• 복식
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• 제66권3호
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• pp.18-31
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• 2016

In response to increasing preference for tattoos during the 2000s, the demand for Japanesestyle tattoo fashion increased. Ukiyoe, the prototype of Japanese tattoo popular in the Edo period has been preserved traditional expression techniques to the present, It is characterized by the following: first, the tattoos share literary lyricism through plays borrowed from the classics. second, it displays harmony and equivocal expression of heterogeneous elements samurai and kabuki mono. third, humorous images are expressed in picture-in-picture form. And fourth, presence of fixed characters based on the publication culture. Tattoo fashion is characterized by the following: First, eclectic fashion based on pastiche; second, characters emphasizing fun and comicality; third, the adoption of tattoo models for establishing brand images; and fourth, Cultural association for the new composition of culture consumption. Pastiche, harmony of heterogeneous elements, fun and comicality, and fixed characters were found to be common between tattoo ukiyoe and tattoo fashion. That is, it attempted to meet the sensitive consumers' needs to keep up with the trends by adopting tattoo incorporated into the subculture of neo pop. This shows clearly the characteristics of fashion, which creates new trends through interacting with the contemporary culture.

• Journal of Information Technology Applications and Management
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• 제27권4호
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• pp.85-91
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• 2020

Animation is a field of popular visual art that is established in human life, and the form of characters appearing is an important factor that is highly anticipated by the public. Designing animation characters according to aesthetic characteristics not only satisfies people's aesthetic needs but can also increase their artistic immersion in animation works. In addition, animation storytelling is delivered around characters and enhances the value of the work by encouraging more public to focus on it. In this paper, we tried to analyze the design elements of Minions characters to derive the reason why they are loved by the public. Among the morphological characteristics of bicepsin characters, a study was conducted on the fact that bicepsin characters visually express 'cute' through the study of infantile eating and color. The visual cuteness elements of a bisung character will soon be linked to the psychological satisfaction of the audience's work and will be a factor in the appreciation of the value of the work. By studying the elements of expression that represent isosin characters, I would like to discuss the factors that help the audience to immerse and get satisfaction with the characters. This will be used as an important factor for an animation character to have for the audience and will reveal its value. Second-class animation images belong to the art of small pieces, suitable for all the audience to enjoy. The two-size animated image has a strong appeal and entertainment, is a confusing visual attribute, can stimulate the audience's five senses. Compared with the actors in the movie, the visual form of the animation is more important.

• 복식
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• 제25권
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• pp.215-231
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• 1995

Semiotics is an external expression for show-ing internal meaning, and the signs express the internal meaning. The architects and the designers are very similar each other in using semiotics for expressing their desires. Histori-cally, the design similarity exists between the architecture and the fashion. In this study, the fashion designs are interpreted by using semiotics of architectural design, especially emphasizing external expression methods for representing internal desires. To express the human body's character-istics, the volume, weight support, structural simplicity, controllability and beauty of fashion were used for the fashion designs, and those characters could be found at the architec-tural patterns. Balenciaga's fashion emphasized the volume, the weigh support, the structural simplicity and the controllability, while Roberto Capucci rejected the approach of using women's body curves, but used the volume and simplicity of natures in addition to Balenciaga's heavy weight design patterns. The control and the modern dedication were used to make the simple patterns by Courreges, and then brought the Modernism to the fashion. Courreges used the cutting characters to func-tional design for expressing the structural sim-plicity.

• 건축역사연구
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• 제1권1호
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• pp.228-239
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• 1992

I'm going to endow with any characters to the mixed history of Korean Contemporary Architecture, and rearrange the relations between motive of transfer and the ideology which is concluded in expression through considering the transitional period which is based on the modernity, tradition and additional area such as ideology, politics, technology, literature, sculpture and painting etc. This abstract explain only characters of revivalism in Korean Contemporary Architecture. Revivalism have some complexed nationalistic leanings. Our transitional succession returned to revivalism that is limitted by its form. Of course, that is dued to complexed operating such as the Ideal Nationalism against the severance of our culture which had been done by Japan, the Superior Nationalism which is developed by antagonism of our own ideology was dued to dividing into sections of our own country, and the Resistant Nationalism against foreign culture.

