitive ages and body images which are expected to have been influenced by anti-ageing were determined and correlation between them was examined. A survey was conducted and 368 of 500 questionnaires were used in data analysis. Data were analyzed by descriptives, factor analysis, reliability analysis, correlation analysis, and multiple response analysis through SPSS 12.0. The results are as follows. First, the cognitive ages of Korean adults in their 40s and 50s showed to be 37.5 years old which are 9.1 years old younger than their average actual ages. Second, their attitudinal body images appeared to be composed of appearance orientation and appearance evaluation, and appearance orientation represented to be a little higher than appearance evaluation. In addition, it showed that the correlation between cognitive ages and the attitudinal body images was low and negative. Third, people in their 40s and 50s revealed to think good health and impression as ideal body images. It was found that they regarded a face as the most important body part for ideal body images and were sensitive of their weight. Forth, correlation between cognitive ages and variables of ideal body images was identified to be significant in 4 variables which are slender, shapely and slim figure and good body proportions. In conclusion, it was shown that Korean adults in their 40s and 50s recognized themselves to be 9.1 years old younger and, the younger they perceive themselves, the younger body images they want. Also, it could be confirmed that anti-ageing is a megatrend in Korean society.

• 복식
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• 제56권9호
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• pp.66-82
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• 2006

Clothes and human body are inseparably related. Aesthetic consciousness of the body determines the form of clothing, reflecting the time and culture as well as the individual and society. Clothes can even reorganize the meaning of the body, while transcending their instrumental functions of protecting, expanding and deforming the body. Using 'body' to analyze the clothing form, my study develops a framework by which to classify the representation of the body in fashion focusing on the representation of physicality. In order to inquire the formative style and aesthetic values expressed in representing body in fashion, my study examines subjects from the 14th century European costumes to fashion collections of the 20th century. In fashion, representation of the body is visually analogous to the ideal boily shape and structure, including a realistic presentation of the body as well as reflection of aesthetic ideals. Manipulation of physicality entails the reconstruction of the ideal body image through the clothes that modify physicality into unnatural body. Ruff collar, gigot sleeve, crinoline, bustle, stomacher, and corset were all used to materialize the fictitious curves symbolizing femininity, authority, healthiness, maternity, virginity, socioeconomic status, and fertility. Accentuating specific clothing parts represents emphasizing the symbolism of the correspondent body parts. Consequently, in this phase signifiant is $signifi\'{e}$. Aesthetic ideal of the body is visualized in the firm of a dress. Fashion continues to explore forms and images that transcend the traditional representations of the clothed body. As a type of intimate architecture, fashion always mediates the dialogue between clothes and body, or fashion and figure. My study suggests a framework to analyze bodily representation in fashion, focusing on the relationship between the clothes and body.

• 대한방사성의약품학회지
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• 제2권2호
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• pp.132-136
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• 2016

Radiolysis is the process of decreasing in Radio-Chemical Purity (RCP) of [$^{18}F$]FDG by direct effect and indirect effect of self Radio-activity. The objective of our study was to figure out the ideal conditions which minimize damages of quality of [$^{18}F$]FDG using radical scavenger and controlling temperature of storage.

• 한국안전학회지
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• 제15권1호
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• pp.11-18
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• 2000

The study on industrial accidents in Korea has been focused on frequencies of each type, severity, characteristics, causes, and so on. Those attributes of industrial accidents were usually analyzed independently, so that it was hard to provide a systematic guidelines for efficient safety management. Therefore, there were a few of studies based on comprehensive survey results in terms of characteristics of safety management. This study aimed to figure out the characteristics of current safety management and to provide a guideline for ideal safety management in industry. The questionnaire survey carried out for the workers(695) who were in charge of safety management at their industries. The multivariate analyses as well as descriptive statistical analysis were conducted. The factor analysis showed that there were three factors of safety management. They were 1) investment and management for accident prevention, 2) safety manager, and 3) general health and environmental condition. The industries of respondents were clustered into three groups. Three groups showed a statistically significant differences on the number of cases reported and the trends of accident. Actually, the group with the larger investment and better management of accident prevention had a smaller number of accident cases.

