• 한국문헌정보학회지
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• 제38권2호
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• pp.261-289
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• 2004

도서관에서 제공되는 이용자를 위한 참고정보서비스 중 안내(guidance)서비스에 대한 연구가 국내에서는 아직 많이 이루어지지 않고 있다. 본 논문에서는 요즈음 다시 그 중요성이 강조되고 있는 안내서비스의 한 분야인 성인독자를 위한 독자자문서비스의 이론적 배경과 기본기술을 문헌조사를 통해 제시함으로써 이용자 서비스 확대, 독서장려, 도서관직원 교육, 문헌정보학 교과과정 개발에 참고할 수 있도록 하였다.

• Journal of the Korean Institute of Landscape Architecture International Edition
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• 제2호
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• pp.147-152
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• 2004

With the rapid development of urban suburbanization, a plenty of commercial operation of suburban environmental resource, the environment in suburb is more and more deteriorated. It also leads some passive effect on ecology, human, society and nature etc. At the same time, a serial of emergency rescue action has been implemented to decrease the deteriorating of suburban environment. For example, some important ecology nature reserves were built up; some compulsive protections have been put in practice for some key resource development region and gotten some good achievements. However, we still face the problem is that how to balance the contradiction between suburban environment resource development and conservation. It's necessary to introduce some western advantage management ideas, combined our actual situation, to find a way which is the most benefited to combine our country's suburb environment development and use.

• 중국학논총
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• 제65호
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• pp.287-302
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• 2020

Social Evolution was the most influential idea in modern China. Chinese intellectuals, who had made the survival of their country and people a top priority in the face of threats from Western powers, accepted the theory of social evolution as an idea calling for national unity. For Liang Qi chao, the theory of social evolution was a reason to raise the modern nation-state and the new people, along with the need for reform. This article examines that philosophical content and meaning modern Chinese social evolution has around his concept of "nation". His ideas, which are regarded as the origin of Asian nationalism, reflect his belief in and will toward a nation-state, and occupy a unique position in the political history of modern China.

• 중국학논총
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• 제68호
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• pp.141-161
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• 2020

This paper aims to analyze China's political education, which plays a role of vehicle in the Chinese Communist Party (CCP) promoting its ideological strategy, in order to figure out the utility of the CCP's ideological strategy. After Reform and Opening Up, the CCP rebuilt and reinforced political education in China according to its ideological strategy. Especially after the Tiananmen incident in 1989, the CCP made nationalism and patriotism as the core part of political education, and expanded its curriculum. Such reinforcement of political education has a advantage in maintaining the CCP's governance by creating a nationalist consensus against the western ideas. Although it can be helpful for the stability of domestic politics, it also has negative possibilities which isolate China in the global community and obstruct China's development.

• 건축역사연구
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• 제31권6호
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• pp.33-45
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• 2022

The tombs at the royal level of the Western Han dynasties belong to the five kingdoms of Chu, Liang, Lu, Zhongshan and Changyi, representing the new forms and ideas of the tomb architecture. Taking Shanchuwang Tomb in BeidongShan, Xuzhou as an example, this paper analyzes the architectural structure and symbolic significance of the tomb, and tries to discuss the concept of burial reflected in it.The analysis of the structure of the main body of the tomb reveals the basic logic of the tomb imitating the palace on the ground, and the definition of the nature of the annex reflects its transcendence over the general form of the tomb.

• International Journal of Advanced Culture Technology
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• 제11권1호
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• pp.198-203
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• 2023

Art grows with the development of human civilization. Many art forms exist to connect the past and the future. Oil painting, a form of western painting, has flourished in China since its entry into China. In the continuous exploration of artistic language, Chinese artists have formed art forms with Chinese characteristics, permeated Chinese painting ideas and techniques, and formed specialized painting language. Through the oil painting works, the Chinese oriental aesthetic, national spirit, local customs and other times of humanistic features. As one of the many practitioners of oil painting in China, the author starts from the ego and continuously explores and studies in the practice of art. This paper mainly discusses the embodiment of Chinese oil painting modernity in the oriental art context and analyzes the spiritual temperament and painting materials, so as to expand the creative thinking of Chinese oil painting modernity in the oriental art context.

• 동양고전연구
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• 제36호
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• pp.333-374
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• 2009

