• The KIPS Transactions:PartB
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• v.17B no.1
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• pp.69-78
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• 2010

Spectral modeling synthesis (SMS) has been used as a powerful tool for musical sound modeling. This technique considers a sound as a combination of a deterministic plus a stochastic component. The deterministic component is represented by the series of sinusoids that are described by amplitude, frequency, and phase functions and the stochastic component is represented by a series of magnitude spectrum envelopes that functions as a time varying filter excited by white noise. These representations make it possible for a synthesized sound to attain all the perceptual characteristics of the original sound. However, sometimes considerable phase variations occur in the deterministic component by using the conventional SMS for the complex sound such as whale sounds when the partial frequencies in successive frames differ. This is because it utilizes the calculated phase to synthesize deterministic component of the sound. As a result, it does not provide a good spectrum matching between original and synthesized spectrum in higher frequency region. To overcome this problem, we propose a modified SMS that provides good spectrum matching of original and synthesized sound by calculating complex residual spectrum in frequency domain and utilizing original phase information to synthesize the deterministic component of the sound. Analysis and simulation results for synthesizing whale sounds suggest that the proposed method is comparable to the conventional SMS in both time and frequency domain. However, the proposed method outperforms the SMS in better spectrum matching.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2008.05a
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• pp.763-767
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• 2008

In a speech coding system using excitation source of voiced and unvoiced, it would be involved a distortion of speech qualify in case coexist with a voiced and an unvoiced consonants in a frame. So, We proposed TS(Transition Segment) including unvoiced consonant searching and extraction method in order to uncoexistent with a voiced and unvoiced consonants in a frame. This research present a new method of TS approximate-synthesis by using Least Mean Square and frequency band division. As a result, this method obtain a high quality approximation-synthesis waveforms within TS by using frequency information of 0.547kHz below and 2.813kHz above. The important thing is that the maximum error signal can be made with low distortion approximation-synthesis waveform within TS. This method has the capability of being applied to a new speech coding of Voiced/Silence/TS, speech analysis and speech synthesis.

• The Journal of the Acoustical Society of Korea
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• v.13 no.6
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• pp.91-97
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• 1994

In speech processing, the waveform codings are concerned with simply preserving the waveform of signal through a redundancy reduction process. In the case of speech synthesis, the waveform codings with high quality are mainly used to the synthesis by analysis. Because the parameters of this coding are not classified as both excitation and vocal tract, it is difficult to apply the waveform coding to the synthesis by rule. Thus, in order to apply the waveform coding to synthesis by rule, it is necessary to alter the pitches. In this paper, we proposed a new pitch alteration method that can change the pitch period in waveform coding by dividing the speech signals into the vocal tract and excitation parameters. This method is a time-frequency domain method preserving the phase component of the waveform in time domain and the magnitude component in frequency domain. Thus, it is possible that the waveform coding is carried out the synthesis by rule in speech processing. In case of using the algorithm, we can obtain spectrum distortion with $2.94\%$. That is, the spectrum distortion is decreased more $5.06\%$ than that of the pitch alteration method in time domain.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.13 no.2
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• pp.413-418
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• 2009

In a speech coding system using excitation source of voiced and unvoiced, it would be involved a distortion of speech qualify in case coexist with a voiced and an unvoiced consonants in a frame. So, We proposed TS(Transition Segment) including unvoiced consonant searching and extraction method in order to uncoexistent with a voiced and unvoiced consonants in a frame. This research present a new method of TS approximate-synthesis by using Least Mean Square and frequency band division. As a result, this method obtain a high qualify approximation-synthesis waveforms within TS by using frequency information of 0.547kHz below and 2.813kHz above. The important thing is that the maximum error signal can be made with low distortion approximation-synthesis waveform within TS. This method has the capability of being applied to a new speech coding of Voiced/Silence/TS, speech analysis and speech synthesis.

• Journal of information and communication convergence engineering
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• v.6 no.1
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• pp.47-50
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• 2008

A novel high channel efficiency transceiver based on a fast acquisition frequency synthesizer has been designed. The direct digital synthesis (DDS) technique is applied and a simple memory look-up table is incorporated to expedite channel acquisition. The technique simplifies the frequency control process in the transceiver and thus reduces the channel switching time. As a result, the channel efficiency is improved. The designed transceiver is ideal for frequency hopping mobile communication applications.

