• 한국의상디자인학회지
• /
• 제8권3호
• /
• pp.101-111
• /
• 2006

Jeans fashion in contemporary fashion has various meanings and values, and the importance of it increases. The purpose of this study is to analyze the formative feature characteristics and the aesthetic values of Korean jeans fashion. Fashion photograghs from leading monthly fashion magazines from 2000 to 2005 were analyzed. The types of styles and the formative feature characteristics and the aesthetic values of Korean jeans fashion were studied. The major conclusions of the study are as follows 1. The types of Korean jeans fashion styles were western style, punk style, neo classic style and ethnic style. 2. The characteristics of Korean jeans fashion designs were the varieties in material, color, technique of expression and application. 3. The formative feature characteristics were traditionalism, sexualism, extraordinarily and exhibitionism. Korean jeans fashion has developed creative and decorative designs through various designs and styles. As the activities of the people can be increased in the future, the function and the design of jeans fashion can be developed diversely.

• 복식
• /
• 제54권2호
• /
• pp.135-148
• /
• 2004

The purpose of this thesis is to examine how typography, which has become apparent in many areas of modern society, is expressed, portrayed and how its value, function and significance in fashion can be understood. In order to undertake this study, the concept of typography was examined in detail, the verbal and formative function of typography carefully considered, and the different types of typography were analyzed and categorized in to the below areas : - Typography for the increasing of brand logo recognition - Typography as a social slogan - Typography for the increasing of collective belongingness - Typography as an image - Typography as a symbol. As a result, the typography plays an important role of a verbal tool in modern fashion design. Through typography, fashion was able to explain in much detail the overstatement of society criticizing character and functionality of information conveyance. However, the role of typography will continue to change and evolve according to the constant changes of fashion

• 한국과학교육학회지
• /
• 제42권5호
• /
• pp.501-514
• /
• 2022

온라인 교수학습 환경으로의 변화에 따라 온라인 형성평가에 대한 관심이 높아지고 있으며, 이에 대한 예비 교사들의 준비가 필요하다. 본 연구에서는 교사 교육의 기초 토대 마련을 위해 예비 과학교사 22명을 대상으로 온라인 수업과 온라인 형성평가, 형성평가에 대한 인식을 조사하고, 이를 바탕으로 실행 과정에서 나타나는 주요 사항을 분석하였다. 사전 인식은 개방형 설문을 통해 얻은 응답을 오픈 코딩을 통해 범주화하여 범주별 빈도를 파악하였고, 사전 인식의 범주 분류 결과를 바탕으로 실행의 모습을 분석하였다. 이를 통해 현재 상태와 바람직한 활용 목표 간의 격차를 파악하고, 교사 교육에서 중점을 두어야 하는 사항은 무엇인지에 대해 논의하였다. 연구의 결과, 사전 인식에서는 온라인 수업의 어려움으로 상호작용을 언급하고, 온라인 형성평가의 장점으로 테크놀로지의 활용 및 피드백과 수업 조정을 언급하였다. 지도안과 조별 사전 인식 과정에서는 플랫폼의 테크놀로지를 활용하여 자동화된 피드백을 대부분 활용하였지만, 응답 분석 결과를 활용한 수업 조정과 상호작용이 나타나지는 않았다. 또한 온라인 형성평가의 형성적 기능에 적합하지 않은 활용 방식이 다수 나타났다. 이러한 원인은 예비 교사들의 형성평가 활용에 대한 이해가 부족하고, '평가'의 측면에 치중했기 때문으로 분석된다. 형성평가의 피드백을 통한 '형성적' 기능과 활용 방법에 대한 예비 교사들의 충분한 이해가 바탕이 될 때, 온라인 형성평가의 장점을 활용한 상호작용으로 이어질 수 있다. 따라서 형성평가의 핵심적 기능이 잘 발휘될 수 있도록 형성적 활용에 대한 역량 강화와 실질적 적용 방법에 대한 교육이 예비 교사 교육에서 강조되어야 할 것이다.

