• 제목/요약/키워드: Wall painting

검색결과 121건 처리시간 0.023초

진도 쌍계사 대웅전 벽화의 재질특성 및 제작기법 연구 (Study on the Characteristics of Materials and Manufacturing Techniques for the Mural Paintings in Daeunjeon at Ssanggyesa Temple, Jindo)

  • 이나라;유영경;이화수
    • 보존과학회지
    • /
    • 제37권6호
    • /
    • pp.701-711
    • /
    • 2021
  • 본 연구에서는 진도 쌍계사 대웅전 내부 벽화를 대상으로 현미경 조사, SEM-EDS, XRD, 입도분석 등을 통한 과학적 조사를 실시하여 벽화의 구조 및 재질특성을 파악하였다. 분석결과 벽체는 모래와 풍화토 등 토양을 사용하여 벽체를 제작하였으며, 초벽층, 중벽층, 그리고 마감층의 층위를 구성한 점들을 미루어 볼 때 전형적인 사찰벽화 토벽화 제작양식을 반영하고 있다. 그러나 토벽체 위에 석회로 마감층을 조성하고, 그 위에 징크 화이트를 사용하여 바탕칠한점 등의 특이점이 확인되었다. 또한 채색층의 균열 양상, 화면의 광택, 두께감 있는 붓 터치 등 유화 기법으로 제작된 회화 표면과 유사한 특징들이 관찰되었다. 연구 결과, 진도 쌍계사 대웅전 내부 벽화는 흙으로 벽체를 조성하였으나, 채색층은 건성유를 사용한 서양화 기법이 쓰인 것으로 판단되며, 이는 국내 현존하는 사찰벽화에서 유화 기법이 사용된 최초 연구 사례로 볼 수 있다.

지역별·시기별 농촌주택의 재료 및 구법 특징 변화 연구 (The changing characteristics of Material and Structure of Rural Housing in the aspect of Period and Region)

  • 배웅규;주대관;정동섭;윤용우
    • 한국산학기술학회논문지
    • /
    • 제14권12호
    • /
    • pp.6504-6513
    • /
    • 2013
  • 본 연구에서 농촌주택을 대상으로 농촌주택의 구법과 재료의 지역별 시기별 변화 특징 분석결과, 지붕형태는 팔작지붕/우진각지붕(1970)-평지붕(1980)-맞배지붕(1990), 지붕구조재료는 한식목조/간이한식목조-파라펫눈썹지붕/경사슬래브-양식목조-경량철골조, 지붕마감재료는 초가/한식기와-슬레이트-시멘트/강판-아스팔트슁글/샌드위치패널/몰탈방수, 벽체구조재는 한식목조/간이한식목조-시멘트조적조-RC조-경량철골조/양식목조, 벽체마감재료는 흘미장/회벽-치장벽돌쌓기/시멘트미장위 페인트마감-자연석치장/사이딩/타일, 담장재료는 전시기별로 돌담과 시멘트블록, 마당재료는 흙바닥, 콘크리트가 사용된 것으로 나타났다. 지역별 변화특징으로 주택구조, 지붕형태, 지붕구조재료, 벽체마감재료, 외부공간에서 담장재료와 마당재료는 북부지역, 중부지역, 남부지역별로 농촌주택 특징변화의 차이가 나타났으며, 지붕구조재료, 벽체구조재료는 지역별로 유사한 변화양상이 나타나는 것으로 분석되었다.

한국 판벽화 채색층 보존처리 고착제의 내후성 연구 (A Study on the Weathering Resistance of Fixatives Used on Conservation of Painting Layer of Korea Wooden Painting)

