• 한국의상디자인학회지
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• 제11권1호
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• pp.77-85
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• 2009

In modem society, fashion is used as a means to express oneself. Colors in fashion are regarded as one of the important design elements and play a significant role. Today men's fashion trend represents to adopt diverse silhouettes, colors and various materials. They can choose diverse color for men's fashion. Brown has been popular colors for both man and woman. It usually represents the image of warm, comfort and classic. This research analyzed Brown whose diverse uses had been observed in fashion and the characteristics of Brown the color combinations in men's fashion through men's fashion collection from 2000 to 2008. The characteristics of color combinations with Brown analyzed two color combinations for the top and bottom as follows: First, the hue characteristics of Brown two color combinations were analyzed in men's fashion. Second, the tone characteristics of Brown two color combinations were analyzed in men's fashion. Third, the characteristics of color combinations were analyzed in the Brown top and bottom according to the hues in men's fashion. The Brown color combinations were analyzed according to the 10 hues and achromatic colors. As a result, 10YR was most used in both the top and bottom in F/W and S/S. As for the Brown color combinations of the 12 tones and achromatic colors in the top and bottom, dark grayish was the most used in S/S and F/W regardless of the seasons. The Brown color combinations in men's fashion were analyzed in terms of characteristics. As a result, 10YR and 2.5Y were most used. They were also of the highest frequency in the color combinations of Brown tops and bottoms.

• 패션비즈니스
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• 제15권5호
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• pp.144-160
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• 2011

This study investigated the colors of the costumes and backgrounds of characters in the films "Thirst" and "Mother" from an integrated perspective. As a study method, ten scenes per film, which contained the characters and backgrounds from the start to the end of the DVDs of "Thirst" and "Mother" were examined. For integrated color analysis of the costumes and backgrounds, the colors of the captured scenes were simplified to extract representative colors, and then color palettes were presented according to the ratio of area. The colors of costumes were analyzed by recognition through the eyes based on the I.R.I. Hue and Tone 120. Furthermore, the color images of the two films were analyzed using the I.R.I. adjective image scales and the I.R.I. color image scales. The colors of the film "Thirst" were generally low in brightness and high in chroma. They are characterized by dark, gloomy toned-down background in the first half, highly chromatic vivid background in the second half, and the contrast of purple blue colors and red colors. The colors of the film "Mother" are characterized by complementary colors between background and costume colors, and various tones of blue and green colors. From the aspect of color tones, they were relatively high in brightness compared to the film "Thirst" but low in chroma. On the I.R.I. adjective image scale, contrasting adjectives were extracted simultaneously from the film "Thirst" as the adjectives were evenly distributed at hard, dynamic and static, whereas the adjectives extracted from the film "Mother" were distributed at hard and statistic. On the I.R.I. color image scale, both films were located at hard, but the film "Thirst" was located at dynamic whereas the film "Mother" was located at static.

• 한국의류학회지
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• 제33권3호
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• pp.457-466
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• 2009

The purpose of this study is to research the similarity and difference of color application in culture of Korea and China. The subject of this research is the costume color of Changgeuk and Beijing opera. First, a bibliographical inquiry includes the attributes of cultural color in Korea and China and the costume attributes of Changgeuk and Beijing opera. Second, this survey analyzes Munsell's 3 attributes(Hue, Value, Chroma), tone by extracted color data. The results of this study are as follows: 1. The cultural color factors of Korea and China are classified geographical factor, internal cultural factor and external cultural factor. 2. Changgeuk costume much more used high value and medium & low chroma for korean temperate climate. But Beijing opera costume prefers high-medium value and low chroma color, various ranges of color because of China huge land and various climates, as geographical factor. 3. Changgeuk costume much more used YR color(no-dyeing color) because of korean white robe preference. Beijing opera costume much more used R color than Changgeuk costume because of traditional preference of R color, as infernal cultural factor. 4. Changgeuk costume and Beijing opera costume show the practical use of ascetic cole. like as jade green. Ojungsaek much less used than Obangsaek by the theory of exponents of the five elements doctrine, as external cultural factor.