• 한국의류학회지
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• 제25권5호
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• pp.880-890
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• 2001

The purpose of this study was to find out the correlation between the spirit of the times and the characteristics of each eras fashionable silhouette and clothing in Gothic and Modern Period. Theoretical studies about the spirit of times, and the characteristics of clothing about each times were preceded. The results were as follows: The similarities of spirit of times were 1) emphasis on reason and rationality 2) centralization by christianity in Gothic Period, and modernism theory in Modern Period 3) times of the nobility and the churchman in Gothic, and elite class in Modern era. The similarities of characteristics of clothing were 1) preference of slim body form as the ideal body figure, 2) emphasis on convenience and function for freedom in action, 3) discontinuation of traditional way of clothing attitude, 4) emphasis on straight and simple on the silhouette and design, 5) tendency of eliminating ornaments on clothing.

• 한국수학사학회지
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• 제29권2호
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• pp.89-102
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• 2016

Lee Sang, one of the representative poets of Korean Modern Poetry, wrote poems which present the existentialistic modernism in the 1920s, the chaotic era of Korean history. The characteristics of his works have been shown by various points of view. This paper especially explored the meaning and feature of mathematical expressions by numbers, symbols and other signs of mathematics in Lee's poems. His poems are composed by scientific and abstract rules in mathematics which are expressed as mathematical symbols. The paper focuses on analyzing seven poems which maximizes mathematical expressions among his poetry. This kind of work would be the one of ways to figure out the features of mathematics through literature.

• 한국철학논집
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• 제53호
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• pp.255-281
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• 2017

본 연구는 유가 사상이 신화적 사유와의 상호 관계성 속에서 어떻게 발전되어 왔는지를 고찰한다. 특히 원시 사유체계 및 신화적 사고와 연관성에 주목하여 유가의 이상적 인격체인 성인의 형성도 그 원류가 신화적 사유와 상호 관계성을 갖고 있다고 보았다. 이를 위해 신화적 사유 속에서의 성의 의미를 검토하고, 이것이 유가의 성인으로 전환되는 의미 변화를 검토하였다. 고대 인류에서 부족장은 신들과 교류하여 종교적으로는 인간과 신들을 매개하여 신들의 말씀을 인간에게 전함과 동시에 인간의 염원도 신에게 전달하는 이중적이며 중간자적인 역할을 수행한다. 신을 대신하여 정치와 종교, 교육을 총 망라하여 수행하는 제정일치의 통치자는 점차 종교와 현세적 정치권력이 이원화되는데, 현세적 권능 대신 도덕적 정당성을 통한 권위를 부여받은 새로운 인격체가 유가의 성인이다. 유가에서는 공자에서부터 맹자, 순자에 이르기까지 현세에서 이룰 수 없는 높은 수준의 이상적 도덕군자에서 시작하여 누구나 노력에 의해 다다를 수 있는 가장 모범적이고 이상적인 인간상으로까지 규정한다. 따라서 초기 유가의 성인 개념은 상대적으로 신화적 성인의 이상적인 권위에 주안점을 두어 인간이 다다를 수 없는 초절대적인 완성된 인간으로 상정되었다면, 이후의 유가에서는 점차 도덕적인 수양을 통해 누구나 다다를 수 있는 존재로 상정된다. 한편 문명을 전수하고 인간을 계도하는 역할은 완전히 사라진 것이 아니라 다시 현세의 권위와 결합하여 도덕적 성인의 권위까지 부여한 새로운 존재자로 재탄생한다. 이상과 같이 이상적인 인간상으로서의 성인이라는 매개를 통해 유가 사상과 신화적 사유가 상호 관계성 속에서 형성되고 발전되어 왔음을 확인할 수 있다.