  • 이슬;한경순
    • 보존과학회지
    • /
    • 제34권5호
    • /
    • pp.397-405
    • /
    • 2018
  • 현재 한국 판벽화에 대한 연구는 극히 드물며 정확한 정의, 손상원인 등의 연구 또한 명확히 이루어지지 않고 있다. 따라서 판벽화 및 단청의 채색층 박리부위 고착을 위한 고착처리제의 내후성을 비교하였다. 시료는 육송 위 총 5종의 호분, 자황, 석간주, 뇌록, 삼청안료를 채색하고 아교, 우뭇가사리, Methyl cellulose, PVAc계열 고착제(Caparol binder) 총 4종의 고착제를 각각 농도 0.5%, 1.5%로 도포하여 비교하였다. 고착 보존처리 후 문화재에 발생할 수 있는 환경변화 요소인 온 습도, 자외선을 인위적으로 조사(照射)하였다. 조사 후 환경에 따른 물성 변화는 색차변화, 박리손상도 평가, 표면관찰을 통해 다각적으로 관찰하였다. 실험결과, 아교는 타 고착제들에 비해 모든 채색층이 안정적으로 고착되었으나 실외에 노출되어 있는 삼청에 사용할 시 황변이 우려되었다. 우뭇가사리는 아교와 마찬가지로 삼청은 자외선에 의한 영향을 받으나 이외에 급격한 온 습도 변화에는 타 고착제에 비해 고착력이 가장 우수했다. Methyl cellulose는 일정 이상 농도에서 광택에 유의하여야 하며 급격한 온 습도 변화에 비교적 강했으며 PVAc계열 고착제(Caparol binder)는 타 고착제들에 비해 고착성이 현저히 떨어졌다.

금산사 미륵전벽화의 손상도 평가 연구 (Estimation of Damage Degree for Mural Paintings in Maitreya Hall of Geumsan-sa Buddhist Temple, Korea)

  • 한경순
    • 보존과학회지
    • /
    • 제26권3호
    • /
    • pp.295-310
    • /
    • 2010
  • 금산사미륵전벽화는 사찰벽화에서 나타나는 손상상태 중에서도 극히 심각한 상태에 놓여있다. 이들 벽화에 대한 보존처리에 앞서 벽화의 구조, 특성, 손상유형 및 원인 등 거시적 관점에서 사전조사를 하고 그 결과에 대한 평가를 실시하였다. 손상이 가장 심한 곳은 건물의 남측으로, 채색층과 마감층의 손상이 두드러지는 것으로 조사되었다. 채색층과 마감층 일부가 도막을 형성하며 얇은 두께로 벽체로부터 박리 박락되었으며, 상태가 심한 경우는 마감층 전체가 이탈되기도 하였다. 주요 손상원인은 건물 하중으로 인한 벽체의 균열 및 파손과 과거 보존처리에 사용된 보강재의 열화로 판단된다. 채색층 및 마감층의 손상은 환경적인 요소에서 기인하는 온습도 편차, 자외선으로 인한 물리화학적 손상과 과거 적용된 합성수지 고분자물질의 기계적 물성저하로 인한 영향 등이 상호 복합적으로 작용하여 발생한 것으로 보인다. 벽체의 균열, 박락과 과거 보강부위 이탈 등의 손상은 사찰벽화와 물성이 다른 보강재료의 사용과 유럽식 이전복원 공법의 무리한 적용에서 비롯되었다고 판단된다.

국립대학교 교사 입면의 디자인 적용현황 연구 - 대구지역의 K대학을 중심으로 - (A Study on the Application of Design in the Facade of the National University - Focused on the k-National University in Deagu -)

  • 서희숙
    • 한국실내디자인학회논문집
    • /
    • 제20권3호
    • /
    • pp.22-32
    • /
    • 2011
  • The purpose of this study is on the application of the facade design of k-national university in deagu. The subjects of the study examined 75 buildings from the 117 university buildings in main campus. The analysis items is analyzed by several elements; flat and sloping roof, main entrance, design principle, style of architecture, finishing materials, and characteristics of design surveyed by analysis items. The results are as follows: In the 1950s, 2 subjects have shown conflicting characteristics except brick finishing materials. In he 1960s, flat make up 75% of a whole, centrality in main entrances occur, but have an asymmetrical, during this period vertical motif have been underlined by repetition of column, stone has application to main adminstration building. The buildings in the 1970s were so characteristics of modern architecture by painting and flat except main entrance at the center of facade. In the 1980s, position of main entrance have a corner of a wall, finishing materials of a wall were beginning to use stone, glass and metal. The buildings in the 1990s and 2000s are looking a three-dimensional composition by rhythm of superimposition and segmentation and all finishing materials of analysis items are in use.