• 감성과학
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• 제14권1호
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• pp.127-136
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• 2011

본 연구에서는 견직물의 색채 특성이 촉감각/감성 이미지에 미치는 영향을 고찰하고 견직물의 역학적 성질과 색채 특성을 이용한 촉감각/감성 이미지 예측모델을 제안하고자 하였다. 연구결과로서 무채색과 유채색 견직물 모두 견직물의 역학적 성질이 기본적으로 촉감각/감성 이미지에 영향을 미치는 것으로 나타났다. 반면에 '매끄럽다', '하늘하늘하다', '독특하다', '두껍다', '뻣뻣하다', '전원적이다', '캐주얼하다', '내추럴하다', '모던하다'는 무채색과 유채색에 따라 유의한 차이가 있었다. 특히 '두껍다'와 '뻣뻣하다'는 견직물이 Red 또는 Green 색상일 때, 그리고 pale 또는 vivid 색조일 때 무채색일 때보다 더 강하게 인지되었고, '전원적이다'와 '캐주얼하다'는 Green 색상의 견직물과 pale 또는 vivid 색조의 견직물에서 무채색 견직물에서보다 더 강하게 느껴지는 경향이어서, 견직물의 색채가 주관적 촉감각/감성에 영향을 줄 수 있음을 시사하였다. 마지막으로 역학적 성질과 색채 특성을 함께 설명변수로 이용한 예측모델을 수립하여 제안하였다.

• 디자인학연구
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• 제15권3호
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• pp.167-180
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• 2002

작은 화면에서 방대한 규모의 정보를 보기 위해서는 정보구조가 잘 조직화되어야 하고, 항해 보조장치가 적절하게 제공되어야 한다. 본 연구는 위계적인 구조(Hierarchical structure)를 지닌 정보공간을 작은 디스플레이 공간(small screen)에서 제시할 때 사용자가 실제 공간 구조차 유사하게 내적 모형(internal model)을 형성하도록 하기 위하여 어떻게 항해 단서(navigation cue)를 제공하는 것이 효과적인지를 밝히고자 하는데 그 목적이 있다. 본 연구에서는 색을 중심으로 연구내용이 이루어 졌으며, 이는 색이 가지고 있는 속성과 색공간 개념이 위계구조의 정보공간과 잘 맵핑될 수 있다고 판단되었기 때문이다. 정보공간을 위한 색공간은 색상과 톤 개념을 기반으로 정의되었다. 1차 사전 설문조사가 진행되었고, 2차 본 실험을 통해서 색 단서(color cue) 제공이 사용자의 공간구조 이해 및 항해 성과(navigation performance)에 미치는 영향을 실증적으로 검증하였다. 실험 결과는 첫째, 카테고리 구분을 위해 사용된 색상은 정보공간의 개념을 이해하는데는 도움이 되지만, 항해 성과에는 부정적인 영향을 주었다. 둘째, 톤으로 제공된 정보 깊이에 대한 단서는 정보공간의 개념 이해에도 별 도움이 되지 않았으며, 항해 성과에도 역시 부정적인 영향을 주었다. 본 연구는 연구결과의 제한점과 향후 연구에 대한 기술로 마무리하였다.

• 한국의류학회지
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• 제48권1호
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• pp.1-19
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• 2024

The purpose of this study is to examine the color characteristics of menswear in different cities, focusing on the Paris, Milan, New York, Tokyo, and London collections. To answer the research question, the sampled colors were classified according to their hues and tones for frequency analysis and cross-analysis. The results are as follows: 'Red', which appeared frequently in the S/S and F/W seasons, was a core color in menswear design, and regardless of the season, 'blackish tones' were most commonly used. The cross-analysis uncovered a significant difference in the trends of hues in the F/W season between the cities. The colors that were more frequently used among the cities were as follows: 'blue-green' in the Paris collection, 'blue' and 'purple' in the Milan collection, 'purple' and 'purple-blue' in the London collection, 'yellow' in the New York collection, and 'red' and 'green' in the Tokyo collection. This study illustrates the significance of the F/W season's use of colors in menswear design and discovered through analysis that hues, rather than tones, were used to express individuality. These results are expected to be used as basic data for the analysis of menswear design trends.

• 교육녹색환경연구
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• 제5권2호
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• pp.53-66
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• 2006

