• 패션비즈니스
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• 제10권4호
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• pp.151-162
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• 2006

This study investigated into the effects of the colors of warp and weft on the overall colors of fabrics, along with the visual changes of colors by the measuring angle of both warp and weft, by means of cross-dyeing of cotton/PET union fabrics. First, the reflectance of polyester is higher than that of cotton over the whole wavelength. Second, the dyeing of polyester uses the disperse dyes and that of cotton uses fiber-reactive dyes, the differences in the features of dyes and the reflectance of fabrics cause the same colors to be perceived different by the angle of observation. Third, the dyeing of cotton and PET fabrics individually with the same color revealed that the dyeing of cotton and PET fabrics in one bath resulted in a small difference in colors between the two fabrics than the separate dyeing in two bathes. In the case of one bath, the dyeing of PET fabrics followed by that of cotton fabrics resulted in a small difference in color than the dyeing in the reversed order. Fourth, when cotton/PET union fabrics were dyed in ten colors, the difference in colors between the two fabrics was small; and due to the difference in the density of warp and weft of union fabrics, some difference was detected in comparison with the results of separate dyeing of cotton and PET fabrics in one bath. The latter did not produce the changes in color which was recognizable with the naked eyes. Fifth, when cotton/PET union fabrics were dyed in ten colors, any color change was not observed by the measuring angle, and the inclination in the direction of warp or weft resulted in the tendency of color-deepening. In the measurement of the latter, the inclination in the direction of weft resulted in the higher color-deepening than that in the direction of warp, due to the influence of weft.

• 패션비즈니스
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• 제11권1호
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• pp.15-25
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• 2007

As a part of the study for the materials development of compound feelings, therefore, this study investigated into the effects of the colors of warp and weft on the overall colors of fabrics, along with the visual changes of colors by the measuring angle of both warp and weft, by means of cross-dyeing of cotton/PET union fabrics. First, the dyeing of cotton and PET fabrics individually with the same color, the dyeing of PET fabrics followed by that of cotton fabrics resulted in a small difference in color than the dyeing in the reversed order. Second, in the case of the dyeing of cotton/PET union fabrics with the color of one fiber fixed and that of the other in ten colors, the color of cotton fiber, which is warp, gave much influence. In addition, the color change was remarkable among complementary colors, while it was negligible among adjacent colors. Third, in the case of dyeing of cotton/PET union fabrics with the color of one fiber fixed and that of the other in ten colors, the results were different by the measuring angle. When PET was fixed in green and cotton was dyed in ten colors, color-deepening was observed by the inclination in the direction of warp and weft without the dominance over all colors like cotton. When cotton was dyed in red and PET in ten colors, the color of PET appeared dimly in the horizontal case by the direction of the light, and red appeared as inclined in the direction of warp and weft. This is because of the dominance of cotton color over the overall color, since the density of cotton fiber, the warp of union fabrics, is higher than that of PET, the weft. Thus, this is to be considered in the selection of the warp's color. In view of the above results, the color changes are outstanding when the color of warp dominates the overall color and when the colors of warp and weft are complementary, in comparison with the case when the colors are adjacent. The colors also change by the measuring angle.

• 복식문화연구
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• 제15권2호
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• pp.214-220
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• 2007

The purpose of this study is to derive the use of the luminous source corresponding to the intention and contribute to product display by visually evaluating the relations between luminous source and colors, analyzing and reviewing the subjective perceptions depending on the luminous source, and clarifying the colors of artificial luminous source that look close to natural lights by each color. Hence, the researcher objectified the subjective evaluation for which they used sensory evaluation method with four colors of luminous sources(natural colors, 2800K, 4200K, and 6500K) and five colors of textiles(purple, blue, green, yellow, and red) by quantifying the evaluation. As a result, we could obtain the conclusion as follows. As for the temperature of textile colors under artificial luminous sources that appeared most close to the colors of textiles under natural luminous sources, 6500K was most frequent, and the temperature of the luminous sources that appeared most different was 2800K. However, as there were also 4200K colors that looked most close to the textile colors under natural light source, it was observed that the temperature differs depending on the textile colors. In addition, less glossy textiles exhibited more visual changes by luminous source colors than comparatively more glossy textiles, and it was observed that the most influenced color was purple, as purple has shown the largest difference among colors.

