• 한국실내디자인학회논문집
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• 제20권4호
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• pp.83-91
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• 2011

The purpose of this study is to set a relationship between intentional system and spatial orientation, and with space model in the human world to orient yourself is to present the basic spatial concepts. This is composed of parts of intentional system and spatial orientation on the research. Through the study of intentional system which is based on the orientation with Daniel Dennett's, it suggests the space-model that composed with aspects of intentionality and spatial elements. With space-model and judgement of spatial types, it makes relationship confirm between them. Through this process, following the results of this study were derived. First, intentional stance of space is the key for building knowledge and memories about space, and for identifying external environment images which are experienced in the senses of human. Second, changing the meaning from space to place makes horizons of space broader and creates a new sense of space with put the intentional orientation into the space. Third, this study can make confirm what the aspect of the space-schema-elements for orientation in space, serves as the presentation elements. This study leaps an old-view of the architectural customs about spatial orientation, and creates an opportunity to refine the newer concept of space. This concept of space is a basic essential for 'site-selection' and 'spot-catching' as an intentional system for spatial orientation and to establish a relationship with human beings in the world of his own orientation to the concept of space.

• 제어로봇시스템학회논문지
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• 제8권11호
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• pp.970-975
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• 2002

We suggests an effective method to construct time-varying C-obstacles in the 3-dimensional configuration space (C-space) using free arc. The concept of free arc was defined mathematically and the procedure to find free arc in the case off-dimensional C-space was derived in [1]. We showed that time-varying C-obstacles can be constructed efficiently using this concept, and presented simulation results for two SCARA robot manipulators to verify the efficacy of the proposed approach. In this paper, extensions of this approach to the 3-dimensional C-space is introduced since nearly all industrial manipulators are reasonably treated ill the too or three dimensional C-space f3r collision avoidance problem The free arc concept is summarized briefly and the method to find lice arc in the 3-dimensional f-space is explained. To show that this approach enables us to solve a practical collision avoidance problem simulation results f3r two PUMA robot manipulators are presented.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.255-259
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• 2007

Contemporary society is a digital and information-oriented society and a change by digital and information-oriented has made a new society principle and creature. The principle and creature has made society changed having influence on office space. The 21st century business space attachs great importance to the public space as the value of work place, namely, the place of gathering and client meeting which is society space and a thing which grants it with the biggest investment worth is a new order. This kind of society change has been making an appearance in contemporary office space as features of Narrative, Nodal, Neighbourly, Nomadic. These kinds of trends which are not exclusive mutually are stipulated as new trials to business space holding a lot of overriding features in common. These kinds of features brought into relief according to society change can be seen as key words speaking for contemporary office space and have a significance to contemplate and study for the office space of a new concept made an appearance together with society change. It is expected to contribute to revitalization programs with the far-reaching effect of understanding about ideal office work circumstances and work shape which the 21st century wants standing on the features of these new concepts.

• 건축역사연구
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• 제6권3호
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• pp.155-166
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• 1997

This study aimes to understand the principles in Theo Van Doesburg's architectural concept. Generally, Theo Van Doesburg has been thought that he betrayed De Stijl by acting contrary to the Neo-Plasticism which was constituted in early De Stijl by Mondrian and himself and by suggesting opposite one, Elementarism. Therefore this study tried to understand the principles that make his architectural concept, confirming the background of Elementarism. After studing relation, which Theo Van Doesburg has used, between space and color, it is concluded that he has unchanged principles of architectural concept from early De Stijl to last, opposite to general appreciation. So, Theo Van Doesburg acted to maintain equilibrium that exists for balancing the two elemental forces which contrast each other in relation between space and color. The equilibrium which he looked for aims to constitute harmonized dynamic space by dynamic rythem of equilibrium instead of Neo-Plastic effect. And using color, which used to be producing dynamic effect, he intended to maintain static effect for making dynamic rythem of equllibrium by the principles he made.

• 한국실내디자인학회논문집
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• 제7호
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• pp.21-30
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• 1996

When one speaks of space in architecture, one immediately thinks of an entity that is an enclosed space. For most people , space is therefore equated with interior space. And in most discussions of architectural space the character of the outside and that of the inside have been strictly differentiated. But architectural space must be construed as a total , integral space. In this way , architectural space can articulate naturality. For example, by reasserting the eloquence of architecture and by graphically characterizing the different parts of the building. Ungers has moved far away from the traditional ideas of a modern movement that preached the homogeneity of all parts. so promoting uniformity and an expressionless monotony. From this perspective comes the purpose of this study which is to present :1. the character and meaning of the boundary that differentiates the outside from the inside of the architecture. 2. the types of the organization of the interior-space and the differences between those types. 3. the new concept of the interior -space through the analysis of the concept "Haus im Haus" that over-comes the polarity of the outside and the inside of ar-chitecture. This result comes from the idea that harmony is a-chieved not by resolving this polarity into one or the other extreme, but by allowing coexistence of both as-pects.

