• 대순사상논총
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• 제39집
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• pp.69-97
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• 2021

'해체(解體, déconstruction)'는 현대철학을 특징짓는 속성의 하나인 창발성(創發性, emergent property)을 유도하는 개념이다. 고대 그리스 철학의 전통이 탈피를 거듭하여 개체의 자유와 평등에 대한 열망을 낳고 이로부터 르네상스와 계몽주의에 이르러 근대라는 역사적 방점 하에 철학의 종지부를 찍는 듯했다. 하지만 철학은 근대마저도 그러한 해체를 통해 그 이상의 가능성을 바라보고자 했다. 근대철학이 플라톤 철학의 인문적 완성으로 신과 인간의 묘한 동거를 꿈꾼다면 현대철학은 해체를 통해 그마저도 거부한다. 플라톤류의 고전적 형이상학은 절대자를 중심으로 순치된 안정된 체계이기는 하지만 결과적으로는 신과 종교를 토대로 할 수밖에 없고 인간의 자율성 또한 신 아래의 자율성일 뿐이다. 현대철학은 해체를 통해 인간 본연의 목소리로부터 철학을 시작하고자 한 노력의 결과 가운데 하나이다. 형이상학에 종속된 인식론이 아닌 인간 실존으로부터의 인식론을 구축하고 자유라는 말이 가질 수 있는 최고의 선을 해체를 통해 실현하고자 했다. 그렇듯 해체 또한 인간의 자유라는 근대적 화두의 연장선에 있다고 해도 틀리지 않다. 해체와 인간의 자유는 결국 서로 떼어낼 수 없는 하나의 몸인 것이다. 묘하게도 종교적 신앙성과 전통적 보수성을 주된 색채로 할 것만 같은 대순사상은 현대적 창발성을 가지고 있다. 대순사상을 창시한 증산이 활동하던 한국의 시기는 역사를 해석하는 예리한 시각이 있는 이들에게는 보물과 같이 중요한 의미를 가진다. 외세에 의한 답습이 아닌 주체적 문제의식 가운데 새로운 세상과 인간의 자유의 의미를 발견하려는 강렬한 염원에 의한 사상적 활동이 펼쳐진 시기이기 때문이다. 그러한 한국의 자생적 창발성이 낳은 비권력적 사상이 바로 흔히 말하는 한국 근대의 신종교인 셈이다. 그 가운데서 대순사상은 참동학으로서 증산의 명맥을 잇고 증산이 남긴 해원의 개념 속에서 근대를 넘은 현대의 가치를 현실 가운데 펼치고자 한다. 대순사상의 해원은 근대를 넘은 현대성을 담고 있다는 점에서 현대철학의 해체와 상통한다. 해원은 첫째로 단주로부터 발현된 인간 실존의 원초적 억압에 따른 근본 원(冤)의 해소를 의미한다. 두 번째로 대순사상의 해원은 인존이라는 해원적 실존을 중심으로 천지인 삼계의 해원을 아우른다. 데리다의 해체가 인간과 사회 내부에 잠재된 보이지 않는 구조와 속박의 틀을 드러내고 그것을 파기하는 것으로부터 억압을 풀고 인간의 근본 자유를 실현하고자 한 것은 대순사상의 해원이 천지인 삼계를 휘감고 있던 근본 억압을 풀어 삼계의 대립을 상생으로 개방하고자 한 점과 동일한 맥락이라고 할 수 있겠다.

• Korean Journal of Acupuncture
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• 제27권4호
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• pp.25-34
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• 2010

Objective : This paper introduces a unique meridian theory developed by Japanese philosopher Yuasa Yasuo. Method : His meridian theory is well organized in his philosophy, so we systematically review his major works and philosophy from which we systematize his meridian theory. And we critically examine it with current studies. Results and Conclusions : He tried to overcome Cartesian mind-body dualism by Eastern thought and newly developing neurophysiology. He articulated "body scheme" from human information systems, primarily nervous system and meridian system, which regulate physiological functions. It consists of 1st external sensory motor circuit, 2nd circuit of coenesthesis, 3rd emotion-instinct circuit and 4th circuit of unconscious quasi-body. Meridian system is the 4th circuit, through which he thought various affect(emotion) flows. Based on the relationship of emotion-autonomic nervous system- meridian-skin, he tried to confirm the existence of meridian system. His theory illuminates mind-body problem and emotion-meridian relationship in traditional East Asian medicine.

• 농촌계획
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• 제13권2호
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• pp.39-49
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• 2007

The objective of this paper is to investigate the development of Silhak as a Korean epistemology, to investigate the implications of Silhak in Korean society, and to discover further environmental implications. The main discussion of this paper concerns with the epistemology of environmental philosophy. Epistemology is based on the justification of certain knowledge and social philosophy. Epistemology, from the Greek words episteme (knowledge) and logos (word/ speech) is the branch of philosophy concerned with theories of the sources, nature, and limits of knowledge. Since the seventeenth century, epistemology has been one of the fundamental themes of philosophers, who were necessarily obliged to coordinate the theory of knowledge with the development of scientific thought. It is a general belief that Western ideology is substantially embedded in Eastern ideology due to physical and metaphysical colonial involvement. We argue that ecological crisis may be resulted from western epistemological mechanical view, thus we suggests a Korean epistemology as an alternative. In this paper, we seek possibility of epistemological alternative of nature in the Korean traditional epistemology incorporating the epistemology of Sung confucianism and The Silhak.