• 대한가정학회지
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• 제48권5호
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• pp.17-24
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• 2010

Although design, color, and material are important elements in stage costumes, stage lightning also plays significant role in the presentation of stage costumes. Costumes color, material and perception can be significantly influenced by visual effects. Stage illumination can be arranged or managed so that colors are closely related to or enhanced or change the effects of costume colors on the runway or display at specific times. The results of this thesis are as follow; 1) Fabric tone, name, brightness, and chroma of colors were changed by the colors of stage lighting. 2) An achromatic color was changed to a chromatic color after being combined with colors of stage lighting. 3) Stage illuminations can make fabric, colors look similar to stage colors. 4) Plain satin silk fabric which reflects light shows high brightness and chroma after being influenced by stage lighting its shining effects and color changes were clear and apparent. 5) Velvet pile fabric which absorbs light shows low brightness and chroma after being influenced by stage lightning its shining effects and changes of colors were not clear and apparent. In conclusion, natural lights did not significantly influence fabric colors and perception, while artificial lights had wide range of effects on fabric colors and perception.

• 한국의류산업학회지
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• 제9권6호
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• pp.581-588
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• 2007

The purposes of this study are to look into the formative characteristics of the miniskirt and to evaluate the visual effects and images according to changes in the silhouette and length of the miniskirt from analyzing the mini skirt style shown in 2007 S/S domestic fashion. The miniskirt style shown in 2007 S/S domestic fashion was analyzed with pictures from a fashion website "Interfashion Planning" from Feb. to May of 2007. As a result, the basic lines of the miniskirt are classified into two types according to the side line. The lengths of miniskirts are classified into five steps of 25 cm, 27.5 cm, 30 cm, 32.5 cm, and 35 cm from the natural waistline. The stimuli were produced with imaginative sewing system 3D CAD of i-design series. For the visual evaluation according to changes in the silhouettes and length of the miniskirt, we used 13 pairs of items to find the visual effects, and 23 pairs of adjectives to measure the visual images. The stimuli and adjectives were randomly given to the evaluators and were evaluated by the 7-point likert type scale. Data we got from this experiment was analyzed statistically by using the SPSS 12.0 and practiced the Factor Analysis and Correlation Analysis. Formative characteristics of miniskirts can be found in the lines, colors, and materials that are the elements of fashion designs, colors and materials are the characteristics of the cloth that is the medium of the expression of designs. The result of factor analysis of visual effects and visual images according to changes in the silhouettes and lengths of miniskirts, the visual effect was composed of the three factors of the length of the lower body, the thickness of the lower body, and the shape abdomen and it was showed that these three factors occupied 63.6% of the total variance. The visual image was composed of four factors of elegance, personality, attraction, maturity and these four factors got 67.6% of the total variance.

• 한국콘텐츠학회논문지
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• 제9권4호
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• pp.162-171
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• 2009

영상 제작에 있어 내러티브에 적합한 연출은 관객에게 스토리를 전달하기 위한 중요한 수단이다. 특히 색채는 내러티브에 맞는 분위기 연출과 정서설정에 중요한 요소로써 영상 미학 및 제작에서 핵심적인 역할을 하고 있다. 3D애니메이션의 경우 컴퓨터를 통한 색채 구현의 자유도가 크기 때문에, 일반 영상 제작시 보다 그 중요성이 더욱 크다고 할 수 있다. 본 논문에서는 내러티브와 색채와의 상관관계에 관한 연구를 통해, 극의 긴장 고저에 따른 색채변화 및 정서와 색채의 밀접한 연관성에 관하여 연구하였다.

• 한국주거학회논문집
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• 제17권3호
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• pp.123-131
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• 2006

This study examined types and color conditions of street views through relationship of high-storied apartment house to street components which has great visual influence on urban street view and requires harmony with street environment as background factor and conducted positive experiment with high-storied apartment houses located at housing site development districts in Gwangju Metropolitan City since 1990s in order to set applicable color ranges in designing external colors of high-storied apartment houses which became background of street view by types. Consequently, in image changes of four factors of main colors in classified street types, P, RP, R and YR colors showed high average values in naturalness, harmony and unity and GY, G, BG and B colors showed dichotomy with low average value, but image of personality showed generally low average value. RP, R and YR colors showed higher adaptability and GY, G and BG colors showed lower adaptability. It was confirmed that according to adaptability of main colors used in high-storied apartment houses by street types, there was difference of appropriate color range in street components and external colors of high-storied apartment houses by street types.