• 복식
• /
• 제59권10호
• /
• pp.98-110
• /
• 2009

This study has outlined and summarized academic meaning of formative characteristics of Organic Modernism represented by various aspects of design, art, industry and architecture, then has intented to define concept of Organic Modernism Fashion. Eventually, this study is to make a analysis of formative characteristics of Organic Modernism Fashion Design. Based on example of Organic Modernism applied to architectural structure, industrial products and pure paintings, this study has analyzed and researched into formative characteristics of Organic Modernism represented by fashion design. As a consequence of study, its characteristics are defined as below; The first, the beauty of simple formation using delicate curve. The second, the expression of symbolic formation based on surrealism. The third, the expression of continuous 3-dimensional curved surface. And the last characteristic is a providing transformable multi-function. Through those characteristics mentioned above, it may be expected to define a concept of Organic Modernism Fashion Design newly and to set a precedent for providing a basic criteria to classify formative characteristics of Organic Modernism Fashion Design.

• 한국의류산업학회지
• /
• 제17권2호
• /
• pp.178-190
• /
• 2015

The purpose of this study is to analyze the formative characteristics of animal stripes based on the colors, shapes and texture through classification standards under functional meanings, and it also aims to produce various stripe patterns based on its outcome to develop modern fashion design. For the study method, specialty publications, preceding researches and internet websites were utilized for the purpose of theoretical discussion on animal stripes. And it is also to examine functional meanings formed by animal stripes in order to analyze the characteristics of stripes; subsequently, based on the classification standard of this function, it is to identify the distinction of its colors through quantitative analysis on formative characteristics and colors. By using the following analyzed color palette of stripes, various stripe patterns were developed and designed with the sense of modern fashion while repeatedly using the shape with systematic colors and rhythms displayed on the animals. As a result of this study, it was confirmed that animal stripes possess a regularity that is systematic and can be digitized. After identifying, analyzing and systemizing formative characteristics of animal stripes, a concept of division and competition was applied; subsequently, whole new stripe patterns were developed and designed in order to further promote fashion design.

• 디지털융복합연구
• /
• 제14권5호
• /
• pp.421-426
• /
• 2016

본 연구는 벽화의 기법이 적용된 융복합적 성격의 판장형 담장 디자인을 제시한다. 기본적인 구조는 담장 평면에 회화적 요소를 담아 벽화가 그려진 담장이 된다. 여기에 담장 기둥을 중심으로 전력 통신 설비를 내장함으로써 담장의 고유한 기능 외에 가로나 정원조명, 방범설비로 활용될 수 있도록 기능면에서 복합성과 확장성을 갖추었다. 담장을 구성하는 부분들은 공장에서 규격에 맞춰 생산할 수 있도록 고려했다. 이러한 디자인 제안을 통해 담장의 기본적인 역할인 공간 구획을 넘어 개인과 사회적 소통을 유도할 수 있는 담장을 제시하고자 했다. 이 결과 심미적 효용뿐만 아니라 범죄예방 등의 사회적 기능에 까지 도움을 주는 폭넓은 융복합적 기능을 구현하는 담장으로 기능할 수 있다.

• 복식
• /
• 제27권
• /
• pp.189-205
• /
• 1996

This Study aims to show that hats are a form of plastic arts the ideal means which provides characteristics aura for the appearance of a per-son and expresses his personality. And analyizing the characteristics and function of the hat designs this study examines the formative aes-thetic of hats and tries to show the possibility of developing the modern hat design. For the purpose this study needs to consider these points: First on the basis of the study of the culture of clothes from the ancient to the modern the origin of hats and the process of changes in hats are examined. Secondly after analyizing of the formative aestheic of hats focussed on the form and tex-ture this study tries to explore. Thirdly the symbolic meaning of hats is stud-ied and then how it was applied to the modern hat design is considered. On the basis of these considerations the conclusions of this study are as follows: First we can see that all the basic shapes of hats were formed very early in the history and hats' shapes were transformed rather by the changer of the size decoration and proportion of hats than by that of hat's form itself. Secondly analyizing various works of hat designers by focussing on the aspects of the for-mative aesthetic this study can find that the formative aesthetic of hat design is very import-ant in changing silhouette of clothes and it has may possibilities of development to meet the modern sense. And lastly this study suggests that in apply-ing hats which had been symbolically used to the modern sense we should pay attention not to simply imitate them but to recreate the aes-thetic characteristics of hat designs so that we can develop the style of hats including both practical function and aesthetic element.

