• 한국감성과학회:학술대회논문집
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• 한국감성과학회 1998년도 추계학술발표 논문집
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• pp.163-167
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• 1998

스테레오로 생성된 음향을 헤드폰을 사용하면 좌,우의 소리는 각각 좌,우의 귀로 상호 혼선 없이 전달된다. 그러나 2개의 스피커를 사용한다면 좌,우의 소리가 혼합되어 들린다. 이러한. 혼합현상을 크로스톡이라 하며, 이 경우 본래의 소리는 변질되어 들린다. 이러한 현상을 방지차기 위해 스피커로 재생하기 전 신호를 크로스톡 제거기를 통해 한번 더 처리하는 방법을 사용한다. 여기에 사용되는 크로스톡 제거기는 2개의 스피커와 청취자간의 상대 위치, 그리고 스피커와 청취자가 있는 방의 음향특성에 의해서 적절히 변화되어야 한다. 본 연구에서는 방의 음향특성이 무향실과 같다고 가정하고 2개의 스피커와 청취자간의 상대적인 위치가 주어졌을 때 효과적으로 크로스톡 제거기률 생성해주는 알고리듬을 제시하였다. 제안된 방법은 머리전달함수를 기반으로 하여 스피커가 청취자로부터 표준반경에 위치하였을 때의 크로스톡 제거기률 데이터 베이스화 하여 일반적인 거리에 위치하였을 경우에도 실시간으로 확장 적용할 수 있다.

• 대한전기학회:학술대회논문집
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• 대한전기학회 2001년도 하계학술대회 논문집 D
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• pp.2622-2624
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• 2001

In this thesis, speaker separation is employed when speech from two talkers has been summed into one signal and it is desirable to recover one or both of the speech signals from the composite signal. This paper proposed the method that separated the summed speeches and proved the similarity between the signals by the cross correlation between the signals for exact between original signal and separated signal. This paper uses frequency sampling method based on sinusoidal model to separate the composite signal with vocalic speech and vocalic speech and noise masking method based on psycoacoustics model to separate the composite signal with vocalic speech and nonvocalic speech.

• 말소리와 음성과학
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• 제11권1호
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• pp.19-27
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• 2019

Lateral approximants are well known as having complex articulatory characteristics, which vary cross-linguistically, across speakers, and across utterances. However, less attention has been paid to the articulation of Korean laterals, which do not contrast with a rhotic and may thus exhibit greater-than-normal variability. The focus of this study is to investigate the general articulatory characteristics of the Korean lateral [l] as well as the articulatory variation using novel 3D ultrasound imaging methods. The results of this study revealed significant between-speaker variation and some vowel-dependent variation with regard to the articulation of the Korean lateral [l], which has not been reported previously. Even though all participants in this study showed an anterior occlusion, the place of articulation and the size of the occlusion varied greatly across speakers. The data also revealed that left-right asymmetry is present in the articulation of the Korean lateral. The individual variation of the Korean lateral [l] suggests that it has a large articulatory-acoustic space for variation, since it has no contrasting sound that causes perceptual confusion.

• 한국산업융합학회 논문집
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• 제26권2_1호
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• pp.225-230
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• 2023

This research addresses sound command based human tracking problems for autonomous cleaning mobile robot in a networked AI space. To solve the problem, the difference among the traveling times of the sound command to each of three microphones has been used to calculate the distance and orientation of the sound from the cleaning mobile robot, which carries the microphone array. The cross-correlation between two signals has been applied for detecting the time difference between two signals, which provides reliable and precise value of the time difference compared to the conventional methods. To generate the tracking direction to the sound command, fuzzy rules are applied and the results are used to control the cleaning mobile robot in a real-time. Finally the experiment results show that the proposed algorithm works well, even though the mobile robot knows little about the environment.

• 대한음성학회지:말소리
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• 제38호
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• pp.41-70
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• 1999

Researches on perception have, in recent years, been increasingly popular as a means of accounting for cross-linguistic sound patterns (Ohala, 1992; Hemming, 1995; Jun, 1995; Steriade, 1997 among others). In loanword phonology, Silverman(1990, 1992) argues that words from a source language are scanned through the perceptual level and that the features perceived by a speaker are stored in the input to be processed according to his/her native language's phonological constraints. The purpose of this paper is to test the validity of Silverman's proposal by examining the correlation between perception and production of Korean learners of English. We specifically focussed on perception and production of stop release by contrasting English loanwords with English words loarned through education to see if there were any significant differences. The results showed that there was no substantive correlation between the Korean speakers' perception of the loanwords pronounced by English speakers and their own production of those words. In the case of English words, however, the Korean speakers' production was closely related with their perception, although some inter-speaker variations were observed. With Optimality Theory (Prince & Smolenksy, 1993) as a theoretical framework of analysis, it was shown that the theory is a useful means of implementing a phonetics-phonology interface and relating perceptual processes with speech production. Specifically, under the assumption that loanwords with [t]~[t/sup h/] alternation (e.g.,'cut') are originally borrowed into Korean as two different input forms, all the alternations could be straightforwardly accounted for in terms of a unified ranking of constraints.

