• 제목/요약/키워드: confident beauty

검색결과 11건 처리시간 0.023초

21세기의 이상적 여성미와 패션디자인의 조형적 특성 (21st century Female's Ideal Beauty & Formative Characteristics of Fashion Design)

  • 이관이
    • 한국의류산업학회지
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    • 제14권3호
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    • pp.371-380
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    • 2012
  • Based on results using factor analysis, Women's definition of "Ideal beauty" can be materialize into four key factors, "Confident beauty", "Graceful beauty", "Lively beauty", and "Genuine beauty". Factor analysis was conducted to materialize Women's definition of "Ideal beauty"and the above four factors were representative of 56.31% of total variance. "Ideal beauty" defined by age category was also found significant difference, indicating existence of different "Ideal beauty "definition for age groups. Itemized age category's "Ideal beauty" definitions are as follows, 18-22 years, bright and lively, 23-27 years, cute and confident, 28-32 years, sensible and confident 33-37 years, hard-working, 38-42 years, ability and composure, 43-47 years, casual and graceful, 48-52 years, refined and noble, 53 years and above, healthy and proper as "Ideal beauty" definitions. The defined "ideal beauty" was steadily shifted with age group. Women 38 years and younger were defined external attributes to "Ideal beauty", as women 38 years and older were defined inner attributes to "Ideal beauty". Women's definition of "Ideal beauty" can materialize into four key factors, "Confident beauty", "Graceful beauty", "Lively beauty", and "Genuine beauty".

어휘분석을 통한 이상적인 여성미 연구 (A Study on Female's Ideal Beauty Based on Word Analysis)

  • 이관이;이경희
    • 한국의류산업학회지
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    • 제4권4호
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    • pp.358-368
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    • 2002
  • The purpose of this study was to examine and fully understand the transformation of female's ideal beauty based on word analysis. In order to research the understanding of female's ideal beauty, a random research was done on 438 women, ranging from the ages 10's through 60's. From the resulting poll, a frequency analysis was performed to further analyse the meaning of ideal beauty to each sector of the age group. To the teenage's beauty awareness was defined by the word "individuality", the 20's was "confident", the 30's was "elegant", the 40's was "earnestness", the 50's was "comfortable" and the 60's was "healthy". The research proved that the younger the age group, the more exterior beauty was considered, as opposed to the older generation who found inner beauty to be of most importance.

뷰티케어분야에 있어서 디지털 혁명 기술 관련 교육에 대한 교수자의 수용 의도 분석 (Analyzing instructors' intention to accept digital revolution technology-related education in beauty care)

  • 윤미연
    • 한국응용과학기술학회지
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    • 제40권3호
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    • pp.412-424
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    • 2023
  • 본 연구는 뷰티 분야에서의 디지털 기술 진보에 따른 변화의 해결방안으로 뷰티 교수자들의 신기술 수용의도를 분석하여 뷰티산업을 이끌어 갈 예비 뷰티전문가를 교육하는데 있어서 전문적인 디지털 관련 기술 교과목을 적용하여 디지털 뷰티 전문가 배출의 가능성을 알아보고자 하였다. 교수자의 혁신의지, 주관적 규범, 자기효능감 등의 독립변수가 유용성 및 용이성 등 매개변수가 어떤 경로로 기술수용의도에 영향을 미치는 지를 분석하여 뷰티분야에서 신기술 관련 교육의 활성화 방안을 제시하는데 목적을 두고 있다. 뷰티전공 교수자의 디지털 신기술 수용의도를 분석한 결과 신기술에 대한 혁신 의지와 주관적 규범, 자기효능감은 매개변수인 용이성과 유용성에 정의 영향을 미치는 것으로 나타났다. 이러한 결과는 뷰티 분야에서 신기술 적용이 필요하며, 이를 위한 교과목 개선이 필요하다고는 강하게 인식하고 있으나, 교수자 스스로의 신기술 응용에 대한 두려움을 크게 느끼게 되므로 현실적으로 신규 교과목 적용이 어려워지고 있는 것으로 해석할 수 있다. 따라서 뷰티분야 교수자들이 쉽게 이해할 수 있는 디지털 기술 교육 관련 교재개발이 우선시 되어야 하며, 관련 교육 프로그램 개발 및 활용이 확대되어야 할 것으로 사료된다. 또한 디지털 신기술 및 IT관련 학과와의 긴밀한 협업을 통해 뷰티전공자들을 대상으로 한 교육에 대한 이해와 교육 프로그램 개발을 위한 상호연구가 지속적으로 이루어진다면 뷰티분야 맞춤형 디지털 신기술 교육프로그램 개발 많은 도움이 될 것이라 확신한다.

