• 제목/요약/키워드: Trend color

검색결과 625건 처리시간 0.027초

복식에 표현된 청색 이미지의 고찰 (Study on the Image of Blue in Apparel Design)

  • 강병희;김영인
    • 디자인학연구
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    • 18호
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    • pp.87-96
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    • 1996
  • 본 연구에서는 청색을 대상으로 하여, 청색이 전달하는 이미지의 색채표현 특성을 파악한 후, 색채관련 문헌자료의 고찰을 통하여 상징적 측면에서 청색이미지를 분류하였다. 또한, 20세기 이후의 복식 룩(look)을 중심으로 하여 복식에 나타난 청색이미지를 고찰하였고 국내 의류제품에 사용된 청색의 색채경향을 파악하여 복식에 주로 사용된 청색과 그 이미지를 분류하였다. 연구결과, 청색은 한색, 후퇴 색, 진정 색이라는 청색의 색채표현 특성에 의하여 긍정적인 이미지로서는 신성함, 고귀함, 무한함, 정신, 낭만, 깨끗함, 차가움의 이미지를 전달하였고 부정적인 이미지로 우울함, 반항, 악마 등의 이미지를 전달하였다. 현대 서구 여성복식에서는 회색 띤 색조를 제외한 다양한 청색 조가 사용된 것으로 나타났으며, 특히 복식에서는 클래식 룩과, 워크웨어 룩, 밀리터리 룩, 마린 룩 등에서 어두운 청색이 주요한 이미지 요소로 작용하여 전통적인, 보수적인, 남성적인, 딱딱한, 절제된 이미지를 나타내거나 흰색과 배색되어 산뜻한 이미지를 나타내었다. 최근 국내 의류제품에 사용된 청색의 색채경향 분석결과에서는 보라 띤 청색의 주로 연하거나 어두운 색조가 많이 사용되는 것으로 파악되었다. '97/'98 F/W까지의 유행 예측 색으로서의 청색에서는 녹색 띤 청색과 보라 띤 청색의 연하고 밝고, 탁한 색조가 제시된 것으로 나타났다.

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A Study on the Modern Fashion Design Applying Light and Rays -Focused on Italian Futurism and Russian Rayonism -

  • Park, Yoon-Jeong;Yang, Sook-Hee
    • The International Journal of Costume Culture
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    • 제3권3호
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    • pp.212-222
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    • 2000
  • This study intends to observe how the essential elements of art have changed Human's sense of beauty extending over the whole lives as well as fashion through the investigation of Light and Rays which have played a important role in giving birthe to the new trend of art within the upheaval age of various cultures. The peculiarities of which Futurism of Italy and Rayonism of Russia including Impressionism have a great role in giving birth to a new trend of art by means of the development of science technology are like these. Impressionists looked for the origin of the subtle harmony in nature within changes of sun-rays. The special feature of Impressionism paintings was to express the line of vision diversely according to changes of light rather than to focus on the line of vision with clear outlines. Henceforth, Neo-Impressionism which developed Impressionism more systematically leaded changes of Light and Rays more systematically and scientifically and maintained Divisionnisme techniques which extends to lead towards color and light through dividing and juxtaposing color. In the early 20th century Futurists tried to express dynamism through the interpenetration of light and revive color and light through the division techniques of color and persist an artificial light like eletricity rather than a natural light. Rayonism of Russia which was ifluenced from Impressionism and Futurism maintained intersection of reflecting rays which emerges from an object of things more deeply. This pursuit of light and rays also light and rays also appears as it is in modern fashion. First, it is the fashion which applied sun-rays persisted by Impressionists and expressed colors which show differently according to direction of light. Second, it is the fashion design which re-analyzed what Futurists expressed artificial light and rays. Third, it is the design which expressed Divisionnisme theory persisted by Impressionists and Futurists into fashion as it is and was made of being divided the form of glittering light into small dots. Fourth, it is the fashion design which applied Rayonists'work which applied intersection of reflected rays. Like this, it is aproved that the pursuit of light and rays expresses as it is in modern fashion of the 21st.

