• 한국콘텐츠학회논문지
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• 제22권9호
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• pp.156-168
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• 2022

극예술연구회의 동인제 시기는 외국극(번역극)의 다양한 공연 형식에 대해 연구·실험한 시기였다. 당시 상연의 기조로 택한 '새 종자론'의 논지는 일본의 신게키(新劇)운동을 모범으로 하여 번역극 레퍼토리와 공연 형식 및 연극 자체까지 능동적인 모방과 복사를 지향한 '전면적 포괄적 이식주의'를 함의하였다. 동인회가 첫 시연작으로 <검찰관>을 선정한 동기는 형식상 고전극 연출을 실험하기에 좋은 작품이란 점 등 외에도, 특히 홍해성이 쓰키지쇼게키죠(築地小劇場) 시절에 출연한 경험에서였다. 홍해성은 엄격한 위상의 연출자였고, 연습 과정에서 연출대본의 플랜에 따라서 변경 없이 추진하는 방식을 지향하였다. 연기 면에는 인물의 내면적 심리와 동작, 대사, 감정 등의 세세한 부분까지 지도하는 방법을 활용하였다. 극연의 <검찰관> 시연은 희곡의 해석적 연출보다는 그대로의 전사적(轉寫的) 구현을 위주로 하며 쓰키지쇼게키죠의 <검찰관> 공연과 무대 형식을 모방·이식하는 데 주력한 공연이었다. 그러나 내용과 형식면에서 '그 현대적(근대적)' 해석의 유보와 결여는 지식층-학생들 이외의 관객들이 간과된 문제점을 드러냈다.

• Smart Structures and Systems
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• 제4권2호
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• pp.221-232
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• 2008

This paper represents the final results of a research program sponsored by the European Commission through project WIND-CHIME ($\underline{W}$ide Range Non-$\underline{IN}$trusive $\underline{D}$evices toward $\underline{C}$onservation of $\underline{HI}$storical Monuments in the $\underline{ME}$diterranean Area), in which the possibility of using advanced seismic protection technologies to preserve historical monuments in the Mediterranean area is investigated. In the current research, the dynamic characteristics of two outstanding Mamluk-Style minarets, which similar minarets were reported to experience extensive damage during Dahshur 1992 earthquake, are investigated. The first minaret is the Qusun minaret (1337 A.D, 736 Hijri Date (H.D)) located in El-Suyuti cemetery on the southern side of the Salah El-Din citadel. The minaret is currently separated from the surrounding building and is directly resting on the ground (no vaults underneath). The total height of the minaret is 40.28 meters with a base rectangular shaft of about 5.42 ${\times}$ 5.20 m. The second minaret is the southern minaret of Al-Sultaniya (1340 A.D, 739 H.D). It is located about 30.0 meters from Qusun minaret, and it is now standing alone but it seems that it used to be attached to a huge unidentified structure. The style of the minaret and its size attribute it to the first half of the fourteenth century. The minaret total height is 36.69 meters and has a 4.48 ${\times}$ 4.48 m rectangular base. Field investigations were conducted to obtain: (a) geometrical description of the minarets, (b) material properties of the minarets' stones, and (c) soil conditions at the minarets' location. Ambient vibration tests were performed to determine the modal parameters of the minarets such as natural frequencies and mode shapes. A $1/16^{th}$ scale model of Qusun minaret was constructed at Cairo University Concrete Research Laboratory and tested under free vibration with and without SMA wire dampers. The contribution of SMA wire dampers to the structural damping coefficient was evaluated under different vertical loads and vibration amplitudes. Experimental results were used along with the field investigation data to develop a realistic 3-D finite element model that can be used for seismic risk evaluation of the minarets. Examining the updated finite element models under different seismic excitations indicated the vulnerability of such structures to earthquakes with medium to high a/v ratio. The use of SMA wire dampers was found feasible for reducing the seismic risk for this type of structures.

• 한국멀티미디어학회논문지
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• 제15권9호
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• pp.1156-1164
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• 2012