Mortar Characteristics for Reinforcement of Ancient Tomb Murals Using Oyster Shells

  • Lee, Hwa Soo;Yu, Yeong Gyeong;Han, Kyeong Soon
    • 보존과학회지
    • /
    • 제34권4호
    • /
    • pp.295-303
    • /
    • 2018
  • The application of reinforcing agents with hydraulic property and strength development characteristics was studied under conditions similar to those of mural-painting mortar made with oyster shell powder. Reinforcement mortar made with oyster shell powder showed hydraulic properties and strength to supplement the weaknesses of natural hydraulic lime(NHL); this confirmed its possibility as a wall-reinforcing material with enough strength for preserving mural paintings. Reinforcement mortar 1 showed hydraulic property and general characteristics of lime mortar, such as consistency and viscosity, as well as lower strength and higher whiteness compared to an NHL product. For Reinforcement mortar 2, the original wall sample characteristics were reflected by mixing more shell produced through calcination; and it showed similar strength to that of Reinforcement mortar 1 as well as high whiteness. In measuring the contraction ratio of reinforcement mortar samples, Reinforcement mortar 1 and 2 showed more stability in property change compared to the NHL Group.

고구려의 염색문화 연구 (The Study of the Culture of Dyeing in Koguryo)

  • 장현주
    • 복식
    • /
    • 제56권3호
    • /
    • pp.42-56
    • /
    • 2006
  • The purpose of this study is to review the literatures and the wall paintings of the ancient tombs of Koguryo in an effort to try to understand the characteristics of the culture of dyeing in Koguryo. The research findings follow: 1. The colors that were in vogue in Koguryo are five cardinal colors (red, blue, white, black, and yellow) and compound colors, like purple and green. Those colors were used in some or all parts of the clothing and even on some parts of the body. 2. Some clothing of Koguryo as shown in the wall paintings were made with a single and solid color by dip dyeing method. But the majority of the clothing had a variety of patterns. Among the patterns, the geometrical dot pattern took the majority. 3. The dyeing techniques used in Koguryo were printing, yarn dyeing, embroidery, wax resist dyeing, drawing and painting. The development of yarn dyeing method, weaving with silk-threads dyed in various colors, enabled to produce Geum fabrics, which were used for the upper classes' clothing. 4. The esthetic features represented in the colors of Koguryo include the beauty of contrast coloring, preference for red, preference for geometrical patterns, and the harmony of yin and yang.

Post Processor Using a Fuzzy Feed Rate Generator for Multi-Axis NC Machine Tools with a Rotary Unit

  • Nagata, F.;Kusumoto, Y.;Hasebe, K.;Saito, K.;Fukumoto, M.;Watanabe, K.
    • 제어로봇시스템학회:학술대회논문집
    • /
    • 제어로봇시스템학회 2005년도 ICCAS
    • /
    • pp.438-443
    • /
    • 2005
  • Handy paint rollers with simple or no patterns are generally used to transcribe its design to a wall just after painting. However, the types of the patterns are limited to several conventional ones, so that interior planners' or decorators' demands are gradually tending to getting attractive roller designs. In order to obtain abundant kinds of the roller designs, a new advanced 3D machining method should be established for cylindrical models. In this paper, a post-processor that can generate suitable NC data is proposed for multi-axis NC machine tools with a rotary unit. The 3D machining system with the post-processor is also presented for an attractive interior decorating. The machining system allows us to easily transcribe the relief designs from on a flat model to on a cylindrical model. The effectiveness of the proposed 3D machining system using the post-processor is demonstrated through some machining experiments.

  • PDF

노후 고츨아파트의 유지관리 및 개선실태 조사 (A Study on the maintenance situation of the deteriorted high-rise apartments)

  • 주서령;이미정
    • 한국주거학회논문집
    • /
    • 제12권3호
    • /
    • pp.75-83
    • /
    • 2001
  • The deteriorted high-rise apartments make a social problem in now days. As a result, and new alternative plan for deteriorted high-rise apartments such as the remodeling concept must be considered. This study aims to develop the remodeling items which is the guide lines when remodeling of the apartment will be conducted. Thorough the case studies of maintenance and repair status of the deteriorted apartments in seoul, reasonable guidelines for selection of remodeling items were developed. Physical maintenance items includes those that need major repair activity like wall painting, water proof roof, change/repairs/implement of heating system, boiler, city gas pipelines, cold and hot water pipes, elevators, cleaning of water tanks. The period of repair is shorter than the durable year of law or codes. As a result of the study, basic maintenance items and actual repair period were proposed. This result will be the basic guidelines for remodeling items.