• 한국학교수학회논문집
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• 제3권2호
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• pp.59-67
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• 2000

Two groups of students, who are the students in the natural science course of high school in Korea, learned the equation of figure in space (point, line, plane) to understand more effectively with two different textbooks. One group was taught with the textbook used now in most high schools and the other group was taught with the textbooks systematized by associating old concept with new concept. The results are as follows : 1) We need understand the basic concept of vector plainly and flexibly to apply it to the solution of problems. 2) It helps students understand new concepts how we should establish the concept about point, line and plane in space by applying the concept about those on XY plane, 3) It is very effective in understanding the new knowledge system more easily to analyze the existent concepts and to arrange them systematically for efficient understanding of new concepts. 4) The texts which consist of contents organized by basic concepts improve students' learning ability.

• 한국실내디자인학회논문집
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• 제26권6호
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• pp.155-162
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• 2017

Recently, space branding has been used as a branding method for many companies because space communication is a way of utilizing space in a wide range of ways. However, generally speaking, communication only focuses on goods and information about brands and does not focus on consumer's stories. The purpose of this study is to present the communication of " Back to Harakenya " in concept of Harakeya as a solution to this problem and confirm its effectiveness through examples. We selected on the range of " cosmetics brand ", " food and beverage brand ", " brand brand " and " fashion brand " which can used as a direct experience as a marketing method, which is a good condition for communication. Based on that, Harakenya selected cases as spaces with the concept of "Back to Harakenya". Previously, Harakenya's concept of "Back to Harakenya" and his designs appears three features. First, it transforms into various being secondly, it generates active imagination and it contains at least as many things as possible. This resulted in the effect that people remember the image with a clear image. Based on this study, We investigated to draw a result of effects through how the design expression is made in the spaces of Space Branding and how the "Back to Harakenya" communication is taking place in the space. Through these studies, the design and communication method of Harakenya's "Back to Harakenya" concept helps us to remember the brand clearly and furthermore, we confirmed that the brand value can be improved.

• 디자인학연구
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• 제12권4호
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• pp.243-250
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• 1999

실내공간의 구성원리는 비가식적 측면의 '내용'과 가시적 측면의 '형태'간의 결합방식에 의해 결정되며 그에 따라 다양한 의미가 내재하게 된다. 특히 실내디자인에 있어서의 내용은 형식을 통하여 총체적으로 표현하고자 하는 비가시적인 개념이며, 이는 디자이너가 공간의 사용자에게 전하고자 하는 이미지가 중심이 된다. 본 연구에서는 이미지 표현에 있어서의 구조적, 유형적, 전달의 특성을 규명하기 위해, 관련 문헌 조사를 통하여 이지미에 관한 내용을 파악한 후 국내외에 발표된 상업공간을 대상으로 공간 분석을 시도하였다. 분석결과 실내공간에서의 이미지는 디자이너의 초기공간 개념으로써 의미의 심층부를 형성하며 다양한 형태소의 변환규칙에 의해 의미가 전달됨을 확인할 수 있었다. 결론적으로 실내공간의 이미지는 공간의 형식적인 요소에 의해 자연히 발생되는 부가적 개념이 아니라 공간계획의 초기 단계부터 다루어져야 하는 계획개념으로 인식되어야 한다는 결론을 얻을 수 있다.

• 한국실내디자인학회논문집
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• 제13권2호
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• pp.29-37
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• 2004

This study analyze the architectural space in the aspect of the 'Raumplan' and 'Plan Libre'. These concepts based on the 'Raumplan versus Plan Libre' exhibition in Delft University, Netherlands. It is generally agreed that the concept of 'Plan Libre' in connection with Le Corbusie architecture and 'Raumplan' related to Adolf Loos's works. that exhibition contents was focused an extent of modem architecture. But, These concepts continually influence contemporary architecture and offer diverse vision in architecture. Therefore, this study focused on the analysis that look for common element in the space through the case study and space element connection in change of the values, technical growth. This Paper reveals that Adolf Loos's Raumplan is similar to Louis I. Kahn's 'Room' concept and Ando Tadao's centrifugal space composition method In the dwelling architecture. And the concept 'Plan Libre': non-definitive formal system and the elements : column, free form screening wall is revived as formal application of 3 dimension composition in architecture. and transfer lots, void, and linear space in Rem Koolhaas's urban design projects. These aspects is so called topology. This topological concept is an attempt in view of the space connection state rather than formative viewpoint.

• KIEAE Journal
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• 제5권2호
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• pp.43-49
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• 2005

The purpose of this study is to analyze the form and space of superstructure and to present the characteristics of design innovation and space planning in cruise ships. The exterior design styling and interior space design are induced on the important design concept in cruise ships. The scale and structural daring of the past mega ship and next generation concept is being injected into the current cruise ship design.