• 한국콘텐츠학회논문지
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• 제16권2호
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• pp.762-771
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• 2016

본 연구는 20대 문화 예술 소비 다양성 결정 요인을 다양한 변수들을 바탕으로 살펴보기 위한 것이다. 주요 연구 결과는 다음과 같다. 첫째, 20대 문화 소비 다양성을 결정하는 요인을 살펴본 결과, 현재 문화 예술 경험 및 관심 요인을 포함해 방송 콘텐츠 이용 특성(정보 및 오락 장르) 요인이 정적으로 20대 문화 소비 다양성에 유의미한 영향을 미치는 것으로 나타났다. 반면, 소득 요인은 부적으로 20대 문화 소비 다양성에 영향을 미치는 것으로 나타났다. 둘째, 순수 및 대중 문화 소비 다양성 결정 요인을 살펴본 결과, 현재 문화 예술 경험 및 관심 요인 및 방송 콘텐츠 이용 특성(정보 및 오락) 요인은 정적으로, 소득 요인은 부적으로 순수 문화 소비 다양성에 유의미한 영향을 미치는 것으로 나타났다. 대중 문화 소비 다양성의 경우, 현재 문화 예술 경험 및 관심 요인을 포함해 방송 콘텐츠 이용 특성 요인은 정적으로, 성악-합창 등에 대한 교육 기간이 부적으로 다양성에 영향을 미치는 것으로 나타났다.

• 한국의류학회지
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• 제28권1호
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• pp.1-11
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• 2004

Cultural value is widely accepted as the crucial concept in understanding consumer behavior: cultural values influence consumption values, which determine choices of consuming everyday products and services. The objectives of this study were to (a) identify the difference between cultural and consumption values in the Korean fashion industry and (b) to explain the difference using the existing theories introducing fashion system, which are Solomon(2002)'s cultural production model in marketing area and Hamilton(1997)'s fashion system arbiter in clothing area. The qualitative data used to identify cultural values were 160 apparel advertisements listed in a fashion magazine issued in 2002. Utilizing the convenient sampling method, the quantitative data used to identify consumption values were gathered by surveying female university students aged over 20 living in the Seoul metropolitan area. Of 369 returned questionnaires, 255 were used in factor analysis and paired t-test. Cultural value ignored functional aspect of apparel while it was one of the most salient factors for consumption value. With respect to success and fashion orientation factors, cultural value highly appreciated them while they were the least considered factors for consumption value. These implicate that the Korean fashion industry can be explained by Hamilton's macro-level cultural and fashion system arbiters and cultural production model as well. Introducing macro-level perspectives about fashion system, this study encourages researchers to expand their research spectrum from micro-level consumers to macro-level fashion industry, which has long been neglected by the fashion marketing researchers in Korea.

• 디지털융복합연구
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• 제12권9호
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• pp.433-443
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• 2014

본 연구의 목적은 문화관광부와 한국문화정책개발원이 발표한 <문화향수실태조사>를 원 자료로 하여 21세기 첫 10년간 한국 성인들의 문화소비의 특성을 규명하려는 것이다. 우선 2000년에서 2010년까지의 한국 성인들의 문화소비의 전체적인 과정은 지속적으로 향상되어왔음을 알 수 있다. 특히 이 기간은 20, 40, 60대 모든 성인세대에 있어서 대중문화가 그들의 문화소비에 있어서 가장 보편화된 문화로 전환되는 시기였다. 그밖에 주목할 수 있는 것은 성인초기인 20대가 한국문화소비의 핵심세대로 부상했다는 점이다. 이 밖에 성별차나 교육수준, 소득수준, 예술문화교육의 경험유무가 예술문화관람의향에 유의미한 영향을 주고 있다는 점이 밝혀졌다.