• 비교문화연구
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• 제34권
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• pp.307-330
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• 2014

To avoid calamities, the Chinese use different euphemisms in various fields of occupation and region. There are a lot of linguistic taboos concerned with Xieyin that shows the special characteristic of chinese characters. If two characters are homophones and one of them is considered offensive or misfortune, the Chinese prefer to substitute another expression for them in the actual conversations. These substitutes are called euphemisms. As an combined expression of psychological insecurity and language, euphemisms were not only used in the past, but also now they are still in common use. Although some of the chinese euphemisms are not used anymore nowadays, some of them are still used. There are a large number of chinese euphemisms in common use, but some special ones are used in particular fields only. This article focused on the linguistic taboos in some special fields like different regions, occupations and some others related with calamities, and tried to make a distinction from other previous studies. Language reflects culture and euphemism is a mirror of culture. The study of chinese linguistic taboos and euphemisms is expected to be some help to understand the chinese customs and linguistic features.

• 한국잠사곤충학회지
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• 제29권2호
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• pp.24-30
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• 1987

잠업시험장에서 육성중인 한성흑란계통잠의 실용형질향상을 위한 효율적인 교잡방법의 탐색을 위해 동아구교잡, 연속교잡, 단계 및 복계여교잡의 4가지 육종방법이 교잡원종세대(P)로부터 F6세대까지 비교검토되었다. 1. 화용비율의 경우 4가지 육종방법 공히 세대간에 또는 교잡방법간에 매우 변화가 심하였고 교잡효과의 양상은 연속교잡>동아구교잡·복계교잡>단계여교잡의 순으로 낮아졌다. 2. 전견중, 견층중, 견층비율의 경우 동아구교잡을 제외한 3가지 방법 공히 비교적 우수한 육종방법으로 생각된다. 3. 세대별 형질발현의 추이를 보면 화룡비율은 세대별 변화가 매우 심하여 일정한 경향이 없고, 전견중, 견층중, 견층비율은 교잡방법에 불구하고 P세대에서 F2,세대간은 교잡효과가 급상승하나 그 이후세대에서는 매우 둔화되는 양상을 보였다. 4. 육성중인 본 근성흑란계통누에의 실용형질은 육성중인 비전좌계통의 원종과 대차없다. 5. 본 근성흑란 암누에의 실용형질 발현도(E)는 정상잠에 가까워 전좌염색체편에 의한 생리적 결여가 매우 미소한 것으로 생각된다. 6. 이상의 결과에서 F7세대 이후의 근성흑란계통 누에의 실용형질 향상은 교잡육종에 의한 계통분리법이 좋을 것으로 생각되고, 아울러 형질고정도도 향상시켜야 할 것으로 생각된다.

• 한국정보통신학회논문지
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• 제12권3호
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• pp.438-444
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• 2008

본 논문에서는 애니메이션 캐릭터의 표정 연출의 효율성을 높이기 위해 정서 상태의 변화에 따라 다양하고 주어진 상황에 부합하는 표정을 쉽게 구현할 수 있는 표정생성 프로그램을 제안하고자 한다. 이를 위해 우선, Russell의 내적 정서 상태의 차원 모형을 근거로 쾌-불쾌, 각성-비각성의 내적 정서 상태 정보를 포함한 9가지 표정을 정의하였다. 그리고 각각의 표정에 대해 본 연구에서 제안한 표정생성 프로그램을 이용하여 두 차원의 중앙에 위치하는 무표정 자극을 8가지의 가능한 표정 변화 방향으로 이동시킴으로써 정서 차원에서의 미묘한 위치 변화에 따라서도 다양한 표정 생성이 구현될 수 있음을 확인하였다. 향후 이러한 프로그램은 복잡한 정서를 가진 표정을 쉽고 다양하게 구현할 수 있는 표정 자동생성 시스템 설계의 기초적 프로그램으로 활용될 수 있을 것이다.

