• The International Journal of Costume Culture
• /
• 제13권1호
• /
• pp.23-25
• /
• 2010

Archaeological evidence shows that cotton fibres of the genus Gossypium were first used for textile production at Mehrgarh, Pakistan in the Neolithic period ($6^{th}$ millenium BC). Eventually the cotton plant and textiles found their way to Egypt and through there, to Greece. However, the chronological origins of the cultivation and/or use of cotton fibres in textile production in ancient Greece are ambiguous. The main sources of information are ancient written texts and excavated textile finds. Both indicate that the introduction of cotton in Greece can be placed in the mid-first millenium BC. However, it is not clear whether the cultivation of the plant and consequently the production of cotton textiles was established in that period or whether another cotton species was produced and used locally in Greece or whether isolated examples of cotton textiles had been imported in Greece before the cotton plant. A more comprehensive analytical study of surviving textile finds coupled with archaeological research for plant production and cultivation would provide the answer to these questions.

• 한국수학사학회지
• /
• 제20권2호
• /
• pp.47-58
• /
• 2007

본 논문에서는 동양수학과 고대 그리스 수학을 비교한 결과, 동양수학은 엄밀한 논리적 체계를 갖추지는 못했지만 양적이고 계산적이며 어떤 원리를 가지고 문제를 해결한 반면, 고대 그리스에서는 완전한 학문으로써의 공리적이고 연역적인 전개로 이루어진 수학의 특성을 가지고 있음을 고찰하였다. 이는 동양과 고대 그리스의 수학적 특성과 장점들을 결합하여 연구하면 미래의 수학교육과 수학발전에 원동력이 될 것으로 기대된다.

• 복식문화연구
• /
• 제7권1호
• /
• pp.52-67
• /
• 1999

A Study on the Drapery Presented in Costume The purpose of this study is to find esthetic characteristic of a drapery costume throughout Greece costume and modern fashion. For this purpose, documentary studies were proceed. And photos of the drapery costume were analyzed. Drape is the hang or fall of fabric when made into a garment is an important quality to consider indesigning. Fabric falling in folds in the garment as seen on statues of ancient Greece ; most outstanding modern versions made by designer Gres and Vionnet. Greek costume was in drapery types mostly and a feature created the vest esthetic effert on simplicity with ornament of drapery. Grecian were expressed pure beauty and natural beauty throughout their drapery costume. Madame Gres is widely considered one of the most talented greece for inspiration of the couture, ranked by many with Vionnet. They shows in their mastery of Greek draping -el-egance and simplicity- And also, they always implicity emphasized the relationship between clothing and the female body. Therefore drapery costume admired beauty of pure human body Clothing is expressed which wanted to get the nature and human, search for the losed nature of modern men. In conclusion, the characteristic of drapery costume from ancient greece to modern, timeless concerned human\`s lives and recurring humanity.

• 한국도서관정보학회지
• /
• 제52권4호
• /
• pp.1-21
• /
• 2021

본 연구는 고대 근동 및 그리스·로마의 기록관과 연계한 도서관 명칭의 기원과 변용을 추적하였다. 첫째, 도서관이란 말의 기원은 두 갈래다. 하나는 고대 그리스어 βιβλιοθήκη에서 라틴어 bibliothēkē가 파생되었고 최초 흔적은 2세기 후반 폴룩스의 「Onomasticon」이고, 문헌 텍스트 집합으로 간주하면 1602년 립시우스의 「De Bibliothecis Syntagma」다. 다른 하나는 라틴어 libraria가 고대 프랑스어 librairie로 변용된 후 14세기 초 library로 정착되었다. 영어 library는 1374년 초서가 조어하였다. 둘째, 고대 근동의 점토판 보존소는 기록관에 가깝지만 공식 명칭은 알 수 없다. 그러나 아슈르바니팔 점토판 보존소는 기록학계의 원질서 존중 및 출처주의 원칙과 거리가 멀기 때문에 왕실기록관이 아닌 왕립도서관의 원형이다. 알렉산드리아도서관의 공식 명칭은 'Βιβλιοθήκη της Αλεξάνδρειας'이었고 'ALEXANDRINA BYBLIOTHECE'로 변용되었다. 셋째, 고대 그리스·로마에서는 기록관과 도서관이 분리되었다. 그리스 도서관은 체육관 부설 도서실 수준이었고, 독립된 명칭은 거의 없었다. 목욕탕에 많이 부설된 로마 도서관의 명칭은 βιβλιοθήκη과 Bibliotheca이 혼용되었다. 마지막으로 고대 도서관은 중세 수도원 도서관으로 계승되었고, 이슬람제국에서는 '바이트 알-히크마'로 변용되었다. 한중일에서는 19세기말 화제한어 도서관이 수용되었으나 쟁점이 많아 후속연구가 필요하다.