• 한국언론정보학보
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• 제69권
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• pp.111-138
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• 2015

이 연구는 문화자본과 문화소비 행위의 연관성을 보았던 기존 연구에서의 '문화소비' 개념이 오늘날에도 타당한가 하는 문제의식으로 시작되었다. 디지털미디어가 등장한 후 문화소비자들은 단순히 '소비' 라고 지칭하기 어려운 다양한 행위들에 참여한다. 이렇게 다변화된 문화소비의 양상들을 다루기 위해서, 기존의 분석틀, 즉 무엇을 선호하거나 관람하였는가(노출되었는가)라는 문제 중심으로 구성된 '문화소비' 개념을 수정할 필요가 있다고 보았다. 우리는 문화소비에 있어 '무엇'보다는 '어떻게' 라는 측면에서 나타나는 차이를 보기 위해, 공연관람뿐 아니라 공연 정보를 읽는 행위인 정보소비, 공연 후기를 쓰는 정보생산, 실기학습 및 참여행위인 아마추어 생산, 그리고 동호회 활동인 교류 등을 이론적으로 검토하고 문화자본인 학력과 청소년기 문화경험과 문예교육이 미치는 효과를 비교하였다. 음악장르 소비에대한 설문 자료를 분석한 결과, 학력은 공연관람에서만 효과가 나타난 반면, 청소년기 문화경험과 문예 교육은 공연관람 뿐 아니라 문화소비 전반에 있어 영향력이 나타난다. 구체적으로, 청소년기 문화경험은 정보소비와 정보생산에서, 문예교육은 아마추어 생산에서 효과가 크게 나타난다. 한편 소득은 공연 관람에서만 효과를 보인다. 연구의 결과, 청소년기 문화경험은 공연관람에서보다는 관련 읽기와 쓰기에서, 문예교육은 아마추어 생산에서 영향력이 보다 크게 나타나므로 문화자본에 따라 문화소비 취향이 구별되는 차원을 관련 커뮤니케이션 행위 및 아마추어 생산 활동까지도 포함하여 생각할 필요가 있다는 함의를 갖는다.

• 한국생활과학회지
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• 제19권1호
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• pp.91-102
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• 2010

This study conducted a survey with 300 male respondents in their 20s to 50s, in order to examine the influence of personal variables, identity of gender roles, self-esteem and social-cultural attitude towards appearance on metro-sexual consumption. The findings are as follows: First, the majority of respondents experienced metro-sexual consumption in passive ways, such as purchasing cosmetics or perfume. Second, self-esteem differed by classification of identity of gender roles and the self-esteem was the most highly rated in non-classified, followed by in femininity, masculinity and androgyny. On the other hand, the non-classified group appeared to have the most highly social and cultural attitude toward appearance. Lastly, when examining the effect of personal variables, identity of gender roles, self- esteem and social-cultural attitude toward appearance on metro-sexual consumption, the results showed that the younger respondents who spend the highest monthly expenses on appearance, belong to the androgynous group and have the social-cultural attitude, are more likely to have a greater tendency towards metro-sexual consumption.

• 복식
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• 제64권4호
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• pp.91-105
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• 2014

As luxury goods market has expanded and has become more affordable, luxury consumption value has become more diversified. The purpose of this study is to classify visible characteristics of luxury consumption by the degree of logo clarity, and to explain this classification in relation to personal luxury consumption values. Also, the study utilized the concept of cultural capital, in addition to the concept of economic capital, in order to aid understanding of current new luxury consumption trend and give directions on brand signal strategies for luxury brands. In order to develop a survey that could measure an individual's cultural capital, focus group interviews, each composed of 5 women in their twenties and thirties, were conducted. Then, the survey was conducted on 230 females residing in Seoul who have purchased at least one product from a luxury brand within a year. The results suggest that luxury consumption can be explained by 'self-oriented value' and 'others-oriented value' as suggested in precedent studies. However, no significant difference was found between economic capital and these two luxury consumption values. However, the more cultural capital one possesses, the more one is likely to pursue 'self-oriented consumption value'. In studying the correlation between luxury consumption values and preference for brand signal clarity, respondents with 'self-oriented consumption value' has shown low preference towards highly visible brand logo when design and quality were equivalent. Also, respondents with 'other-oriented consumption value' has shown high preference towards highly visible brand logo.

