• Journal of Broadcast Engineering
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• v.24 no.2
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• pp.329-340
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• 2019

Recently, broadcasting technologies have evolved as high-quality AV services such as domestic terrestrial UHD(Ultra-High Definition) broadcasting have been increasing, and broadcasting standards have been newly defined. Also, as network technology develops, contents are consumed not only in the country but also the world. Accordingly, content insertion technology, which is a method of providing suitable contents in accordance with the national and local environments, will be needed. This paper proposes a content insertion service system model and synchronization scheme using ATSC(Advanced Television Systems Committee) 3.0 Event Signaling standard under heterogeneous network environment of broadcasting network and internet network based on transmission standard DASH(Dynamic Adaptive Streaming over HTTP)/ROUTE(Real time Object delivery Over Unidirectional Transport) and MMT(MPEG Media Transport) of terrestrial UHD broadcasting. It also verifies that the service operates in an environment that meets the broadcast standard.

• Journal of Broadcast Engineering
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• v.6 no.1
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• pp.3-12
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• 2001

Over the last few years, digital audio watermarking has become an interesting issue In many application areas, including digital broadcasting. This is primarily motivated by a need to provide copyright protection of digital audio content. Digital watermarking is a technique to embed copyright or other information int? the underlying data. Several possible audio watermarking techniques have been developed including spread spectrum watermarking, echo watermarking, phase coding, and patchwork. In this paper, we describe some requirements of digital audio watermarking as a tool for copyright protection of broadcasting content, and compare popular audio watermarking algorithms in some significant aspects.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2011.07a
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• pp.308-309
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• 2011

최근 소셜 미디어(Social Media)라는 말은 컴퓨터 관련 연구분야에 종사하는 사람들 뿐만 아니라 일반 사람들도 모르는 사람이 없을만큼 중요하고, 많이 쓰이는 말이다. 본 연구에서는 인터넷과 통신기기의 발달로 이러한 소셜 미디어들이 사용자들이 감당할 수 없을 만큼 생성되지만 이러한 소셜 미디어를 어떻게 사용하고 효율적으로 묶어서 표현해야 하는지에 관한 연구이다. 소셜미디어의 종류에는 블로그, 소셜 네트워킹 서비스(SNS), 위키, UCC, 마이크로 블로그 등으로 나누어진다. 본 연구에서는 Social Media를 기반으로 Tangible Blog를 위한 콘텐츠를 저작하는 시스템에 관한 연구를 진행한다. 여기서 소셜미디어는 일반적으로 사용되는 사진, 동영상, 효과음, 텍스트에 3D Contents를 추가는 것을 목표로 한다. 3D Contents는 현재 게임분야에 많이 사용되고 있는 Kinect를 이용하여 생성하고 이러한 소셜 미디어들을 Web 환경에서 Authoring 하는 방법에 관한 연구를 소개한다. 최종적으로는 현재 많이 사용되고 있는 Blog의 형태에서 발전한 Tangible Blog를 만드는 것이 목표이다. 여기서 Tangible Blog는 기존의 텍스트, 음악, 동영상 등의 소스를 이용한 사용자의 일상생활 및 의견 표현을 넘어선 3D Contents의 활용, 스토리텔링 기법 활용 및 Sensory Effect를 활용한 실감 있는 블로그를 만드는 것을 목표로 한다.

• Journal of Broadcast Engineering
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• v.20 no.5
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• pp.782-785
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• 2015

In this paper, we propose a novel residual differential pulse-code modulation (RDPCM) coding technique to improve coding efficiency of screen content videos. The proposed method uses a weighted combination of adjacent residues to provide an accurate estimate in RDPCM. The weights are trained in previously coded samples by using an L1 optimization problem with the least absolute shrinkage and selection operation (LASSO). The proposed method achieves BD-rate saving about 3.1% in all-intra coding.

• Journal of Broadcast Engineering
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• v.3 no.2
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• pp.127-137
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• 1998

In this paper, we propose the method of extracting edge information from MPEG video sequences for the detection of scene changes. In a the proposed method, five significant AC coefficients of each MPEG block are utilized to obtain edge images from the MPEG video. AC edge images obtained by the proposed scheme not only produce better object boundary information than conventional methods using only DC coefficients, but also can reduce the boundary effects produced by DC-based. Since the AC edge image contains the content information of each frame, it can be effectively utilized for the detection of scene change as well as the content-based video query. Experimental results show that the proposed method can be effectively utilized for the detection of scene changes.

