• 한국의상디자인학회지
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• 제12권2호
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• pp.21-39
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• 2010

The purpose of this study is to develop a creative technique in fashion illustration through analyzing expressive characteristics of $d{\acute{e}}paysement$. This study is analyzed by examining the general theories of $d{\acute{e}}paysement$ and investigating the expressive technique related to the method of $d{\acute{e}}paysement$ in surrealism art and the expressive characteristics which is applied to fashion illustration. In this study, the researcher examines cases of the application of $d{\acute{e}}paysement$ to the fashion illustration through reviewing fashion illustrators' art works created since 2000. $D{\acute{e}}paysement$ is unfamiliar impression with lexical meaning in french that is translated by transposition or displacement technique, or country and one's home leave or person put in strange living environment. The characteristics of $d{\acute{e}}paysement$ in fashion illustration include spatial distortion, combination of heterogeneous objects located anywhere odd and modification and conversion of objects such as material change, change-over of scale in usual objects and conversion of inanimate objects into organism. As a result of reviewing the expressive characteristics of Depaysement from fashion illustration artworks, it is found that the fashion illustration with $d{\acute{e}}paysement$ fortified the individuality in fashion illustration and helps produce a creative inspiration which results in a distinctive ideas. This also has a greate possibilities to produce a tremendous ideas in fashion illustration.

• 한국의상디자인학회지
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• 제18권2호
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• pp.221-236
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• 2016

The purpose of this study is to make a contribution to the development of creative fashion culture through the expansion of creative fields in the fashion design area and also the combination of fashion and art techniques, by classifying the cases of Trompe $L{\oe}il$ expressed in modern fashion, and also analyzing its aesthetic characteristics. Conducting the qualitative research through the literature study and the analysis of design cases, it targeted the women's wear collections of Paris, Milan, London, and New York, limiting its range from S/S 2010 to F/W 2015. The results are as follows: First, based on the preceding research, the types of Trompe $L{\oe}il$ expressed in modern fashion were shown as realistic expression of clothing, movement of daily objects, double images, and application of human body. Second, the aesthetic characteristics of Trompe $L{\oe}il$ based on its expression types were deconstruction, avant-garde, and amusements. The deconstruction was expressed in the expression type of Trompe $L{\oe}il$ such as freedom of materials using digital printing technique, change in the position of clothes, and movement of daily items using collage technique by collecting objets like daily items or waste. The avant-garde was expressed by switching/overlapping in and out of clothes, intentionally exposing some body parts like breast or torso, displacing body parts, and moving daily items. The amusements was shown by realistically expressing accessories or details of clothes using digital printing technique, or moving daily items such as book and fork.

• 패션비즈니스
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• 제16권4호
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• pp.29-45
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• 2012

The purpose of this study is for providing not only the latest design technique trend for zero waste fashion, but information about creative fashion design education through eco-fashion industry trend in globally and domestic which is focusing on eco-fashion labelling. The research were processed with literature related eco, sustainable, green fashion books, former articles, newspapers, and web sites. The results as follows; The certification about eco-fashion product is moving to 'Life Cycle Assessment' from focused on primary process like material, finishing, dyeing. Especially simplicity of process means reducing the wastes. And fabric wastage for adult outwear was estimated 15% percent of total fabric used in general design studios. Three cases for Zero waste fashion were as follows; First, Jigsaw puzzle by Timo Rissane and Mark Liu were different zero waste methods, but the result was same. Rissene's method was based on traditional cutting like 'cut and sew' but traditional cutting can lead to design that have an abundance of fabric and drape. Jigsaw of Rissene was approached with description a pattern-cutting technique in which all piece interlock with each other generating no waste from design production. Another Jigsaw by Liu was related with innovative textile design. DTP makes the possibilities for zero waste garment production almost endless. The dress intricately cut from 10 pieces, wastes none of the fabric required to make it. Second, Subtraction Cutting by Julian Roberts provides unexpected fluid, organic forms and zero waste fabric. Utilizing Roberts plug(tunnel) technique enables any part of the garment that is removed for fit or aesthetics to be reincorporated into the design of garment. Third was 'Bio Couture' by Suzanne Lee. She has created garments from cellulose bacteria which grow in a bathtub using only green methods addressing in such as way ecological issues and exploring the future of fashion design in conjunction with technology.

• 한국패션뷰티학회지
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• 제5권4호
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• pp.149-157
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• 2007

