• 한국의상디자인학회지
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• 제16권1호
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• pp.27-39
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• 2014

The purpose of this study is to investigate the formative characteristics and the aesthetic values of denim dresses from the 19th century until the $20^{th}$ century and analyze those changes shown in Paris Milan London New York collections from 2001 S/S to 2013/14 F/W. The results of this study are as follows; 1) In the mid-$19^{th}$ century, the denim pants were working suits. In the 1920's, they started to be recognized as ordinary clothing and they were supplied to women in World War II. In the 1950's, denim pants stood for youth and resistance, and they became popular among teenagers. In the 1960's, hippies who protested against the Vietnamese War would wear worn-out denim pants symbolizing peace and freedom. As they became more common in the 1970's, people all around the world wore the clothes. In the 1980's~90's, the waves of high class brand fashions brought in sensualism, extravagance, reactionary tendency, and so forth. Consequently, the aesthetic values of denim dresses have connotations of practicality, resistibility, ornamentation and femininity. 2) Practicality in recent collections is represented in classic fashion which features typical details and raw denim and modern fashion which is made with glossy denim and minimized details. Resistibility is represented in avant-garde fashion which features deformed or over-layered jackets and pants with damaged denim and vintage fashion which is made with wash-out and wild stone denim. Ornamentation is represented in ethnic fashion which is made with wash-out denim and ethnic prints and romantic fashion which features details such as ruffle, frill and shirring as well as lace and flowery decorations. Femininity is represented in sexy fashion which designs to expose or to focus in women's body and elegant fashion which is made with soft and glossy denim and hourglass silhouette.

• 패션비즈니스
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• 제19권4호
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• pp.183-199
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• 2015

This study aimed to systematize the apparel vendor work processes and provide useful information to future employees of clothing export units by analyzing the processes of vendors' manufacturing tasks. A survey of 20 apparel vendors servicing mainly U.S. buyers was conducted on employees of overseas business departments working for more than five years. buyers. Based on the results, vendors mainly manufactured cut-and-sew knit products. Regarding the production method, OEM was used more frequently than ODM. Fourteen (70%) companies used the ODM method. This suggests that vendors are expanding their production method from OEM to ODM. In order to summarize the work of each business based on the clothing production process research results, buyers were in charge of planning products and the vendors were in charge of sampling. Production of materials and the approval of material tests were out sourced. Overseas factories of vendors were in charge of bulk (mass) production and garment finishing, as well as packaging and shipping the completed products. Even though the vendors' head offices do not directly produce clothes, they play a pivotal role in ensuring planning and management progress in clothing production. As buyers prefer direct contracts for cost reduction, the vendor additionally performs the role of an agent. Also, with the increase in ODM production ratio, the work area of the vendor is expanding. If Korean clothing exporters improve their global competitiveness by investing in the R&D of materials and design to enhance the ODM method, the development of Korea's clothing and export industry will benefit significantly.

• 복식
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• 제61권5호
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• pp.77-92
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• 2011

Public uniforms play an important role in creating the color and image of urban environment beyond the level of simple working clothes for unity and practicality. Hence this study aims to compare and analyze the color characteristics and images of the police officer, fire fighter, and street cleaner uniforms at home and abroad to guarantee the wearer's safety, increase convenience and agreeability, and give emotional satisfaction to citizens in harmony with urban environment color as public uniforms. For study methods, literature review investigated urban environment, color, and uniforms as public design. Empirical study extracted color data from the public worker uniforms of the world's top 20 cities selected by 'Newsweek' in 2010 and analyzed their colors, tones, and color images. The results of this study are as follows. The most common color for police uniforms were PB(dk) as the main color, PB(p) as the sub color, and Wh as the accent color. For fire fighter uniforms, PB(dkg) was the most common main color; GY(v), as the sub color; and ItGy, as the accent color. The most common color for street cleaner uniforms was YR(v) as the main color; GY(v), as the sub color; and mGy, as the accent color. As a result of analyzing color images of these uniforms, it was found that police uniforms commonly used a modern image; fire fighter uniforms commonly used a natural image and a cool casual image; and street cleaner uniforms commonly used a casual image. As examined above, the color of public uniforms suitable for urban environment and job characteristics is very important to establish the image of public institutions, as well as to create an urban image.

• 한국실내디자인학회논문집
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• 제20권5호
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• pp.178-187
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• 2011

This research suggested the hygienic spatial composition of sell-service restaurants applying HACCP(Hazard Analysis and Critical Control Point System). The circulation of the food, dishes, waste, workers and customers were each fractionated and arranged according to the hygienic sequence of cooking food in kitchen and process for eating food within the customer space. The spaces were separated by the degree of cleanness(clean area, semi-clean area, contaminated area). After that, hygiene facilities to remove contamination and pass facilities intended to control moving were added at the possible points of cross-contamination in oder to prevent the cross-contamination. For hygienic spatial composition of self-service restaurant, the following should be acknowledged: In the kitchen, spaces in which the food is handled after being heated should be located in the clean area. As of the customer space, spaces where dishes are prepared, food and water is received, and the table hall should be located in the clean area. Food circulation should flow from the contaminated area to the clean area. Food, dishes, waste should be moved through pass facilities so that workers do not have to come and go between other areas of cleanness. Also lockers for private clothes and lockers for uniforms should be separated. Hygiene facilities should be easily accessible so that workers can use them whenever they enter their working area. The contaminated area where dirty dishes are dealed with should be separated from the clean area. Waste should be thrown out without crossing cooking areas. As of customer circulation, the hygiene facility for hand washing should be located near the space where dishes for self-service are placed. The customer circulation should lead customers to leave restaurants after giving back the dirty dishes in the contaminated area.

