• 한국컴퓨터정보학회:학술대회논문집
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• 한국컴퓨터정보학회 2014년도 제49차 동계학술대회논문집 22권1호
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• pp.89-92
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• 2014

This paper presents a secure and blind adaptive audio watermarking algorithm based on Empirical Mode Decomposition (EMD). The audio signal is divided into frames and each one is decomposed adaptively, by EMD, into several Intrinsic Mode Functions (IMFs). The watermark and the synchronization codes are then embedded into the extrema of the last IMF. The experimental results show that the proposed method has good imperceptibility and robustness against signal processing attacks.

• ETRI Journal
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• 제27권5호
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• pp.608-616
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• 2005

Watermarking has become a technology of choice for a broad range of multimedia copyright protection applications. This paper proposes an audio watermarking scheme that uses the modified tonal masker as an embedding carrier for imperceptible and robust audio watermarking. The method of embedding is to select one of the tonal maskers using a secret key, and to then modify the frequency signals that consist of the tonal masker without changing the sound pressure level. The modified tonal masker can be found using the same secret key without the original sound, and the embedded information can be extracted. The results show that the frequency signals are stable enough to keep embedded watermarks against various common signal processing types, while at the same time the proposed scheme has a robust performance.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2002년도 ITC-CSCC -1
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• pp.160-163
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• 2002

This paper presents a statistical technique for audio watermarking. We describe the application of the promising public key watermarking method to the patchwork algorithm. Its detection process does not need the original content nor the secret key used in the embedding process. Special attention is given to statistical method working in the frequency domain. We will present a solution of robust watermarking of audio data. In this scheme, an extension of patchwork audio watermarking is presented which enables public detection of the watermark. Experimental results show good robustness of the approach against MP3 compression and other common signal processing manipulations.

• 한국음향학회:학술대회논문집
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• 한국음향학회 2002년도 하계학술발표대회 논문집 제21권 1호
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• pp.323-326
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• 2002

In this paper, we propose a watermarking technique that it is possible to winnow illegal contents from scattered contents on the internet. The identification is performed using an embedded unique content ID by the watermarking technique. The proposed watermarking technique accepts A/D-D/A conversion and a lot of lossy compression such as MP3, AAC, WMA and Real Audio. Watermark robustness is enabled using group quantization, selecting watermark inserting point, and error correction code. Test results show that the correct extraction is about $90\%$ and SNR is above $50\~60dB$. The above figures means that the proposed technique is able to extract encoded information at least one more times per audio and that it is very difficult to discriminate between a watermarked audio and a original audio.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2004년도 학술대회지
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• pp.631-635
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• 2004

The rapid development of digital media and communication network urgently brings about the need of data certification technology to protect IPR (Intellectual property right). This paper proposed a new watermarking method for embedding contents owner's audio signal in order to protect color image IPR. Since this method evolves the existing static model and embeds audio signal of big data, it has the advantage of restoring signal transformed due to attacks. Three basic stages of watermarking include: 1) Encode analogue ID owner's audio signal using PCM and create new 3D audio watermark; 2) Interleave 3D audio watermark by linear bit expansion and 3) Transform Y signal of color image into wavelet and embed interleaved audio watermark in the low frequency band on the transform domain. The results demonstrated that the audio signal embedding in color image proposed in this paper enhanced robustness against lossy JPEG compression, standard image compression and image cropping and rotation which remove a part of image.

• 한국정보전자통신기술학회논문지
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• 제9권1호
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• pp.67-74
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• 2016

본 논문에서는 믹스 음악을 위한 디지털 오디오 워터마킹 기술을 제안하였다. 믹스 음악은 기존에 저작권이 확보되어 있는 음악을 편집하여 한편의 오디오 클립에 다수의 음악이 포함되어 있는 재창조된 음악을 의미한다. 오디오 콘텐츠와 관련된 저작권료는 보통 완전체 오디오를 기준으로 부과된다. 그러나 믹스 음악의 경우에는 오디오 완전체를 모두 사용하는 것이 아니라 일부만을 이용하기 때문에 저작권료의 산정에서 저작권자와 사용자간의 분쟁의 소지를 갖고 있다. 본 연구에서는 이와 같은 오디오 저작권료와 관련된 문제의 기술적인 해결 방법으로서 믹스 음악을 구성하고 있는 각각의 오디오 콘텐츠에 대하여 서로 다른 워터마크를 삽입하여 음악을 구분할 수 있는 워터마킹 기술을 제안하였다. 제안된 기술은 기존의 워터마킹 방법과 달리 믹스음악을 구성하는 각각의 오디오에 대하여 서로 다른 워터마크를 삽입하기 때문에 오디오 전체에 대하여 워터마크를 삽입하는 기존의 방법과 달리 오디오의 품질을 떨어뜨리는 단점이 있다. 이에 대한 기술적 해결로서 비 가청성이 강조된 이진 랜덤 열을 이용하고 워터마크 삽입에 따른 신호의 왜곡 특성이 가장 적은 크기 변조 오디오 워터마킹 기술을 이용하였다. 제안된 방법은 워터마크의 추출 특성을 통하여 성능을 검증하였다.

