• 한국항행학회논문지
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• 제12권3호
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• pp.215-219
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• 2008

최근 물류의 양이 증가함에 따라 컨테이너를 사용한 해상 물동량이 급격히 증가되어 부두에서 처리하여야할 컨테이너 양이 많이 증가되었다. 이에 항만에서의 물류비용 절감을 위해 항만 자동화에 관한 관심이 증대되고 있다. 항만의 자동화는 선박에서 컨테이너를 운반할 트레일러가 통과하는 RFID를 이용한 게이트의 자동화, 정박한 선박에 실려 있는 화물을 취급하는 Quay-Side 컨테이너 크레인(QC)의 자동화, 야드에서 컨테이너를 이적하는 갠트리크레인(GC), 게이트 사이에서 컨테이너를 수송하는 컨테이너 트랜스 포터의 자동화로 크게 분류할 수 있다. 부두의 운용 효율을 증가시키기 위해서는 야드 크레인의 정확한 위치 검출이 상당히 중요한 과제이다. 본 논문에서는 UWB위치인식 시스템을 적용한 야드 크레인의 자동화에 대하여 논의하고 개발방향을 제안한다.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2007년도 추계종합학술대회
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• pp.907-910
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• 2007

최근 물류의 양이 증가함에 따라 컨테이너를 사용한 해상 물동량이 급격히 증가되어 부두에서 처리하여야할 컨테이너 양이 많이 증가되었다. 이에 항만에서의 물류비용 절감을 위해 항만 자동화에 관한 관심이 증대되고 있다. 항만의 자동화는 선박에서 컨테이너를 운반할 트레일러가 통과하는 RFID를 이용한 게이트의 자동화, 정박한 선박에 설려 있는 화물을 취급하는 Quay-Side 컨테이너 크레인(QC)의 자동화, 야드에서 컨테이너를 이적하는 갠트리크레인(GC), 게이트 사이에서 컨테이너를 수송하는 컨테이너 트랜스 포터의 자동화로 크게 분류할 수 있다. 부두의 운용 효율을 증가시키기 위해서는 야드 크레인의 정확한 위치 검출이 상당히 중요한 과제이다. 본 논문에서는 UWB위치인식 시스템을 적용한 야드 크레인의 자동화에 대하여 논의하고 개발방향을 제시하고자 한다.

• 한국생활과학회지
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• 제12권5호
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• pp.755-766
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• 2003

The surrealism for the revelation of the unconscious realms shares the inner world of mentality with modern fashion display for the visual expression of sensation each other. The analysis of the influence which automatism technique of surrealism exerts on fashion display showed as follows : 1) The automatism technique elevated the dramatic effect of the sales room by scraping the perspective, or the principle of visual arts. 2) It maximized the effect of subject of the display by coinciding surrealism with realism. 3) The technique which distorts the things heralded the strong message to customers by letting them keep away from the fixed idea. 4) Humorous expression of display brought about the effect of sales stimulation by giving astonishment, shock and exaggeration. 5) Expression of surrealism and realism caused customers to feel shock, illusion, fantasy. 6) The automatism technique expressed the high-tech image, and free expression by revealing the diversity of subject. 7) Display hinted from nature satisfied the mental desire of the human beings to be assimilated with nature. The formative characteristic presented the new possibility of combination of display with arts through the avant-garde sensation. Sale's room, or the marketing space was to be sublimated to three dimensional art space, which enhanced the image of sale's room, furthermore meeting the demand of moderner's lifestyle.

• 한국생활과학회지
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• 제5권2호
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• pp.145-159
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• 1996

Surrealism was originated from the influence of dadaism as one of the new movement in the 20th C. That movement denied the traditional art form, searched the man's inner consciousness and subconsciousness, and discovered automatism as a means to realize this. In this paper, 1 studied the relationship between fashion and art trend, investigating the influence which surrealistic idea and its expression made on modern fashion. Surrealism has expanded and developed the creation of fashion for the 20th century, by supplying a new and good idea th fashion design, and in the coming 21th C., it will greatly contribute to the development for future form of clothes, carrying out the essential function of clothes, which is called the expression of human nature in the harmonization with man.