• 한국의류학회지
• /
• 제2권1호
• /
• pp.117-124
• /
• 1978

The costume, considered as a manner of clothing, represents the distinctive character of a country, of an epoch, of a personage; and always it mirrors the vicissitudes of human civilization. It is interesting to study the costume of ancient Western Asia, its civilization and culture were transmitted to Egypt and Greece. The results obtained are as follows: 1. Loin clothes, tunics, wraps were in Western Asia. 2. Sleeves and Trousers has been the great contribution to costume. 3. The Art of dyeing, weaving, and embroidering were well known. 4. Tassels and Fringes were used in Western Asia. 5. Egypt and Greece were affected by Western Asia.

• 한국수학사학회지
• /
• 제12권2호
• /
• pp.83-97
• /
• 1999

This paper analyzes the philosophy of mathematics and outlook on the mathematics education as the Ancient Greece in the history of mathematics. This study tried to find out the direction of outlook on the mathematics education in the future.

• 복식
• /
• 제56권3호
• /
• pp.12-27
• /
• 2006

The purpose of this study was to analyze the mental, social and aesthetic facets contained in ancient shining costumes and to find out the internal meaning of ancient shining costumes that they wished to express. This study was based on the theoretical data regarding the materials, types, and characteristics of the shining costumes. Egypt, Rome, Greece and several Mesopotamian countries have been included as a scope of research. The literature examination skill was applied for the research. The internal meaning of ancient shining costumes could be understood as an instrument of expression regarding religion, social status and beauty.

• 대한가정학회지
• /
• 제36권10호
• /
• pp.119-130
• /
• 1998

This is on the dance costume of ancient Greece. The present study classified the characteristics of Greek dance and dance costume according to the silhouette, quality of material, color and ornaments. Materials of the study are the pictures and figures presented in literatures, sculptures, crockeries, murals, coins. The dances of Greece can be classified into religious dance, educational dance, recreational dance, dramatic dance and various forms of dance on each dances were developed. Especially, it is the greatest character that Greeks gave dances educational value and created composit art including song, lines and dance. As dance costume, Himation, Chiton, Chlamys which Greeks generally wore were widely worn. Also, the beauty of dance costume was maximized by the changes of basic costumes and development of various ways of wearing. Especially, professional dancers wore costumes shorter than knee-length ones forming a A-line silhouette different from a cylindrical one. Thin cloth revealing body silhouette such as fiax hemp, linen, silk were used as materials of dance costumes. As for colors, white was mainly used, But orange, blue and green were used, too. They wore band, scarf, bonnet on the head and seldom used any ornaments except for fibula. They wore the same sandals which Greeks wore, Crepis, front-heeled shoes which is thought to be the origin of modern ballet shoes for the technique of toe in dance. As mentioned above, as the dance costume of Greece were mainly worn as the similar forms of the dance costume of Greeks, various forms of costumes were worn with the development of dance and bold ways of wearing and silhouette were developed unlike the costume of common people.

• 한국수학사학회지
• /
• 제23권1호
• /
• pp.41-52
• /
• 2010

고대의 인도수학은 산스크리트어로 쓰여 있고, 수학의 법칙이나 문제들은 구전되었거나 필사본의 형태로 경전 속에 포함되어 있으며, 학생들이 암기를 쉽게 할 수 있도록 아주 간결하게 정리되어 있다. 고대 인도의 많은 수학자들은 일찍이 십진법, 계산법, 방정식, 대수학, 기하학, 삼각법 등의 연구에 공헌하였다. 이 논문은 고대 인도수학과 다른 문명권의 수학발전을 비교하였다. 고대 그리스 수학이 공리적이고 연역적이라면, 인도수학은 양적이며 계산적이지만 원리를 가지고 문제를 해결하는 특성이 있다. 고대 인도와 타 문명권의 수학을 비교하는 것은 오늘날 수학교육과 수학사 연구에 의미가 있는 것으로 사료된다.

• 한국의류학회지
• /
• 제21권1호
• /
• pp.217-227
• /
• 1997

Costume of each age reflects its own history. Military costume is an reflections of war, social and geometrical background. Soldiers on their uniforms were at the battlefields with their lives and country on their shoulders. The main purpose of this writing is to study military costume of ancient empires in historical Point of view including especially those of Egypt, Mesopotamia, Crete, Greece, Etruria, Rome. As we will see, ancient military costume developed from earlier stages of uniforms into military costume in various ways. The types of military costume formed itself gradually but rapidly into sophisticated, useful, and excellent quality clothes. Military costume of early ancient empires signified its strength and were actual and symbolic costume that determined life and death, glory and disgrace.