• 비교문화연구
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• 제42권
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• pp.261-283
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• 2016

본 연구의 목적은 모바일 애플리케이션을 활용하여 공손 영어 표현 학습의 가능성을 고찰하고자 하는 것이다. 의사소통 능력의 향상을 도모하기 위해서는 문법적, 담화 능력 외에도 사회 언어적 능력이 필요하다. 상대방이 누구인지, 어떠한 대화 상황에 직면했는지, 대화의 주제나 목적 등에 따라 사회적 가치에 맞는 적합한 표현을 구사할 줄 알아야 한다. 상대방의 지위나 나이가 화자보다 높거나 상대방과의 친밀도가 낮을 경우 한국인 화자는 공손한 표현을 구사하게 된다. 한국어는 언어 자체적으로 경어 체계를 지니고 있지만 영어는 이와 다르기 때문에 학습자들은 영어의 공손 표현을 학습할 필요가 있다. 이를 위해 공손 언어 학습에 학습자들이 교실에서 누구나 쉽게 사용할 수 있는 모바일을 접목시키고자 한다. 학습 교재로는 영국의 시대극 "다운튼 애비"(Downton Abbey)를 이용하였는데 이 드라마는 귀족들의 삶을 중심으로 다루었기 때문에 공손 표현을 학습하기에는 매우 적합하다. 모바일 활용을 통한 공손 영어 학습의 효율성과 모바일 애플리케이션의 활용 가능성을 고찰하기 위해 네이버 밴드를 활용한 실험반과 일반적인 팀별 활동을 중심으로 한 통제반을 설정하였다. 두 반의 공손 언어 학습 효과를 확인하기 위해 두 번의 평가가 시행되었고 개방형 설문조사가 실시되었다. 평가 결과 모바일 애플리케이션의 사용은 공손 영어 표현 학습에 긍정적인 효과가 있었으며 모바일이 수업 후 활동으로 사용하기에 효율적인 학습 도구인 것으로 나타났다. 개방형 설문 조사에서 학습자들은 공손 표현을 우아하거나 고급스러운 언어 형식으로 인지하거나 실용적 표현과 구분하는 경향이 있었다. 시대극을 이용하여 공손 언어를 교수할 경우 교수자들은 현대 영어와의 접목을 고려할 필요가 있겠다.

• 비교문화연구
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• 제29권
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• pp.391-411
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• 2012

Request expressions can be defined as expressions that demand or ask the other person to do certain movements. There are direct request expressions that ask the other person to do certain movements directly and indirect request expressions that ask the other person to do certain movements by describing the speaker's condition. The study analyzed gender and hierarchy of speakers and listeners who used 'tekure' and 'tekudasai' in dialog examples of the Meiji Period and the Taisho Period. In those periods, the modern Tokyo dialect was formed and established. "Toseishoseikatagi"in Meiji 10s,"Ukigumo""Natsukodachi""Tajotakon"in Meiji 20s,"Hakai""Botchan"in Meiji 30s,"Huton""Inakakyoshi" in Meiji 40s and "Aruonna"in the Taisho Period were analyzed for the study. 'kure' was used more by male speakers than female speakers. Examples by female speakers were shown on the novels after Meji 30s. In case of male speakers, they often used it to listeners with an equitable relationship at "Toseishoseikatagi"in Meiji 10s but they often used it to younger listeners at "Hakai"in Meiji 30s. 'okure' was used more by female speakers than male speakers. Listeners were varied from older ones to younger ones. In case of female speakers, 'okure' was used more often at "Aruonna"in the Taisho Period than the other novels. In case of male speakers, 'okure' was used only at "Ukigumo""Natsukodachi"and "Hakai". 'Okurenasai' was used outstandingly by female speakers on the form of 'okun_'. In case of 'kudasai', female speakers used it more than male speakers at "Toseishoseikatagi" and "Aruonna"but male speakers used it more than female speakers at "Tajotakon"and "Hakai". Listeners were varied from older ones to younger ones. 'o~kudasai' was not shown until Meiji 20s but shown after Meiji 30s among the analyzed novels. According to gender, it was used a little bit more often by female speakers than male speakers. According to hierarchy, listeners were usually older than speakers. 'o~nasatekudasai' was used more often by male speakers than female speakers. Listeners were also usually older than speakers.