• 한국의상디자인학회지
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• 제24권4호
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• pp.1-9
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• 2022

The purpose of this research is to improve sustainable clothes care by comparing household washer's standard course and quick course. Detergency at each course was classified by laundry weight, detergent concentration, and soils. Also, fabric damage from each course was compared. Washing experiments were carried out using two types of washing machines and three types of detergents. Using the standard soiled fabrics of EMPA 108 set, detergency was compared by laundry weight, soil, and detergent concentration. Additionally, fabric damage was evaluated using the mechanical action of MA-40. The results of the research were as follows. First, a standard course, having more working time exhibited better detergency than a quick course. However, the detergency deviation under 6kg laundry weight was as low as 9.0%. Second, detergency by the type of soil was more effective in standard course than in a quick course, but hydrophilic protein soils had a small detergency deviation at 7.6%. Moreover, hydrophobic oil, complex, and particulate soils had a higher deviation at 19.7% Third, fabric damage was in proportion to operating time. Fourth, a quick course showed approximately 80% detergency regardless of the type of detergent. in the case of using 50% of the recommended allowance by the detergent manufacturer. In conclusion, reducing the operating washing time and detergent concentration is in accordance with increasing sustainability, in the case of washing with lightly soiled fabrics under 6kg of laundry weight.

• 복식
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• 제65권1호
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• pp.46-60
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• 2015

This study analyzed the process of development and verification of standards through the competency analysis of fashion accessories products in the development of 'National Competency Standards'(NCS), which was carried out in 2013 for the fashion industry. The NCS for fashion accessories production was developed through three Focus Group Interviews (FGIs) and fashion accessories production was defined as "the process of design, development and manufacture intended to produce items that improve the degree of completion of fashion products that are produced from textile fabric, knitted fabric, leather and other materials such as bags, belts, hats, gloves, scarves, neckties and socks with the exception of clothes". The competency unit for fashion accessories production was analyzed in 11 categories: development of design; development of materials; production of prototype samples; calculation of cost; determination of mass production model and price; planning of main manufacture process; ordering of materials; planning for mass production; preparation for mass production; mass production; and inspection of completed products, and the verification was carried out on development outcomes through a survey carried out of on-site personnel. This study recommends the following direction for future improvements based on an analysis of the development process of the NCS for fashion accessories production. First, future development of standards should first provide a rational category system for each area of fashion good production based on the production process, which should be followed by a detailed competency survey. Second, in order to ensure a more efficient verification survey, an expert for each competency unit should be designated for the develop standard to induce a more sincere response. Also the questionnaire should require supplementation in order to collect the various additional opinions of experts of the field. Finally, this study concludes that it is urgent to procure an education infrastructure and specialized professors in order to apply the competency standard for fashion accessories production to the education sector. This study also concludes that the government will be required to provide systematic and consistent support aimed at supplementing development and forming a firm collaborative working environment for the industry and academia in order to improve the current education environment and build a more field-oriented education environment.

• 한국화재소방학회논문지
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• 제26권5호
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• pp.41-47
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• 2012

첨단산업기술인 반도체, LCD 등 제조의 핵심공정인 클린룸은 생산제품의 성능 및 품질에 절대적인 영향을 미치는 가장 중요한 공정이다. 그러나 국내는 방화공학적인 측면에서 과학적이고 종합안전대책에 대한 체계적인 연구가 제대로 이루어지지 않고 있다. 본 연구는 LCD 제조공정 클린룸에 설치하는 제연시스템의 성능 및 문제점을 파악하여 이에 대한 개선방안을 도출하기 위하여 여러 시나리오를 고려한 화재시뮬레이션과 피난시뮬레이션을 통하여 분석하였다. LCD 제조공정의 클린룸 화재 및 연기확산에 대하여 분석한 결과 화재시 공조기의 연동정지는 반드시 필요하며 연기의 부력을 고려하여 FAB 상부에 배연을 할 수 있도록 하여야 한다. 또한 대규모 클린룸의 경우 화재특성상 스프링클러헤드의 집열 성능이 떨어지므로, 조기반응형 헤드의 설치 및 작동시간을 빠르게 하기 위한 보조장치를 설치하여야 한다. 특히, 대공간 클린룸은 자동화 공정으로 거주밀도가 낮지만, 복잡한 생산장비의 배치와 방진복을 착용하고 근무해야하는 환경특성 때문에 화재시 피난안전성능 확보가 어렵기 때문에 공정 내 위험요소의 철저한 관리 및 주기적인 교육과 훈련이 필요하며, 방재선진국의 기준에 준하는 수준의 국내 관련기술 기준을 정립할 필요가 있다.