• Journal of the Korean Society for Precision Engineering
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• v.11 no.6
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• pp.65-74
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• 1994

Various substructure synthesis methods, such as component mode synthesis, building block analysis and reduced impedance method, are studied for the determination of vibration characteristics of plate problems. Comparisons are made for each methods in terms of accuracy and computational efficiency. Following conclusions are made from the results of computer simulations and experiments. i) The computation time of component mode synthesis is much shorter than that of whole structure analysis. The natural frequencies of lower modes obtained from component mode synthesis are almost same as those obtained from whole structure analysis, but in higher modes the differences between those two methods are increases. ii) The transfer function obtained from building block analysis is same as that obtained from the finite element method. iii) Same transfer functions can be obtained by the reduced impedance method. The computation time of reduced impedance mathod is shorter that that of general finite element method, but for the solutions in broad frequency band it requires long calculation time.

• Journal of the Society of Naval Architects of Korea
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• v.31 no.2
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• pp.91-98
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• 1994

An efficient optimization procedure combining the frequency approximation technique and the component-mode synthesis method is proposed for the structural dynamic optimization of the large structures subject to prescribed natural frequency constraints. Frequency constraints are approximated by using the first-order sensitivities with respect to both design parameters and their reciprocals. The component-mode synthesis method proposed by the authors in Ref.[8] is used for the repetitive detail finite-element analysis and sensitivity analysis. The validity of the proposed optimization procedure is confirmed through the numerical implementation of some examples. The presented approximation technique requires much smaller number of repetitive analysis than that using the sensitivities with respect to design parameters only, and further improvement in the numerical efficiency is achieved by the adoption of the introduced component-mode synthesis.

• The Journal of the Acoustical Society of Korea
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• v.40 no.6
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• pp.571-577
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• 2021

This study is a study on System On Chip (SOC) that implements virtual engine sound in electric vehicles without engines, and realizes vivid engine sound by combining Adaptive Difference PCM (ADPCM) method and frequency modulation method for satisfaction of driver's needs and safety of pedestrians. In addition, by proposing an electronic sound synthesis algorithm applying Musical Instrument Didital Interface (MIDI), an engine sound synthesis method and a constitutive model of an engine sound generation system are presented. In order to satisfy both drivers and pedestrians, this study uses Controller Area Network (CAN) communication to receive information such as Revolution Per Minute (RPM), vehicle speed, accelerator pedal depressed amount, torque, etc., transmitted according to the driver's driving habits, and then modulates the frequency according to the appropriate preset parameters We implemented an interaction algorithm that accurately reflects the intention of the system and driver by using interpolation for the system, ADPCM algorithm for reducing the amount of information, and MIDI format information for making engine sound easier.

• The Journal of Korean Institute of Electromagnetic Engineering and Science
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• v.13 no.7
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• pp.649-656
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• 2002

This paper addresses the phase noise analysis of high-speed DH-PLL(Digital Hybrid Phase-Locked Loops) frequency synthesizer. Because of the additional quantization noise of D/A converter in DH-PLL, the phase noise of DH-PLL is increased than the conventional PLL. Three kinds of noise sources such as reference input, D/A converter, and VCO(Voltage Controlled Oscillator) are considered to analyze the phase noise. It largely depends on the closed loop bandwidth and frequency synthesis division ratio(N) so that we can decide the optimal closed loop bandwidth to minimize the phase noise of DH-PLL. It is shown that the simulation results closely match with the results of analytical approach.

• Proceedings of the Acoustical Society of Korea Conference
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• 1995.06a
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• pp.123-126
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• 1995

The waveform coding are concerned with simply preserving the wave shape of speech signal through a redundancy reduction process. In the case of speech synthesis, the wave form coding with high quality are mainly used to the synthesis by analysis. However, because the parameters of this coding are not classified as either excitation and vocal tract parameters, it is difficult to applying the waveform coding to the synthesis by rule. In this paper, we proposed a new pitch alteration method that can change the pitch period in waveform coding by using scaling the time-axis and compensating the spectrum. This is a time-frequency domain method that is preserved in the phase components of the waveform and that has a little spectrum distortion with 2.5% and less for 50% pitch change.