한옥은 단순히 전통건축의 의미를 넘어서 우리 선조들의 삶에 대한 양식과 인식을 담고 있는 지금도 살아 숨 쉬는 문화유산이다. 최근 한옥이 자연친화적 건축으로 주목을 받게 되면서 한옥의 전통적 방식을 훼손하지 않으면서도 건축과정에 효율을 꾀할 수 있는 방안이 모색될 필요가 대두되었다. 이에, 본 논문에서는 건축정보모델링을 기반으로 하는 설계 지원도구를 개발하여 한옥의 설계에서 검증, 생산 공정에 이르는 전 과정을 지원하는 것을 목표로 한다. 이를 위해 먼저, 전통건축의 통시대적 고찰과 한옥의 목구조 방식에 대한 체계적인 분석을 통해 전통건축 설계에 필요한 부재들에 대한 효율적 설계 방식을 제시한다. 논문에서 제안하는 방식은 특성이 비슷한 부재들을 모아서 하나의 템플릿으로 설계하고 다양한 형태의 유사부재들을 속성 값에 따라 자유롭게 생성할 수 있도록 객체지향 방식의 표현기법을 사용하는 것이다. 이 방식은 객체지향 방식의 부재를 표현함에 있어서 연결 부재간의 상관관계를 부재와 부재간의 관련 파라미터들 사이의 결합규칙을 적용함으로써 설계의 오류를 최소화 하도록 지원할 수 있다. 또한 개발된 시스템은 서양건축 설계 위주의 CAD프로그램에 플러그 인 형태로 수행할 수 있기 때문에 전통적인 방식의 한옥설계는 물론 한옥 건축문화를 현대적 생활공간에 쉽게 접목할 있도록 고안되었다.

• 동의신경정신과학회지
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• 제12궈1호
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• pp.81-95
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• 2001

Though, these days there are increasing many patient of insomnia, there was not considered literatual study on insomnia. So, the result of consideration about cause and process of insomnia from thirty kinds of literatures, are as follows. 1. Early literature like Huangjaenankyung(黃帝內經), Sanghanron(傷寒論) reffered to insomnia as accompanying symptom. on the other hand, Myung(明), Chung(淸)'s literatures reffered to that as chief symptom or distinguished chief symptom from accompanying symptom. 2. There were tendency of deductive expanding of various masters and tendency of induction of simple theory that was based on Huangjaenankyung(黃帝內經). 3. Huangjaenankyung(黃帝內經) showed basic process of the sleep disorder that 'exhausting of Yin and excess of Yang (陰盡陽盛)', protecting energy does not invade Yin portion(陽氣不入於陰). And Huangjaenankyung(黃帝內經) showed cause of insomnia that deficiency of vital energy and blood, imbalanced of spleen and stomach, a fever as a invasion in the outside, lung system's disease. This became a basic cause and process of the sleep disorder in ancient period. 4. Sanghanron(傷寒論) occurred to insomnia as accompanying symptom in progress, remedy of a fever invaded outside, Kumkyeyoriak showed as origination in weakness, fatique, various diseases. Out of that, there is a significance in description of insomnia from some disease like histery or neurosis. 5. Jaebyungwonhuron(諸病源候論), Chunkumbang(千金方), Kukbangseo(局方書.) occured to a fire of heart(心慤) and a deficiency of heart and gall bladder(心膽虛) in defails. Insomnia is caused by agony of seven emotion, delivering of a child, are similar to insomnia is caused by psychologic disorders. Injaesanghanyusu(仁劑傷寒類書) occured to exhausting of Yin and excess of Yang (陰盡陽盛), imbalanced of stomach(胃不和) invasion of coldness(傷寒) are brought a conclusion of assumption of sap(津液耗損) brought about unreturn of yin energy. 6. Manbyunghuechum(萬病回春) in Myung period (明代) made much of portion of phlegm's influence about spiritual function. Kyungakjunsu(景岳全書) valued much of treatment divided according to excess and deficiency. Junginmaekchi(證因脈治) occurred to concept of pyorihesil(表裏虛實), Dongyibokam(東醫寶鑑) synthesised various theories. 7. Hyuljungron(血證論), Byunjungkimun(辨證奇聞), Suksilbirok(石室秘錄) made much of surprisemeni(驚恐) Consideration(思慮), liver's dryness(肝燥) is caused by liver's weakness(肝虛), imbalance of haert -kidney(心腎不交), seven emotion(七情). Especially, ftyujungchijae(類證治載) said that heart, liver, gall-bladder, kidney, surprisment, consideration baought to a conclusion of inbalance of Yang and Yin (陽不交陰). There is a tendency in literature mostly that literature showed separation of insomnia as a chief symptom. 8. These days there are increasing many patient of insomnia. So, it is needed to study about insomnia as a psychologic disease. Saying in conclusion, it is needed that we have to recognize in modern style based on ancient style of cause and process of insomnia. It is regarded to study about insomnia definitely and experimently.

