• 제목/요약/키워드: gold leaf

검색결과 57건 처리시간 0.024초

Study on the Characteristics and Production Techniques of the Clay Seated Vairocana Buddha Triad of Seonunsa Temple, Gochang(2) - Analysis of Gold Leaf Layers and Internal Structure of the Clay Buddha Statues

  • Lee, Hwa Soo;Kim, Seol Hui;Kim, Won Woo;Yu, Yeong Gyeong;Han, Kyeong Soon
    • 보존과학회지
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    • 제37권1호
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    • pp.43-54
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    • 2021
  • In this study, a scientific analysis of the gold leaf layers and internal structure of the Clay Seated Vairocana Buddha Triad in Seonunsa Temple, Gochang (Treasure No. 1752) was conducted. The surface of the Buddha statues is a gold foil, and the gold leaf layer consists of four layers. The gold leaf layer first composed on the molding clay was produced in the order of lacquer-fabrics-lacquer-gold foil. Subsequently, it was confirmed that the work was performed three times in the same way. The composition of the Buddha statues was divided into the head, body or upper body, lower body, and pedestal. The body was made in a cylindrical form by connecting vertically oriented wooden materials, and the head and lower body were also connected to the body in an empty form. Thus, the head, body, and lower body are grafted structures that are connected to a single Bokjang-gong. It was confirmed that the Clay Seated Vairocana Buddha Triad in Seonunsa Temple was made using wood materials for the basic form, after which the detailed form was created with molding clay, and the surface was finished with a process of layering gold foil and substances presumed to be lacquer.

경상북도 안강 행주 기씨 묘 출토 직금단 치마와 저고리 보존처리 - 직금단 편금사의 금박 재접착을 중심으로 - (Conservation of Golden Decorative(Jikgeumdan) Jeogori and Chima of Costumes Excavated from Hangju Gi' Tomb of Angang, Kyungsangbukdo Province - Re-adhesion of Gold Leaves in Gilt Paper Strips -)

  • 오준석;노수정
    • 복식
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    • 제57권9호
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    • pp.67-75
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    • 2007
  • The purpose of this research is to conserve of golden decoration(Jikgeumdan) of Chima(skirt) and Jeogori(Korean jacket) of the costumes excavated from Hangju Gi' tomb(17th Century) of Joseon dynasty$(1392{\sim}1910)$ and to focus on the development of conservation skill to prevent flakings of gold leaves in gilt paper strips. Up to the present, in case of golden decorations of costumes excavated from tombs of Joseon dynasty, some of gold leaves in gilt paper strips of costumes were flaked away by deterioration of adhesives in tombs. However, most of gold leaves were flaked away and totally lost by wet cleaning for eliminating contaminants after excavation. In order to prevent flaking, preliminary experiments for re-adhesion of gold leaves have been carried out. Firstly, simulation was performed using gold leaf which was available in the market. Adhesives used in this research were water-soluble adhesives(hide glue(cow, rabbit), glue made from air bladders of sciaenoid fish and Primal AC-3444 of acrylic emulsion) and solvent-soluble adhesives(acrylic adhesive Paraloid B-67 and B-72). Because of difficulty in wetting and spreading of adhesive solutions into the interface between gold leaf and Korean paper, water-soluble adhesives were not proper for adhesion of gold leaf and Korean paper. Solvent-soluble adhesives were easily infiltrated into interface between gold leaf and Korean paper and the adhesive force was also satisfied. From this result, the researchers chose more flexible Paraloid B-72$(Tg\;40^{\circ}C)$ 1% solution than Paraloid B-67$(Tg\;50^{\circ}C)$ for adhesion of gold leaf and Korean paper. Secondly, using Paraloid B-72 1% solution, the estimations of re-adhesions of gold leaves in gilt paper strips of Jeogori were carried out. When Paraloid B-72 1% solution was injected three times into the interface between gold leaf and Korean paper, the re-adhesion was most effective. On the basis of the results in these preliminary experiments, re-adhesions of gold leaves in gilt paper strips of Chima and Jeogori were carried out on condition of three times injections of Paraloid B-72 1% solution before wet cleaning. After wet cleaning, the most of the gold leaves were survived, which was confirmed by both the examination with the naked eye and the microscopic examination.