• 한국과학예술포럼
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• 제23권
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• pp.347-358
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• 2016

본 연구의 배경 및 목적은 다음과 같다. 어린이병원은 색채에 대한 디자인 의존도가 높으며, 성인과 어린이가 함께 이용하는 공간으로써 이용자 특성을 고려한 색채계획이 요구된다. 이용자의 만족도를 향상시키기 위하여 선호도 조사를 통한 연구가 실시되어 왔다. 이러한 연구결과는 심미적 측면에서 이용자에게 만족감은 제공할 수 있지만, 선호된 색채로 구성된 공간이 이용자들의 인지적 측면에서 주목성을 높여준다는 근거 자료를 제시하는 데는 한계가 있다. 이러한 문제를 보완하기 위한 공간에서의 색채 지각에 대한 연구는 부족한 실정이다. 이와 같은 필요성에 따라 시선추적실험을 통해 어린이병원 로비공간에서 선호 색채가 시지각 주의집중에 미친 영향을 파악하고자 하였다. 본 연구의 연구방법 및 내용, 그 결과는 다음과 같다. 첫째, 성인과 어린이를 대상으로 각각 선호하는 이미지 1장씩을 실험이미지로 선정하였다. 둘째, 피험자 그룹을 성인과 어린이로 구성하고 선정된 2가지 이미지에 대한 시선추적 실험을 실시하였다. 셋째, 실험을 통해 얻은 주시데이터를 토대로 구역별 주시분포 결과를 분석하여 다음과 같은 결론을 도출하였다. 첫째, 성인과 어린이는 각 그룹별로 선호하는 색채로 구성된 공간이미지에 시지각 주의집중이 높았다. 둘째, 주의집중의 정도에 따라 중앙에서 상부로, 이어서 좌·우측과 하부로 변화하며 외곽부에는 주의집중이 거의 발생하지 않았다. 셋째, 어린이는 성인에 비하여 공간을 탐색할 때 주의집중도가 빨리 하락하였다. 본 연구는 성인과 어린이의 색채 환경에 대한 지각 특성의 차이를 시선추적실험으로 분석하여, 색채디자인 분야와 인지과학 분야와의 융복합적 연구를 통해보다 과학과 예술의 다학제적 연구활동의 가능성을 제시하였다. 향후 연구는 색채에 대한 시지각 특성을 보다 면밀하게 분석하기 위하여 색채가 적용된 공간요소별로 세분화하여 분석하는 것이 필요할 것이다.

• 정보처리학회논문지B
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• 제11B권1호
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• pp.21-26
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• 2004

칼라 양자화는 칼라 카메라로부터 입력된 자연 색의 칼라 영상을 컴퓨터 모니터에 표현하기 위해 더 적은 칼라 팔레트로 구성하는 것이다. 이것은 자연색 중에서 인간이 인식한 수 있는 색은 수 백가지 정도일 뿐 아니라 실제 칼라 영상에 나타나는 색은 이 보다는 훨씬 적다는 것을 바탕으로 한다. 본 논문에서는 인간의 시각 특성중 공간 지각 특성을 고려한 개선된 고유벡터를 이용한 이진 트리 벡터양자화 기법을 제안한다. 제안 방법은 고유벡터를 이용한 이진 트리 벡터 양자화의 두 노드로 분할하는 과정에 영상의 블록 내의 칼라의 변화에 따른 인간의 시각의 반응 정도를 가중피로 결합하여 양자화를 하였다. 제안 방법은 기존의 방법보다 색상이 선명해지며 유사한 영역의 분한에 뛰어난 성능을 보여 주었으며 주관적인 화질 평가와 PSNR에서도 좋은 결과를 보였다.

• 한국실내디자인학회논문집
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• 제22권4호
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• pp.167-177
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• 2013

The environmental considerations should be taken into full consideration in order to make the use of ground space as comfort and efficient as that of ground space. The visual environmental factors which provide visual informations in underground spaces where the environmental information can be acquired only by the surroundings expand their role as affordance for wayfinding. This study focuses on the visual performance evaluation of wayfinding factors on the subway transfer station platform and aisle as major space for movement in four subway transfe stations and analyzes the material, pattern, color, and lighting provided by the visual environment in underground space as directional marked label, regional differentiation and sign system. The results of this study comes are as follows. First, As to the directional marked label at the subway platform and transfer aisle, following patterns are colors, finishing materials and lighting for the sake of safety and convenience, And regional differentiation, following colors are patterns for the space division. Finally sign system which practically provides the most information, however, it is most insufficient to be a space-preception element. Second, According to the type of platform structures, such as an island platform and a separate platform, the main areas of and necessity for the space-perception elements may bring about changes. Third, these four stations that has been analyzed for this study, lighting, compared with color, finishing material and pattern, has been highly insufficient to be a perception element.