• 정보통신설비학회논문지
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• 제5권1호
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• pp.37-42
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• 2006

A reversible audio watermarking algorithm is presented in this paper. This algorithm transforms the audio signal with the integer wavelet transform first in order to enhance the correlation between neighbor audio samples. Audio signal has low correlation between neighbor samples, which makes it difficult to apply difference expansion scheme. Second, a novel difference expansion scheme is used to embed more data by reducing the size of location map. Therefore, the difference expansion scheme used in this paper theoretically secures high embedding capacity under low perceptual distortion. Experiments show that this scheme can hide large number of information bits and keeps high perceptual quality.

• 대한전기학회논문지:시스템및제어부문D
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• 제51권7호
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• pp.308-316
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• 2002

In this paper, we propose a robust digital copyright-protection technique based on the concept of human auditory system. First, we propose a watermarking technique that accepts the various attacks such as, time scaling, pitch shift, add noise and a lot of lossy compression such as MP3, AAC WMA. Second, we implement audio PD(portable device) for copyright protection using proposed method. The proposed watermarking technique is developed using digital filtering technique. Being designed according to critical band of HAS(human auditory system), the digital filers embed watermark without nearly affecting audio quality. Before processing of digital filtering, wavelet transform decomposes the input audio signal into several signals that are composed of specific frequencies. Then, we embed watermark in the decomposed signal (0kHz~11kHz) by designed band-stop digital filer. Watermarking detection algorithm is implemented on audio PD(portable device). Proposed watermarking technology embeds 2bits information per 15 seconds. If PD detects watermark '11', which means illegal song. PD displays "Illegal Song" message on LCD, skips the song and plays the next song, The implemented detection algorithm in PD requires 19 MHz computational power, 7.9kBytes ROM and 10kBytes RAM. The suggested technique satisfies SDMI(secure digital music initiative) requirements of platform3 based on ARM9E core.

• 한국멀티미디어학회논문지
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• 제6권5호
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• pp.816-823
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• 2003

이 논문에서는 토널 특성을 이용한 브라인드 오디오 워터마킹을 제안한다. 먼저 기존의 심리음향연구를 통해 토널의 인지영향에 대해 살펴보고, 토널 성분이 여러 신호처리 후 변동측면에서 매우 안정적인 특성을 가짐을 다른 워터마크에 이용되는 특성들과 비교하여 보였다. 이를 기반으로 토널 마스커를 구성하는 주파수 신호들의 관계를 이용한 브라인드 오디 오 워터마킹(blind audio watermarking) 기법을 제안하였다. 이 기법이 적용된 오디오에 대한 SDG(Subjective Diff-Grades) 음질평가에서 평균 SDG 0.27의 결과를 얻었고 이는 비지각성 면에서 토널의 인지 영향을 이용한 워터마킹이 유용하다고 볼 수 있다. 또한 time shift를 제외한 여러 신호처리 후의 워터마크 추출 결과는 98%이상으로 제안한 워터마킹의 강인성을 보였다. Time shift처리에 대해서는 시간 축 상에서 최적의 위치를 찾아 추출하는 새로운 방법을 적용하여 추출율 90%의 결과를 얻었다.

• 한국정보보호학회:학술대회논문집
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• 한국정보보호학회 2001년도 종합학술발표회논문집
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• pp.464-468
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• 2001

In this paper, we propose a robust watermarking technique that accepts time scaling, pitch shift, add noise and a lot of lossy compression such as MP3, AAC, WMA. The technique is developed based on digital filtering. Being designed according to critical band of HAS (human auditory system), the digital filters nearly affect audio quality. Furthermore, before implementing digital filtering, wavelet transform decomposes the audio signal into several signals that is composed of specific frequencies. Designed digital filters scan the decomposed signal. The designed digital filter, band-stop filter, distorts and eliminates specific frequencies of audio signals. Watermarking detection can be accomplished by FFT (Fast Fourier Transform). Firstly, segments of audio signal are transformed by FFT. Then, the obtained amplitude spectrum by FFT is summed repeatedly. Finally the watermark detector can find filters used to watermark encoding based on eliminating frequencies. The suggested technique can embed 4bits/s in a robust manner.