• 비교문화연구
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• 제33권
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• pp.407-459
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• 2013

The paper pragmatically analyzes ellipsis in Russian and Polish colloquial and informal texts. The famous Polish writer Sławomir $Mro{\dot{z}}ek^{\prime}s$ "Exit to the South", written in Polish and Russian is used as a material for the analysis. Russian and Polish ellipsis in colloquial and informal texts have in common that the givenness and subjecthood of the elliptical co-referent play a crucial role. However, the ellipsis in two languages also has differences in many ways. Above all, in the Polish texts of colloquial and informal style, a theme is likely to be elliptical and the coreferential relation reaches to an extra-sentential antecedent, while the ellipsis in analysed Russian texts in most cases requires coordinate, subordinate or relative clauses, and the elliptical co-referent tends to have an intra-sentential antecedent. The ellipsis of the theme-subject is unmarked in Polish, where every verbal form has an ending denoting person. Unlike formal style which often allows explicit noun subject, Polish text of colloquial and informal style prefer null form of the subject in most cases. If Polish sentences have explicit theme-subjects, they disambiguate intervening and main themes, and indicate the contrast, the focus, the introduction of new narratives or the change of speaker's point of view. Sometimes direct speeches and deictic pronouns also need explicit theme-subjects in Polish sentences. On the other hand, the ellipsis of the theme-subject is marked in Russian even in colloquial and informal texts. The theme-subject can be deleted in Russian colloquial and informal texts, if the subject is a form of the first or the second person, or if the aspect and the tense of the antecedent sentence's verb are the same as those of the given sentence's verb and both the antecedent and the coreferential word have the nominative case.

• 비교문화연구
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• 제39권
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• pp.287-308
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• 2015

Biographical film is a genre narrativizing the actual person and history, and reproducing the character and history in a biographical film is in a dimension different from a film focused on a fiction. Discussion between these methods of narrative composition and image reproduction in a biographical film is also, in line with artistic/aesthetic problems and ethical/philosophical theses of the film text. This study discusses the phase of the way of reproduction of the actual person, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ in the biographical film, The Golden Era and the time she lived in a biographical film and how the audience's discussion of the film and socio-cultural discourse differ depending on their attitude towards the cinematic introspection of the text. The narrative structure, the method of image reproduction and cinematic devices of the film, The Golden Era are completely off the point of the general format of the traditional biographical film. In The Golden Era, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ and the history which she lived in did not revive depending on an omniscient subject's selective statement and meta-film structure. Ann Hui removed general, mythic images of $Xi{\bar{a}}o$ $H{\acute{o}}ng$ formed in the field of traditional Chinese culture and reproduced her through multilateral visions of a real, fictional narrator. Each spectator's judgment and interpretation of the film intervene in the multi-layered and sparse descriptions of the actual person's images and the era of the characters. Through this, it is possible to approach the uniqueness and authenticity a historical character, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ and to have an opportunity of multi-layered reflection on how to secure a critical distance and make a perception in historical judgment.

• 한국소음진동공학회논문집
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• 제21권11호
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• pp.1013-1019
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• 2011

Sound attenuation of periodically arranged cylindrical rods is studied numerically and experimentally. Cross section of the cylinder is circular and arrays are in a square lattice. Cylinders are made of steel, and consist of five groups with different diameters from 27.2 mm to 48 mm. Each group has 5 rows, while number of cylinders in a row varies from 17 to 31. The area filling fraction is about 60~61 %, which leads to the stop bandgap(2.9 kHz ~ 8.4 kHz). Sound attenuation is computed using two-dimensional BEM, and measurement is done by using a speaker and microphones in a semi-anechoic room. Comparison of the results by BEM and experiment shows that attenuation spectra are qualitatively in agreement, although experiment gives higher attenuations than BEM. After results by BEM are scaled up in accordance with cylinder diameter, it is observed that attenuation curves are in good agreement, which confirms that analysis by BEM is done correctly. It is also found that the measured bandgaps are shifted toward lower frequency by 0.5 kHz ~ 1.2 kHz, when compared to the predictions obtained from infinitely repeated two-dimensional cylinder arrays.