• 디자인학연구
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• 제16권1호
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• pp.83-92
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• 2003

최근 3D 애니메이션은 급속한 하드웨어와 소프트웨어의 기술적 발전에 힘입어 실사에 가까운 애니메이션 연출이 가능하게 되어 영화, 광고, 게임, 디지털 영상물 등의 엔터테인먼트적인 요소로 많이 사용되고 있다. 3D 애니메이션 제작과정은 전통적인 애니메이션과는 달리 다양한 제작기술과 표현요소를 요하게 된다. 3D 애니메이션 제작에서 제작기술과 표현요소는 각각의 요소로 작용하는 것이 아니라, 서로 결합하여 제작하여야만 완성도가 높은 애니메이션을 얻을 수가 있다. 이에 본 고는 3D 애니메이션 Computer Process에 의한 작업 과정을 하드웨어와 소프트웨어를 바탕으로 한 기술적인 표현방식과 미학적, 조형적, 디자인적, 회화적 요소를 바탕으로 한 예술적 표현요소를 분석하고 기술적인 완성도와 표현력이 있는 애니메이션을 제작하는 방법을 모색해 본다.

• 패션비즈니스
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• 제12권5호
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• pp.39-53
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• 2008

Today is a 'high concept' era in which consumers make sensible consumption that shares a sensible bond with a brand. Therefore, it is important to analyze consumers' aesthetic awareness; namely, fashion feeling in the fashion industry. This study conducted research into a fashion design planning process according to a fashion feeling focusing on computer graphics suited to the 21st century digital trend. First, the study classified a fashion feeling with eight senses including elegance, classic, modern, mannish, sporty, avant-garde, ethnic, and romantic feelings. Second, the study made an image map, color map, material map, and style map with Adobe Photoshop CS3 by dividing a fashion planning process with a computer graphics program. Also, the study made a flat illustration with Adobe Illustrator CS3. Third, the study proposed the image map, color map, material map, style map, fashion illustration and flat illustration in the design planning process under the theme of the aforementioned eight fashion feelings.

• 복식문화연구
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• 제26권6호
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• pp.888-898
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• 2018

The purpose of this study was to review and establish the two concepts of art film and artistic expression in Prada fashion films, through a literature review of domestic and international case studies, as a form of luxury branded content, Prada fashion films are considered to artistic film genre. For the study, aesthetic expression in art films as discussed in the previous research was divided into four types. The study method was to review fashion / art films from the founding of YouTube, specially, works that used digital images from Thunder Perfect Mind, which was introduced in Prada in 2005, to Nylon Farm in 2018, stylistic features were searched by film. In addition, for this study, fashion film was analyzed based on the typology of art films. The following conclusions regarding artistic expression were drawn from this study : First, the Prada fashion films represent a transition to advanced art through a conceptual approach. Second, the causal relationships personality psychology can be cited through the disturbed and fragmented narrative lines. Third, the films help people identity Prada's aesthetics by humanizing the luxury brand. Fourth, the films are a feature of serialization.

• 한국의류학회지
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• 제45권3호
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• pp.423-438
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• 2021

This study examined fashion through the lens of Charles Taylor's concept of 'Authenticity.' From the point of view of 'Authenticity,' fashion can be thought of as "a means of expressing one's inner truth" and "affirmative about everyday life." According to 'Authenticity,' fashion, in the first case ("one's inner truth") appears as 1) magnetic uniqueness, 2) inner subjectivity, and 3) poiēsis. And in the second case ("affirmative about everyday life") it is expressed as 1) naturalism, 2) positivity of self-expression, and 3) existentiality. For this study, we selected a high school 'ganzi' contest, whose participants were deemed to have a high level of interest in and understanding of fashion, compared to other teenagers living in South Korea. Among the 33 participants in 'Goganzi' Seasons 1 and 2, we analyzed the styles and looks of 30 works by the six people who made it to the final stage. As a result, we broke down the aesthetic values of authenticity that teenagers express through their fashion into three categories: plurality, originality, and creativity.

• 근관절건강학회지
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• 제29권1호
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• pp.50-59
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• 2022

Purpose: This qualitative study aimed to explore the experiences of patients with diabetes provided with medication monitoring using an artificial intelligence-based smartwatch. Methods: Giorgi's descriptive phenomenological methodology was applied to collect and analyze data from November 9 to December 23, 2021. The study samples were recruited by convenience sampling, and even patients with diabetes participated in in-depth interviews via video conference and telephone calls or face-to-face visits. Results: Ten sub-themes and four themes were finally revealed. The four themes were as follows: journey with unfamiliar devices, a less-than-acceptable smartwatch, insufficient functions and content for patients with diabetes to use, and efforts for regular medication behaviors and daily monitoring of patient's health conditions. Conclusion: To effectively manage diabetic conditions using digital healthcare technologies, nursing interventions were needed to identify personal needs and consider technological, psychological, aesthetic, and socioeconomic aspects of wearable devices.

