• Title/Summary/Keyword: carving

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A Study on the Structural Methods between Purlin and Beam at Wooden Architecture in Joseon Dynasty (조선시대 목조건축 도리와 보의 결구방법에 관한 연구)

  • Jung, Yun-Sang
    • Journal of architectural history
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    • v.16 no.6
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    • pp.87-100
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    • 2007
  • This study examines on the structural Methods between purlin and beam at Wooden Architecture in Joseon Dynasty($1372{\sim}1910$). Through the investigation, it is verified that the structural methods between purlin and beam is the technique utilizing tenon joint(통장부맞춤), Sungeoteok joint(숭어턱맞춤), dovetailed tenon joint(주먹장맞춤). And the methods of tenon joint is followed by the Sungeoteok joint, which is used in the buildings after middle Joseon dynasty. The method of tenon joint(통장부맞춤) is to connect the beam with the purlin by carving out the head of the beam as '一' shape. And the structural methods between Janghyeo(장혀, timber under purlin) and beam is halved joint(반턱맞춤) and tenon joint (통장부맞춤). The buildings in late Goryeo Dynasty and Joseon Dynasty adopted the method of tenon joint between purlin and beam. The method of Sungeoteok joint is to connect the beam with the purlins by carving out the head of the beams '凸' shape. And the structural methods between Janghyeo and beams is halved joint(반턱맞춤) and tenon joint(통장부맞춤), the method of tenon and step joint(통장부턱맞춤), dovetailed joint between beam and Janghyeo to increase the security of shear force.

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The Study of Space Organization and Characteristic on Chinese Traditional Courtyard in Pingyao Ancient City

  • Gao, Jie;Zhang, Junhua;Kinoshita, Takeshi
    • Proceedings of the Korean Institute of Landscape Architecture Conference
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    • 2007.10b
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    • pp.162-167
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    • 2007
  • The courtyard life style ever existed as the major traditional living form in wide north China areas. The research made case study and specific analysis on the space organization, constitution and order of the courtyard living, as well as the dwelling accessory manners and transfer space patterns both inside and outside of the courtyard. Pingyao ancient city as the research sample (object), its courtyard composition, classification and characteristic are studied profoundly to explore local traditional cultural traits. On upon the analysis, the research is concluded that the civil courtyard in the ancient Pingyao city bears the feature of in a continuous changing process, which represented as 'from confined to opening', 'from narrow to wide', 'from public to private'. Despite of the courtyard dwelling location and direction, all accessories architectural items on the main room roof were influenced by the geomantic omen culture. As of the inside wall body, entrance and side wall of the courtyard, the woodcraft, stone carving, brick carving on above not only could functioned in architecture artistic, but also express the traditional education spiritual feature.

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An Analysis of Deng Sanmu's Seal Cutting Emulation-Centering on Ancient Seal, Qin Seal and Han Seal

  • Li, Zhuying
    • International Journal of Advanced Culture Technology
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    • v.10 no.4
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    • pp.219-225
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    • 2022
  • In November 1983, Deng Sanmu's wife, Zhang Jianquan, donated a large number of Deng Sanmu's original seal carving stones and seal cutting scores to the Heilongjiang Provincial Museum in China. Therefore, the Heilongjiang Provincial Museum of China is the richest and most authoritative place to collect Deng Sanmu's original seal cutting stones and seal carving scores. According to the fieldwork, the original seal cutting stones and the seal cutting score donated by Deng Sanmu's wife, Zhang Jianquan, include Deng Sanmu's seal cutting inscriptions made between 1922 and 1963. In addition, Deng Sanmu's own life and career in the art are documented in detail in his markings, so the seal cutting inscriptions of Deng Sanmu in the collection of the Heilongjiang Provincial Museum of China are quite representative. We paper is a documentary review and study of the seal inscriptions of Deng Sanmu in the collection of the Heilongjiang Provincial Museum in China. For the accuracy and richness of this study, a total of 89 representative seals in the collection are used as primary sources to study Deng Sanmu's seal cutting emulation method. The specific content is centered on ancient seals, Qin seals, and Han seals, from which the lineage of Deng Sanmu's emulation methods of seal cutting is further clarified.

