• Journal of Wetlands Research
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• v.17 no.4
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• pp.339-347
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• 2015

Differences in characteristics of flora and environmental factors of geomorphology, hydrology, water quality and soil were investigated in the shoreline of total 35 reservoirs according to their usages of waterpower generation, agricultural water supply, residential and industrial water supply and flood control in Korea. The number of plant species, floral structure and characteristics of species traits in the shoreline of reservoirs were different according to their usage. From the results of stepwise regression analysis, the total number of vascular plant species was increased at the environment of the higher flood frequency at the median water level and the longer exposure duration of the shoreline. The results of principal coordinates analysis and cluster analysis showed that the shoreline flora was classified as the 3 types of 1) flood control and residential and industrial water supply, 2) agricultural water supply and 3) waterpower generation reservoirs. The water level fluctuation, flood frequency at the median water level, lake water quality index and exposure duration of the shoreline were selected as important environmental factors affected on the characteristics of shoreline flora. The species richness of total flora and hydrophytes, especially submerged macrophytes, were much higher in the reservoirs for the purpose of the waterpower generation in which mesotrophic water quality and stable water levels were maintained. Annual or biennial ruderals were established on the ephemeral drawdown zone of flood control, residential and industrial water supply reservoirs which have oligotrophic or mesotrophic water quality and wide range of water level fluctuation. The floating hydrophytes were differentially dominated in the littoral zones of the agricultural water supply reservoirs with a mesotrophic or eutrophic water quality and a medium water level fluctuation. In conclusion environmental factors related to water level fluctuation and water quality were different and then the floral characteristics of shoreline were distinguishable according to usage of Korean reservoirs.

• The Korean Journal of Ecology
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• v.10 no.2
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• pp.53-62
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• 1987

Floristic composition and vertical distribution of Mt. Daedun (western slope) were investigated from 1985 to 1986. The results are as follows; 108 families, 346 genera, 511 species, 2 subspecies, 75 varieties, 5 forma or 593 taxa including 77 cultivars. The floral data showed the ecological characteristics such as the value 346 in Fisher's Index, H-D1-H5 in biological type, 10.9% in urban index of naturalized plants and 60.5% in erect form growth form. Based on the physiognomy and population density of dominant tree species the forest vegetation of Mt. Daedun (western slope) was classified into 5 types; Quercus mongolica forest and Q. variabilis forest at 800m above, Carpinys laxiflora forest and Acer mono forest at 700m to 800m and Sapium japonicum forest at 500m to 800m in altitude. And Lindera erythrocarpa forest and zelkova serrata forest are widely distributed at 400m to 800m in altityde along valley and at mountain foot area.

• The Korean Journal of Ecology
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• v.11 no.3
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• pp.153-173
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• 1988

The structure of vegetation of Mt. Cheomchal, Jindo-gun, Chollanamdo were surveyed from 1985 to 1987. The vascular plants was listed 785 taxa classified into 680 speciesm 1 subspecies, 95 varieties, 9 forma, 484 genera, 139 families, and 42 orders. The floral data showed the ecological characteristics such as the value 1.71 in Pte-Q and N-$D_1-R_5-$e in biological type. Vegetation of Mt. Cheomchal is classified into 8 communities: Quercus salicina community, Castanopsis cuspidata var. sieboldii community, Quercus acuta community, and Camellia japonica community as evergreen broad-leaved forest, Quercus variabilis Pinus densiflora community, Carpinus coreana community and Carpinus tschonoskii-quercus variabilis community as deciduous broad-leaved forest, and Pinus densiflora community as pine forest.

• Journal of the Korean Society of Costume
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• v.59 no.4
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• pp.41-53
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• 2009

This study analyzed expression types of dot patterns and derived out inherent characteristics to provide fundamental resources for advancement of high value added creative designs. As a result of the study, Firstly, the circular motive was used to form silhouettes or as a symbol of a decoration. Secondly, a simple form and color dot pattern was used to create one side, or a circular shaped accessory was used to be recognized as a construction line or a decoration line. Thirdly, textile printing is mainly used but handicraft and decorative images were used to add vitality through piece technique, embroidery, collage, cut-out, patch work, etc. Fourthly, different circular motives were integrated, partitioned and duplicated for abstract geometrical images. Fifthly, variations were added by mixing different dot patterns that are arranged regularly and irregularly in different sizes and gaps creating compounded designs with handicraft touches, different angles or on top of each other. Sixthly, hybrid images were created with rearrangement of dot patterns and by adding floral shapes, stripes or other abstract and geometrical shapes. Such various and creative attempts construct new formative beauty in fashion design and I believe that it can establish the development of unique images that satisfies the taste of today's consumers.