• Restorative Dentistry and Endodontics
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• 제49권3호
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• pp.32.1-32.12
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• 2024

From the restorative perspective, various methods are available to prevent the progression of non-carious cervical lesions. Direct, semi-direct, and indirect composite resin techniques and indirect ceramic restorations are commonly recommended. In this context, semi-direct and indirect restoration approaches are increasingly favored, particularly as digital dentistry becomes more prevalent. To illustrate this, we present a case report demonstrating the efficacy of hybrid ceramic fragments fabricated using computer-aided design (CAD)/computer-aided manufacturing (CAM) technology and cemented with resin cement in treating non-carious cervical lesions over a 48-month follow-up period. A 24-year-old male patient sought treatment for aesthetic concerns and dentin hypersensitivity in the cervical region of the lower premolar teeth. Clinical examination confirmed the presence of two non-carious cervical lesions in the buccal region of teeth #44 and #45. The treatment plan involved indirect restoration using CAD/CAM-fabricated hybrid ceramic fragments as a restorative material. After 48 months, the hybrid ceramic material exhibited excellent adaptation and durability provided by the CAD/CAM system. This case underscores the effectiveness of hybrid ceramic fragments in restoring non-carious cervical lesions, highlighting their long-term stability and clinical success.

• 만화애니메이션 연구
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• 통권37호
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• pp.509-537
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• 2014

이 논문은 수잔 부칸(Suzanna Buchan)이 말한 '편재하는 애니메이션'의 미학적 경향들과 계보들을 설명하기 위해 '포스트필름 변신'과 '리애니메이션'이라는 두 가지 개념을 제시한다. '편재하는 애니메이션'이란 애니메이션의 형태적, 기술적, 경험적 경계가 전례없이 확장되었음을 가리키는 범주다. 부칸은 '편재하는 애니메이션'을 이끈 현상들로 전통적인 애니메이션의 정의를 초월하는 이미지와 미디어들(CGI, 필름과 비디오의 실사 이미지, 그리고 전통적인 극장 바깥의 미디어와 플랫폼에 존재하는 다양한 애니메이션 이미지들)이 애니메이션의 장으로 포용되고 있음을 지적하면서 애니메이션에 대한 교차학제적 접근의 필요성을 지적한다. 부칸이 이러한 교차학제적, 혼종적 장을 가능케 한 결정적인 요소로 디지털 기술의 영향을 시사하는 반면, 나는 이 장에서 발견할 수 있는 다양한 변신과 운동의 양상들이 역사적 뿌리를 갖고 있음을 주장하기 위해 '포스트필름 변신'과 '리애니메이션'이라는 개념을 발전시킨다. 즉 '포스트필름 변신'이란 비디오와 컴퓨터 이미지에서의 변형적 이미지가 전통적 셀룰로이드 기반 애니메이션에서의 변형적 이미지와 물질적, 기법적으로 다르다는 점을 뜻하는데 이는 실험 애니메이션으로 범주화되었으나 전반적으로 주변화된 '이미지-프로세싱' 비디오아트와 디지털 이미지 사이의 연관관계에 대한 새로운 성찰을 요구한다. 마찬가지로 '리애니메이션'은 사진과 회화 등 정지영상 또는 영화와 비디오 이미지 등의 동영상을 취하여 일련의 기술적, 기법적 작용들로 다시 움직이는 것으로 실험영화와 오늘날의 무빙 이미지 설치작품에서 정지/운동, 사진/영화의 엄밀한 분리를 재고하기 위해 탐구되었다. 무라타 다케시, 다비드 클레르부, 켄 제이콥스 등의 오늘날의 작품들에서 나타나는 '포스트필름 변신'과 '리애니메이션'의 양상들을 그 선구적 사례들과 나란히 논의함으로써 이 논문은 '편재하는 애니메이션'에 속하는 작품들은 그것들이 전통적인 애니메이션을 지탱했던 그래픽/실사 이미지, 정지/운동의 이분법들에 도전하기 때문에 중요하다는 점을 주장한다. 이때 이 논문이 제시하는 두 개념은 '편재하는 애니메이션'을 새롭게 이해하는 방식으로서 전통적 애니메이션 바깥에 있던 이미지와 미디어의 역사와 존재론에 대한 수정주의적 접근의 필요성에 응답한다.