소자본 창업과 성과에 대한 탐색적 연구 -미용 산업을 중심(中心)으로- (A Search for the Initiation and the Performances of the Small Capital Ventures: The Beauty Salon Business)

  • 박일순;민성기
    • 벤처창업연구
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    • 제4권3호
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    • pp.23-38
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    • 2009
  • 본 논문은 미용업에 종사하는 소상공인들을 대상으로 소자본 창업자들의 성격과 성공에 관한 요인들을 탐색적으로 살펴보았다. 그들 대부분은 여성들이고, 대졸학력을 가진 사람들이다. 그리고 그들은 전체적으로 적극적인 개인특성을 가진 사람들이다. 설문결과는 소상공 서비스업의 경우에 입지선정이 가장 중요한 과제라는 사실을 나타내고 있다. 그리고 매일매일 수입과 지출에 대한 관리는 가장 중시되는 항목 중의 하나임에 분명하다. 설문 중에서 가장 낮은 점수를 나타낸 4항목은 모두 자금조달과 관련된 질문들이다. 정부지원 자금에 대한 응답이 가장 낮고, 자금규모와 자기자본 부분이 다음으로 낮은 점수로 나타났다. 경영성과와 연관된 회귀분석에서는 지속적인 마케팅 활동을 제외하고는 유의한 항목들이 나타나지 않았다.

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헤어 염색시 톤에 대한 이미지 선호도에 관한 연구 (A Study on Preferences of Hair Color Tone Images)

  • 하경연
    • 한국패션뷰티학회지
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    • 제3권1호
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    • pp.61-71
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    • 2005
  • Everything of the world we live in has its own unique color. Those colors move us, enrich our every day life, and make us happy. When we have our hairs dyed by a color we like, we may look different, feeling confident and activated. We select a color fur our hair color design depending on such symbolic aspects as our life styles, self-images or personalities. Namely, we tend to choose a color the image of which we like. Such a tendency implies that it should be important to study hair colors in multi-faceted ways. The purpose of this study was to survey people's preferences of hair color tone images depending on their demographic and physical variables and thereby, determine the correlations between their preferences and variables. For this purpose, hair colors tones were classified into 11 categories and thereby, subjects' preferences of hair tones were analyzed in terms of the image adjective combinations. The results of this study can be summarized as follows; As a result of analyzing subjects' preferences of hair color tones depending on their such demographic variables as gender, age group and marital status, it was found that males tended to prefer dark tones more than females, and that those in their 30's or older tended to select dark tones more than those in their 20's. On the other hand, the married preferred medium bright tones more than the singles. Furthermore, such physical variables as body size, weight and apparel size were found correlated with hair color tone preferences. To be specific, shorter people desired more to have their hair colors match with their natural ones not to be less exposed to others. Lastly, as a result of analyzing the correlation between hair color tone preferences and weight and apparel size, it was found that fat people tended more to prefer medium bright color tones than normal or slim people.

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1970년대 한국여성의 사회적 이미지와 메이크업 특성 연구 (A Study on the Social Image and Make-up Characteristics of Korean Women in 1970s)

  • 김영희;박혜원
    • 패션비즈니스
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    • 제12권4호
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    • pp.99-113
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    • 2008
  • The purpose of this study is to compare the social image and the external image of a Korean woman in 1970s and find out that the make-up can provide an important clue to examine the image of a woman in a given period. The research scope covered 10 top news of the daily newspapers and articles of women's magazines. A focus was made to an analysis on words and photos from them. The relationship of each image scale was examined by comparing the linguistic image scale and the visual image scale. The results were as follows : First, a frugal and tidy image. It was the look of our tidy, simple, traditional and classic woman. Second, an image of a cute and pure lady of refined manners. In 1970s, women were supposed to be 'a loving wife', a cultured female image with a faithful role of a 'wise mother' and a lady of refined manners as the best value. Third, a frivolous and decadent image. Double-faced image of a woman which included the women, who had to live as the lady of refined manners during the daytime and seductive woman during the night. Fourth, an image of a contemporary working woman. It was the image as a chic, confident and dignified working woman requested by the society of the times. Namely, it can be understood that women had a make-up of a soft and gorgeous tone as an expression of a will to keep a confident and female aspect in the course of working in the society by the women experiencing 1970s, the turbulent period. Consequently, it is possible to understand that the make-up was utilized as a means to express an ideal beauty of the time pursuant to the historical background or feature.

개인(個人) 색채(色彩) 진단(診斷)에 따른 모발(毛髮)과 메이크업 색상(色相)의 변화(變化) - 가을 타입의 모델을 중심(中心)으로 - (The Study about Personal Color System with Hair color and Make-up - Centering around the Autumn type -)

  • 나해윤;조고미;이수희
    • 패션비즈니스
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    • 제9권2호
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    • pp.20-27
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    • 2005
  • To find suitable color for an individual is very important in personal image-making. In recent years, the importance and role of personal image is also more emphasized. This study deals with the necessity d personal color system and the proposal of color which looks nice on a person as a result d personal color system. It also includes the method of making personal image by balancing between and using both favorite color and unfavorite color. Besides, I study how does the color image affect the personal appearance image in this paper. From clinical experiments, I concluded as follow. First, Each person has his suitable color. When the color is used, the color, pimples, flows and so on are covered and defects of his face are made up for. Second, By changing the factors of his own original color-group and decision factors - color d skin, hair, eye, etc -, I can change personal color-group. Third, The image of color affects the personal appearance image, when it used in make-up and hair-color. Considering above results, If one uses one's suitable color, one will complement defects done's face and improve merits of one's. Besides, One will be more confident and active by using one's suitable color.