조방형 옥상녹화에서 노랑조팝나무의 활착에 미치는 토심별 유기질 토양개량제의 시용 효과 (Effect of Organic Fertilizer Application depends on Soil Depths on the Growth of Spiraea bumalda 'Gold Mound' in a Extensive Green Roof System)

  • 주진희;구은평;윤용한
    • 한국환경과학회지
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    • 제23권2호
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    • pp.239-248
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    • 2014
  • This study investigated the effects of soil depths and soil organic fertilizer application on the growth characteristics of Spiraea bumalda 'Gold Mound' in a extensive green roof system. The treatments were 3 soil depths (10, 15 and 25 cm) and 5 soil types in mixture of artificial soil and organic fertilizer. We measured plant height, leaf width, leaf length, number of flowers, visual quality and survival rate from March to October in 2011. The growing medium of 10 cm soil depth showed the highest plant growth in $A_1$ (amended soil 100%), and the lowest plant growth in $O_1A_4$ (organic fertilizer 20% + amended soil 80%) treatment. In case of 15 cm soil depth, Spiraea bumalda 'Gold Mound' showed a high leaf length and visual quality in $O_1A_2$(organic fertilizer 33% + amended soil 67%) treatment and high leaf width and number of flowers in $O_1$ (organic fertilizer 100%) treatment. $A_1$ treatment without organic fertilizer showed the lowest leaf length and poorest visual quality, and $O_1A_4$ treatment showed the lowest plant height and lowest number of flowers. At soil depth 25 cm, $O_1A_1$ (organic fertilizer 50% + amended soil 50%) treatment showed greater plant height, visual quality and number of flowers than other treatments. The leaf length and leaf width were more effective in $O_1$ treatment. $A_1$ treatment showed a relatively low leaf length, leaf width and visual quality. The higher the organic conditioner, the better the plant growth. And, survival rates of Spiraea bumalda 'Gold Mound' showed 92%, 88% and 76% at soil depths of 25 cm, 15 cm and 10 cm, respectively, in this a extensive green roof system. Therefore, the results showed that the growth of Spiraea bumalda 'Gold Mound' was affected by both soil quality and soil depth. Different optimal mixtures of organic fertilizer and amended soil were determined, depending upon soil depth.

출토 직금직물의 세척방법에 관한 연구 (A Study of Cleaning Method of Excavated Gold Brocade)

  • 홍문경;이미식
    • 한국의류학회지
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    • 제34권7호
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    • pp.1162-1174
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    • 2010
  • Excavated gold brocade, often shows signs of serious damage and contamination from environmental factors such as exposure to soil or human remains. Therefore, most of the conservation procedures are focused on the consolidation of the gold thread and on cleaning with water or organic solvents. Indiscreet cleaning using solvents could damage the gold leaf, which identifies the features of fabric. There is a need to develop cleaning protocols appropriate for relics through the careful analysis of the condition of the relics. This study finds the appropriate cleaning method for the excavated gold brocade. Four different cleaning methods, vacuum cleaning, kneaded rubber eraser cleaning, immersion wet cleaning, and absorption wet cleaning were applied to the excavated gold brocade. The degree of cleaning and damage were examined depending on the cleaning methods, changes to the physical condition (before and after cleaning) were also analyzed through the surface observation. Although immersion cleaning showed the best cleaning result, this method had a risk of damage to the gold thread. Absorption wet cleaning safely eliminated the various soluble contaminants and the rotten smell of relics. Kneaded rubber eraser was suitable for the excavated gold brocade fabric because it can be applied to selective parts, intentionally excluding some sensitive parts such as the gold thread. The vacuum cleaning method required special attention because of a possibility of suctioning off loosely attached gold leaf. Dual cleaning, the kneaded rubber eraser cleaning, followed by the absorption cleaning was the most effective method to preserve and clean excavated gold brocade.