• 대한치과보철학회지
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• 제41권5호
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• pp.565-581
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• 2003

Statement of problem : A scientific examination and understanding of overall aspects of the natural dentition is the first step involved in making a satisfactory selection in the shade of an aesthetic prosthesis. Proper natural shade selection of the prosthetic restoration that is in harmony with the remaining dentition is as important aesthetically, as harmony of form and function in the anterior dentition. Clinically, the most commonly applied method of shade selection has been visual, but because of the subjective nature inherent to this method, shade selection results are variable and can be influenced by such factors as the technician, the type of shade guide used, and the type and intensity of the lighting. Purpose : The purpose of this study was to develop a more objective and scientific approach to examining and understanding the shade of teeth, which has in turn lead to the development of a number of shade analysis devices that present a more objective method of shade analysis. Material and Method : In this study, the shades of healthy anterior teeth were examined and analyzed using the recently developed digital shade analysis of the $ShadeScan^{TM}$ System. The study examined 80 individuals in their twenties, 40 males and 40 females, presenting 6 healthy, unrestored maxillary anterior teeth. Tooth brushing and oral prophylaxis were performed prior to evaluation. The ShadeScan handpiece was used to acquire images of the 6 maxillary anterior teeth. These images were analyzed using the Vita/Classical mode of the $ShadeScan^{TM}$ Software, and shade maps of each tooth were acquired and divided into cervical, middle, and incisal thirds. The shade distribution of each third, left and right symmetry, and gender differences were investigated and analyzed. Results : The results of the study are as follows : 1. An overwhelming majority of the examined teeth were found to possess shades belong to Group A, with the greatest variations occurring at the middle and cervical thirds of the maxillary central and lateral incisors, in both male and female subjects. 2. Canines of both male and female subjects showed left and right symmetry with uniform shade distribution of A4 and C4, while the lateral and central incisors showed left-right symmetry of the incisal 1/3 with a uniform shade distribution of A2 and A3 shades 3. No significant differences in shade distribution were seen between genders in maxillary canines, whereas maxillary central and lateral incisors showed differences at the middle and cervical thirds between male and female subjects The results of this study show that with the exception of maxillary canines, maxillary anterior teeth display a diverse shade distribution as well as gender differences. Conclusion : Clinically, when making a shade selection using the existing shade guide, one must consider the fact that even a single tooth consists of a variety of shades. The results of this study show that when selecting a shade from a number of groups is difficult, shades from A group are the most consistent with the natural shade or maxillary anterior teeth.

• Archives of Plastic Surgery
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• 제37권1호
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• pp.59-66
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• 2010

Purpose: In the finger, there are three major palmar arches in the arterial system. The location of this arches are constant. The middle and distal transverse arches are consistently large (almost 1 mm) and may be used for arterial vessel repairs either proximally or distally, depending on the length and direction needed. This paper describes our experiences in reconstruction and replantation of the finger using rerouting the transverse digital palmar arch. Methods: 31 patients with injuries according to our classification were treated from March of 2005 to October of 2008. In this study the authors subdivided injuries into those with amputation distal to the insertion of the flexor digitorum profundus (Class I, 31 fingers); those with amputation distal to the insertion of the flexor digitorum superficialis (Class II, 4 fingers). Replantation was performed using the artery-only technique with neither vein nor nerve repair. Because the artery has been damaged, it is still possible to make a direct suture by transposing the arterial arch in an inverted Y to I arterial configuration or converting the arch. Venous drainage was provided by an external bleeding method with partial nail excision, medical leech, and repaired margin. Results: The success rate was 87% (n=27) in class I and 75% (n=4) in class II. The authors conclude that crushing and complete avulsion injuries & amputations are salvageable, with acceptable functional results in select patients, especially those with amputation distal to the insertion of the flexor digitorum superficialis. Conclusion: We performed replantation and reconstruction with only-arterial transposing anastomosis successfully, resulting in good recovery of aesthetic and functional outcome. Three major digital palmar arches, especially distal two branches, give us additional treatment options. In the finger replantation and reconstructive techniques using rerouting healthy the transverse digital palmar arch increase the survival rate of the finger.

• 한국시조학회지:시조학논총
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• 제19권1호
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• pp.85-106
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• 2003

본질적으로 입으로 소리내어 읊조리고 청각으로 감상하기 위해 만들어지고, 일정한 형식 안에서 음성의 조화와 운율의 음악성을 중시한 소네트와 시조의 표현형식은 전반적으로 기의signifie와 관련하여 고찰되어야 한다. 보들레르의 <깨진 종>과 김종서의 <삭풍가>을 표현형식의 의미작용을 중심으로 분석해 본 결과 시적 자아의 정서는 표현형식과 밀접하게 연관되어 있다. 소네트나 시조는 의미, 율격, 각운, 음성구조, 리듬 등 여러 개별적 요소들의 집합체가 아니라 이 모든 요소들이 서로 상호 작용하는 통일된 유기체이다. 시대의 흐름에 발맞춰 낭송법에 대한 이론을 체계적으로 정립하여 시를 콘텐츠화 하여 유통방식의 변화를 꾀해야 한다. 그러기 위해서 그 자체가 표현가치를 가지는 표현형식은 낭송에 있어서 최우선 적으로 고려되어야 할 기본원리이다.