• 조명전기설비학회논문지
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• 제25권10호
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• pp.1-13
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• 2011

The aim of this study is to analyze the emotion adjectives for light emitting diode(LED) light colors using a twofold adjective image scales from Kobayashi and I.R.I. A set of psychophysical experiments using category judgment was conducted in an LED light color simulation system, in order to evaluate each emotion scale coordinate for those test light colors in both adjective image scales. In total, 49 test light colors from a combination of 6 color series were assessed by 15 human observers. As a result, Kobayashi adjective image scale clearly expressed to emotion adjectives of 'Dynamic', 'Casual', 'Chic', 'Cool-casual', 'Modern', and 'Natural' for different hues. In contrast, I.R.I adjective image scale expressed only 2 adjectives of 'dynamic' and 'luxurious' for the all hues.

• 한국도서관정보학회지
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• 제38권1호
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• pp.89-106
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• 2007

이미 운용되고 있는 우리나라 국립대학 도서관 웹 페이지의 색채이미지를 분석하여, 웹 페이지를 디자인하는데 있어서 배색이미지와 형용사이미지에 관한 정보와 방향을 제시하기 위한 것이다. 분석방법은 색채감성척도를 사용하여 분석대상 사이트에 대한 RGB값을 찾아내어 Color Chip을 추출하였으며, 배색이미지와 형용사이미지로 구분하였다. 연구의 범위는 우리나라 국립대학도서관협의회에 가입되어 있는 41개 국립대학 도서관을 대상으로 하였으며, 그 결과 많은 대학이 흰색이나 회색의 배색 바탕에다, 연한 청색계열의 색조와 녹색계열의 배색이 주를 이루었고, 형용사 이미지는 경쾌한 이미지와 밝은 이미지가 많았으며, 다음으로는 은은한 이미지, 우아한 이미지 순으로 나타났다.

• 한국비블리아학회지
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• 제35권1호
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• pp.27-45
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• 2024

본 연구 목적은 학교급별 학교도서관에 사용된 색채를 분석하고 색채가 주는 형용사 이미지를 파악하는 것이다. 초등학교, 중학교, 고등학교의 15개 학교도서관 이미지를 KSCA프로그램을 이용하여 색채를 추출하여 색상, 명도, 채도를 분석하였다. 또한 추출된 색을 I.R.I 이미지 스케일을 이용하여 형용사를 파악하였다. 분석 결과, 색상은 초등학교와 고등학교에서는 YR (Yellow Red), N (Neutral), Y (Yellow) 계열 순으로 사용되었으나 중학교에서는 YR (Yellow Red), N (Neutral), R (Red) 계열 순으로 나타났다. 모든 학교도서관에 사용된 색채의 명도는 평균적으로 중명도가 사용되었으며, 채도는 낮은 채도로 이루어져 있었다. 색채의 형용사 이미지는 '점잖은'이라는 형용사가 학교도서관에서 가장 많이 도출되었다. 학교도서관은 학교급별로 공간구성 색채에 있어 특별한 차이를 보이지 않았으며, 비슷한 색채와 형용사 이미지를 가진 것으로 나타났다.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 1998년도 제6회 1998 봄 학술연구발표대회 개요 집 디자인 학 연구
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• pp.17-18
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• 1998

• 농촌계획
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• 제16권3호
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• pp.1-10
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• 2010

The purpose of this study is to find out the color preference on rural rooftop color. Today, public profit value of a rural community has been heavily recognized in the areas of preservation of pro-environmental and traditional life styles and foundation of collective community. Comparatively with urban, rural town conserves the scenic of those days when the historic landscape existed. Therefore, elements of historic and tradition in rural town are interesting resources to people who want traditional experience. Color is one of the most influenced elements for the image of Landscape. On the other hand, radical modernization has brought conflicting color element that does not blend with existing environmental color. Among others, roof represents one of the important traits of rapidly developing rural community due to vast amount of space it covers. In order to come up with more appropriate coloring scheme, it is necessary determine color that forms a balance with present conditions of rural life and historic landscape. This study provides more objective rooftop coloring selection process by employing additional surveys regarding color image adjective. I justified necessity of the balance between environmental color and roof color through analyzing correlation between environmental color of the rural town and Color Image Scale of the preliminary selection of roofs.

• 한국농촌건축학회논문집
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• 제25권4호
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• pp.1-8
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• 2023

This study is meaningful in figuring out how much the Korean people's awareness of hanok has increased even though interest in hanok has also increased due to the Korean Wave craze. Therefore, with respect to the exterior of hanok, which is visually recognized first, the level of experts and ordinary people is grasped through a semantic discrimination scale, and the degree of visual recognition is to be investigated centering on the color image of hanok buildings. This is the process of thinking about how the Korean image should be reflected in the design, and we want to suggest the direction that modern hanok should go. The study compared and analyzed the difference in visual color based on the elevation of the hanok using a 7-point and 5-point scale method for the general public and experts, and utilized the IRI adjective vocabulary scale and the color matching image scale to construct new hanoks with insufficient differences in appearance and shape. It can be applied to design and image preservation and construction of existing hanok.