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색채기획을 위한 패션 라이프스타일 유형 분류와 선호색 연구 (Study on the classification of fashion lifestyle types and preferred colors for color planning)

  • 신남진;이금희
    • 복식문화연구
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    • 제24권5호
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    • pp.531-543
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    • 2016
  • The purpose of this study is to classify fashion lifestyle types for color planning and to propose color planning of spring & summer by fashion lifestyle by analyzing preferred colors by fashion lifestyle type. The survey was conducted on women between the ages of 30 and 59 using a separately prepared questionnaire and color sample table and also through one-on-one interviews. The results of this study are as follows. First, the participants' fashion lifestyles were divided into three categories: information individuality type, display type, and practicality type. Second, regarding basic colors: the basic color consistently used for a long time, it was found that there were significant differences in preferred hue and tone according to the types of fashion lifestyles. Specifically, the most preferred hue of all the fashion lifestyle types was achromatic color N and the most preferred tone was V. Third, regarding color trends: the trendy color occupying a market transiently, there were significant differences in preferred hue and preferred tone according to the types of fashion lifestyle. The most preferred hue of all the fashion lifestyle types was B. The most preferred tone of the information individuality type and the display type was V, and that of the practicality type was B. The study found that, in color planning, fashion lifestyles can function as an effective tool to subdivide consumers. Based on the empirical results of this study, I propose that color planning should be based on the type of fashion lifestyle.

한국 영화와 TV드라마 전통복식에 나타난 색 이미지와 상징성 (Color Images and Symbolism of Traditional Dress in Korean Films and TV Dramas Set)

  • 김영인;전여선
    • 복식
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    • 제58권2호
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    • pp.34-47
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    • 2008
  • Recently, as popular interest in costumes in Korean films and TV dramas has increased, traditional dress in works has re-evaluated with modern perspective of the Western color system. The results of this study can be summarized as follows. First, the traditional dress for women appeared in works after the 2000s has shown features similar in the use of red has appeared high. The high frequency of brown and pink, orange and purple used main colors in Western works. Also, what is the most prominent is the high frequency of use of achromatic colors. Second, the color harmonies of the East and the West have been done through color arrangement. The structure with more than 2-colors has been gradually changing into single or 2-colors, which give simple images to people. Third, in order to portray characters' diverse and psychological situations, Korean works have expressed the symbolisms of colors from the Western perspective. Though red symbolizes theory of Yin-Yang and Five-Elements, passion and authority since 2000 have used red to make main images. Also, pink is used as softness and pure images. Though works before the 2000s showed low frequency of the brown. The achromatic color that it has been applied to various parts. Recently black has been developing into a color symbolizing themes. Given the results from this study, it could be expected in future that the categories of color domains will be gradually extended as it is a trend for the traditional dress to escape from primary colors. On the other hand, achromatic colors that minimal and modern sensibility as well as basic color in fashion, especially the black, will increasingly extend ranges of utility or show a tendency of resolute changes.

현대 패션에 표현된 오르피즘 특성 (A Study on the Orphism Expression Effect in Contemporary Fashion)

  • 권진
    • 한국의상디자인학회지
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    • 제25권3호
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    • pp.97-111
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    • 2023
  • Dynamic orphism images expressed with abstraction and construction in color are often found in modern fashion. Orphism stressing color is one of the many art trends that influence fashion. This work aims to examin its expressive effects and characteristics that appear in fashion and provide basic materials for fashion design study. This study proceeds with the following steps. First, the study takes on a theoretical examination of the orphism trend using a literature review. Second, based on its results, modern fashion's expressive features influenced by orphism are analyzed. Third, the study draws expression effects in modern fashion from these characteristics. The study coverage is confined to domestic and foreign collections released in the 21st century. The study contents come from an Internet-base domestic and international database and published material, including dissertations and books. Orphism expression effects are found in the following ways in modern fashion. First, it lies in the abstraction effect of color. This feature arrays flat geometric figure on the clothing surface and applies a strong sense of color inside it, as if color has an abstractive structured design. Second, it gives a dynamic sense visually to the clothes all at once by stressing the relation among and between the colors with powerful contrast. Third, it has a collage effect of color. This effect develops into an organic combination composed of geometric plane figures with intense complementary colors in a single piece of clothing. Expression types that presents the orphism effect in fashion are divided into clothing showing traditional orphism characteristics faithfully and clothing expressing conventional orphism characteristics mixed with modern trends. Further developed orphism fashion can be classified by the playful type, with graffiti added onto an orphism color structure, and the destructive type, where traditional orphism color orders are taken apart and reformed into a new color order.