• 한국컴퓨터정보학회논문지
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• 제18권12호
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• pp.149-157
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• 2013

본 연구에서는 질적 연구방법 중 현상학적 연구방법으로 결혼이주여성들의 경제생활에 대한 생생한 이야기에 귀기울이고, 경제생활 경험의 역동성을 심층적인 면담을 통해 그 의미를 분석하고자 한다. 연구질문은 "결혼이주여성이 경험하는 경제생활의 의미는 무엇인가"이다. 연구결과, 의미 있는 진술 67개를 추출하였고, 15개의 중심 의미를 조직하였다. 15개의 중심 의미는 '팍팍한 삶', '자녀교육비, 보험료 등의 소득 불안', '적응을 위한 생활방식의 변화 도모', '일자리를 통한 경제안정을 추구', '친정가족에 대한 지원과 회귀 기대'라는 5개의 주제 묶음으로 범주화하였다. 연구자는 해석학적 글쓰기 적용을 위해 1인칭 화자를 통해 구조적 기술을 하였다. 즉, 결혼이주여성이 체험한 한국의 경제생활의 의미는 '팍팍한 현실을 적응해 나가기 위한 생활방식의 변화를 추구하며 가족중심의 힘겨운 대처과정' 이었다. 이러한 진술을 통해 결혼이주여성 부부의 안정적인 노후경제생활을 위해 국민연금의 (가칭)'부부합산' 제도의 적용으로 노령연금의 수급의 기회를 확대하는 정책의 적극 도입 등 다양한 실천적 함의를 제시하였다.

• 공연문화연구
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• 제36호
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• pp.103-135
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• 2018

본고는 판소리의 중국 강창문학 기원설을 재검토하는 것을 연구의 목적으로 삼는다. 김학주에 의해 처음 제시된 판소리 강창문학 기원설은 판소리와 중국 강창문학의 공통점과 연관성을 확인하는 데에는 성공했지만, 작품 내용 비교나 연행 형식 비교를 통해 판소리가 중국 강창문학에서 기원했음을 직접적으로 입증할 수 있는 근거를 제시하지는 못했다. 실제로 판소리와 중국 강창문학이 가지고 있는 공통적 요소들은 판소리와 강창문학이 '한 사람'의 창자가 서사를 연행하면서 다양한 역할과 기능을 맡아야하는 연행적 상황 하에서 똑같이 드러날 수밖에 없는 현상에서 기인한 것이다. 또한 이러한 연행적 환경의 동일성 때문에 판소리 광대론과 고사계강창의 예인론이 매우 유사함을 확인할 수 있다. 또한 한 사람의 창자가 커다란 서사의 스펙트럼을 다수의 청중에게 제시하기 위해, 강창문학과 판소리는 핍진한 묘사가 문체의 주요한 특징을 이루고 있음을 확인하였고, 더 나아가 강창문학과 판소리의 문체에서 시점 혼용과 침투가 자유로울 수 있음을 밝혔다. 하나의 이야기를 말과 노래를 섞어 긴 시간 연행하는 것을 '강창' 혹은 '구비 서사시'로 개념화할 수 있다면, 사실상 중국 강창문학과 판소리는 '강창' 혹은 '구비서사시'라는 큰 틀 안에서 유사성을 가지면서 각자의 특색을 발전시켜 나간 갈래라고 볼 수 있다.

• 수완나부미
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• 제4권1호
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• pp.57-90
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• 2012

This essay is for a study on the survey of buddhist cultural literary document about the Southeast Asia by Nanqishu(南齊書), Liangshu(梁書), Chiu T'angshu(舊唐書), Hsin T'ang shu(新唐書) which are included in the Chinese Official History and Jí-shénzhōu-sānbăo-găntōng-lù(集神州三寶感通錄), Weioshu Shilao Ji (魏書 釋老志). These documents allows us to imagine next some historical states. First, these documents are recording this area, especially Funan, as a plentiful diggings of gold, silver, tin, copper, etc. These are important materials for gilt bronze sculptures. Further, this local produced gold called 'Yangmai(楊邁)' is recognized as same as Zĭmòjīn(紫磨金) in china, and these documents explains the process of producing the bronze images and golden ornaments in Southeast Asia. Specially, this plentiful materials leads them to make a 10 wei(圍) tall golden-silver image which worshiped as hindu god or sometimes buddhist images. Second, Vietnam and Funan in Northern and Southern Dynasty periods were in antagonistic relationship not only in the political but also in religious between Vietnamese Hinduism and Funan's Buddhism. Under this situation, the monk Nagaxian(那伽仙) who had came from India was accredited to Southern Qi court as a delegate to build a good relationship by the common religion Buddhism. It means the Buddhism of Southeast Asia also took a role of diplomacy. Third, these documents proved the active Southeast Asian cultural exchange in early 3th century. At this time, Funan delegate Suwu(蘇物) visited the court of Kushan Dynasty in India and he is seemed to travel the city of Pātaliputra. It oppressed us to extend our outlook which have been restricted in the relationship between Southern india and Southeast Asia to more broaden area. In addition, the buddhist art of Southern India and Bodhgaya temple was imported to Southeast Asia directly to send to Southern China. For example, the wooden buddha image, Bodhgaya stupa image, and Sri Lanka style's buddha images are looked be introduced to Southern China at this time throughout the Southeast Asia. At last, we got to know that the court music of Kucha in the northern silk route was imported to the Southeast Asia in early middle age. Even it may be introduced by China, but this document is very important to make the surmise is not unreasonable that the buddhist culture of northern silk route imported to the Southeast Asia accompanied with Kucha music. The buddha images in Gandharan style which are excavated from some site of Southeast Asia may demonstrate this literary sources is authentic.