전통문양을 활용한 금박패치디자인 연구 (A Study on the Gold Foil Patch Design Using Traditional Patterns)

  • 오유경;송정아
    • 한국의류산업학회지
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    • 제24권1호
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    • pp.95-107
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    • 2022
  • In reality, the distinction between the Korean traditional culture and the cultures of other countries is at a delicate boundary. Additionally in the wake of the recent socio-cultural confrontation between Korea and China, it has become necessary to establish the foundation and area of Korean traditional culture and to actively utilize the importance of improving awareness of Korean traditional culture. To reorganize the reckless use of the gold foil pattern shown in the rental hanbok, data on the museum's collection of gold leaf patterns were collected and analyzed. Based on the gold foil, Gilsang characters such as Phoenix pattern, Crane pattern, Bat pattern, Flower pattern, Fruit pattern and recovery advice were extracted through references. The traditional gold foil pattern was reconstructed and relocated to design the gold leaf patch. Based on the collection and analysis of the museum's relics, the Wonsam & Daedae, Dangeui, Sranchima, Sagyusam, Jeonbok, Bokgun, and Daenggi were produced. Therefore, we present the possibility of producing gold foil and modern methods for producing gold foil using laser cutting techniques that can express refinement and complexity well, and gold foil thermal transfer paper with retouchable effects. Additionally, we would like to reflect upon the practicality and the convenience to modern people by considering the complexity and hassle of the traditional gold foil production process, and the disadvantages of processes that require relatively longer time. It intends to help revitalize the market of Korean traditional clothing and fashion products.

전통 편금사 복원 및 재현을 위한 재료 특성 비교 연구 (Comparative Study on Characteristic of Materials to Restore Traditional Gold Threads)

  • 유지아;김지은;한예빈;이상현;정용재
    • 보존과학회지
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    • 제30권3호
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    • pp.307-315
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    • 2014
  • 직금직물은 금사를 이용한 섬유공예 기술로 삼국시대부터 고려시대와 조선시대까지 이어져 온 공예기법이다. 이와 같은 금사 공예 기법은 우리나라의 문헌기록에서 다양하게 기록되고 있으나 영조 9년 문직기의 철폐와 더불어 현재 금사 제작 기술은 단절된 상태이다. 현재까지 이뤄진 전통 금사에 대한 연구는 주로 보존처리를 위한 세척 및 강화 등이 주로 이루어졌으며 전통 금사의 복원과 재현을 위해서는 재료와 제작기법의 규명이 필수적으로 요구된다. 금사는 금박과 접착제, 배지로 이루어지며 특히 접착제의 경우 외부에 노출되지 않기 때문에 이에 대한 연구가 어려운 실정이다. 본 연구에서는 금사의 각 층을 이루는 재료의 특성을 비교하기 위하여, 문헌과 국외 금사 제작 공방 조사를 토대로 순금 및 가금, 아교 및 옻칠, 다양한 조건의 한지를 선정하여 의사 시료를 제작하였다. 각 재료별 형태적 특성과 안정성을 평가한 결과, 금박은 순금, 접착제는 아교, 배지는 도침지가 가장 적절한 것으로 확인되었다. 전통 금사의 복원과 현대화를 위해서 본 연구를 토대로 하여 향후 제작 기법 및 제직 기법 등에 대한 연구가 필요할 것으로 판단된다.

A Laterally-Driven Bistable Electromagnetic Microrelay

  • Ko, Jong-Soo;Lee, Min-Gon;Han, Jeong-Sam;Go, Jeung-Sang;Shin, Bo-Sung;Lee, Dae-Sik
    • ETRI Journal
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    • 제28권3호
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    • pp.389-392
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    • 2006
  • In this letter, a laterally-driven bistable electromagnetic microrelay is designed, fabricated, and tested. The proposed microrelay consists of a pair of arch-shaped leaf springs, a shuttle, and a contact bar made from silicon, low temperature oxide (LTO), and gold composite materials. Silicon-on-insulator wafers are used for electrical isolation and releasing of the moving microstructures. The high-aspect-ratio microstructures are fabricated using a deep reactive ion etching (DRIE) process. The tandem-typed leaf springs with a silicon/gold composite layer enhance the mechanical performances while reducing the electrical resistance. A permanent magnet is attached at the bottom of the silicon substrate, resulting in the generation of an external magnetic field in the direction vertical to the surface of the silicon substrate. The leaf springs show bistable characteristics. The resistance of the pair of leaf springs was $7.5\;{\Omega}$, and the contact resistance was $7.7\;{\Omega}$. The relay was operated at ${\pm}0.12\;V$.