• 한국가구학회지
• /
• 제26권3호
• /
• pp.267-273
• /
• 2015

This study is a review on the relationship between furniture purchasers and producers in the Joseon period. Understanding the relationships in our traditional spirit and the Joseon furniture that reflects a aesthetic sense is a meaningful work. Joseon was to build an ideal country which put emphasis on the order and harmony through Theory of 'Yeak' as the confucianism nation. Human aesthetics, which emphasis on the spiritual value by confirmity to nature and forcus on the relaxed, deficient personality rather than completeness was established as the central formative consciousness of the Joseon Dynasty. The nature of things in the confucian scholar prior to the representations of things is expressed in the form of master craftsman's skill and soul. Formative consciousness of the confucian scholar is to realize ideals by communciation and interchange with master craftsman's soul in the form of the Joseon furniture. The beauty of restraint and brevity in the Joseon Dynasty furniture includes meanings and procedures of art work. It implies an orderer's purpose of production and a producer's products. Understanding the spirit of times in the production becomes the cornerstone capable of getting closer to the furniture ultimate proper function. These problems have a very close relationship with the problems of modern people's commnuication. We expect an even higher growth of the furniture by achieving more improved communication based on the consumer's great insight and the producer's passion.

• 한국가구학회지
• /
• 제28권2호
• /
• pp.95-102
• /
• 2017

In the process of changing from modern society to contemporary society, innovation of various fields is considered as important with rapid social change and one of the consequences of this changing movement is the innovation of living space. In this paper, based on this motive, we will study a modular shelf that can create a private space, and serve function like role of partition that delimits space in the one-room. Modular shelves can provide openness, closeness, and autonomy to individual spaces in a one-room space without space divisions. In a small one-room for residential purpose, it is able to function effectively to show the atmosphere of personal space and display small items reflecting personal taste in addition to the function of storing books and items. In addition, a modular shelves considering disassembly and movement are proposed in order to take advantage of one-room that can make different space configurations as needed. It is aim to suggest a basic modular shelves structure that used traditional Chinese wood-joints during which techniques was sturdy while reducing the use of timber. Futhermore, the purpose of this study is to study the design of shelf furniture that can add individuality.

• 복식
• /
• 제63권4호
• /
• pp.84-100
• /
• 2013

Ancient Greece was a patriarchal society that distinguished gender roles between men and women. Although their costumes were composed of simple rectangular fabric without any technical complications in itself, the Greeks did try to express gender differences in their clothing. The final look of the Greek costume was dependent on the way the cloth draped onto its wearer as well as the wearer's identity. Greeks costume could just be seen as a rectangular fabric when it was not draped on a person's body. The purpose of this study is to examine how the gender differences were expressed in the ancient Greek drapery costume, which was made by using a completely different technical process, compared with the modern tailored costume. There are four elements of the costume that give the costume its formative shape, which are the wearer's body, the rectangular fabric (material as the first formative costume), the way the fabric is draped, and the final appearance as the second formative costume (the relationship between the wearer's body and the costume) and this study analyzes these elements individually. It is intended to analyze the gender characteristics and how each element appears in a different way from the perspective of Structuralism, an analytical method that considers a phenomenon as a total sum of the elements. Literature research was conducted and representative sculpture, painting and pottery, were used between the Archaic Period (B.C. 800~500) and the Classical Period (B.C. 500~323). The results show that the gender differences appear in each formative element of costume: First, the body was distinguished by the ancient Greek custom. The man's nudity was accepted while the woman's body was concealed. Second, in regards to the first formative costume, which was the rectangular fabric, men's were made with thick high quality wool because their involvement in outdoor activities meant that they needed clothes to stay warm, while the women wore clothes made of thin wool or hemp cloth, because their most of their activities were at home. Third, the way to drape the fabric shows the gender differences by changing the length of the clothing and its design ; men's short khiton was practical for big movement and at the same time the clothing exposed the man's body. The woman's doric khiton diversified its decoration by the size of the apotigma and by using the belt. Finally the second formative costume reflected the Greeks' social distinction between a man's body and a woman's body. The man's costume naturally exposed the man's body. On the other hand, the woman's long costume has a variety of shapes on the ground, that concealed her lower body, while the ornamental function was more accentuated than the man's costume. The gender differences expressed in Greek costume fundamentally reflected the point of view of the male and female body and their social roles in society.