• 패션비즈니스
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• 제22권1호
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• pp.114-123
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• 2018

The purpose of this study is to investigate the visual elements for effectively conveying the make-up method of the Korean history. We will do basic research on language visualization through visual poetry by using a make-up method as a visual expression element. Our research methods consisted of a related literature research, an internet search, and case study methods. The make-up methods of Korean classical make-up through visual poetry consisted of a through literature review. First, make-up methods, cosmetics, jewelry, and hair styles are shown in the classic make-up style of each age. Second, classical make-up visual poetry shows the identity, gender, and character depictions. Third, there were many visual metaphors about the hair types, figures, and hair among the classical make-up methods of each age. I think that this topic is worth researching as an appropriate medium to increase attractiveness. This research is with visual expression elements of the Korea make-up method. This study analyzed the Korean traditional make-up method that expresses and reinterprets visual metaphors. The results of this study can be applied for basic research.

• 패션비즈니스
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• 제5권1호
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• pp.97-116
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• 2001

Character fashion was already turned up in Egyptian age and nowadays was worn to everybody as regardless of ages, level and sex of people. This paper reviewed character fashion and animation character based on USA and Japan that is outstanding more coming up today and compared and analyzed with our country's situation. Usually, character fashion would give imagnation of products and companies themselves for aesthetic sense and can show possessive feeling and personality. And that mean fashion used by character like pictures and signals(that include words figures and special signals) and these fashion using by animation character was come out in 1929. In spite of third producer, Korea, back from USA and Japan about character fashion, we faced many problems. In order to solve these problems, we must make our own pure character that do not need to pay royalty and must spread marketing strategy with character fashion of more various designs. Therefore we should concentrate for raising high quality works and avoid uneconomic investment and plagiarism and finally we must expand recognition concerning character fashion.

• 복식
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• 제55권6호
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• pp.141-158
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• 2005

This study was motivated not only by the important role of the special make-up effects in films, but also by the prominent contributions created by make-up artists. The first objective was to study of Jack Pierce, Dick Smith, Tom Savini, Rick flake., and Stan Winston's impact in the most challenging and creative field of all make-up artistry. The second objective was to examine both affinities and differences in artistic styles as well as in make-up techniques through a comparative study of special make-up effects of horror and sci-fi movies in the 20th century films produced by Hollywood studios. The sci-fi films were designed to thrill the audience through the potential of futuristic ideas by fantastic special effects of futuristic creatures such as an extra-terrestrial, a mutant, a robot and a cyborg. In contrast, the horror films were designed to frighten the audience with more reliance on horrifying special effects including a vampire, a werewolf, a zombie and a psycho killer. Their features were shown in a common thread (masquerade, otherness and surrealism) as well as a number of different themes between horror and sci-fi films (transformation vs. extension, satanism vs. monstrosity, and primitivism vs. futurism).

• 복식
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• 제54권7호
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• pp.63-78
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• 2004

The purpose of this study examines the characteristics of the Techno-Cyber fashion in modern fashion, and especially, how the make-up in the Techno-Cyber fashion is expressed artistically, and finally how much the make-up has its aesthetic value and significance. This study has its meaning in studying the relationship between the Techno-Cyber fashion and the make-up. Further more, the study has its significance in that it is possible to consider the interaction of the make-up by the fashion trend. The way of the study is to analyze its features that are shown in the documents of the inside and outside of the country. the study precedent, the technical journal, and the fashion picture. And also the study refers to the related contents in the searching for internet. The aesthetic characteristics of the expressed make-up is shown with the various aesthetic styles, as follows : First, the future-oriented characteristics is shown as the expression of the metallic make-up that emphasizes the glitter and glossy texture, and of the transparent make-up that emphasizes the simplicity of the body. Second, the surrealistic characteristics is expressed to the collage make-up that expresses the unexpected character with the introduction of the special materials and the position changing and the graphic make-up that destroys the standardized form. Third, the anti-cultural characteristics is expressed to the Cyber-Punk make-up that expresses the destructive and challenging image. Finally, the compromise characteristics is shown in the Ethno make-up combined the concept of the ethnic with the high technology and the Androgynous make-up which destroys the bounds of the sex.

