• 한국수학교육학회지시리즈E:수학교육논문집
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• 제28권4호
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• pp.553-571
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• 2014

근래 수학의 학습에서 수학의 내용뿐만 아니라 수학적 과정을 평가할 수 있는 문항의 중요성에 대한 인식이 확산되고 있다. 본 연구에서는 수학의 내용과 더불어 수학적 과정 즉, 수학적 의사소통, 추론, 문제해결을 명시적인 평가요소로 포함하는 서술형 문항으로서 '수학적 과정 문항'이라는 개념을 제안하고, 수학적 과정 문항의 제작을 위한 예시 평가기준과 문항 및 채점기준 개발을 통해 서술형 문항을 활용한 수학적 과정 평가 방안을 논의한다.

• 정보교육학회논문지
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• 제8권2호
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• pp.251-259
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• 2004

우리 생활 전반은 인터넷 서비스의 확대 보급으로 많은 변화를 보이고 있으며 학교 현장 역시 인터넷과 학교 전산망이 설치되어 교육에 필요한 다양한 정보의 수집과 탐색이 용이해짐으로써 인터넷을 활용한 웹 기반 가상 수업 실시, 실시간 평가, 학습 진도 관리 등 새로운 형태의 교육 활동이 이루어지고 있다. 본 논문은 문제의 정답이 한가지로 이루어진 단답형 문제가 아니라 간단한 문장으로 이루어진 문제를 처리할 수 있는 웹 기반 온라인 주관식 문항 평가 시스템을 학습자의 성취 수준을 보다 빠르게 정확하게 알 수 있도록 하였다. 정확히 규정된 정답과 정확한 채점 기준이 있는 주관식 문제는 교사가 직접 채점하는 경우와 유사한 정확성을 가지고 있으며 채점 시간의 신속성이 매우 높아서 평가 결과의 실시간 피드백이 가능하여 주관식 문제를 평가하는데 그 효율성이 기대된다.

• 한국가정과교육학회지
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• 제32권3호
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• pp.135-159
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• 2020

본 연구는 교육과정, 수업, 평가의 일체화를 강조하고 있는 교육의 변화 속에서 2015 개정 가정과 교육과정에서 수업과 평가를 연계할 수 있는 서술형 평가 문항을 개발하는 것에 목적을 두었으며 연구의 내용은 다음과 같다. 첫째, 평가계획 수립 단계에서는 평가기준에 제시된 평가 영역 중 서술형 평가에 적합한 14개의 성취기준이 분석되었으며 총 29개 문항의 내용요소를 포함하여 문항요소를 개발하였다. 둘째, 평가도구 개발 단계에서는 서술형 문항의 구조에 알맞은 문항을 사전개발하고, 문항에서 활용할 자료, 채점기준의 제시 방법을 각 문항에 맞게 선택하였다. 셋째, 답안 및 채점기준표 작성 단계에서는 채점기준과 부분점수별 예시 답안을 채점기준표로 작성하고 평가목표와 채점 항목, 항목별 배점을 검토하였다. 넷째, 전문가 검토 및 수정·보완 단계에서는 개발된 문항과 답안들은 전문적 교과학습공동체 교사들과 함께 문항 구성요소, 평가목표의 구체화, 출제 의도의 구현 여부, 채점 결과에 대하여 예비검토와 상호검토를 거쳐 수정·보완하였다. 본 연구는 서술형 평가 문항과 채점기준 개발을 위한 기초 연구로 활용될 수 있으며, 이를 통해 교사의 평가 전문성에 대한 인식변화를 도모하고 추후 학습자의 지식 적용능력을 높이기 위한 서술형 문항개발 연구에 도움이 될 수 있을 것이다.

• 만화애니메이션 연구
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• 통권29호
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• pp.61-75
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• 2012

The essay explores the narrative structure of the classical Chinese feature animation, (a.k.a. Da Nao Tian Gong, 1964). The film is presented with a modular structure which is quite unique compared with the storytelling in feature animated films from other cultures, but could be connected with the tradition narrative structure in Chinese Zhanghui style novels in Ming and Qing Dynasty. By relating the original text of the story, the 16th century novel Journey to the West (a.k.a. Xi You Ji), with the film , the essay addresses the question of how the narrative tradition in Chinese classical literature influenced the Uproar in Heave for its segment narrative structure, character driven storytelling strategy and mirrored repetitive 2 plot lines. The subject of this essay is even more significant after the restored 3D version of was re-released in the spring of 2012 and became one of the best-selling animated feature film in the history of the country.

• 영어어문교육
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• 제12권1호
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• pp.221-238
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• 2006

This study investigates the reliability of plagiarism measurement in the ESL essay writing context. The current study aims to address the answers to the following research questions: 1) How does plagiarism measurement affect test reliability in a psychometric view? and 2) how do raters conceive the plagiarism in their analytic scoring? This study uses the mixed-methodology that crosses quantitative-qualitative techniques. Thirty eight international students took an ESL placement writing test offered by the University of Illinois. Two native expert raters rated students' essays in terms of 5 analytic features (organization, content, language use, source use, plagiarism) and made a holistic score using a scoring benchmark. For research question 1, the current study, using G-theory and Multi-facet Rasch model, found that plagiarism measurement threatened test reliability. For research question 2, two native raters and one non-native rater in their email correspondences responded that plagiarism was not a valid analytic area to be measured in a large-scale writing test. They viewed the plagiarism as a difficult measurement are. In conclusion, this study proposes that a systematic training program for avoiding plagiarism should be given to students. In addition, this study suggested that plagiarism is measured reliably in the small-scale classroom test.

