• 한국세라믹학회지
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• 제37권8호
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• pp.731-738
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• 2000

KLN(K3Li2Nb5O15) has attracted a great deal of attention for their potential usefulness in piezoelectric, electro-optic, nonlinear optic, and pyroelectirc devices. Especially, the KLN single crystal has been studied in the field of optics and electronics. However it is hard to produce good quality single crystals due to the crack propagation during crystal growing. One of the solutions of this problem is prepartion of thin film. But the intensive study has not been conducted so far. In this study, after the KLN thin film were prepared by R.F. magnetron Sputtering method on SiO2/Si substrate, the post-annealing methods of RTA(rapid thermal annealin) and IPA(insitu post annealing) were employed. The deposition condition of KLN thin film was RF power(100 W), Working pressure(100 mtorr). The commonness of both RAT and IPA was that the higher were deposition and post annealing temperature, the higher was the intensity of XRD but the less surface roughness. The difference of post-annealing methods affected XRD phase and surface condition very much. And in IPA process, the influence of O2 had much effect on the formation of KLN phase.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.67-75
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• 2012

This Study is concerned with the Design Characteristics of Korean, Chinese and Japanese brick church architecture. The main subject of the study is to investigate the commonness and difference between Korean, Chinese and Japanese brick church architecture in the early stage(1880-1920). In carrying this study into execution, I examined the architectural and historical backgrounds based on the preceding research works, and analysed the plan, the spacial composition, design elements, techniques and materials, etc. The result of this study is as follows ; The basic concept of composition of space is same in order to embody the Basilican space, but the inner elevation and detail of brick structure is different. Chinese churches are more close to Western basilican style church in the point of shape and plan, but in the point of inner elevation and decoration of church, Japanese churches are more close to Western style church. Korean churches are in the middle of its. There are different attitudes of naturalization of western church architecture in Korea, China and Japan.

• 한국의류학회지
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• 제31권9_10
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• pp.1418-1430
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• 2007

To strength global competitivenss and raise reputation in times of globalization, the practical use and development of traditional culture which must be discriminated against other countries wedging their ways. The purpose of this study is, 1. Make the mutual relationship between globalization of Korean traditional clothing(Hanbok) and the strean of the international fashion clear. 2. Deduce a common primary fact through commonness of international great products and a success of globalization in Asian nations 3. Suggest a scheme for globalization of Korean traditional clothing from the flank of a design and a policy on the basis of analysis. The consequence of this study is, 1. In the situation that modern international fashion focused Re-Orienting Fashion, Korean traditional clothing-Hanbok is considered as the most priceless value of application for an effective design sauce to differentiate.2. The common point between International leading fashion brands and success of globalization of each Asian nation is to pursuit an effective marketing strategy through a proper harmony with a differentiated 'uniqueness' which is motivated from their tradition, a sense of modern trend reading, and a 'generality' which fits in their lige styles. In consequence, we must develop typical design factors to be connected directly with Korean traditional image from the flank of design, For this, the typical design factors need to be applied with grafting tradition and modern ideas, simplicity, convenience, fleshly senses, and youth.

• 한국의상디자인학회지
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• 제8권3호
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• pp.59-71
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• 2006

This study contemplates Croatian traditional costumes with focus on its geographical characteristics and acculturation with neighbor countries as a member of old Yugoslavian Union. Therefore, it contains the information from field works based on Croatian language, native costumes and folk materials wildly. Men usually wear wide linen pants ($ga\'{c}$), shirt ($ko\v{s}ulje,\;rnbina)$, vest (lajbek), hat and jacket ($kro\v{z}et$). Also they sometimes wear scarves or aprons. Women put on blouse, long skirt, apron, headgear with various decoration and scarf ($pe\v{c}a$), shawl (tibetui robe) or necklace together. Croatian folk dresses fall into three different styles by provinces, such as Pannonia, Dinar and Adria, according to the basic environmental and racial characteristics of each province. People of Pannonia plain generally wear white linen clothing and often use flounce and lace, which are influenced by Serbia and Hungary. In the Dinar mountain province, aprons with tassel, knitted vests made of leather and fur are very popular. The clothing of Dinar province has much commonness with those of Bosnia - Herzegovina and Montenegro which have metal buttons and belts. And the clothing of Adria coast is influenced by Italy a lot. There are many splendid silk clothes in its folk dress code. As mentioned above, there are a lot of foreign influences in Croatian history. Although there were severe cultural invasions in many times through its history, Croatians didn't just surrender to these cultural influences. People in Croatia comply with these new coming culture and reconcile these into their own tradition and dress code in their own way.