Hair style was mean of visual symbol that display position or wealth about human life. Also, have spoken for cultural value as human body plastic art that speak for the age. I wished to study about modeling of hair style and interrelationship of color by analyzing systematically laying stress on color through contest creation work consisted in beauty art congress. Urpose of this study is as following. First, examines domestic' outside great council work head change by era, and studies Hair Work's change in work head. Second, Hair Color's change that appear in domestic' outside contest work head studies effect that get in work. Method of study runs parallel literature study and supporting research, utilized domestic' outside literature, connection paper, magazine, picture data etc. To literature study, and work picture data examined laying stress on work that is choosesed picture dataworld beauty use association (OMC) data etc. that appear in domestic' outside beauty art magazine to examine closely specification and stability of beauty art game style and participates in domestic and world beauty art contest. In this study, domestic' characteristic, and effect that collar gets in work head of collar that collects outside contest participating in an athletic contest hair style by ($1981{\sim}$until present) by year and appears in contest work head and in work since analyzing study forward $2007{\sim}2008$ year direction of collar. First, stream of whole color of the 1980s Brown gave highlight color point partially to basis, and was consisted of creative style and do Gold base color on the whole in Hair by Night item. Second, various Hair color was popularized in the 199Os, and Tuton's color appeared in beauty art game work, and I contributed to improve technique that step-up gradation color appears and does technique to highlight in neon orange in creative style and Hair by Night item by entrance on the stage of neuter gender color.

• 디자인학연구
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• 제19권2호
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• pp.365-374
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• 2006

'레디 메이드' (Ready made)란 예술로 선택 제안된 일상의 사물들을 의미한다. 이 용어는 예술적 오브제가 지닌 특수성을 파괴하고자 하였던 뒤샹의 창작과정에서 만들어졌는데 예술세계를 넘어 창의성을 기초로 하는 모든 디자인 영역에 영향을 끼쳤다. 본 연구의 목적은 교육적 관점에서 '레디 메이의'(Ready made)방법 고찰에 있다. 뒤샹의 경험과 그가 디자인 세계에 끼친 영향을 시작으로. 본 연구는 교육적인 관점으로서 레디메이드 방법론적인 테크닉을 연구하였다. 이 연구 방법은 서로 다른 여러 대학의 40명의 학생들에게 프로젝트를 임명하여 나온 경험적인 관찰의 결과를 토대로 하였다. 수집된 결과는 구성적, 개념적, 집합적, 정교적, 각각의 구체적 특성이 있는 방법에 따라 4가지로 분류하였다. 관찰의 결과에 따라 나뉜 4가지 카테고리는 같은 방법으로 훈련되어진 기술의 다양함이 실체적으로 표현되었다. 이것은 젊은 디자이너들을 위해 특별하게 제안된 기본적인 연습으로서 레이디 메이드 기법이 지닌 가치를 유연성 있게 보여주고자 하였다. 아이디어에 중점을 둔 일상의 오브젝트의 새로운 정체성과 재활용의 관심, 재인식, 탐구에 의해 디자인된 프로젝트의 관련을 통해 학생들의 중요한 기술이 발전되었다.

• The International Journal of Costume Culture
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• 제8권1호
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• pp.32-42
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• 2005

This paper aims to propose fashion designs based on the application of art flower technique to translucent clothing material. For study method, firstly I looked into art flower applications occurred in modern trend since 2000 as well as theoretical research on art flower and transparency expressed as artificial beauty. Second, I attempt to express transparency in a variety of unique ways by using the art flower technique in producing clothes. Third, I utilized transparent flower with translucent clothing material and tried to suggest fashion design attempting mixture of new materials. As a result, firstly transparent image and material are well fitted in with modern trend and especially it was very suitable for expressing feminine beauty. Second, transparency was the element to suggest creative formative world in fashion design in regard to flower's beauty, various shapes and colors and to provide infinite materials as design motive. Third, the combination of knit clothing and plastic art flower displayed a new form of material combination. Especially as translucent material is fitted with trend such as function, lightness and variableness in modern times of the $21^{st}$ century, it presents beautiful combination with transparent flower. Fourth, Silk flower technique is variously used in art flower techniques. Various possibility ranges are presented such as flower was recreated with artificial image by silk flower technique to be newly expressed and various materials like aesthete film can be also expressed with silk flower technique.

• 영재교육연구
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• 제17권1호
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• pp.1-26
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• 2007

본 연구의 목적은 중학교 수학 영재를 수학 창의적 문제해결력 검사로 판별할 때, 유창성만을 기준으로 수학 창의적 문제해결력을 채점하는 방식의 신뢰도와 타당도를 검증하는데 있다. 이를 위해서 수학영역에서의 직관적 통찰능력, 정보의 조직화 능력, 추론능력, 일반화 및 적용능력, 추상화능력, 공간화/시각화 능력, 반성적 사고력을 요구하는 문항들로 구성된 검사를 개발했다. 고급한 수학적 사고력을 요구하며 정답이 하나인 폐쇄적인 수학문항 10개와 다양한 답이 가능한 개방적인 수학 문항 5개를 영재교육기관의 교육대상자 선발과정에 지원한 중학교 1학년 1,032명에게 실시했다. 교사들은 각 문제에 대해 타당한 답을 제시한 빈도로 유창성을 채점했다. 학생들의 반응을 Rasch의 1모수 문항반응모형을 기반으로 한 BIGSTEPS로 분석했다. 문항반응 분석결과, 유창성만으로 측정한 창의성을 기준으로 한 영재교육대상자 선발의 신뢰도, 타당도, 난이도, 변별도가 모두 양호한 것으로 나타났다. 특히 덜 정의되고, 덜 구조화되고, 신선한 문제일수록 영재교육대상자 선발과정에 지원한 학생들의 수학 창의적 문제해결력을 평가하는데 양호한 문제임이 확인되었다. 이 검사는 영재교육원 지원생들이 영재학급 지원생들보다 창의적 문제해결력에서 더 우수함을 확인해주었다. 이로써 유창성만을 기준으로 수학 창의적 문제해결력을 채점하는 방식이 효율적이며, 타당하고 신뢰로울 수 있음을 확인해 주었다.