• 복식
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• 제60권2호
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• pp.35-50
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• 2010

In this dissertation, the analysis of the study of female customs from late Joseon Dynasty and their genre painting to research humors and its aesthetic senses in that certain era. The purpose of the genre paintings is to look at general populations in an objective point of view and endeavor better value of public life style to embody clear understandings of humanity. The artists such as Hong-Do Kim and Youn-Bok Shin expressed their arts based on reasonable reality with sarcastic but humorous and creative ways to criticize the society's problems with clear statements. Therefore, the formative characters are realism, exaggeration and coloring of the whole arts that represents as innovative and original genre of it's time. Hong-Do Kim and Youn-Bok Shin expressed the women in society as open minded with versatile and refined looks in their paintings as the reality was repressed and closed mind for women figures in late Joseon Dynasty. The female customs in the paintings has both suppression and expression in their dresses and exaggerated shapes of accessories and the use of color were also found. All of these elements has the aesthetic values of satirized eroticism, the hint of next evolution of the late Joseon Era under the conservative disposition of social characters and freedom of expression of playfulness. These elements were new developments and a step forward of female 'sex' and expression of satirized eroticism. The exaggerated and distorted forms and accessories demonstrates unbalanced and asymmetrical elements in humorous characters and they include spontaneity. Also, using the five traditional color schemes of Korean art displays humor in playfulness of an art with splendid and purity, duality of positiveness and artless, smart and elegance looks.

• 건축역사연구
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• 제14권4호
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• pp.117-135
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• 2005

This paper is a study of the possibility of experience and expression in the architecture of Louis I. Kahn by focusing on the characters of entrance, court and window/wall of his public buildings. In the course of composition, Kahn defined the entrance, court and window/wall as an connecting elements and elements of boundary. The characters revealed by these elements or rooms give the clue to insight Kahn's thought of relation of interior and exterior space or inner and outer space. Following are the characters of these elements. First, a entrance reveals the fact that inner space separates from outer space by connecting these two space and giving the value to inner space as the entity and totality like outer space. The entrance gives its ontological being to human subjects not by vision but experience and expression which is the essence of commonness, that is, Silence. Kahn made the possibility of activity amplify in this common and silent space. Second, this entrance is connected with wide and huge central space not individual spaces of interior space. This extreme procedure of entering makes human subject feel sublime of intoner space. And the central spaces becomes another exterior or another world in the inner world of architecture by the lights from above and by having the boundary wall which shows same pattern of exterior wall. Third, Kahn regarded a window as the giver of lights not as the medium of vision connecting inner space with outer. He tried to connect interior with exterior through the being and character of the light expressed in the interior. And in his buildings, interior space is connected with exterior by expressing the purpose of building, composition of inner space, structural truth and construction facts through the Form, a pattern of wall, details and ornamental joints. By practicing this thoughts in the real buildings, Kahn tried to gave aura to both the interior space and entity of architecture which is regarded as micro universe like flowers, rocks and human beings.

• 한국정보전자통신기술학회논문지
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• 제11권4호
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• pp.340-345
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• 2018

수식은 일반 문장에 비해 복잡한 구조와 다양한 문자와 기호가 사용되어 단순한 키보드 입력만으로는 모든 문자 집합을 입력할 수 없어 한글이나 워드 같은 문서편집기 내에서도 자체적으로 구현된 수식 편집기를 사용하고 있다. 수식을 올바르게 표현하기 위해 구문을 해석할 수 있는 의미가 될 수 있는 사전 학습 정보가 필요하다. 문자가 입력되더라도 크기와 위치 서로간의 관계에 따라 다른 수식으로 표현될 수 있기 때문이다. 즉 표현될 위치와 크기 등 문자와 기호들 간의 상호관계를 고려하여 수식의 형태를 트리 모델로 표현한다. 문자인식 응용의 한 분야로 문자나 기호(부호)를 인식하는 기술을 이미 널리 알려졌지만, 수식을 입력과 해석하는 방법은 일반적인 텍스트에 비해 복잡한 분석 과정이 필요하다. 본 논문에서는 수식의 문자를 인식하고 표현되는 위치와 크기의 결정을 빠르게 해석하는 수식 인식기를 구현하였다.