• 한국주거학회:학술대회논문집
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• 한국주거학회 2003년도 정기총회 및 추계학술대회
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• pp.77-81
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• 2003

This paper is contents about vibration character that produce floor slab make up of concrete when played striking at each location. An experiment was achieved in apartment house just before occupancy which build newly to 100m$^2$ scale. Vibration level plays striking in whole 9 places and measured vibration character of x, y, z direction. As the result, vibration level of verticality direction showed high than horizontality direction.

• 만화애니메이션 연구
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• 통권41호
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• pp.153-168
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• 2015

영상을 통한 콘텐츠 유통 활성화는 안성지역 활성화 콘텐츠 산업에서 선순환 구조 구축의 필수조건이다. 2015년 국책 사업을 통해 안성지역 지자체에서 제작되고 있는 특수 영상 콘텐츠 제작의 애니메이션은 지역경제를 활성화시키기 위해 시에서 추진되고 있는 핵심 사업이다. 이 연구는 영상 콘텐츠 개발의 과정에서의 기획고찰과 디자인 작품 제작을 통해 시각적 제안을 하고자 한다. 캐릭터 개발 과정의 창의성 및 독창성을 비롯하여 심미적인 평가와 작품의 타당성, 비평성의 연구는 매우 중요하기에, 점차 활성화되고 있는 특수 영상(3D,4D)에서의 지방자치단체의 일반 기존 제작되어진 캐릭터와는 다른 방향의 캐릭터 개발 발전 방향을 위해서 실질적 개발의 비쥬얼이 제시되어져야 할 연구 과제일 것이다, 아울러 개발 진행 단계와 각 단계별로 평가 기준과 실질적 분석의 기획단계의 과정을 통해 제안된 작품이 주요 결과로서 제시되었다. 각 캐릭터 시안의 대한 기획과정의 연구들이 본론에서 제시되고, 결론부분에서 작품 완성 디자인이 중요하게 다루어 졌으며, 개발 사례에 대한 기획방향과 제시된 특수영상의 캐릭터의 특징들을 자세히 제시하였다. 실질 개발 과정에서의 선택과 평가가 객관적이고 결과 지향적이어야 하기에 특수영상의 실질적 캐릭터 작품을 기획과 결과 과정을 제시하며 발표하는 논문은 중요한 요청을 가지며, 제시된 디자인 결과물로서 실질적 가치 개발 창출에 의미를 가짐으로서 가시적 성과에 기여할 것으로 기대한다.

• 복식
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• 제51권7호
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• pp.63-73
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• 2001

The purpose of this study was to be of use for more successful prediction of possible Prevailing aesthetic characteristics in the future, by reviewing how decadent features have actually been unfolded in fashion and make-up since the end of 20th century, as we are now in the new 21st century. The decadent traits of modern fashion and make-up since the late'90s could be listed as follows : first, the fashion has intentionally been designed to look disgusting, where realistic and imaginary images coexist, by using a half-man, half-machine image or vividly describing detestable animal skin, There have also been disgusting features in the make-up, which are so extremely weird that we can created by adding vinyl or pieces of textiles like Patch of the 17th century. Second, the satanic character of the fashion seems to be meant to keep in harmony with evil image such as Dracula, witch, skeleton or warrior of the evil, in order to charge the unnatural, inhuman and fin-de-siecle Phenomenon and find out what It really means for the inner world of men. And the demonic expressions of the make-up chiefly use white or black color or blue color of low saturation or low lightness, and part of facial features is exaggerated or shortchanged. Third, the decadent characteristics are expressed in the fashion by attaching sensational ornament to the human bode or using sexual exposure. So they give unnatural, unsound and extremely erotic impressions. The decadent features in the make-up are generated by excessively using a gay red color or sensational, exciting colors. Fourth, the exoticism of the fashion is largely affected by China's Chipaoh, Japan's Kimono or primitive motives from Africa, as there are increasing interests in Asia. And that of the make-up leans toward the East, as Kabuki make-up from Japan, Kyongkeuk make-up from China or the primitive features from Africa are employed.