• 한국실내디자인학회논문집
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• 제18권5호
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• pp.59-70
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• 2009

Since the emergence of a philosophical theory called deconstructivism, intertextuality has been promote the hybrid phenomenon amongst other jenres in arts. Various research efforts in intertextuality, however, have been more focused on the fields of literature and philosophy, rather than of architecture. This study aims to clarify the intertextuality between architectural design, music and literature as the following analysis of James Joyce's Finnegan's Wake, John Cage's music and Bernard Tschumi's early works. Joyce's Garden of Bernard Tschumi's project and some of John Cage's music works had borrowed from Finnegan's Wake, a novel James Joyce. Hence, the commonality between Bernard Tschumi and John Cage can naturally be related through Finnegan's Wake. Also, Finnegan's Wake had been contextualized by Jacques Derrida before it was used as a mediation by Bernard Tschumi. In this viewpoint, the paper will be able to identify the possibility of intertextuality between musical text and architectural one with a medium of literature. Major findings of the study are as follows: First, Finnegan's Wake played a guiding role to deconstruct the existing formalism and to construct a new concept in John Cage's music and Bernard Tschumi's architecture. Second, John Cage's music and Bernard Tschumi's works are included commonness with indeterminacy concepts. Third, the both artists share a drawing concept as found in John Cage's graphic notation of the 1950s and Bernard Tschumi's early architecture where grids, dots, and curves are used in common. As s result, intertextuality could be possible to make sure between others. Like this interdisciplinary research of relationships among different fields will be of great help in constructing creative design methods in architecture. With continuous research attempts, it is hopeful to intertextualize architectural texts with related art fields.

• 한국학교수학회논문집
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• 제3권1호
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• pp.177-188
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• 2000

Mathematics is extreme the differences of the scholarly attainments in comparison with other subjects at a middle school. Specially, the students at islands and places leave much to be desired the scholarly attainments standards of mathematics. Therefore, every school takes movement class according to level these days. And the small schools put in effect the cooperation of group work through the small groups. These classes are effective at the scholarly attainments extension to some degree, but each student is extreme the differences of scholarly attainments. On this, the small school was the subject of study at the present research and put in effect the cooperation of group work through the small groups. The students were divided in three groups; the top class, average, the low class, And they were offered the fitting textbooks matching the cooperation of group work and the opportunities of discovery learning fitting an individual ability and standard. Consequently, some educational materials were made, for example, question papers, commonness learning materials, choice learning materials. These materials were put in effect to the students to be able to succeed discovery learning. With this, the students were investigated an interest of mathematics and the influence giving at the studies attainment. And the students were put in effect the cooperation of group work through the small groups to improve uniformity and sturdiness of the mathematical education. The conclusion at the present research is as follows. 1) When the students put in effect the cooperation of group work through the small groups, the scholarly attainments of mathematics totally didn't display useful changes as improvement. However, the students of average and the low class gradually seemed to improve the scholarly attainments of mathematics as the help of the top class positively. 2) An individual and cooperation learning in the method of the cooperation of group work through the small groups displayed many changes at the learning attitude of the students by means of discovery learning thanks to the learning heads. 3) When the investigator put in effect the cooperation of group work through rather the small groups than the large groups, the numbers of the students experiencing interest about mathematics increased in 26% and this learning method should continue to progress.

• 디자인학연구
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• 제18권1호
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• pp.157-166
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• 2005

본 논문은 장신구에 내재하고 있는 상징적 의미에 대한 연구이다. 상징적 의미란 상징의 여러 속성들 중 의미와의 연관관계를 말하는 것이다. 장신구를 사용하는 것은 인류 문명사의 초기에서부터 나타나는 본능적 행위이다. 인간은 자신을 치장하기 위한 장식적인 목적이나 바라는 바를 이루기 위한 주술적인 이유에서 권력이나 힘을 과시하기 위한 수단으로 또는 사랑이나 그리움 등의 감정을 전달하기 위해서 등 다양한 목적으로 장신구를 사용하였다. 본 논문에서는 여러 종류의 장신구들 중 상징적 성격이 가장 강하게 나타나는 반지를 중심으로 장신구의 상징적 의미를 역사적 배경 속에서 살펴보았다. 고대 중세에는 상징성이 강하게 나타나며 근대와 현대에 이르러 약해지는 경향을 보인다. 또, 고대 중세에는 공통성, 보편성을 가진 의미가 많은 반면, 근대 이후 현대에는 개인적이고 사적인 의미가 증가하였다. 시대별로 장신구의 의미들은 시대상황과 연관관계를 맺으며 조금씩 변화하였지만, 장신구는 어떠한 시대상황에서도 우리의 마음속에 의미와 상징을 불러일으키며 인간의 내면의 사상과 감정을 표현하는 역할을 한다.

