• 한국의류학회지
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• 제14권1호
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• pp.20-30
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• 1990

In order to investigate the mechanism of the formation of clothing microclimate with different blouse designs and materials, physiological and subjective sensational changes were measured. Experimental clothing were four types of blouse made of $100\%$ cotton, $100\%$ regular polyes­ter, and $100\%$ hygroscopic polyester. Four types of box style blouse were with stand collar and long sleeve, with stand collar and sleeveless, with long sleeve and collarless, and sleeveless and collarless. Five healthy female were chosen as subjects. Experiments were carried out in the environ­mental chamber controlled at $28{\pm}1^{\circ}C$ , $70{\pm}5\%$ RH. and still-air condition for SO min. The skin temperature (9 spots), oral temperature, humidity inside chest, and subjective sensations were measured. Obtained results are: I) Material which is capable of absorbing sweat effectively and transfering moisture rapidly made a comfortable feeling, because cloth­ing humidity is increasing slowly at this material. 2) During exercise period, covered arms have more influenced on thermal comfort than a covered neck.

• 대한방사선기술학회지:방사선기술과학
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• 제24권2호
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• pp.65-70
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• 2001

The purpose of this study is to prevent nosocomial infection in patients through contact of radiographic cassettes. Data were collected from radiographers working in 29 university hospitals in Seoul in February and March 2001. Radiographic cassettes were disinfected daily in 5 hospitals, weekly in 4 hospitals, monthly in 5 hospitals, bimonthly in 1 hospital and once every three months in another hospital. 12 other hospitals do not practice regular disinfections of radiographic cassettes. Gauze soaked in disinfectant solution is used in 7 hospitals while 11 hospitals used cotton and cloth soaked in disinfectant solution to clean the radiographic cassettes. 26 hospitals used 99% alcohol based disinfectant solutions while 3 hospitals used 75% alcohol based disinfectant. 26 hospitals use of intercourse cassettes outpatients and in patients. In 26 hospitals, all patients shared the same set of radiographic cassettes used in the hospitals, or in 26 hospitals, separate sets of radiographic cassettes are used for outpatients and inpatients. Separate sets of cassettes are used for ICU and inpatients in 6 others hospitals. 23 hospitals used the same sets of radiographic cassettes for all their patients. radiographic cassettes are cleaned in wash area in the study room of the radiographic department in 17 hospitals. 12 other hospitals do not have designated cleaning areas for the cassettes. All radiographers practiced hands washing with soap. All 29 hospitals surveyed have infection control committee. However, only 9 out of the 29 hospitals surveyed provided Infection disinfections control education to radiographers. Only 3 hospitals have radiographers sitting in the infection control committee. Infection management education is conducted in 63 hospitals annually, twice a year in 1 hospital and once every 3 months in 2 hospitals.

• Journal of Korean Neurosurgical Society
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• 제60권4호
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• pp.397-403
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• 2017

Objective : Cranioplasty using a cryopreserved skull flap is a wide spread practice. The most well-known complications of cranioplasty are postoperative surgical infections and bone flap resorption. In order to find biological evidence of cryopreserved cranioplasty, we investigated microorganism contamination of cryopreserved skulls and cultured osteoblasts from cryopreserved skulls. Methods : Cryopreserved skull flaps of expired patients stored in a bone bank were used. Cryopreserved skulls were packaged in a plastic bag and wrapped with cotton cloth twice. After being crushed by a hammer, cancellous bone between the inner and outer table was obtained. The cancellous bone chips were thawed in a water bath of $30^{\circ}C$ rapidly. After this, osteoblast culture and general microorganism culture were executed. Osteoblast cultures were done for 3 weeks. Microorganism cultures were done for 72 hours. Results : A total of 47 cryopreserved skull flaps obtained from craniectomy was enrolled. Of the sample, 11 people were women, and the average age of patients was 55.8 years. Twenty four people had traumatic brain injuries, and 23 people had vascular diseases. Among the patients with traumatic brain injuries, two had fracture compound comminuted depressed. The duration of cryopreservation was, on average, 83.2 months (9 to 161 months). No cultured osteoblast was observed. No microorganisms were cultured. Conclusion : In this study, neither microorganisms nor osteoblasts were cultured. The biological validity of cryopreserved skulls cranioplasty was considered low. However, the usage of cryopreserved skulls for cranioplasty is worthy of further investigation in the aspect of cost-effectiveness and risk-benefit of post-cranioplasty infection.