• 디지털융복합연구
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• 제14권12호
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• pp.165-172
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• 2016

디지털 게임의 등장이후 하드웨어 발전과 더불어 게임의 핵심 요소인 캐릭터는 인체비례론을 바탕으로 유저들이 선호하는 등신비율의 유형으로 변화하고 있다. 등신비율의 변화에 따른 게임에서 캐릭터의 독특한 이미지로 게이머들에게 인기가 많다. 현재까지 등신비율에 대한 연구는 아직 미흡하다고 사료된다. 본 연구는 게임캐릭터 개발에 있어 조형요소로서 인체비례가 가지는 중요성을 근간으로, 게임캐릭터들의 특성을 고찰하고, 게임캐릭터의 등신비율을 분류, 그 결과를 분석하는 연구방법을 통하여, 등신비율의 현황을 살펴보고, 앞으로 게임이미지에 미치는 영향에 대해 연구해보고자 한다. 분석한 다섯 가지 유형의 게임캐릭터는 독특한 이미지와 함께, 특성화된 등신비율일수록 유저들이 선호하며, 조형적으로 실제 인체보다 과장된 등신비율이 주를 이루는 것으로 분석되었다. 그래픽 배경화면에서 캐릭터가 상대적으로 작아 보이는 비례의 어려움을 조금 과장된 캐릭터를 활용하여 가시성을 높였다. 이 연구를 통해 게임캐릭터의 등신비율은 게임개발에 있어 게임이미지로서 매우 중요한 요소로 사료된다.

• 패션비즈니스
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• 제5권1호
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• pp.73-85
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• 2001

The purpose of this study is to understand what the Glam Style is, focus on the movie "Velvet Goldmine". The Glam Style is refered early 1970s Glam rockers' costume, typified by silver lurex, corksoled platform, men in make-up, personified, for example, by David Bowie, Marc Bolan, New York Dolls, Roxy Music and Iggy Pop. To approach the Glam Style comprehensively, I have divided the formative background of Glam Style into the improvement technology, the advent of the young generation and the diffusion of mass media, the rock music fever and influence on Pop art. Following is the result of analyzing of the character in the movie. First, Brian Slade has the flamboyant transsexual image by skin-tight space suit, glitter pants, lurex, satin and sequined stretch fabrics, vivid color, gauze make-up, feather boa. Second, Curt Wild expresses the outrageous sexual image by black leather jacket, emphasized black eyes make-up. Third, Mandy Slade appears the exaggerated and frivolous image by gold leopard patterned one piece, fur coat, ornamented with beads, tropical make-up, spangles and the costume jewelry. Forth, Auther Stuart has the complex image by black leather jacket, velvet jacket, skin-tight bold shirt, glitter pants, glitter make-up, silk scarf, cherry-red sunglasses. The characteristics meaning of Glam Style implied in this formative characteristic could be presented as the experimental expression of androgynous, the hordes of outrageous alien and kitsch parody.

• 디지털산업정보학회논문지
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• 제11권2호
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• pp.153-166
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• 2015

This paper proposes a trans-media branding for the trans-media-based cultural content marketing strategy. Trans-media brand analytical framework is proposed with previous studies. And mobile messenger Character 'Line Friends' is analyzed for the text. Trans-media branding is accessible through a multi-platform in the technological environment. Consumer culture, as well as participate include business models to generate revenue also as brand equity. While the character elements that make up the story from the perspective of cultural content storytelling act as an independent cultural goods. Character is segmented elements. Therefore, trans- media branding of the characters are more meaningful. 'Line Friends' trans-media branding can be summarized as follows: First, it takes advantage of the characteristics of the existing Information-Technology-based mobile. Second, it puts consistently found the content of the attributes of Mobile Messenger 'communication' and 'friendship'. And third, while the content of each platform is constantly linked with other platforms, the brand is positioned inside the window effect.