A Study of the system of Dae-Jang-Mock-Lock, a Buddhist Catalog of the Koryo Dynasty ("대장목록(大藏目錄)"의 체계(體系) - 고려대장경(高麗大藏經) 초조분(初雕分)을 중심(中心)으로 -)

  • Zung, Pil-Mo
    • Journal of the Korean BIBLIA Society for library and Information Science
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    • v.6 no.1
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    • pp.47-80
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    • 1984
  • The aim of this paper is to study the classification and arrangement system, the original texts, and the bibliographic deseription of Dae-Jang-Mock-Lock. The results of this study can be summarized as followings; 1. The first carving of Dae-Jang-Mock-Lock was assumed to be completed at latest by 1087 (King Sun-Jong 4, Koryo) when the first carving of Dae-Jang-Kyong, the complete collection of Buddhist Sutra, mas finished. Henee, Dae-Jang-Mock-Lack is safely said to be the oldest catalog in Korea. 2. The major function of Dae-Jang-Mock-Lock mas to facilitate the job of printing, managing, or arranging the Sutra tablets, rather than to serve as its references. 3. Dae-Jang-Mock-Lock mas classified in accordance with the classification sys tern of Gae-Woon-Suck-Kyo-Lock, a chinese Buddhist catalog. This system classified the complete collection of Buddhist Sutra into the three categories of "Mah$\={a}$y$\={a}$na Tripitaka", "Hinayan$\={a}$ Tripitaha", and "collected Biographies of Samgha", at the first gradation. And then the Mah$\={a}$yan$\={a}$ Tripitaka mas divided into the three categories of "Mah$\={a}$y$\={a}$na Sutra", "Mah$\={a}$y$\={a}$na Uparaksa", and "Mah$\={a}$y$\={a}$na Upadesa", at the second gradation. In the same manner the "Hinayan$\={a}$ Tripitaka was divided into "Hinayan$\={a}$ Sutra", "Hinayan$\={a}$ Uparaksa", and "Hinayan$\={a}$ Upadesa". The "Collected Biographies of Samgha" was divided into Brahman Samgha and Chinese Samgha. For this reason we Can name this main classification system as a Tripitaka Classification. 4. The first carving tablets of the Buddhist Sutra from Choen Shelf (天函) to Young Shelf (英函) were the same Sutra that were included in Gae-Woen-Suck-Kyo-Lock (開元釋敎錄), except those 4 omitted sutras of 22 volumes. But the other 7 sutras of 24 volumes were included as an extra addition in "Dae-Jang-Mock-Lock." 5. The 40 shelves and 376 volumes of Buddhist Sutra from the Doo Shelf (杜函) to the Kyong Shelf (輕函) in Dae-Jang-Mock-Lock were copied from the texts of Guran Edition (契丹本) 6. The 36 shelves of Buddhist Sutras from the Bun shelf (磻函) to the Mil shelf (密函) in Dae-Jang-Mock-Lock were the same as those included in Sock-Jung-Woen-Suck-Kyo-Lock (續貞元釋敎錄), except the 3 omitted sutras.

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A Study on the Parallel Line Pivoted Pad Thrust Bearing (평행선 지지식 추력베어링에 관한 연구)

  • 이경우;김종수;제양규
    • Tribology and Lubricants
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    • v.15 no.1
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    • pp.24-28
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    • 1999
  • This paper describes a new pivoting technique to improve bearing performance in pivoted pad thrust bearings. This new technique adjusts the pivot line in a line pivoted pad thrust bearing to be parallel to the trailing edge of a sector shaped pad. Bearing performance factors such as load carrying capacity, frictional torque and flow rate are numerically investigated for conventional point-pivoted and line-pivoted pads and for the new parallel-line pivoting technique. It is shown that the load carving capacity can be maximized with the new technique.

Species of Wooden Buddhist Statues of the Late Joseon Dynasty in Jeollado, South Korea (전라도지역 조선후기 목조불상의 수종)

  • Park, Won-Kyu;Oh, Jung-Ae;Kim, Yo-Jung;Kim, Sang-Kyu;Park, Suh-Young;Son, Byung-Hwa;Choi, Sun-Il
    • Journal of the Korea Furniture Society
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    • v.21 no.1
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    • pp.72-82
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    • 2010
  • The objective of this study is to identify the species of 17 wooden Buddhist statues of the late Joseon Dynasty (the 17th and 18th century) in Jeollado, southwestern region of Korea. The bodies of statues were made of Ginkgo (Gingko biloba L.: 88%) and alder (Alnus spp.: 12%). The hands of statues were alder(64%), willow (Salix spp.: 27%) and Ginkgo(9%). The bottoms of hollow bodies were covered all with Japanese red-pine (Pinus densiflora S. et Z., 'sonamu') panels. The main species of statue body, Ginkgo tree was known to be introduced to Korea from China with Buddhism. The results indicated that Ginkgo trees of Korea in the 17th century had already become large and rich enough to be used for most of statues. Ginkgo wood has low shrinkage and even texture, which are crucial for carving sculptures. Alder and willow woods used for statue hands have fine and firm textures. The pedestals for these statues were also made of red pine wood. Red pine woods have rather high shrinkage and low hardness, but it is versatile woods strong enough to support heavy statues.