• 한국의상디자인학회지
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• 제21권1호
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• pp.87-101
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• 2019

The sleeve is closely connected with activity in terms of costume. As a kind of overcoat, Dap-ho of the Joseon Dynasty is short-sleeved or sleeveless. Dap-ho, with simple sleeves is convenient for layering and taking off and since it is easily adjustable using a gusset, a slit, or coat string, and this can be applied to layered look-related designs. This study aims to suggest a design item, which sustains the existence of traditional costumes and facilitates diverse layered looks and co-ordination, using the formative elements of Dap-ho. For this study, theoretical backgrounds and relics of Dap-ho of the Joseon Dynasty were analyzed, based on the previous studies, ancient literature, "The Annals of the Joseon Dynasty", and relics preserved in museums. The analysis targeted nine relics that show the birth and death years and the constructive changes in shapes, colors, materials of Dap-ho. Formative elements of Dap-ho were applied to the designing and the manufacturing of clothes for middle-aged women in their fifties and the research conclusions are as follows. First, from a morphological perspective, the silhouette, gusset, slit, and the indirectly attached coat string of Dap-ho are good to be used as various design items for covering the body shapes of middle-aged women, and the short-sleeved or sleeveless type is convenient to be layered. Second, when it comes to the material, it is possible to emphasize a traditional image and practicality at the same time by mixing and matching the Hanbok cloth and cotton. Third, in relation to the colors, the coexistence-based color arrangement method considering the theory of Yin and Yang can be applied to modern clothes and this makes it possible to express a traditional image in a harmonious way.

• 한국의상디자인학회지
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• 제23권4호
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• pp.105-116
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• 2021

Pillows are tools that humans have used for a long time to sleep or lie down and rest. It is bedding, and the oldest literature dealing with it is Volume 29 of 'GoryeoDogyeong', which describes embroidered pillows. The oldest relic is the queen's pillow (National Treasure No. 164) excavated from the tomb of King Muryeong, and is in the Gongju National Museum. This study attempts to investigate and reproduce the materials used in traditional pillows Yukgol pillows and pine nut pillows designs are based on literature and artifacts from the Joseon period to modern times. Regarding the research method, after reviewing literature and the relics of traditional pillows, the process of reproducing the traditional Yukgol pillow and the pine nut pillow production method were explained step by step. This study found the plain attitudes in the lives of people who used materials that could be easily gained from their daily lives in rural communities oriented to rice farming never recklessly threw out any piece of cloth or cotton and use it for pillow stuffing or pillow ends. Also, the sophisticated sense of aesthetics that you can see from the pine nut pillows, whose ends were made of remnants from making clothing are exquisitely similar to what was shown in patchwork previously. The biggest meaning of restoring traditional pillows was looking into traditional culture, particularly the ordinary people's living culture. It was very difficult because the researcher had to find materials that were difficult to obtain in this age, the making process was complex, and it took much time; however, it is significant in that the restoration of traditional pillows allows for the succession of tradition.

• 한국의상디자인학회지
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• 제25권4호
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• pp.107-122
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• 2023

This study analyzed the style, dimensions, fabric patterns, colors, and fabrics of a traditional Chinese women's dress from the Zhou Dynasty, and reconstructed it in the form of a virtual garment using 3D CLO. Based on ancient flat image data and three-dimensional portrait data, who wore them, how they were worn, and how they were coordinated was analyzed. In order to analyze the size and pattern of the straight Ju Chines dress, data from the excavation report and the tomb owner's anthropometric measurements were combined to infer the wearing condition and organize the sculptural features. Dimensional analysis was carried out using a well-preserved small-scale woven cotton cloth as a restoration model, and the horizontal and vertical dimensions were reasonably estimated using the shape proportioning method. The analysis of the colors and patterns of the fabrics was based on the colors and patterns of the fabrics excavated from Masan Tomb No. 1 during the Eastern Zhou, Qin, and Han periods. Finally, a virtual model was created using data from the excavation report and the age and height information of the owner of the excavated robe, and the pose and size of the virtual model were determined using 3D CLO. Based on the previous research data, the garment was virtually sewn and simulated. The shape, pressure, and strain of the garment in different postures was also compared. Through the research direction of pattern and 3D restoration, this research maximizes the restoration of Chinese traditional women's dress and presents it in a more intuitive, comprehensive, and vivid way.