• 디지털융복합연구
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• 제12권3호
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• pp.277-288
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• 2014

의무기록정보관리학 교육에서 학습자 중심의 창의적 교수법을 적용하고 학생들의 학습동기 고취 효과를 평가함으로써 학습 효과를 개선시키고자 하였다. 대구광역시 일개 대학의 의무기록정보관리학 과목을 수강하는 보건행정과 1학년 학생 60명을 대상으로 2013년 3월부터 2013년 6월까지 총 12주간 창의적 교수법을 적용한 후 설문조사를 실시하였다. 주요 결과로써 학습자들이 인지한 창의적 교수법의 효과는 참여 증대(4.03)가 가장 높았으며 다음으로 집중력 향상(4.00), 이해력 증대(3.97) 등의 순이었다. 창의적 교수법에서 사용한 도구의 효과는 2인 1조 팀 구성 방식(4.08)에서 가장 높았으며, 다음으로 입체교구 활용(4.03), 퀴즈카드(3.95) 등의 순이었다. 창의적 교수법 운영에서는 강의 시작할 때와 마칠 때 학습 내용을 반복해서 알려주는 방식(4.00)이 가장 도움이 되었다는 응답이었다. 결론적으로, 의무기록정보관리학 수업에서 이러한 학습자 중심의 창의적 교수법 활용은 수업 참여도와 집중도, 이해력 향상에서 긍정적인 영향을 미침을 확인하였다. 학습 효과를 극대화시키기 위해서는 이 연구의 창의적 교수법과 같은 교수와 학생 모두에 대한 체계적이고 지속적이며, 지원적인 프로그램 개발과 적용을 권장한다.

• 한국의류학회지
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• 제36권2호
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• pp.194-205
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• 2012

Historically, garments have been spontaneously made with human instinct in order to warm and decorate the body using textiles that have been made and used by various peoples in different cultures. Contemporary garments have been used as a means of warming as well as express individual personality and a desire to pursue beauty. They have a unique formativeness and a symbolic nature according to cultural phenomena that reflect a cultural outcome that expresses contemporary thinking and ideology as well as their aesthetic consciousness. This study globally promotes Chinese opera mask culture and proposes the possibility of creative thinking through the introduction of Chinese opera mask elements into contemporary fashion, expressing them as patchworks. In order to endow artistic value (required in contemporary fashion) this study creates works by analyzing and applying a formative sense seen in patchwork techniques and the characteristics of Chinese opera masks; in addition, it sought the possibility of new expressions in garment designs. The results obtained from the research involve the following. First, the introduction of the traditional patchwork technique to contemporary garments may be a dynamic theme of garment expression and exceed stereotypical ideas that enable the creation of designs attuned to the globalization era. Second, it was possible to pursue independent formativeness which is in harmony with a modern sense through the restructuring of the harmony of colors and practical characteristics found in patchworks. Third, it was possible to demonstrate their artistry and unique effect in the expression of contemporary garments by the expression of the analyzed results of characteristic patterns of Chinese opera masks with a patchwork technique in creating works. Results show that it is necessary to conduct research into a patchwork technique that applies diverse materials as a new method to develop contemporary garment design also as a creative design. In addition, if the analyzed results of the characteristic patterns of Chinese opera masks can be expressed with a patchwork technique, they may be able to exhibit a genuine effect along with the artistry of expression in contemporary garments; thereby, relevant follow-up research should be further continued.

• 한국실내디자인학회논문집
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• 제13권1호
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• pp.3-10
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• 2004

The subject on presentation technique is the class which helps to develop the capability of sensual and creative acts to the students who major in interior design. It helps to understand plasticity and space through the theory of the light and the object, and to develop the capability which realizes one's idea to the actual and visual formations. It also enable the students to explain their designs to the customers by studying the technique which transfers 2D diagram to 3D presentation. Because of these objectives of the class, the departments which major in interior design in Korea consider the class on presentation technique as one of the mun subjects in basic curriculum. However, most of the textbooks related to the presentation technique published in Korea are in the lack of original characteristics for the field of domestic interior design since they refer to or employ the contents of architectural field by directly translating foreign articles. In addition, most of the classes on the presentation technique are taught not by professors but by lecturers so that the class objectives may be varied by their standards for the class. Therefore, it is not easy for each department to set up the one's own characteristics in the field of presentation technique. This study is to analyze the problems in the subjects of presentation technique by investigating the current situations for the subjects on presentation technique in domestic colleges and by surveying the personnels engaged in the field of domestic interior design. Also, the study has the objective to propose the development plan of educational program for the presentation technique in order to enable the student to effectively work in real business.