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White radish and swine scapular cartilage models for auricular framework carving training

  • Hwang, Kun
    • Archives of Craniofacial Surgery
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    • v.21 no.4
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    • pp.225-228
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    • 2020
  • Background: The aim of this study is to develop a two-stage training module using radish and swine scapular cartilage for carving ear cartilage. Methods: In the first stage, white radish was cut in 3-6 mm thick slices. The ear cartilage framework was carved using a graver and the helix and antihelix were fixed with pins. In the second stage, swine scapular cartilage was obtained. The thickness varied 3-6 mm. The ear cartilage framework was made. And triangular fossa and scaphoid fossa were carved with graver. A curvilinear cartilage for helix was assembled to the framework by pin fixing. Six participants were recruited for an ear reconstruction training workshop and figures of the cartilage framework were provided. Participants were asked answer the pre-workshop questionnaire and post-workshop questionnaire on a Likert scale to rate their satisfaction with the outcome. Results: On the pre-workshop questionnaire, participants indicated that they did not have sufficient knowledge and skill for fabricating the ear cartilage framework (1.5±0.5 using white radish; 1.3±0.5 using swine scapular cartilage). On the post-workshop questionnaire, participants responded that they had learned useful knowledge from this workshop, reflecting a significant improvement (3.8±1.0 using white radish; 4.0±1.1 using swine scapular cartilage). They also indicated that they had become somewhat confident in this skill (4.2±0.8 using white radish; 4.3±0.5 using swine scapular cartilage. The participants generally found the workshop satisfactory (practically helpful, 4.7±0.5; knowledge improved, 4.8±0.4; satisfied with course, 4.5±0.5; would recommend to others, 4.8±0.4). Conclusion: This model can be useful for ear reconstruction training for medical personnel.

Calculating the Carrying Capacity and Management Planning of the Gwangneung Area (관광지의 적정 수용력 산정과 관리 방안 연구 - 광릉지역을 사례로 -)

  • Kim Sunhee
    • Journal of the Korean Geographical Society
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    • v.40 no.3 s.108
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    • pp.321-334
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    • 2005
  • This study aims to calculate reasonable carving capacity of the Gwangneung area and to review its tourism policies from the perspective of the tourist's demands. According to the analysis results, The socio-psychological carrying capacity by targeted intervals of time is generally underestimated and less than desired. Parking lots followed by stores and then roads are the biggest issues weighing down the area's carving capacity Also, another finding shows that the physical carrying capacity, analyzed based on area use, is estimated for 600 tourists and 130 cars. This study recommends following that Gwangneung establish various tour programs linking its cultural and historical sites to forest and ecological resources. Further to this, Gwangneung might be better off exerting efforts to developing environmental education programs and training more cultural and ecological guides. The findings necessitate that should be made off limits to cars, and instead servicing the area with shuttle buses. Management offices can also be classrooms used for cultural, historical and ecological education and exhibitions. Other findings suggest an expansion of convenience facilities such as more potable water stations, benches, resting areas and a continued monitoring of tourism activities in the area.

Carving deleted voice data in mobile (삭제된 휴대폰 음성 데이터 복원 방법론)

  • Kim, Sang-Dae;Byun, Keun-Duck;Lee, Sang-Jin
    • Journal of the Korea Institute of Information Security & Cryptology
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    • v.22 no.1
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    • pp.57-65
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    • 2012
  • People leave voicemails or record phone conversations in their daily cell phone use. Sometimes important voice data is deleted by the user accidently, or purposely to cover up criminal activity. In these cases, deleted voice data must be able to be recovered for forensics, since the voice data can be used as evidence in a criminal case. Because cell phones store data that is easily fragmented in flash memory, voice data recovery is very difficult. However, if there are identifiable patterns for the deleted voice data, we can recover a significant amount of it by researching images of it. There are several types of voice data, such as QCP, AMR, MP4, etc.. This study researches the data recovery solutions for EVRC codec and AMR codec in QCP file, Qualcumm's voice data format in cell phone.