• 패션비즈니스
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• 제2권3호
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• pp.137-156
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• 1998

In this study, the researcher studied the historical background, and the traditional culture about dress and ornament of Yunnan Province of China, The results of the study are as follows. 1. Dress and personal ornaments of the Va peoples vary with the locality. Their traditional dress and adornment is characterized by those in the Ximeng area. Men usually wear black or dark blue collarless jackets and black and dark blue loose and short bagged trousers with folding waist. Women usually wear close-fitting sleeveless pullover blouses with V-shaped necks and straight skirts with patterns of red and black cross stripes. 2. Jingpo men have changed to wear shirts with button down the front and trousers. They also entwine white turbans with red bobbles on both ends, and carry diagonally long knives, firelocks and red woolen figured satchels on their shoulders. Women usually wear black velvet blouses with silver bowl-shaped ornaments and chains around collars and on the fronts. They also wear red straight skirts with overlapped slit on the right, waistbands and waist hoops made of rattan and bamboo. 3. The Naxi nationality has a long history and excellent traditional culture. In modern times, women like to wear red, blue or purple laced blouses, long double-layered pleated skirts, waistbands and embroidered shoes. They wear their hair in buns with either hats or kerchiefs over them. While working or going out, they put on their "seven-star" capes made of sheepskin and embroidered with two big circles and seven small ones, while is a symbol of their frog totem. 4. The dress and adorment of the Jinuo people is simple, elegant and has its own unique characteristics. Men usually wear white buttonless shirts with round necks and an opening on the front, knee-length bagged trousers and legging. They wear cloth turbans, earrings and also put small bamboo or silver pipes in the holes of their earlobes. Women wear short buttonless blouses with round necks and seven coloured stripes and thin tight-fitting or embroidered triangular underwear. 5. The dress and ardorment of the Benglong (De' ang) nationality has its own strong national colour. Most of the men wear jackets with buttons arranged diagonally on the front, loose, short trousers and black or white turbans. Some young men like to wear eardrops and silver necklaces. Women's dress and adornment differs according to various branches. For example, the women of the Bielie and Liang branches have their hair shaved and wear black turbans. They use large square silver tablets as buttons and wear blue or black blouses with buttons down the front. 6. Oai men usually wear trousers, white or blue cloth turbans and round-necked shirts with buttons down the front or arranged diagonally on the front. Women usually wear long straight skirt and blouses. But dress and adornment varies in regions. 7. The Bai nationality dress and adornment has unique national style. The dress fabrics are mainly cotton cloth, silk and velvet. Men usually wear red velvet vests over white shirts with buttons down the front or black velvet vests over light blue shirts. They also wear white of blue turbans and carry satchels with beautiful embroidered designs over their shoulders. Women usually wear red velvet vests over white blouses, or black vests over light-coloured blouses.

• 한국전통조경학회지
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• 제37권4호
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• pp.51-59
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• 2019

본 연구는 이동식 정자의 설계시공방법을 살펴보고자 문헌분석을 통해 조영 배경과 입지와 향의 설정, 규모와 구성, 재료, 시공방법 등을 분석함으로써 다음과 같은 결과를 도출하였다. 첫째, 이동식 정자는 곳곳에 펼쳐진 경승을 두루 유람하기 위해 고안된 정자로 산수를 즐기는 경험을 바탕으로 자신의 집을 소유하고 정자를 경영하는 것보다 이상적인 삶을 추구하는 방식이 반영된 창작물이었다. 둘째, 이동식 정자의 조영은 계절별, 시기별 경관을 때와 장소의 제한 없이 감상하고자 하는 의도로 조성되었으며. 풍류를 즐기기 위한 도구를 매번 옮겨야 하는 번거로움을 해소하고자 고안되었다. 셋째, 이동식 정자는 경관을 조망하기 용이한 곳을 향하여 입지와 향이 결정되며, 대부분 소규모로 조성되어 그 안에서 경관을 감상하거나, 바둑, 작시, 탄금 등을 위한 공간을 구분하였다. 또한 목재를 주로 사용하고, 하중을 저감시키기 위해 대나무나 짚, 유둔, 면포 등 가벼운 소재로 지붕과 벽면을 구성하였다. 시공방식은 결합과 해체가 용이하도록 하는 결구기법이 주로 사용되었으며, 선박이나 수레 상부에 정자를 조성할 경우에는 일반 정자의 목구조식 시공이 이루어졌다. 넷째, 일반 정자와 이동식 정자의 설계시공 특성을 비교해보면 이동식 정자는 조영목적상 경관의 관람이 용이하여 입지와 향의 설정에 제한이 없으나, 기동력을 고려하고, 구조적으로 하중을 견디기 위한 방안이 마련되어야 하며, 정자로서의 기능과 형태를 만족시켜야 하기 때문에 보다 엄격한 제도와 기법이 요구되었다.