• Journal of the Korean Society of Floral Art and Design
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• no.44
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• pp.33-51
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• 2021

This thesis analyzes the formal characteristics of Dutch flower still life from the 17th century to the early 18th century and looks into the relevance with the Dutch art market from a macro perspective. The 17th Flower Still Life is to represent social hierarchy in that as the imported exotic, recherch items, the flowers were classified in the terms of their rarity and expensiveness. For this intriguing research, the subject is circumscribed to a vase of flowers, which is the quintessence of In the form of various Dutch Flower Still Life. Dutch society in the early 17th century was centered on the civilian class engaged in trade and commerce, which allowed them to purchase art works to show off their wealth, economic benefits and satisfaction of aesthetic tastes. Among them, the popularity of flower still life was related to the concentrated demand for rare flowers from the new continent. Accordingly, exact depiction and sense of the three dimensional manner were highly regarded in the early flower still life. For the tastes of the wealthy citizens who succeeded in business, the identity of flowers and the actual screen were considered as important. However, after the mid 17th century, economic growth in the Netherlands put an end, and the art market was also on a downward path. The demand class of flower still life has gotten farther away from the spirit of businessmen and has changed into city aristocrats who were stable rentiers. Their tastes laid emphasis on subjective sensibility, which meant that aristocratic, asymmetric, and dramatic chiaroscuro were preferred rather than being realistic. Furthermore, in the 18th century illusionistic realism was abandoned as an expression method of the planar characteristics and a new era in the floral still life was ushered with the reinforcement of decorative effect. From this perspective, it is not an exaggeration to say that romanticism, which is thought of as the beginning of Contemporary Art, originated from the aesthetic taste of Dutch civic culture.

• Conservation Science in Museum
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• v.30
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• pp.71-88
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• 2023

This paper examined the visible characteristics and chemical composition of glass beads from the Joseon Dynasty as well as the associations thereof. It also explored the characteristics and uses of glass beads by region. This study covered a total of 1,819 pieces excavated from 25 locations in the Gyeonggi, Chungcheong, and Gyeongsang regions, of which 537 pieces were analyzed for their chemical composition. Glass beads of the Joseon Dynasty take a variety of shapes such as a Round, Coil, Floral, Segmented, Flat, Oval, and Calabash. Colors vary from shades of brown (brown, lemon yellow) and shades of blue (Bluish-Green, greenish-Blue, Purple-Blue) to shades of white (colorless, white) and shades of green (Green, Greenish-Blue, Greenish-Brown). Brown accounts for the largest percentage, followed by Bluish-Green, greenish-Blue. It was identified that Drawing technique was the most common glass bead production technique of the Joseon Dynasty. Potassium oxide (K₂O) was the most common flux agent for glass beads, while the potash glass and mixed alkali glass groups account for the largest quantity. The choice of stabilizers depended on the type of flux agents used, but the most common were calcium oxide (CaO) and aluminum oxide (Al₂O₃). The potash glass and potash lead glass groups are high in CaO and low in Al₂O₃, the mixed alkali glass group is high in CaO, and the lead glass group is low in CaO. In terms of the association between color and shape, most of the beads with shade of brown and blue have round shapes of brown and blue have spherical shapes, while the coil shape is prominent in blue beads. A high percentage of green and colorless beads also take the shape of a coil, while white beads in general have a floral shape. In terms of the association between shape and chemical composition, round, floral and segmented shapes account for a high percentage of the potash glass group, while coil and flat shapes are common in the mixed alkali glass group. This paper also analyzed the colorants for each color based on the association between color and chemical composition. Iron (Fe) was used as the colorant for brown and white, and titanium (Ti) and iron were used for light yellow. Purple-Blue was produced by by cobalt (Co), and greenish-Blue, Bluish-Green, green, Greenish-Blue were produced by iron and copper (Cu). Colorless beads had a generally low colorant content.