• 패션비즈니스
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• 제8권4호
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• pp.68-79
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• 2004

This study aims to understand the history of the Victorian age that attached importance to various designs and aesthetic aspects by art and craft movement, and to present that the Victorian pattern is a factor with unlimited possibility in application and development of the modern textile product designs. Therefore, through documents research home and abroad, I considered the periodical background of the Victorian style, a change course of textile, and the theoretical backing of the Victorian pattern, and I studied and analyzed the cases of being applied in the modern textile product designs by classifying apparel, home interior, and fashion accessories. First of all, in apparel, the Victorian pattern transformed into geometrical form had much relative importance, and secondly, in the home interior, the Victorian pattern was expressed realistically or it was represented more boldly and complexly with new materials or techniques introduced. Thirdly, in fashion accessories, decorative nature was shown in intense design with the real description of the Victorian flower pattern and brilliant colors. With these results, it was found out that when the Victorian pattern was applied in the modern textile product designs, it was the factor that could be expected to make a high value added suitable with the modern sense, and it was the pattern with developmental potential with its unlimited use range. Therefore, based on this study, it is considered that the development of textile product designs utilizing the Victorian pattern and academic research, reorganizing the Victorian pattern in accordance with the modern design should be continued.

• 동의생리병리학회지
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• 제21권1호
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• pp.291-297
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• 2007

Although Traditional Korean Medicine had always referred to Mamok(痲木: Paresthesia) as the prodrome of stroke for a long time, yet there were only few research papers on it. Hence, the purpose of this research is to explore the relationship between Mamok(痲木; Paresthesia) as the prodrome and an attack of stroke. Setting 509 Korean impatient women as the subject of research, 264 of the whole are stroke patients and 245 are non-stroke patients. Blood tests, questionnaires, and body measurements (height, weight, waist, hip) are performed to the subjects. Basic population traits, life-style, and past history are included in the contents of questionnaires. whether or not they have experience the numbness, description about the clinical characteristics of the symptom, the body parts which the symptom occurred, the onset of the symptom, and the incidences are examined in the category inquiring the numbness of the hand and foot. After adjusting for age, unilateral numbness was associated with significantly increased risk of stroke. When adjusted for other factors(Half of WHR, History of Hypertension and Diabetes mellitus, Cigarette smoking, Alcohol drinking, Education, Marital status, Regular exercise), the risk of stroke was positively associated with unilateral numbness.(Age Adjusted Odds Ratios=2.282(95%CI=1.107-4.705), Multivariate Odds Ratios=4.105(95% CI=1.233-13.671)) Whereas no significant association was observed in the onset and the incidence of unilateral numbness. This study suggest that preceding Mamok(痲木; paresthesia) before stroke attack is may be common prodrome symptoms of stroke. Prospective cohort study on the association between Mamok(痲木;Paresthesia) as the prodrome and an attack of stroke in Korean population will be necessary.

• 복식문화연구
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• 제11권1호
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• pp.88-102
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• 2003

In our culture, the term, "be like", is frequently used. There are expressions such as "feminine-looking dress" and "manly style" relating to this term when we describe the styles of clothing. This study addresses the question on which type of garment would be selected under the description of the term, "be-like", in relation to gender. This term reveals the preconception of gender as being feminine or masculine according to the styles and colors of clothes. A group of 362 college students from Seoul and Gyeonggi area was surveyed fur the study The statistical analysis of SPSS 10.0 was applied f3r analyzing the data, and the significant variances were reviewed by the basic statistics, multi-variate and T-test. The results are as follows: First, the details of clothes imply the preconceived idea of gender. As a result, women's blouses and skirts were selected as the most feminine upper and bottom garments. The Y-shirt and T-shirt were selected as the most masculine upper garments. However, in contrast to the . skirts being the most feminine bottom wear, the pants were not significantly recognized as the most masculine ,clothes. Second, the variances of the survey show that the female students are more conscious of the sexual identity expressed in clothes than the male students. Third, the styles of clothes reflect the general understanding of what is considered to be "feminine or not feminine" and "masculine or not masculine" In conclusion, this study has discovered that the certain characteristics of gender are predominantly implicated in the styles length, and color of clothes. Both men and women responded differently in defining their idea of "femininity" and "masculinity". Nevertheless, there still exists strong preconception of what is considered to be feminine or masculine, and it affects the choices people make in selecting clothes.