• 한국실내디자인학회논문집
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• 제23권5호
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• pp.104-111
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• 2014

This study puts its purpose on presenting an integral system of representative urban landscapes, public design and colors, in practicing urban design in the context of local identity. An integral design of public design that successfully plans and executes local identity, and changes recognition of integral management of urban design, is suggested as followings. Firstly, when the catchment area is divided in metropolitan area, it should be reset according to the natural environment condition regardless of administrative area system like city and county. It is the method to classify the metropolitan area by researching and analyzing geographical condition, weather condition, soil and vegetation in detail and subclassify it by the visual commonness of natural environment. Secondly, it is necessary to access the urban landscape, public design and urban color from the overall aspect emphasizing the plan for each field and local identity. They should be practiced by the role and category of each field on the basis of consistent design strategy and instruction but the cooperation system is required as a process to reinforce and specify the mutual limit. Thirdly, the artificial structure is constructed through artificial adjustment depending on the urban formation process and the development time point. Therefore, it is necessary to pay attention to the rapid urban development, the change speed and the landscape formation of each age. It is necessary to classify the type of artificial landscape by age and form similarity and separate the area that should be generalized and controlled by entire metropolitan area form the area that should be specialized by basic local government.

• 만화애니메이션 연구
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• 통권34호
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• pp.45-79
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• 2014

본 연구는 애니메이션 액팅에서 가장 중요한 과장 연기의 요소를 구성하는 제스처를 고찰하는 작업을 통해 애니메이션의 액팅이 획일화하는 데서 벗어날 것을 제안하는데 목적이 있다. 이를 위하여 본 연구는 애니메이션 12원칙과 라반의 에포트 이론을 활용 한다. 무성 코미디 영화와 기준이 되는 2D와 3D 애니메이션의 제스처 표현을 각각 분석 하며 둘의 공통점과 차이점을 도출 한다. 다음으로 무성 코미디 영화의 액팅을 애니메이션에 어떻게 활용할 수 있는지 그 가능성을 모색해 보았다. 찰리 채플린과 버스터 키튼은 초기 애니메이션에서 액팅의 주요한 참고요소가 됐으나, 최근 애니메이션 기술이 발전함에 따라 중요하게 다루지 않고 있다. 그러나 3D 애니메이션이 주를 이루면서 점차 액팅, 역동성과 연기가 차지하는 역할이 더 중요시됨에 따라 찰리 채플린과 버스터 키튼의 제스처 연기에 대한 좀 더 깊이 있는 재조명이 이루어질 필요성이 대두되고 있다.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2007년도 춘계종합학술대회
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• pp.865-868
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• 2007

웹서비스는 운영환경에 독립적인 XML(Extensible Markup Language)을 사용하여 서로 다른 플랫폼간의 통합을 가능하게 하고 있다. 그러나 XML은 불필요한 텍스트 데이터를 많이 가지고 있기 때문에 무선 인터넷이나 이동통신모뎀과 같이 상대적으로 느린 통신 매체에 자주 접속하거나 자원이 한정적인 소형 기기에서 사용할 경우 전제적인 성능을 저하시키는 문제점이 있다. 이에 XML을 바이너리화 하여 문서의 크기를 줄이는 표준을 ITU-T(International Telecommunication Union - Telecommunication)와 ISO(International Organization for Standardization)/ IEC(International Electrotechnical Commission) 에서 공동으로 제안하게 되었으며, 현재 진행 중인 바이너리 XML 인코딩 표준으로는 Fast Infoset과 Fast Schema가 있다. 이에 본 논문에서는 웹서비스의 성능 향상을 위해 현재 표준화가 진행 중인 Fast Infoset 알고리즘과 Fast Schema 알고리즘을 도입하여 Fast XML 인코딩 시스템을 구현하였다.