신체 이미지에 대한 실태조사 (A Research of Body Image)

  • 이미현
    • 복식문화연구
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    • 제16권3호
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    • pp.588-594
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    • 2008
  • Lookism is spread largely because many people think beautiful people are treated better and receive more favors. This trend has been influenced by mass media and impacted by commercial marketing strategy. The expectation for the beauty have risen higher than ever. People expect beautiful body and beautiful face which are more difficult to meet the standard of beauty. People desire tall and skinny body. The purpuse of this study was to find out body image from college females in the age which they are very sensitive to appearance. This research focused to find out how they perceived their own body shape and their perception of the most ideal body shape. Measuring tool for the research was 9 pictures of body silhouette from very skinny to very fat. To analyse the respondents' objective body image, Body Mass Index were employed. The result of this research indicated that there were distinct differences between their subjective body images and ideal body images. This result indicated that they were not satisfied with their own body shape and hence they were not confident towards their body images. Even though their objective bodies were normal or under weight, they still felt they were over weight. This meant their body images were misrepresented. They preferred thinner bodies even though their bodies were perfectly normal and healthy. But these misrepresented body images could be unhealthy physically, psychologically, or socially. These results showed that college females were overly obsessive with superficial appearance rather than improving ones capability to be more competitive in the society. From this research, I tried to find out perception of body image and it's distortion which was debated a lot in our society. I also want to provide basic reference material for establishing the body image study.

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미용성형외과에 대한 대학신입생들의 인지도 조사 (The Cognition Study of the Freshman in College About Aesthetic Plastic Surgery)

  • 안기영;장재훈;박대환;신임희
    • Archives of Plastic Surgery
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    • 제32권2호
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    • pp.161-167
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    • 2005
  • Recently, as standard of living has been improving and awareness of well-being has been generalized, people's desire pursuing beauty has been spreading across the world. We made a survey with 184 graduating high school girls in December 2003. According to the survey. 57.6% of them knew about plastic surgery, 41.8% of them knew well about whole field of plastic surgery, and 60.3% of them wanted to have an aesthetic surgery. 44.6% got an information about an aesthetic surgery from general public and 27.6% from TV, respectively. Regarding the use of aesthetic surgery, 59.8% answered that it makes them more confident about themselves rather than just to be beautiful. 78.8% of them have complaints about how they look. Finally, as the personal desire to make themselves look beautiful to others increases, so does the interest in aesthetic plastic surgery. In conclusion, as the society of plastic and reconstructive surgeons, we still need more effort for the correct cognition and awareness of plastic surgery among general public.

현대패션에 나타난 양성적 복식에 관한 연구-시대별 대표적 디자이너와 그 특성을 중심으로- (A Study about Bisexuality in Current Fashion-Basis on a Representative Designers and their Characteristics in the each period-)

  • 채금석
    • 복식
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    • 제44권
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    • pp.37-56
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    • 1999
  • In clothing, a tendency of Bisexuality is in case of wearing clothing of the opposite sex, the mixing of modeling principle and characteristic of man and woman, the exclusion characteristic of sexuality that present sexlessness-the third sex. They-Designer Gabrielle Chanel, YSL, Giorgio Armani-give characteristic of man's fashion to women's fashion. However, the consciousness in design is different. Chanel apply principle of man's suit to woman's wear to express authority and power about gender image, hereby she express women liberation and equality of man and woman based on social ideology through fashion especially, she express women's sexual independency and self assurance to her clothing. YSL express liberal and bold women that pursuit reasonal and liberal life in 1970. As he apply tailoed suit's rigidity to women's wear, he made 'pants look' universal in women's wear through“Dress for success”in modern life. Armani apply successful modern image to women's wear, so he express women's image of confident intellegent as well as feminine image. He focus women's new image as man living liberal and indivisual life excluding social category rather than will of equality of man and women. Gernreich break sexual prejudice and release women freely, furthermore, as he express concern of sexuality pursuit liberty of mankind surpassing sex distinction with women liberty. Gianni Versace pursuit mix and extinguishment of sexual image many-sided, and break fixed idea of sex, and reprovide feminine and masculine image. So his design tend homosexuality because he regard women's glamor and ostensible sexuality as standard of beauty, he apply this to man's wear as well as women's wear. With this, he expresses sensitive and liberal man's that break characteristic of Gender that symbolize power and authority in man's wear through 'Without ties'.

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