• 한국음향학회지
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• 제36권4호
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• pp.254-260
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• 2017

본 연구는 만석 객석의자 등의 흡음특성 시 활용될 수 있는 표준더미 개발을 위한 기초연구로서 착의량에 따른 인체의 흡음특성을 잔향실법 측정방법을 이용하여 평가하였다. 측정방법은 기존 연구(Conti et al., 2004)에 따라 잔향실 중앙에 1인의 피험자가 서 있는 조건에서, 다양한 소재의 의복착용에 따른 주파수 대역별 흡음면적을 측정하였다. 측정 결과, 겉옷을 제외한 상하의를 착용하였을 때 전주파수대역 평균 흡음면적은 피험자에 따라 $0.25m^2-0.48m^2$의 분포를 보였고, 외투 착용에 따라 $0.38m^2-0.98m^2$의 분포를 보였다. 섬유소재에 따라 폴리에스터 류의 겉옷은 800 Hz - 1 kHz 대역에서 피크 특성을 보였고, 모나 면 소재의 겉옷은 고주파수 대역으로 갈수록 흡음면적이 높아지는 특성을 보였다. 착의량에 따른 흡음면적의 변화는 착용한 의복의 열저항(clo)과 체표면적당 무게로 구분하여 비교하였다.

• 한국식품과학회지
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• 제2권2호
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• pp.17-25
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• 1970

70종(種)의 각종 식물(植物)잎을 대상으로 하여 종류(種類)에 따른 LPC의 수율(收率), 원료(原料)잎의 총질소량(總窒素量), 1 차(次) 추출액(抽出液)의 pH 와 LPC의 수율(收率)과의 관계(關係), LPC의 아미노산(酸) 조성(組成) 등을 조사(調査)하여 다음과 같은 결과(結果)를 얻었다. 1. 시금치, 열무는 LPC의 순수율(純收率)이 $10{\sim}13%$(총수율(總收率) $16{\sim}23%$), 한삼덩굴, 오이, 참외, 박, 명아주, 콩, 양호박, 감자, 개미취, 호박, 치마아욱, 갓, 망초, 양배추 등은 순수율(純收率)이 $3.6{\sim}8.5%$ (총수율(總收率) $6{\sim}14%$)로서 비교적(比較的) 좋은 LPC의 자원식물(資源植物)이 될 수 있다. 2 LPC의 수율(收率)은 원료(原料)잎의 총질소량(總窒素量)이 많을 수록 커지나 그 변이(變異)는 크고, 종류(種類)에 따라서는 질소함유량(窒素含有量)이 많은데도 단순(單純)한 기계적(機械的)인 추출(抽出)로서는 단백질(蛋白質)의 추출(抽出)이 잘 이루어지지 않는 것이 적지 않다. 3. 1차(次) 추출액(抽出液)의 pH가 5.50 이하(以下)의 종류(種類)는 대체적(大體的)으로 LPC의 수율(收率)이 낮고, pH 가 높은 종류(種類)일 수록 LPC의 수율(收率)도 커지는 경향(頃向)이 있다. 4. LPC의 단백질(蛋白質) 함량(含量)은 종류(種類)에 따라서 차이(差異)가 많으나 대부분(大部分)의 것이 50% 이하(以下)의 단백질(蛋白質) 함량(含量)을 갖는다. 왜무, 갓, 케일, 명아주, 팥, 참외, 양호박, 까마중, 박 등의 LPC는 $71{\sim}76%$의 좋은 단백질(蛋白質) 함량(含量)을 갖는다. 5. LPC의 종류별(種類別) 아미노산(酸) 조성(組成)의 차이(差異)는 없고, 콩의 LPC에서 phenylalanin이, 참외에서 serine이 다소 많은 것을 제외(除外)하고는 대체적(大體的)으로 비슷한 아미노산(酸)의 함량(含量)을 보이며, 다른 식품(食品)의 아미노산(酸) 조성(組成) 및 조성비(組成比)와 비교(比較)하여 LPC는 매우 훌륭한 단백질원(蛋白質源)이 될 수 있다.