• 한국조경학회지
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• 제25권4호
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• pp.89-106
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• 1998

This essay addresses the role of environmental aesthetics in landscape architecture : how can environmental aesthetics enrich landscape architectural theory and practice\ulcorner It begins by criticizing the predominant notions toward theory : theory as an instrumental design method, theoretical vacuum in modernism of landscape architecture, and the intimate relation of theory and practice in 18th-century England. It suggests that the expulsion of theory in landscape architectural academics and profession is nothing but an inappropriate bias. In the second place, the essay explores a remaining question : why environmental aesthetics is a part of landscape architectural theory\ulcorner I would argue that environmental aesthetics can transcend the man-nature(subject-object) dichotomy, one of heritages of Western modernity project. Here, landscape architecture meets environmental aesthetics, and both can intermediate between theory and practice. For landscape architecture is (and ought to be) a device of embodied communication, creating symbolic settings wherein an interconnection of man and nature can occur. Finally, this essay examines the aesthetics of engagement that Arnold Berleant claimed recently. This theory of aesthetic experience has a possibility of making corrections some improper conventions in landscape architectural creation and appreciation : disinterested contemplation, visual-orientedness, decoration-denteredness, and so forth. I would conclude that environmental aesthetics can be a significant theory which can correct misconceptions in landscape design and appreciation and, further, can lead contemporary practice. As the great mediator between man and nature, between theory and practice, environmental aesthetics has a profound role to play in the realm of landscape architecture, and vice versa.

• 영어어문교육
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• 제13권2호
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• pp.91-108
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• 2007

This study investigates learners' perception on their engagement in rating activities in the EFL essay-writing context. The current study aims to address the answers to the following research questions: 1) What attitude do students show about their participation in the rating tasks? and 2) which of three aspects (e.g. the degree of rating experience, the exposure to English composition instruction and learning, and proficiency level) significantly influences learners' rating activities? 104 EFL learners participated in the rater training session. After participants finished rater training session, they rated three sample essays and peer essays using the given scoring guide. Based on the analysis of survey responses that students made, students showed positive attitude toward their engagement in rating tasks. For research question 2, only L2 writing proficiency seriously affected students' perception on the rating tasks. Advanced level of subjects did not feel stressed by a grade of peers as low level of subjects did. They were also critical about the benefits of self- and peer-assessment, suggesting that a peer's feedback on their own essay was not so useful and that a self-rating does not fully help learners identify their writing proficiency.

• 영어영문학
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• 제60권2호
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• pp.339-363
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• 2014

This essay reconsiders the subject of Romantic self-consciousness in a post-de Manian perspective. Self-consciousness is an attribute of Romantic lyricism whereby the poetic speaker I remains conscious of how (s)he feels or lives here and now. This self-reflective feature of Romantic poetry has been controversially interpreted either as self-centered solipsism or as self-expressive objectivism. The question is stirring more disputes among Romantic critics after the advent of New Historicism and Feminism. These two historicistic approaches reprove Romantic poetry for a lack of the sense of history and ascribes it to Romantic self-consciousness. They argue that Romantic poets in general displace historical materiality into an object of internal consciousness, so negating absurd social realities "merely to gain their own immortal soul." This essay targets to overcome this negative stance on Romantic self-consciousness with a "subversive" return to Paul de Man's criticism of Romantic internality.

• 영미문화
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• 제14권2호
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• pp.233-249
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• 2014

This essay addresses the missing conversation in Keats studies by showing how an enduring mystery of Romantic writing—the medium of poetic process and the physical conditions of enunciation—remains a central question in the Hyperion fragments. It is my argument that the tropes of material textuality prevalent in the Hyperions represent a bold cultural statement in which Keats reacts to the major premises underlying the Romantic culture's notion of poetry as abstraction: the Romantic notion of literary (re)production as a product of the activity of a mind. Keats's self-conscious, symbolic representation of the mechanics of poetry-making can be read as an investigation of the ways in which the Romantics were aware of and even eager to articulate the instabilities of their position on the relations between words and things. This essay does not focus exclusively on the physical embodiment of Keats's work as such, so much as the second-generation Romantic poet's contribution to the Romantics' self-conscious and critical understanding of the depiction, perception and ideologies of their poetry and its mediation.

• 미국학
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• 제42권2호
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• pp.109-134
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• 2019

This essay examines the significance of Yank's struggle to belong in Eugene O'Neill's play, The Hairy Ape in light of Nietzsche's definition of man as "a rope tied between beast and overman." Contending that Yank's death in the gorilla's cage signifies both a defeat and his only chance of success, the essay investigates how his "tink[ing]" leads him to question his former understanding of what it means to belong. Knowing his struggle to belong is bound to fail, Yank uncompromisingly seeks to fit into the point of completely isolating himself from all other species in the gorilla's cage. Consequently, he becomes "the Hairy Ape" and opens up the possibility of belonging by creating and becoming the species of one to which he alone belongs. Echoing Nietzsche's vision of greatness in man, Yank's endeavor proves that what is noble "in man is that he is a bridge" rather than "a goal."