우리 문화는 다른 어떤 국가나 문화보다도 학교교육에서 도덕의식을 강조하고 있다. 한국 전통문화에서 교육은 인간의 자기완성과 초월(초범입성(超凡入聖))을 위한 실천적 과업으로 이해된다. 본 연구는 다음 두 가지 문제의 식에서 출발한다. 첫째, 한국사회에서 도덕교육은 19세기 후반 근대적인 학교 교육의 출범이후 현재에 이르기까지 당대의 사회 정치적 상황에 따라 어떤 형태로 유형화될 수 있는가? 둘째, 해방이후 한국 교육의 전개 과정에 나타난 도덕교육의 주요 쟁점은 무엇인가? 특히 본 연구는 이들 쟁점을 동양 윤리 교육의 맥락에서 반성하고 검토하는 논의를 본 연구의 주요 관심사로 삼고 있다. 19세기 후반 이후 우리나라 도덕교육은 "충효교육과 수신교육", "민주시민교육과 반공교육", "도덕교육과 인성교육"의 유형으로 구분할 수 있다. 이러한 도덕교육의 유형은 우리 근대사의 사회정치적 상황과 밀접하게 연관되어 있다. 한국사회에서 도덕교육의 유형은 전통 도덕교육의 정신이나 기본 가치를 계승하고 발전시키기 보다는 정치적 이해관계에 따라 그 정신을 일정한 형태로 왜곡하고 있다고 보는 것이 본 연구의 주된 주장이다. 더 나아가 본 연구는 오늘날 한국사회에서 주요한 두 가지 쟁점, 곧 "국가 중심주의"와 "서양 중심주의"를 중심으로 도덕교육의 특징과 발전 방향을 논의하고 있다. 국가중심주의는 개인의 인격 함양에 기초한 공동체 건설보다는 국가의 정치적 이해관계에 따라 구성원들의 의지를 집단화함으로써 개인들로 하여금 "자기 소외"를 심화하게 하였고, 서양 중심주의는 서양을 중심부로 한국이나 기타 전통과 사상을 주변부로 인식하게 함으로써 한국인들에게 "자기부정" 의식을 강화하여왔다. 본 연구는 이러한 두 가지 쟁점, 특히 한국 도덕교육에서 "서양 중심주의"를 극복하기 위하여 동양윤리교육에 대한 재해석과 이해를 위한 노력이 무엇보다 요청되어야 한다는 점을 강조하고 있다.

• 한국언론정보학보
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• 제28권
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• pp.43-76
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• 2005

이 연구는 하나의 관습화된 제도로서 당연시되는 결혼식 의례를, 젠더를 둘러싸고 있는 우리 사회의 문화적 코드들을 담고 있는 중요한 사회적 텍스트로 간주하고, 한국의 결혼식 의례와 그 절차에 대한 신화 분석을 수행했다. 서구의 근대적 이데올로기의 신물인 낭만적 사랑의 신화와 함께 유교적 전통하에서의 한국적 가부장제 이데올로기는 현재 한국의 결혼 문화를 중층적으로 결정짓는 중요한 틀이다. 이 연구에서는 우리 사회의 결혼식을 전시 영역과 비전시 영역으로 구분하고, 전시 영역의 서구적 사랑의 각본과 비전시 영역의 전통적 유교 이데올로기 각본을 분석하여 각 영역들이 젠더 관계를 어떻게 신화적으로 재구성하는가를 살펴보았다. 또한 1980년대 들어 나타난 결혼식의 변형들이 한국 사회에서의 신분 상승 욕구와 관련된 키치적 성격을 띠는 동시에 젠더 불평등 관계를 은폐하는 신화의 기능을 하고 있음을 밝혔다.

• 한국실내디자인학회논문집
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• 제20권3호
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• pp.98-109
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• 2011

To interpret a change of discourse can be a method to understand architectural space in progress. With this idea, features of modern age which motivated sense of the contemporary were considered in this study and subsequently characteristics of contemporary space differentiated from the modern were researched. First of all, features of subject which provided a base of modern thoughts were contemplated. The word 'modern' is used in wide and various terms but basically its core conception consists of reason and universal rationality. The subject of the modem age has vision-centric features just like an ideal representation principle of perspective. Given the fact, it was confirmed that a position to become a right subject, that is, a position controlled by reason existed and that it was to guarantee subject a truth. However, the contemporary subject keeps changing with a purpose of escaping from modern characteristics. It presents a tendency to escape from rationalism of the modern age and Platonism of the ancient Greece which established a basis of western ideology. The subject-centered ideas came to focus on the structure and relationship firmed fundamentally in deep inside of subject. The contemporary subject which escaped from the stiffen ideas bears a meaning through events taking place on immanence surface and serialization. Also, the contemporary architectural space is considered to go abreast with the change and trend. In conclusion, this study proved that features of event-oriented architectural space based on the changing contemporary subject appear as process-based space, user-participated space and individual-cognition space and the like.

• 복식
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• 제58권2호
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• pp.93-106
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• 2008

Asia Folk Costumes are certainly different from the Western Costumes. This distinction is based upon the effect of environment, technology, and social structure, and especially, which was generated by religion, ideology, and philosophy. The ideas of fundamental ground of this eastern features are religions such as Buddhism, Taoism, and Confucianism. The religion of the East has determined the form of traditional costumes, affecting the costume up to now. This study aims at the investigation of the effect of religion on the formation of East Asia Traditional Costumes around Korea, China, and Japan and its figurative beauty. Study was carried out by chiefly referring to literatures. Eastern Aesthetics was formed by accepting aesthetic concepts, acquired from the idea of Three Religions. Especially, the ideas of non-duality(不二), emptiness(空), five aggregates(五蘊), mind control(心法), derived by Buddhism, and nature theory(自然論) and creationism(創造論) of Taoism, and abstinence theory(節制論) and decorum(禮法) and the principles of Yin and Yang(陰陽) of confucianism have had great effect on the aesthetics of costume. The figurative features of costume, affected by three religions are described by the factors; First, non structural feature, second, the beauty of abstinence and chastity of ample silhouette, third, the feature of natural color and achromatic color, fourth, the figurative feature of costume by the principles of Yin and Yang, and fifth, bright ornaments. The aesthetic values of the East Asia Costume are 'A Beauty of Vacancy', 'A Beauty of Concealment', 'A Beauty of Nature', and 'A Beauty of Symbolism'. As philosophy, culture, and ethnics itself, the religions of Asia have had effect on the overall culture, which is inclusive of social structure, as well as art and aesthetics, and have decided the style of costume.