증권회사 브랜드에 있어 투자자의 투자성향과 기업의 컬러마케팅의 인과관계 분석 연구 (A study of the influence of investment tendency on the color marketing of securities company's brand)

  • 이상훈;김준교
    • 감성과학
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    • 제11권4호
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    • pp.599-612
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    • 2008
  • 오늘날 금융 산업은 개방화와 자율화에 따른 외국금융브랜드의 진출 및 증가, 다양한 금융브랜드의 신설 등으로 급속도로 변화하고 있다. 이러한 변화의 추세 속에서 기업들은 점차 자사의 브랜드 차별화를 위해 다양한 마케팅 방법을 동원하고 있다. 그 중 최근의 금융 브랜드에서 사용하는 '컬러마케팅'은 중요한 브랜드 차별화 요소로 인식되고 있다. 그러나 일부 브랜드를 제외하고 기업의 경영성향을 내포한 브랜드의 컬러마케팅과 투자자의 투자성향에 근거한 컬러선호가 상이함이 있다고 보여진다. 이는 커뮤니케이션의 목적인 브랜드이미지 문제와도 관계가 있을 것이라고 생각된다. 따라서 본 연구는 기업과 고객 간의 효율적인 커뮤니케이션 방안을 제시하기 위해 현재 증권회사들의 브랜드 컬러마케팅과 개인금융 투자자의 투자성향 선호컬러의 상관관계에 대해서 확인해 보고자 하였다. 롤랑 바르트의 컬러의 기호학적 의미해석과 실제 투자자들의 투자성향별 집단의 선호컬러와는 차이가 있음이 확인해 볼 수 있었다. 즉, 공격적인 투자성향을 가진 투자자의 경우 열정적이며 적극성을 상징하는 적색이나 주황의 강렬한 컬러를 선호할 것으로 예상 하였으나 분석 결과 뜻밖에도 의외의 컬러를 선호하는 것으로 알 수 있었다. 이러한 분석들을 토대로 증권사의 경영성향과 투자자의 컬러성향과의 관계를 보다 면밀히 조사하고 체계화하는 과정의 일환으로 본 연구 결과는 향후 맞이하게 될 자본시장통합법에 따른 시장개방에서 금융브랜드와 고객과의 커뮤니케이션 수단의 기초적인 연구 자료가 될 수 있기를 기대한다.

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Acceptance Level of Forecasted Fashion Trends by National Brand Casual Wear in the Late of 1990s

  • Lee, Woon-Hyun;Hwang, Choon-Sup
    • The International Journal of Costume Culture
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    • 제4권3호
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    • pp.229-240
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    • 2001
  • The purpose of the present study was to analyze the acceptance level of forecasted information of casual wear in tate 1990s in Korea and the way of utilizing fashion trends information by casual wear industries. The Present study was implemented by content analysis and descriptive survey using questionnaire and interview. Trends information in fashion journals published by fashion institute and articles in daily newspapers were analyzed in terms of fashion image, color, fabric, and silhouette. The data collected from questionnaire and interview with 113 fashion specialists were analyzed through frequency, percentage. The results indicated that among the forecasted information regarding fashion image, romantic and feminine images showed a high level of acceptance to national brand women's casual wear in the late 1990s, while mannish image showed a low level of acceptance. For men's casual wear in the same time period, androgynous trends appeared most frequently, not only in forecasted information, but also in actual trend. it was forecasted that yellow, white, and gray would be in trend and those colors appeared frequently in actual trend. On the other hand pastel tone appeared much more frequently than forecasted. Natural, thin - transparent (S/S) and stretch fabrics (F/W) were in actual trend as it was forecasted. Fit and Pare (woman), and long and slim (man) silhouettes were in actual trend as if was forecasted, but barrel silhouette appeared only in forecasted information. Most of the information forecasting fashion trends for next season were applied to the product planning of the season, right after the information comes out.