• 디지털융복합연구
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• 제16권1호
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• pp.343-350
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• 2018

이 연구의 목적은 디지털문화에 잠재한 폐해들 중 하나인 지각의 자동화에 대한 대응전략으로서 지각의 자동화 현상에 대한 시의 지각의 낯설게 하기 효과, 시의 치료적 기능과 시적 장치로서 은유 등을 포함한 시의 효용성을 고찰하는 것이다. 따라서 이 연구는 디지털 문화의 속성과 그 폐해, 특히 디지털문화의 부정적인 영향인 지각의 자동화현상의 원인과 결과를 분석하고 시는 이에 대한 해결책으로서 유용한 도구가 될 수 있는지를 분석하였다. 디지털시대의 급격한 기술혁신의 결과 우리는 다양한 경험과 많은 기회를 얻게 되고 장밋빛 미래를 전망한다. 그러나 우리는 인공지능과 디지털기기에 대한 무의식적이고 습관적인 의존으로 지각의 자동화의 위험에 빠질 수 있다. 시는 사물들을 낯설게 하며 형식을 까다롭게 하여 지각의 자동화를 막고 상상력, 문학능력과 창의성을 증진시킨다. 또한 시의 치료적 기능은 새로운 경험을 하며 공감능력을 키우게 하고 때로는 상처 받은 마음에 위안과 평화를 주어 정신건강을 회복하게 한다. 전통적인 시뿐만 아니라 디지털 융합기술로 탄생한 하이퍼텍스트시 등을 포함한 다양한 형태의 다지털시에 대해 앞으로 체계적이고 심도 있는 분석과 연구가 필요하다.

• 대한핵의학회지
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• 제35권6호
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• pp.352-363
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• 2001

Purpose: To investigate ictal hyperperfusion patterns during semiologic progression of seizures, we performed SPECT subfraction in 50 patients with temporal lobe epilepsy (TLE). Materials and Methods: The patients were categorized Into five groups according to semiologic progression during ictal SPECT (group-1 having only aura; group-2 haying motionless staling with or without aura; group-3 having motionless staring and then automatism with or without aura; group-4 having motionless staring and then dystonic posturing with or without aura and automatism; group-5 having motionless staring, automatism, then head version and generalized seizures with or without aura and dystonic posturing). Results: In group-1, three patients showed ipsilateral temporal hyperperfusion and two had bilateral temporal hyperperfusion with ipsilateral predominance. In group-2, three (42.9%) patients showed bilateral temporal hyperperfusion with unilateral predominance and four (57.1%) revealed insular hyperperfusion of epileptic side. In group-3, 15 patients (88.2%) showed bilateral temporal hyperperfusion with unilateral predominance and 12 (70.6%) insular hyperperfusion. In group-4, 11 patients (84.6%) showed basal ganglia hyperperfusion on the opposite hemisphere to the side of the dystonic posturing. en group-5, there were multiple hyperperfusion areas in the frontal, temporal and basal ganglia regions. However, the injection times of radiotracer in five groups were relatively short and similar. Conclusions: The semiologic progression in TLE seizures were related to the propagation of hyperperfusion from ipsilateral temporal lobe to contralateral temporal lobe, insula, basal ganglia, and frontal lobe. Not only the radiotracer injection time but also semiologic progression after the Injection was significant in determining hyperperfusion pattern of ictal SPECT.

• 복식
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• 제26권
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• pp.233-250
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• 1995

The purpose of this research is to open new horizon in the plastic art centering the clothings, to examine the characteristics of the clothing style of Surrealism closely which is being lighted up again newly in the recent culture that is in a state of flux, and futher to contribute to the cre-ation of future clothes by analyzing Surrealism once again which is considered to have affected most in the aspects of idea and technique from the era of modernism to the era of post modern-ism, to understand and develop the relation of modern style of paintings and clothing which consist of many complicated and diverse elements. As for the method of research, after analyzing the formation and characteristics of painting style of Surrealism, painting style of Surrealism, painting style of Surrealism were classified largely into D paysement and Automatism, which were then reviewed. And the characteristics of fashion style of Surrealism were compared and analyzed with painting style of Surrealism, for this, fashion of Surrealism dur-ing recent five years from 1990 to 1994, among the fashion from Pr t- -Porter concentrated re-view was made for the ones made public at Paris-London Collections. By the result observed through this research, the trompe-l'oeil double image technique of many clothes created by E. Schiaparelli who was strongly influenced by Surrealism in 1930s were succeeded with its inspiration of Surrealism by the radical fashion designers recently and we were able to know that it is being created again by fresh senses. Followings are the discussions on homogenity of the characteristics of fashion style of Surreal-ism with the painting style of Surrealism Therefore if we analyze the characteristics of fashion style of Surrealism, Automatism ex-pression style which takes out only image borrowing the power of unconsciousness, instead of factual transposition, is forming the main cur-rent after 1990s. We can find the fashion style of this Surrealism appear persistently, entirely irrel-evant to the silhouettes of 20th century.