• 감성과학
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• 제10권3호
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• pp.289-297
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• 2007

칼라 이미지 스케일은 칼라 전문가들의 지식에 의해 획득되고, 형용사와 대응되는 칼라(들)을 선택하기 위해 동일한 형용사 이미지 스케일들에서 형용사들과 칼라를 표현한다. 이들은 이미지 스케일을 얻기 위한 실험과 통계분석의 어려움 때문에 일반적으로, 단지 제한된 수의 칼라들만이 이미지 스케일에 위치한다. 이는 칼라를 선택하는 과정을 비전문가에게 어렵게 만든다. 본 논문에서는 이미지 스케일에 따라 연속적인 칼라를 제공하는 퍼지 K-근접 이웃 보간 방법에 기초를 둔 칼라 이미지 스케일의 보간 방법을 제안한다. 실험의 결과들은 보간된 이미지 스케일은 칼라 선택 과정에 있어 실용적으로 유용하게 사용될 수 있을 것이라 본다.

• 한국실내디자인학회논문집
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• 제20권1호
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• pp.208-219
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• 2011

This study is intended to formulate the issues through the status analysis and image evaluation for each street on the basis of colors for the outdoor advertisements for part of street side in the oldest downtown for its construction year. Analysing the business type of the street side, it displays the identity of the fashion business area and the color status shown on the outdoor advertisement did not consider the harmony on the other business type and building improvements that it displays chaotic street views in overall. Status of color for the outdoor advertisement compared and analyzed for each street-side to be analyzed with high color contrast with the building structure and outdoor advertisements than the Street B side where there are many businesses of fashion sundries and fashion clothes to form more complicated street scenery visually for the Street A side. The color combination principle of building structure and outdoor advertisement was shown to be the factor for the contrasting unity and diversity. In order not to stimulate this visual confusion, the colors of outdoor advertisement has to be applied on the basis of the color guideline based on the color combination principle of outdoor advertisement and building structure to have the aesthetic harmony overall. As a result of analysis using the KJ method, the present image of the old downtown area was shown with the adjective vocabularies of "complicated", "out-dated", "chaotic", "disorganized", "dirty", "suffocating", and "unilateral", and its image to strive for would be in a total of 6 adjective vocabularies of "well-arranged", "young", "dynamic", "sophisticated", "personable" and "neat", and it has presented the basic foundation of color guideline of outdoor advertisement fit for its image.

• 패션비즈니스
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• 제15권5호
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• pp.144-160
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• 2011

This study investigated the colors of the costumes and backgrounds of characters in the films "Thirst" and "Mother" from an integrated perspective. As a study method, ten scenes per film, which contained the characters and backgrounds from the start to the end of the DVDs of "Thirst" and "Mother" were examined. For integrated color analysis of the costumes and backgrounds, the colors of the captured scenes were simplified to extract representative colors, and then color palettes were presented according to the ratio of area. The colors of costumes were analyzed by recognition through the eyes based on the I.R.I. Hue and Tone 120. Furthermore, the color images of the two films were analyzed using the I.R.I. adjective image scales and the I.R.I. color image scales. The colors of the film "Thirst" were generally low in brightness and high in chroma. They are characterized by dark, gloomy toned-down background in the first half, highly chromatic vivid background in the second half, and the contrast of purple blue colors and red colors. The colors of the film "Mother" are characterized by complementary colors between background and costume colors, and various tones of blue and green colors. From the aspect of color tones, they were relatively high in brightness compared to the film "Thirst" but low in chroma. On the I.R.I. adjective image scale, contrasting adjectives were extracted simultaneously from the film "Thirst" as the adjectives were evenly distributed at hard, dynamic and static, whereas the adjectives extracted from the film "Mother" were distributed at hard and statistic. On the I.R.I. color image scale, both films were located at hard, but the film "Thirst" was located at dynamic whereas the film "Mother" was located at static.

• 한국의류산업학회지
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• 제20권3호
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• pp.257-265
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• 2018

This study investigated the colors of the costumes in the film 'The Handmaiden'. The author categorized and examined the hue and tone of the main character's costume as well as provided an adjective image surveyed from the standpoint of the audience in order find if the intended story of the director is delivered to the audience through costume colors. Study method analyzed 25 set costume colors of the heroine 'Hideko'. The color analysis were analyzed by capturing DVD images that showed the costume of 'Hideko'. The colors of costumes were analyzed by recognition through the eyes based on the IRI, Hue, and Tone 120. In addition, the analysis of the IRI adjectives image were conducted through the survey. Costume hue of the heroine 'Hideko' in the film 'The Handmaiden' were black, yellow, white, green, and purple. There were many colorful costumes in the movie. Tones were very pale, deep, bright, vivid, strong, and pale. Chroma were evenly distributed and brightness were distributed in the order high, middle, and low. They were interpreted as the intention of showing the situation and psychology of 'Hideko' in various scenes of the film through various costume colors. Color images of the film 'The Handmaiden' were classified as feminine, mature, classy, delicate, classic, noble, polished, refined, showy, western, mellow, pure, and decorative.