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순창 운림리 농소고분 출토 목관 칠 분석을 통한 제작방법 연구 (Lacquer Layers and Making Methods of the Wooden Coffin Excavated from the Nongso Tomb of Unrimri, Sunchang in Korea)

  • 이혜연
    • 보존과학회지
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    • 제33권5호
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    • pp.355-362
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    • 2017
  • 순창 농소고분은 적성면 운림리 일대와 내월리 농소마을을 둘러 형성된 구릉지 능선에 위치하고 있다. 고분의 토광은 비교적 깊은 곳에 조성되어 도굴의 피해가 없었으며 전체적으로 다량의 숯으로 채워져 있어 목관이 비교적 좋은 상태로 출토되었다. 고분 구조 및 매장시설, 출토 유물, 방사선탄소연대 측정 결과를 종합하였을 때 농소 고분의 축조시기는 고려시대 후기부터 조선 초기까지로 추정하고 있다. 농소고분에서 출토된 목관은 목곽과 목관의 2중 구조로 목관 외면에 두껍게 옻칠을 하고 금색 문자와 흰색 문양으로 장식되었다. 안료 분석 결과 금색 문자는 금(Au), 흰색 문양은 은(Ag)이 주요 성분으로 확인되었다. 칠 막은 안료 층, 황갈색 층, 검은 층의 3개 층으로 관찰되었다. 검은 층은 그을음과 같은 검은 물질로 목재 바탕의 밑칠로 사용되었다. 황갈색 층은 옻칠로서 정제칠로 추정된다. 목관 칠막 분석을 종합하면 칠 제작방법은 금박을 이용하는 방법과 금분을 이용하는 방법으로 추정된다. 안료 형태 및 내부 구조상으로는 금박이 유력하지만 표현된 글자의 형태를 보면 금분을 이용한 것으로 보인다. 따라서 향후 금박과 금분을 이용한 재현실험을 통하여 제작방법을 확인한다면 고분 축조 당시 칠기 제작기술을 파악하는데 중요한 자료가 될 것이다.

고려시대 칠기에 나타난 묘금기법 연구 (A Study on Investigation of Gold Painting Technique in the Lacquerwares of Goryeo)

  • 박정혜;이용희
    • 박물관보존과학
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    • 제14권
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    • pp.61-67
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    • 2013
  • 고려시대의 칠기는 10세기 초에서 14세기에 이르는 동안 다양하게 변화하였으며 화려한 전성기를 이루고 독창성이 돋보이는 나전칠기로 발전하게 되었다. 고려나전칠기는 나전과 대모, 금속선등을 이용한 세밀한 문양과 여기에 화려함을 더하는 묘금기법이 특징이다. 금분을 이용해 선묘를 하여 칠기를 장식하는 묘금기법은 회화적 장식적 측면에서 대단히 화려하지만 묘금에 의한 문양표현을 찾아볼 수 있는 유물은 극히 드물고 묘금기법에 대해 참고할 수 있는 문헌자료도 많지 않다. 본 연구에서는 고려시대 칠기의 묘금을 대상으로 미시경적 관찰을 하여 금분의 특징과 교착제, 교착상태 등에 관해 밝히고 고대기술의 복원연구 자료를 제공하고자 하였다. 연구결과 금분의 입자는 불규칙한 방형과 다각형, 삼각형 모양으로 크기가 2 ㎛에서 20 ㎛까지 다양하게 보이며 금분의 입자는 끝이 말려들어가 중첩되어진 부분이 보이고 전체적으로 금분입자는 종이가 구겨진 듯한 형상과 비슷하게 관찰되었다. 이번 연구를 통해서 고려시대 묘금에서 사용된 금분은 금박을 분말상태로 분쇄하여 만든 금분을 묘금에 사용하였다는 것을 보여준다.