• 한국의류학회지
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• 제32권12호
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• pp.1837-1847
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• 2008

카멜레온은 미끈한 몸통과 화려한 색 띠들을 가진 작은 도마뱀을 말하는데 빛, 온도, 기분에 따라 색이 변화하는 것이 특징이다. 또한, 변덕스러운 사람, 요염하고 매혹적인 사람, 속물적이면서도 상황에 재빨리 대처하는 사람 등을 일컬어 카멜레온이라고 하기도 한다. 본 연구의 목적은 상황에 따라 색이 변하는 카멜레온 이미지를 요염한 변덕장이들의 섹시한 스타일로 비유해서 Wearable Art에 실루엣, 색, 텍스처 개발 기술을 접목하여 표현하고자 한 것이다. 연구방법은 카멜레온의 사실적, 개념적 특징들을 Wearable Art 작품으로 표현해 나가는 단계에서 특히, 옷감 표면에 다양한 제작 기술들을 실험해 보는 과정으로 진행되었다. 작품 이미지 컨셉은 'sensuality', 'tempting', 'splendid', 'brilliant', 'fascinating' 등으로 표현했고, 연구자의 미래지향적 기호와 움직임을 통한 편하고(comfortable) 즐거울 수 있는(enjoyable)개념 역시 포함되도록 하면서 작품 완성도를 높였다. 디자인 및 제작 포인트는 실제 카멜레온의 전체 라인, 색, 표피 질감 등 그 특징들을 분석하여 본 작품의 형태, 색, 텍스처 등을 통해 상징적으로 표현하도록 하였고, 동시에 요염한 변덕장이 카멜레온의 이미지가 암시적으로 나타날 수 있도록 하였다. 작품 실루엣은 바디컨셔스 라인(body-conscious line)이다. 이것은 카멜레온의 날씬하고 미끈한 몸체를 이미지화 한 것이며 동시에, 속세적이면서도 미래적인 이미지가 암시적으로 표현되도록 한 것이다. 카멜레온 등뼈가 드러난 것을 드레스 등이 노출되도록 하여 표현하였는데 이것은 동시에 관능적이고 요염한 카멜레온 이미지를 나타내는 것이다. 카멜레온의 유선형 머리부분 표현은 완만한 삼각형 모양의 후드패턴을 통해, 카멜레온의 길게 말린 꼬리 표현은 불규칙적인 플레어의 햄 라인으로 처리하여 상징적으로 표현하였다. 카멜레온 색들은 선명한 비비드 톤이면서 동시에 빛 또는 기분에 따라 색이 변화하는 것이 특징인데, 작품 제작 과정에서도 빛과 각도에 따라 드레스 색이 조금씩 다르게 보이는 효과를 가장 중요하게 연구하였다. 검정색 쉬폰 위에 퓨셔(fuchsia)색 작은 벨벳 물방울 무늬가 박힌 소재를 주 소재로 하여 표면에 입체적인 텍스처를 줌으로서 빛의 각도에 따라 두가지 색이 섞여져서 전체적으로 색이 다르게 보이는 착시 결과를 가져왔다. 허리에서의 빨강색과 파란색 계열의 다양한 스톤들은 실제 카멜레온 스킨 이미지와 더불어 돌출된 입체감과 그라데이션 효과로 인해 움직임에 따라 색이 다르게 보이는 결과를 가져왔다. 50% 쉬폰/50% 폴리에스테르에 벨벳 다트 무늬가 들어가 있는 원단을 사용하여 옷감 표면에 탄성실을 이용한 스모킹 주름효과를 주는 기술을 접목시켜 flexible한 스트레치성 옷감으로 재탄생시킴과 동시에 소재 표면에 오돌토돌한 텍스처가 생기게 하였다. 이것은 카멜레온의 표피와 흡사하면서 동시에 몸에 밀착되는 결과를 가져와 섹시하면서도 편안한 작품 이미지 표현에도 적절한 역할을 한다. 스톤장식은 아크릴릭카보숑(acrylic cabochons)과 잼스톤(gemstones)들을 섞어서 사용했는데 카멜레온 등 표피 질감을 상징함과 동시에 색이 다르게 보이는 효과를 나타낸다는 점에서 본 작품의 포인트이다. 드레스 제작은 주로 바이어스 결을 이용한 드레이핑 기법을 이용하였는데, 후드가 앞 몸판과 연결되어 있고 불규칙적인 사각형들이 앞에서 뒤로 옆 솔기 없이 연결되어 있다. 옷은 살아 움직이는 사람이 입어서 가장 편하고 즐거우면 옷의 완성도가 가장 높다고 할 수 있다. 카멜레온 드레스 역시 움직이는 신체와 함께 색이 다르게 보이는 기법과 효과를 연구하는 과정에서 편하고 즐거운 Wearable Art를 완성할 수 있었다. 바로 이점이 입는 예술 즉, 입고 즐길 수 있는 옷에 예술미를 가미한 Wearable Art의 진미가 아닐까 생각한다.