• 한국의상디자인학회지
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• 제6권3호
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• pp.123-138
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• 2004

The objective of this study is to review the expressive effect of fashion illustrations and to enlarge its expressive range by analysing the correlations between fashion illustrations and surrealistic expressive characteristics. The results are as follows. The surrealistic expressive methods of fashion illustration such as depaysement and automatism have been used by many foreign and domestic fashion illustrators. I think that these methods reinforce the subjective aspect of expressive effects and enlarge the transmitting function of fashion message. The elements of expression are divided into color, texture, shape/form and space. Subjective colors rather than natural colors are used for the surrealistic expressive effect of color in fashion illustrations, and illusion of space is expressed by the change of brightness. The surrealistic expressive effect in fashion illustrations distorted the experience of factual texture and disturbed the visual texture. The use of tactile texture presented strange effects perspectively. The objects of shape in fashion illustrations were mainly human body. The form of human body presents reconstituted and reinterpreted figure by transformation or distortion according to the intention of the artist rather than realistic and physical form. In fashion illustration, the transformation of the human body itself whose body parts get separated, superposition of exterior material and human body, and the distortion of human body by the change are done. Space is where background and shapes are inter-penetrated because they are ambiguous and untransparent, and where all are in disorder and unbalance. The method of projection uses distance perspective, multiple perspective and amplified perspective representation, and forms a psychological space feeling. And I think the use of surrealistic expressive methods are very useful for the subjective sensitiveness and the transmission of a fashion message, and presents a possibility to develop a new expressive method.

• Asian Pacific Journal of Cancer Prevention
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• 제15권18호
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• pp.7629-7634
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• 2014

Background: Cigarette smokers have their own motivation and justification to smoke. For example, smoking reduces their stress or enhances their pleasure. This study aimed to identify the (a) prevalence of cigarette smokers among undergraduates in Malaysia, (b) gender differences in nicotine dependence among current smokers, (c) differences in psychological problems (depression, anxiety and stress) based on the status of smoking cigarettes (current, former and non-smokers) and (d) extent to which precipitating factors (tension reduction, addiction, automatism, handling, social interaction, pleasure, and stimulation) predict the smoking behavior among current smokers. Materials and Methods: In this study 780 undergraduate students participated from a private university in Kuala Lumpur and Selangor state in Malaysia. The Depression, Stress and Anxiety Scale, Modified Reason for Smoking Scale and Fagerstrom Nicotine Dependence Test were used to measure psychological problems, predictors of smoking behavior and nicotine dependency among current smokers. Results: The results showed that 14.7%(n=106) of the students were smokers. Current smokers exhibited more psychological problems (depression, anxiety and stress) compared to former and non-smokers. Addiction, tension reduction, pleasure and automatism were predictors of smoking behavior among the current smoking students. Step wise regression analysis showed that smoking behavior was highly predicted by nicotine dependency or addiction. Smoking students were motivated to smoke cigarettes as they believed that it reduced their tension and enhance pleasure. Conclusions: Hence, there is a need for health promotion and anti-tobacco prevention as cigarette smokers experience more psychological problems. Nicotine dependency or addition was one of the major causes for smoking behavior among the student population in Malaysia.

• 한국엔터테인먼트산업학회논문지
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• 제13권8호
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• pp.255-266
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• 2019

본 연구는 캐나다 출신의 NFBC 소속 작가인 미쉘 꾸르놔이에가 사용하는 Ink on paper 기법을 고찰하고, 이를 통하여 실현된 애니메이션 "Soif"(2013)에 나타나는 표현양식인 메타모포시스(metamorphosis)가 내러티브의 구성을 위하여 구현된 의미와 상징을 고찰한다. 꾸르놔이에는 애니메이션의 사실적인 움직임을 벗어나기 위해 Ink on paper 표현양식을 사용하였으며, "Soif"에서는 극중 여자의 몸 캐릭터를 중심으로 일반적인 기승전결 형식이 아닌 인물과 사물의 이미지 변형을 메타모포시스 표현양식을 통해 보여준다. 이는 초현실주의와 무의식의 세계를 표현하기 위한 애니메이션에서의 즉흥적인 방법을 도입한 Ink on paper 기법을 통해 형상화된다. 그리고 이 작품에 적용된 자동기술법은 애니메이션을 추상적이고 형이상학적으로 표현하는데 영향을 주고 있다. 결국 이러한 표현양식과 기법은 작품에 등장하는 캐릭터의 연계성과 동일성을 강조하여 주제를 표현하는 데 매우 적절하게 작용한다.