• 한국과학교육학회지
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• 제4권2호
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• pp.64-73
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• 1984

This study aimed at identifying the characteristics of current science curriculum in several countries in terms of its format, aims and objectives, contents and guidelines and discussed about therm. The curricula were collected from 9 countries- The United States of America(5 states), Canada(4 Provinces), England, West Germany, France, Australia, Newzealand, Japan and the republic of China. Each country had her own characteristics of science curriculum, but there also common characteristics among several countries. First, the format of science curricula in eastern countries were very different from those of western countries. The western countries had the curriculum format which included characteristics and needs of science education, philosophy and background, aims and objectives, contents, characteristics of learners, teaching and learning strategy, teaching materials, guide of experiments, evaluation methods, and other concrete informations while eastern countries had the curriculum format which included only objectives, contents and guidelines. I think that the format of science curriculum in western countries is more recommendable than that of eastern countries. Second, the aims and objectives of science curricula in eastern countries focused on scientific knowledges and concepts, while those of countries emphasized scientific methods and attitudes. Third, the contents of science curricula were very similar regardless of eastern countries or western countries. In other words, all the countries in this study emphasized life science and earth science at lower grade level and physical science at upper grade level. Especially the observation and concrete learning activities were suggested at lower grade level and logical reasoning was emphasized at upper grade level. I think that the integrated (topic-centered) science curriculum is more recommendable than our current non-integrated science curriculum in lower grade levels. Finally, the guidelines of science curriculum in eastern countries did not suggest specific information about teaching contents, experimental methods, teaching-learning activities, evaluation methods, teaching and learning meterals, while those of western countries provided more specific information which teachers could utilize very effectively.

• 서비스연구
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• 제7권3호
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• pp.105-118
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• 2017

본 연구는 서비스경제의 발전을 이끌어갈 기본 철학을 탐구하였다. 한국고유사상이 서비스경제 철학에 부합하며, 한국고유사상의 발현을 통해 서비스문화가 확산되고 서비스경제가 활성화될 수 있음을 제시하였다. 서비스경제는 서비스라는 관계재화가 중심이 되므로, 실체성을 강조하는 서양철학보다 관계성을 강조하는 동양철학이 서비스경제 철학으로서 더 부합한다고 할 수 있다. 음양 또는 천지의 2태극 사상은 서비스경제에서 중심으로 부상된 인간의 역할을 강조하고 있지 않으므로, 인간을 중시하는 새로운 철학이 요구된다. 천지(음양)의 양극 구조 철학을 뛰어넘는 천지인 3태극 구조의 한국 고유 사상이 서비스경제시대, 제4차 산업혁명시대에는 인류사회와 경제의 발전을 견인하는 중심철학이 될 수 있다. 천지인 3재의 본성은 조화성, 수평성, 쌍방향성, 관계성 등의 서비스본질과도 부합하므로 천지인 3태극 사상은 서비스경제시대의 기본 철학이 될 수 있다. 인간이 하늘과 땅의 주관자 및 주도자로서 역할을 하는 사상이 현대 서비스경제에서 경영자와 종업원 및 소비자인 사람이 창조자로서 중심역할을 하는 구조와 부합한다. 따라서, 한국고유사상은 서비스경제를 이끌어갈 사상적 기반으로서 정합되며, 서비스경제를 육성시킬 수 있는 철학적 프레임이 된다.

• Asian review of World Histories
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• 제2권1호
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• pp.17-45
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• 2014

Okakura Kakuz$\bar{o}$ (1863-1913), the founder of the Japan Art Institute, is best known for his proclamation, "Asia is One." This phrase in his book, The Ideals of the East, and his connections to Bengali revolutionaries resulted in Okakura being remembered as one of Japan's foremost Pan-Asianists. He did not, however, write The Ideals of the East as political propaganda to justify Japanese aggression; he wrote it for Westerners as an exposition of Japan's aesthetic heritage. In fact, he devoted much of his life to the preservation and promotion of Japan's artistic heritage, giving lectures to both Japanese and Western audiences. This did not necessarily mean that he rejected Western philosophy and theories. A close examination of his views of both Eastern and Western art and history reveals that he was greatly influenced by Hegel's notion of dialectics and the evolutionary theories proposed by Darwin and Spencer. Okakura viewed cross-cultural encounters to be a catalyst for change and saw his own time as a critical point where Eastern and Western history was colliding, causing the evolution of both artistic cultures.