• Journal of the Korean Society of Clothing and Textiles
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• v.41 no.3
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• pp.407-419
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• 2017

Based on clothing prohibition modelling characteristics, this paper studies historical costumes through the traditional Chinese historical dramas of the 'Kang-Qian' heyday during the 'Qing Dynasty'; represents the research object as a representative Chinese historical drama. This paper systematically analyzed the utilization and reflection of royal women clothing prohibition. The results of the study are as follows. The royal women clothing prohibition of this drama shows three aspects of characteristics found in traditional Chinese costume modeling. First, some special colors that integrated ancient and modern styles were mainly used in this drama such as champagne color, wine color, and macaron color. Second, it mainly utilized the modelling of modern artificial pigments and floral patterns that are different from Chinese traditional female costumes of the 'Qing Dynasty'. Third, stage costumes for this drama are focused more on using a personality method to reflect the beauty of each actress by the application of individual elements. This study analyzed and studied the clothing prohibition of female costume from to show the traditional Chinese costume prohibition in a Chinese historical drama as well as reveal a few aspects of traditional female costume characteristics in the 'Kang-Qian' heyday during the 'Qing Dynasty'. This study examined traditional female costumes characteristics in modern historical dramas based on different figures and dynasties as well as discussed the factors at a deeper level and from varied aspects.

• Korean Journal of Medicinal Crop Science
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• v.4 no.4
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• pp.277-282
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• 1996

This study was carried out to understand the flowering and pollination characteristics in Bupleurum falcatum. Estimated total node numbers of primary branches were 106.6, and the total numbers of florets were theoretically 9,622 until secondary branches flower. In the sizes of floral organs according to the branch order, all of ray, pedicel, petal, pistil, stamen, ovary surface, and sepals have a tendancy to be smaller as this order: main stem> 1st branch> 2nd branch. As the branch development proceeds, the size of florets was getting smaller. Each flowering periods, especially stamen emergence, in different branch positons and in intra-branch were clearly divided. In case of florets, umbellets, and compound umbels enveloped in the gauze and paper, they showed 0% fertilization rate. However, the plants which were entirely enveloped in gauze led to the partial fertilization. Consequently, it was admitted that B. falcatum was a partly allogamous plant, fertilized in the way of entomophily. In respect of pol­linatability according to the steps of floral organs maturation, this plant was able to bear fruit after 8 days (Pistil maturation). It was at maturity stages, especially 11 through 13 days, that the maximum fer­tilization rate appeared.

• Korean Journal of Medicinal Crop Science
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• v.3 no.1
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• pp.25-29
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• 1995

In order to obtain the basic information on cross breeding of peony, the growth and floral characteristics were investigasted for local collected strains in main cultvation area in Korea. Local peony strains were classified by early emergence lines and late emergence lines according to the emergence date. Flower color of single-petaling flower was varied with red, pink and white, on the other hand, red+red, pink+white, pink+red and pink+pink in double-petaling flower. Number of pistil of the most local peony strains was 3-4/flower, number of stamen was varied from 0 to more than 200 ea/flower, classifing by 4 groups according to the diameter of flower. Most of the cross combinations showed the cross comptibility, and number of follicle was 3-5 ea/flower, average number of seed was 15.6 ea/follicle, seed size was grouped : by small grains with less than 10g, medium grains with 10-15g and large grains with more than 15g of 100 seed weight.

• Journal of the Korean Society of Floral Art and Design
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• no.43
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• pp.101-122
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• 2020

In this paper, the social paradigm is rapidly changing with the expansion of human consciousness, which has emerged as the development of 20th century science and the influence of cutting-edge media as the search for new forms of flower art sculptures. Is becoming. Accordingly, the purpose of this study is to analyze the interaction relationship of the expression elements of environmentally friendly pressed sculptures in the space as interior materials in the space where customer service is provided. (Research method) After deriving the formative expression characteristics of environmentally friendly pressed flower sculptures, and deriving interactive analysis elements between the servicescape space and humans of the pressed flower sculptures through references, service the flower sculptures for 8 installation cases The expression patterns of the interrelationships in the space of the landscape of the landscape were analyzed. (Results) The characteristics of dynamic formation and continuity were emphasized in the environment-friendly pressed sculpture space, and the interaction that the sympathetic reaction to the natural motif element felt as a new experience in space appeared. In the future, commercial spaces can be actively experienced through natural elements, and users can experience active interactions to create differentiated spaces as spaces where humans and humans coexist.