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The effect of repeated firings on the color change of dental ceramics using different glazing methods

  • Yilmaz, Kerem;Gonuldas, Fehmi;Ozturk, Caner
    • The Journal of Advanced Prosthodontics
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    • 제6권6호
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    • pp.427-433
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    • 2014
  • PURPOSE. Surface color is one of the main criteria to obtain an ideal esthetic. Many factors such as the type of the material, surface specifications, number of firings, firing temperature and thickness of the porcelain are all important to provide an unchanged surface color in dental ceramics. The aim of this study was to evaluate the color changes in dental ceramics according to the material type and glazing methods, during the multiple firings. MATERIALS AND METHODS. Three different types of dental ceramics (IPS Classical metal ceramic, Empress Esthetic and Empress 2 ceramics) were used in the study. Porcelains were evaluated under five main groups according to glaze and natural glaze methods. Color changes (${\Delta}E$) and changes in color parameters (${\Delta}L$, ${\Delta}a$, ${\Delta}b$) were determined using colorimeter during the control, the first, third, fifth, and seventh firings. The statistical analysis of the results was performed using ANOVA and Tukey test. RESULTS. The color changes which occurred upon material-method-firing interaction were statistically significant (P<.05). ${\Delta}E$, ${\Delta}L$, ${\Delta}a$ and ${\Delta}b$ values also demonstrated a negative trend. The MC-G group was less affected in terms of color changes compared to other groups. In all-ceramic specimens, the surface color was significantly affected by multiple firings. CONCLUSION. Firing detrimentally affected the structure of the porcelain surface and hence caused fading of the color and prominence of yellow and red characters. Compressible all-ceramics were remarkably affected by repeated firings due to their crystalline structure.

중국포스터디자인 나타난 Red Color에 대한 연구 (China poster design in the study of Red Color)

  • 김강;오치규
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2008년도 춘계 종합학술대회 논문집
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    • pp.187-190
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    • 2008
  • 예로부터 중국에서는 Red Color를 선호하여왔으며, 이는 원시적인 태양숭배에 대한 고귀함, 순결함, 정직함, 흥망성쇠, 성공, 행복, 길함(吉), 경사로움 등의 상징으로 대대로 전해 내려온 것이다. 본 논문에서는 중국역사로부터 현대에 이르기까지 중국 포스터디자인에 표현되어진 전달대상에게 중국이라는 이미지를 강하게 나타나고 중국문화라는 것을 인식하게 되는 Red Color에 대한 분석이다. 20세기 중반부터 중국포스터에 나타난 Red Color는 당시 객관적인 영향으로 정치적 의미를 지닌 컬러로 변모 하였지만 오늘날에 와서는 글로벌화의 영향으로 다시금 중국 5000년의 문화를 대표하는 컬러로 재 표현되고 있음을 알 수 있다. 날로 발전하는 중국포스터디자인에서 Red Color가 세계인의 의식에 반영됨으로써 전달대상에게 중국이라는 이미지를 전달하는 매개체로 자리 잡고 있다. 이러한 Red Color에 대한 분석을 통하여 새로운 포스터디자인의 의미를 새기고자 한다.

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Measurment of Copper Concentration in ACQ, CUAZ, and CB-HDO Solutions by Using a Spectrophotometer

  • Ra, Jong-Bum
    • Journal of the Korean Wood Science and Technology
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    • 제38권5호
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    • pp.450-456
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    • 2010
  • This research was performed to develop the simple techniques to predict the copper concentration in alkaline copper quat (ACQ), copper azole (CUAZ), and bis-(N-cyclohexyl-diazeniumdioxy)-copper (CB-HDO) solutions. Two simple methods measuring the color due to copper compounds were evaluated by using a spectrophotometer. One is to directly measure the color of the preservative solutions. The other is to measure the color developed on the surface of a treated sample with the preservatives. The $L^*$ of the measured color values appeared to be the most sensitive to the change of copper concentration. The $a^*$ values of the preservative solutions tended to be decreased at above a certain concentration condition, and the $b^*$ values showed no trend with the concentration of copper compounds in preservative solutions. The surface color of the treated samples were changed from bluish to greenish as time passed. Both methods showed the high $R^2$ values of the regression models determined by using the lightness, which suggested that the methods might be applicable in preservative-treatment mills for the easy and fast prediction of the copper concentration.