Recent color plans in school buildings are made by experts through public offerings for prizes for designs etc in relatively many cases. But it is necessary to review if such color plans are actually well conform to students' emotions and what trend the color plans made as such have. Therefore, this study examined and analyzed the exterior colors of the school buildings planned by public offerings for prizes for designs and reviewed the result comparing to the color preferences of students that had already been studied to figure out the differences between existing theories and the realities. And it was examined what differences were existing in the trends of color plans and color images examined between each of school levels. The result of the study compared to theories is as follows. First, when the color distributions were reviewed for each school level, it could be confirmed that the overall distributions moved from Y category to B category and whereas warm colors were more widely distributed and the number of colors were greater compared to cold colors in case of elementary schools, the distributions of warm colors gradually decreased as school level moves to high schools. Second, the color use distributions of elementary school students were revealed to be more diversified than middle and high school students and also the number of colors used was 9.5 in average in elementary school and middle schools and high schools were similar to each other with average 5.86 colors in middle schools and 6.33 colors in high schools showing a little differences in color use distributions among school levels of elementary schools, middle schools and high schools. Third, in case of elementary schools, except main colors, both of subsidiary colors and emphasizing colors had the distributions of warm colors of R, YR, Y categories and cold colors of B, PB categories and this is also consistent with the results of existing research results indicating that low grade students prefor for warm colors and high grade students prefer for cold colors. Fourth, in case of middle schools and high schools, although the distributions of warm colors decreased, the distributions of warm colors and cold colors were revealed to be similar. This is considered to be consistent with the existing research results indicating that girl students prefer for warm colors even if their ages go up. Fifth, as for the images of main colors, subsidiary colors and emphasizing colors resulted from the comparisons by solid color Image Scales and adjective Image Scales, first, in case of main colors, natural images or clear images appeared the most in all of elementary schools, middle schools and high schools indicating that basically calmness is emphasized with soft images rather than hard images and static images rather than dynamic images. Also, in case of subsidiary colors or emphasizing colors, cheerful images or splendid images are also seen to decrease as school level goes from elementary schools to high schools in adjective Image Scales and this is considered to reflect the color sentiment differences between children and juveniles based on ages.

• 한국의류학회지
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• 제32권12호
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• pp.1950-1962
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• 2008

오늘날 상품뿐만 아니라 브랜드에 있어서 색채 이미지의 중요성은 증대되고 있다. 이 연구는 유아복 브랜드의 색채 이미지를 분류하고, 이를 통하여 효율적으로 색채 이미지를 계획하는 방법을 제안하고자 하였다. 유아복 브랜드의 색채 이미지를 분류하기 위해 유아복 7개 브랜드를 선정하여 온라인 숍을 통해 상품을 수집하였다. 수집된 상품은 여름, 가을 두 계절 상품으로 이를 다시 남아, 여아, 신생아 3개 군으로 분류하여 브랜드별로 6개의 소그룹으로 분류되었다. 연구 조사 설문지는 각 브랜드의 상품에서 색채만 추출한 컬러 팔레트 40장과 유아복에서 사용되어 추출된 이미지 형용사 어휘 20개로 작성된 설문지로 두 가지로 만들어졌다. 패션디자인 전공 대학생을 대상으로 최종 320장의 설문지가 회수되어 분석되었으며, 통계는 SPSS 12.0 패키지를 이용하여 요인분석(factor analysis)을 실시하였다. 유아복 색채 이미지로 '활발함', '사랑스러움', '멋스러움', '깨끗함'의 네 가지가 추출되었다. 색상이 아니라 색채가 유아복 브랜드의 색채 이미지를 형성하는 데 더욱 중요하였다. 블랙과 화이트가 유아복임에도 많은 비중으로 사용되었다. 성별과 계절별 색채 이미지의 일치성이 유아복 브랜드 색채 이미지를 명확하게 하고 차별화하는데 중요하였다.

• 대한전자공학회논문지SP
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• 제42권2호
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• pp.69-80
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• 2005

최근 영상 및 광학 소자 산업의 발달과 디지털 방송으로 TV등의 디스플레이 장치들이 슬림화 및 대형화되는 추세에 따라 기존 CRT를 대신하고 있다. 특히 LED, Laser등을 이용한 광 색역 디스플레이 장치들은 CRT에서는 표현할 수 없는 고채도의 색을 표시한 수 있는데 기존의 TV신호를 그대로 적용할 경우 색상의 왜곡이 큰 부작용으로 작용한다. 따라서 본 논문에서는 이와 같은 광 색역 디스플레이 장치에서 색상의 왜곡을 없애고 기존 CRT에 비해 넓은 색역을 충분히 활용할 수 있는 색역 사상에 대하여 연구하였다. 색역 사상은 동일색상에서 채도를 향상 시키는 방법이 일반적으로 사용되나 채도의 과도 상승으로 인한 부작용이 나타난 수 있다. 따라서 본 논문에서는 이러한 부작용을 방지하기 위해 밝기와 채도를 같이 상승 시키는 벡터 사상을 제안 하고자 한다. 이 벡터 사상은 색도가 변하지 않아서 영상이 보다 자연스럽다는 장점이 있다. 또 입력과 출력 색역의 기하학적 특성에 따라서 발생할 수 있는 계조 뭉침이나 윤곽선 효과를 색역 맞춤을 통해 보상하였다. 이와 같은 색역 사상과 색역 맞춤을 이용하여 광색역 디스플레이에서 색상 왜곡을 방지하고 자연스러운 영상을 재현할 수 있다.