  • PDF

신라복식과 위구르복식의 관계 연구 (The Comparative Study of Costume and Ornaments between Shilla and Uighur)

  • 한윤숙
    • 복식
    • /
    • 제24권
    • /
    • pp.15-28
    • /
    • 1995
  • This thesis focuses on the study of costume and ornaments of Shilla which had been severely affected by Uighur, and those of Uighur in Uighur self-governing district located in Shin Kang. East Turkestan, in Centrals Asia. This study aims to identifty the way of intergration of Uighur's costume and ornaments into Shilla, and orgins of Shill's costume and ornaments which had amix of internationl elelemnts thoursh cross exchanges, by comparing the differences between the two, and at the same time to clarify the pedigree of Korean costume and ornaments which are said to be udner a severe Chinese influence, by highlingting its uniqueness and originality . The result of the study demonstrates and originality of SHilla by melting foreign cultures into its own style in the process of accepting them. This means that the Shilla has recreated them in t도 form of simplification, and added naturalistic abstratness which is an element of Norther culture. The costume and ornaments are divided into coronets men's costuem, women's costume, and accessories 1. Coroncts A horse-riding man, and the costume type of 유고제 착유지체형 tell the Northern culture's influence on 백화수피기마인물채화담립 and patterns of a lotus flowr and arabesque show the 백화수피기마인물채색답립 has an influence of Buddhism with cluture of bordering countries of Western China , The origin of 뱍회수피제안형건(원정형, 방정형) lies in Northern cultures which can be found in ancient tombs of the Huns in noin-Ila , and stone caves of Jizil in Kochang. The wall paintings in Alexandropol, Murutuk and 돈황 No. 409 cave show that 초화형입식계금관 is under the influence of Northern culture, and Bezerkrick No, 25 cave and 회 번 in Kocho also show 수목녹각형입식관 is under the influence of Northern culture, with its origin in Novecherkaask. In this regard, the transformed coroncts of Shilla has shows a blended culture of Shilla with Nothern, Chinese, and Western cultures. 2. Men's Costume 반령포 derives from cultures of bordering countries of Western China centering around Uighur and Turkey. 연주문 in Uighur prince's costume and in Uighur paintings of Central Asia were reflected into the arts of Shilla in a direct way, and the motive of Uighur was deviatelly expressed at Shilla's arts in the form of simplicity , and naturalistic abstract paintings as in shown at 입수쌍조문 in tiles and brick. Along with this , 고착지체형 costume originates from Eurasia's Northern horseriding costumes as was shown in a golden man in B.C.4-5C which is now possessed by Kazakstan Republic Academy Archelogy Center Museum, and a golden figure from Skitai ancient caves, an the origin is carried away into wall paintings of Kizil No.14. cave in 8c and Astana's early period ancient tomb. No.6. 3. Women's Costume The hair styles of Shilla people are either 변발 or up -style with a lot of hair around it whose origin can be seen in Astana No.216 and No.187 caves of Kochang and Uighur's wall paintings of royal princess's hair style. Astana's middle period No. 206 and No.230 tombs reveal the its origin of 고착장군 while Astana early period No. 6 tomb shows that of 광유풍만형. 4. Accessories The earrings with small golden beads is seen at earring of figure holding a sword in wall painting of figure holding a sword in wall painting of Kizil in about 5 C. and those of a offering people in Sorchuk wall paintings. The earrings with small golden beads originates from a golden pendant of Shivargan, Afganistan, and golden pendants and other golden and metal accessories from Chrioba ancient tombs in Skiti Critia peninsula. Shilla's costume derives from the costume style of horse-ridding man, which proves the fact that Shilla people are horse-ridding peoplewith excellent horse-ridding techniques, and traditions. The people of Shilla are from horse-ridding people of local mounted momads in Northern part of Siberia steppe and this origin of Northern culture had been carried into Uighur in East Turkestan. At the same time , Shilla has a wealth and power since it was rich in gold and iron , thus producing lots of materials made of them. The results of this study emphasizes Shilla's identity and self-control by creating an independent an innovative heterogeneous culture since Shill's active exchanges with East Asia allowed it to accept the most civilized Uighur culture in East Turkestan among Altai languate which had frequent cross contacts with India and Europe.

  • PDF