• Journal of Broadcast Engineering
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• v.8 no.4
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• pp.339-350
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• 2003

The Part 7 of MPEG-21, called Digital Item Adaptation, aims at an interoperable transparent access of multimedia contents in heterogeneous environments. This standard facilitates the development of Universal Multimedia Access (UMA) systems, which adapt the rich multimedia contents to provide user the best possible presentation under the constraints of various terminals and network connections. Content adaptation has two major aspects: one is modality conversion that converts content from one modality (e.g. video) to different modalities (e.g. image) the other is content scaling that changes the titrates (or qualities) of the contents without converting their modalities. At the output of adaptation process, the highly-subjective qualities of adapted contents nay vary widely with respect to point-of-views of different providers and different users. So, user should have some control on the adaptation process. In this paper, we describe two description tools of user characteristics, the presentation priority preference and the modality conversion preference, which allow user to have flexible choices on the qualities and modalities of output contents. We also present a systematic approach to integrate these user preferences into the adaptation process. These description tools are developed in the process of MPEG-21 standardization.

• Journal of Broadcast Engineering
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• v.5 no.1
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• pp.94-101
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• 2000

User adaptive reception of broadcast programs includes the functionality such as the user adaptive filtering and browsing functionality. The user adaptive filtering means that the user can limit the list of programs to include only his/her favorite programs among hundreds of available programs. The user adaptive browsing means that the user can view a short summary of his/her selection in the way that he/she prefers. When the receiving system include the random access storage device, the automatic recording functionality of users favorite programs can be included. The user adaptive reception requires support from various meta-data such as user preference data and content description data. TV Anytime forum is a standardization effort to enable user adaptive TV reception, which means that the user can watch what s/he wants when s/he want in the way s/he wants. MPEG-7 includes not only the content description for broadcast applications but also other content descriptions such as structure information. This paper addresses the relationship between MPEG-7 and TV Anytime and investigates how MPEG-7 should be designed and be used to satisfy the requirements of the user adaptive reception of broadcast program.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2010.05a
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• pp.609-611
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• 2010

IPTV(Internet Protocol Television)is the point in commercial and broadcast content from the numerous channels that are growing exponentially, Many people with mobile devices anywhere, anytime you want to use IPTV, demand will increase. Numerous channels for collecting information about EPG (Electronic Program Guide) service, IP (Internet Protoco) communications using a fast search of content for broadcast EPG is time to take advantage of the service. Using the current wired network, the Android-based IPTV services to take advantage of the EPG in the mobile environment to provide an environment being studied, and Country of the European digital broadcast standard DVB-MHP standard is followed by subsequent research and development of the EPG service is required. In this study, using the existing wired network, IPTV EPG service information of the channel in a mobile environment user-friendly as possible by providing channels for EPG service information to users quickly and easily search for content to provide an environment and Android-based mobile IPTV environment to take advantage of the EPG service channels of broadcast channels with in the EPG service for users to gather information retrieval system is proposed.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2014.11a
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• pp.171-174
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• 2014

본 논문은 방송콘텐츠 영향력 도출을 위해 고려되어야 할 요소들에 대해 다뤄보았다. 기존에 방송콘텐츠의 영향력을 나타내는 측정지표로 시청률과 청취율 같은 설문조사 방식의 조사자의 개입을 통한 방식이 활용되었다면, 최근 소셜미디어를 통해 수많은 정보가 교환되는 환경에서는 새로운 측정방식의 제안이 가능할 것으로 보았다. 이에, 본 연구에서는 소셜미디어상 대용량의 텍스트 데이터인 이른바 '소셜텍스트 빅데이터'를 활용해 방송콘텐츠의 영향력을 분석하는 방식을 제안하였다. 또한 이러한 빅데이터 분석을 위해 일반적으로 발생할 수 있는 문제들과 이 과정에서 유의하여야 사항들에 대해 다뤄보았다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2018.06a
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• pp.334-335
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• 2018

최근 수 년간 비디오 콘텐츠 소비 공간이 인터넷으로 확장되며 지능적 비디오 콘텐츠 추천 기술 개발이 진행되어 왔다. 하지만 지능적 비디오 콘텐츠 추천 기술은 사용자의 기호나 업로드된 비디오 콘텐츠의 제목 등을 기반으로 하여 비디오 콘텐츠 클래스에 대한 분석 없이 유사한 비디오 콘텐츠를 탐색하고 추천해주는 기술이 대부분이다. 본 논문에서는 지능적 콘텐츠 추천을 위한 딥러닝 기반 방송 콘텐츠 클래스 분류 시스템을 제안한다. 방송 콘텐츠 내 영상 정보를 이용하여 방송 콘텐츠 클래스를 분류하며 높은 분류 정확도를 보여주는 것을 확인할 수 있다.