• 웰빙융합연구
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• 제2권1호
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• pp.35-39
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• 2019

This paper presents two social and academic studies on the boundary between cultural production and consumption. The first line of the study on cultural omnivore analyzes the choice of heterogeneous audiences in the face of various cultural offerings. The second line is a study of market categories, which analyzes the responses of peer audiences to objects with different levels of category code compliance. As such, this paper developed a heterogeneous audience model to evaluate objects of different types. This allows us to consider two dimensions of cultural preference: diversity and orientation of selection. To this end, this paper proposes a new analytical frame work to map consumption behavior on these two dimensions. The results suggest that one type of target that values diversity and transformation is particularly resistant to those that span boundaries. We test this argument in the analysis of two large data sets on film and restaurant reviews. Overall, our findings can extend beyond cultural consumption. Outline variability of contextual individuals or individuals in the same situation can cross cultural boundaries even if they are not intentionally pursuing such hybridism.

• 복식
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• 제51권1호
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• pp.145-162
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• 2001

This study focuses on how fashion products of our contemporary society of consumption are taking on a kitsch look, and on what kind of social and cultural meanings this phenomenon connotate. In general, kitsch is understood as an expression with a negative meanings such as aesthetic inadequacy or bad tastes. In our dairy life however kitsch has been highlighted as an another expressions of subjective beauty and gains positive meaning as almost all the people satisfy their desires through consumption of kitsch products. In order to prove the kitsch phenomenon in fashion products and social and cultural meanings, the researcher has Performed a case study on actual consumption of fashion products and the internal psychological meanings in fashion consumption. The internal psychological meanings of kitsch on consumption of fashion products are emotions and needs such as escape from reality. substitutional satisfaction, belonging confirmation, expression of individual taste, and fun, sexual amusements.

• 한국지역사회생활과학회지
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• 제21권2호
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• pp.227-242
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• 2010

The purpose of this study is to explore cultural factors that affect food consumption patterns by comparing them for college students in Korea and China. This study includes seeking pleasure, seeking satiety, and seeking well-being. Food consumption patterns, social responsibility, the value of life, faith in God, traditional moral fundamentalism and cultural taste are the cultural factors. To achieve the purpose, SPSS Win.(12.0) and LISREL(8.72) are applied. From the results of this study, first, among food consumption patterns, Koreans and Chinese both are found to put a higher value on seeking pleasure than other consumption patterns, and Chinese are found to put a higher value on seeking satiety. Second, for Koreans, the value of traditional moral fundamentalism and social responsibility are found to significantly influence seeking satiety and seeking well-being. If they had a higher degree of traditional moral fundamentalism, they would like to seek more satiety from food. And if they had a higher degree of social responsibility, they would like to seek more well-being from food. However, for Chinese, seeking pleasure is found to be significantly influenced by social responsibility and a faith in God, and seeking satiety is found to be significantly influenced by social responsibility and the value of a good life while seeking well-being is found to be significantly influenced by social responsibility and a faith in God. Compared with Koreans, cultural factors such as social responsibility, a faith in God, the value of a good life for the Chinese might influence significantly all three types of food consumption patterns. Thus, this study might provide more useful information about finding cultural differences of values and food consumption patterns between Koreans and Chinese.

• 기술혁신연구
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• 제17권1호
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• pp.205-221
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• 2009

1990년대 중반이후 한국의 문화산업콘텐츠 수출이 증대되는 "한류" 현상이 대두되어 세계적인 주목을 받기 시작하였다. 그러나 전통적인 문화산업 무역이론은 이러한 후발국으로부터 문화상품의 수출을 설명하지 못한다. 본 연구에서는 Becker의 소비자본이 기호의 형성에 기여할 뿐만 아니라 생산성의 향상에 기여하는 인적자본으로서의 속성을 지니고 있다는 점을 이용하여 문화산업에서 후발국의 "기술추격"을 합리화하는 이론모델을 제시하고 있다(rationalize), 본 연구는 공식모델의 비교정태 분석을 통하여 문화산업에서 후발국의 "기술추격"을 가능하게 하는 조건들을 설명하고 있다.