• JSTS:Journal of Semiconductor Technology and Science
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• 제8권2호
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• pp.143-149
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• 2008

A novel compact model for a five-port transformer balun is proposed for the efficient circuit design of hybrid balun. Compared to the conventional model, the proposed model provides much faster computation time and more reasonable values for the extracted parameters. The hybrid balun, realized in $0.18\;{\mu}m$ CMOS, achieves 2.8 dB higher gain and 1.9 dB lower noise figure than its passive counterpart only at a current consumption of 0.67 mA from 1.2 V supply. By employing the hybrid balun, a differential zero-IF receiver is designed in $0.18\;{\mu}m$ CMOS for IEEE 802.15.4 ZigBee applications. It is composed of a differential cascode LNA, passive mixers, and active RC filters. Comparative investigations on the three receiver designs, each employing the hybrid balun, a simple transformer balun, and an ideal balun, clearly demonstrate the advantages of the hybrid balun in fully differential CMOS RF receivers. The simulated results of the receiver with the hybrid balun show 33 dB of conversion gain, 4.2 dB of noise figure with 20 kHz of 1/f noise corner frequency, and -17.5 dBm of IIP3 at a current consumption of 5 mA from 1.8 V supply.

• 한국의상디자인학회지
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• 제12권1호
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• pp.89-101
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• 2010

The purpose of this study was to investigate the fashion item of the symbolic fashion icons in the 20th century. The symbolism of fashion icons was grouped into four classes according to the influence of a social-cultural change. 1. Icons between dream and reality: A dreary emotion that was caused by material richness has a longing for an ideal image. A typical style was Art Nouveau style, which pressed into a grotesque S-bend. While as the world placed on a economic reconstruction after World War I, rational fashion icon which pursued more function and simplify than cumbersome style and complexity came out. 2. Icons between solid and liquid: A solid icons was connected with a mode of female body during World War 1. This extremely stylized female figure. Flowing fabrics enveloped the stylized female figure and they brought a liquid icons into relief. 3. Icons between uniformity and variety: At a time when uniformity was appeared strongly within 20th century is during World War II and about 1940-1950. The uniformal icon was classified into uniformity by uniform and by mass production. A repugnance for the uniformity and imitation of fashion was tried a new fashion style. It could be called with the various of fashion icon. 4. Icons between social secession and rediscovery: In 1950-1960, 1970-1990, and the end of 20th century, the advent of the young culture was born a consumer who newly breaks in fashion. It could be included within the domain of social secession icon. While the rediscovery of fashion icon was associated with experimental new fibers, leotard, suitable replacement for wool or acrylic knit, silk that could stretch in any direction, new fabrics that were transparent, took color beautifully, and could be painted, tie-dyed, or embroidered.

• 한국콘텐츠학회논문지
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• 제16권4호
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• pp.624-633
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• 2016

빅 데이터의 시대 수많은 정보들이 출몰하고 있고 이를 효과적으로 전달하기 위한 인포그래픽 연구들이 이슈화되고 있지만 신용카드명세서를 통해 전달되는 수치정보에 대한 시각화연구는 그 중요성에 비해 매우 미흡하다. 신용카드이용명세서를 중심으로 수치정보 유형을 분석하여 각 정보특성에 따른 효과적인 시각화방법이 무엇인지 연구하였다. 수치정보의 유형은 비교분석, 시간변화의 추이, 비율, 관계, 범위와 분포 등으로 모색되었고 각 정보의 특성에 적합한 그래프형태로 제작하여 가장 효과적이고 이상적인 시각적 형태를 연구하였다. 따라 본 연구는 수치특성을 갖고 있는 신용카드이용명세서에 나타난 수치정보를 전달하기 위한 효과적인 시각적 형태를 짚어줌으로서 시각화의 기준점을 제시하는 의미가 있다.