• 복식
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• 제58권10호
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• pp.95-111
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• 2008

Now when Wests meet Easts, they approach with a motive of acknowledging Eastern or Asian value, concretizing and sharing philosophy. As the result of this study through comparing Eastern and Western view of thinking, First, East is the cosmic beauty of harmony that pursues the harmony with the nature involving emotional and humane affection, and West has the tendency of proportional beauty of harmony involving order and balance. Second, East pursues the metaphorical beauty of mimesis which implies more in invisible parts, and West has the tendency of pursuing visual beauty of mimesis which has contents in visible parts. Third, East is the sublime beauty of nothingness which suggests a blank is endless infinitude of doctrines and mind breath, and West pursues the sublime beauty of being which desires to fill tangible existence without blank. Fourth, East is the expressive beauty that has the intuition of pleasure, which gives weight on non-clearness, emotional joke, and satire, and emphasizes a comic phase, and in West pursuing clearness of order, the concept of the ugliness of disformation is the intuition of defiance, and close to intuition of sadness.

• 동의신경정신과학회지
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• 제29권3호
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• pp.165-181
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• 2018

Objectives: The purpose of this study is to use in therapy through considering representative oriental philosophical thought in terms of psychotherapy and Oriental medicine. Methods: This study examines psychotherapy and oriental aspects of "Diagram theory of InShimDoShim" that Yulgok, a Neo-Confucian scholar in the Joseon Dynasty, wrote about action of the mind and suggests ways to use it. Results and Conclusion: Diagram theory of InShimDoShim contains much content that can be applied in psychotherapy. It has a positive perspective of human nature and looked at life as realization of nature and life as subjective self-realization. Positive and negative experiences of life are expressions of positive nature. By reinterpreting these experiences, humans contribute to the goal of life that expresses their nature in a healthy way. Yulgok defines a healthy mind capable of living a good life as "an inshim who listens to doshim's command". Therapists can adopt this mindset as the goal of psychotherapy. Yulgok said that the way of manifesting nature is only possible through energy, and that the clear and tidy of this temperament creates a healthy and unhealthy mind. In this part, it is possible to apply therapeutic intervention of the diagram theory of InShimDoShim and Oriental medicine. Oriental medicine can calm temperament by using a treatment method to regulate energy, and clear energy creates a healthy mind and body. The principle that the mind is composed of nature and energy provides a basis for psychosomatic medicine.

• 복식문화연구
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• 제15권1호
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• pp.127-136
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• 2007

Modern society shares new culture derived from the fusion of various cultures unlike the past culture regulating one phenomenon of certain field as the representative icon of the era. Especially, the phenomenon of globalization acts as the catalytic agent to receive coexistence of variousness easily. Especially, in fashion industry, these flows and the view of naturalism are harmonized and new fashion trend called 'Ethnic' was embossed. As it reflects internal spirit of human being that wants to return to the memory due to expansion of material civilization, the interest in the designer pursuing it is increasing. This study tries to consider the Ethnic style displayed by Chinese American designer, Anna Sui, who pursues the eastern style with full wit and individuality. Anna Sui, who was praised by New York Times for 'the superb harmony of houte couture style and up-to-date style', created another fashion trend, romanticism in New York and she is the worldwide designer representing Ethnic. Like it, the consideration on her Ethnic style reanalyzing as eastern style provides guidance to check how designer's fashion philosophy appears in one category of America and China and new study material that enables us to understand the third world culture code as well as Anna Sui. This confirmation has the meaning as the basic material for the endless challenge to the new style that fashion will go on in the future. Anna Sui was confirmed to have been recognized as a designer who represented the ethnic collection in the United States, exerting the influence with her unique oriental background. Moreover, her design could identify the pivotal point of ethnic image by developing her unique style which is distinct from other designers in terms of silhouette, color, fabric, detail, and so on. This kind of study can provide the basic data required to understand the fashion world of designer in the future.

• 복식
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• 제58권2호
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• pp.93-106
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• 2008

Asia Folk Costumes are certainly different from the Western Costumes. This distinction is based upon the effect of environment, technology, and social structure, and especially, which was generated by religion, ideology, and philosophy. The ideas of fundamental ground of this eastern features are religions such as Buddhism, Taoism, and Confucianism. The religion of the East has determined the form of traditional costumes, affecting the costume up to now. This study aims at the investigation of the effect of religion on the formation of East Asia Traditional Costumes around Korea, China, and Japan and its figurative beauty. Study was carried out by chiefly referring to literatures. Eastern Aesthetics was formed by accepting aesthetic concepts, acquired from the idea of Three Religions. Especially, the ideas of non-duality(不二), emptiness(空), five aggregates(五蘊), mind control(心法), derived by Buddhism, and nature theory(自然論) and creationism(創造論) of Taoism, and abstinence theory(節制論) and decorum(禮法) and the principles of Yin and Yang(陰陽) of confucianism have had great effect on the aesthetics of costume. The figurative features of costume, affected by three religions are described by the factors; First, non structural feature, second, the beauty of abstinence and chastity of ample silhouette, third, the feature of natural color and achromatic color, fourth, the figurative feature of costume by the principles of Yin and Yang, and fifth, bright ornaments. The aesthetic values of the East Asia Costume are 'A Beauty of Vacancy', 'A Beauty of Concealment', 'A Beauty of Nature', and 'A Beauty of Symbolism'. As philosophy, culture, and ethnics itself, the religions of Asia have had effect on the overall culture, which is inclusive of social structure, as well as art and aesthetics, and have decided the style of costume.