• 한국실내디자인학회논문집
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• 제17권1호
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• pp.30-38
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• 2008

Borrowed landscape is an Oriental gardening method to draw inside external natural landscape, and borrowed landscape of Japan has a different characteristic from that of Korea or China nature is manipulated and re-interpreted by human will in the course of applying it to architectural space. In other words, not the original scenery, but manipulated one appears which is cut, reduced, or deleted by architectural elements such as wall, window, or fence. Therefore, this study examined how architectural structure of Ando Tadao symbolizing modernist architecture understood and adopted Japanese traditional views on nature, that is, borrowed landscape. To this end, on the basis of the understanding on 'polymerization of abstraction and form' he mentioned, his geometric architectural principles are discussed, since this serves to be an important beginning of architectural concretization by the concept of 'form' experienced and perceived by human being through geometric means called architecture 'abstraction.' The findings of this study are as follows: first, it was found that Ando Tadao generates borrowed landscape effects by polymerizing and manipulating his simple and geometric structures with each other and thereby editing natural scenery, while Japanese traditional borrowed landscape introduces source scenery inside, through condensation and symbolization. Second, the results of this study revealed that his architecture functions to transcend external and internal realm of a space, which is also observed in Japanese traditional architectural borrowed landscape. Therefore, this study is considered significant in the sense that it proved that Ando Tadao's architectural language is based on borrowed landscape as a specific Japanese traditional element, going beyond the scope of previous studies focusing simply on the introduction of natural elements.

• 한국조경학회지
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• 제20권2호
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• pp.62-75
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• 1992

To investigate the traditiional gaden style of Sang ju Districts, 5 renown houses of noble family in Lee Dynasty were chosen to surey the environmental landscape and characteristics inner and outer space. 1. Traditional houses were located in natural environments based on topography(pung su-ji ri : forming philosophy of Taoism Buddbism and Korean native Sharmanism) which were reflected the 5 Elements of positive and Negative(Yin and Yang 5 Elements) 2. The formation of space is made of oblong by fence arrangement of dwelling housos has An Chae and Sa Rang Chae, and inner court of Anchae has style of oblong, and outer court of Sa Rang Chae has style of sililar oblong. Inner court is closed and outer is half opened. 3. Flow planning is straight and blique line because arrangement of dwelling houses is formed by theory of Dong-Suh Sa Taek(東西四宅), the flowing is complicated and connected from gate to room of An Chae. 4. Character of garden have simple neat whereas vegetable yard, green shade tree, and fruit trees have. Houses were built with their natural environments and streams in order to borrow landscaping in Sa Rang Chae. Specially they were not built pond. 5. Houses has one or two vegetable yard along inner and outer space and are seen as mixed planting more deciduous trees than evergreen trees.

• 한국주거학회논문집
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• 제13권3호
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• pp.61-69
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• 2002

This research is to analyze the spatial organization of a traditional rural community and its characteristics, the case of Hanbam village located in the north of Daegu city. The conclusions of this study are as follows; 1. The difference between private space and public space in the residential area of Hanbam village is obvious, and these two spaces are organically related each other by means of road. These spaces have some spatial characteristics of organization, such as center, hierarchy and sequence. 2. The private space consists of a residence module and a farming area in the settlement, and it is clearly farmed by the firm fence of rocks and by surrounding roads. Fruit-bearing trees such as Pyrus pyrifolia, Cornus officinalis, Diospyros kaki, Juglans sinensis are planted at the boundary. And most of residences are composed of a building, a inner court and farming fields. 3. The public space for the community mainly functions as ‘a meeting place’for residents, and consists of recreational spaces, ceremonial spaces, community facilities, and social facilities. Among these, Jeong-ja(pavilion), Seong-an Soop(forest) and Dae-chong(building for common use) are of great cultural value as important traditional spaces. 4. Two kinds of road are commonly fecund in the village; spontaneously generated one and planned one. This is straight inner streets and access paths to the village, and that is curvilinear alleys which are connected to Dae-chong, the core of village. Also stone walls and climbing plants on them are major elements of village landscape.

• 한국수학교육학회지시리즈D:수학교육연구
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• 제9권3호
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• pp.275-284
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• 2005

Tessellations are the pattern of iterations of geometric symmetry and translation. We can find them in the works of Escher who is the famous Dutch artist, and the American Indean life. Also, we can find the beauty of tessellations in the Korean traditional house door, Buddist temple architecture, palace's fence, etc. In the article, the figures of patterns we present are bird, fish, cat, pig, elephant, penguin, child and horse riding man, including Escher's, which are constructed using the computer geometric program, GSP (Geometer's Sketchpad). We want to talk about girl's disposition toward mathematics related to the figures. If they are supported by this kind of interesting figures constructed by their own hands, students will have more interest in learning geometric figures.

• 대한약학회:학술대회논문집
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• 대한약학회 2003년도 Proceedings of the Convention of the Pharmaceutical Society of Korea Vol.1
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• pp.287.2-287.2
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• 2003

Rubia akane (Rubiaceae) is a perennial vine plant and generally grows at the mountain, field and fence of Korea, Japan, China and Taiwan. This plant grows about two meters and has empty stem and red roots. The roots of this plant have been used as a Korean traditional medicine for the treatment of cough, the stone in the bladder and kidney, inflammation of the joints, uterine hemorrhage and uteritis. (omitted)

• 한국실내디자인학회논문집
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• 제17권6호
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• pp.111-119
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• 2008

This thesis is to make it clear that simulacre concept of is an important factor that provides the motive to make spaces and to make it clear that yard in Korean traditional architecture has more meaning of a container that contains the simulacres of life than formal aspects. Namely, focusing on the simulacres, among existing important factors that cause changes in architectural spaces such as structure, function, beauty, I shall make it clear that simulacre concept, which is a creation thinking of post-structuralism philosopher, Deleuze, is a logic that builds and changes spaces. Also, the purpose of this research is to investigate successive circularity of yard spaces with the mutual relationship between simulacre concept that has virtual multiplicity and yard in Korean traditional architecture, a space of infinite emptiness. When certain simulacres occur in the yard, the ambivalence of simulacres provides meanings to yard by affiliating numerous simulacre factors, then by combination among those meanings, yard get mutual dependence. This is an important core point that I have focused on the beginning of this research. This research has found out the successive circularity of yard based on the relationship between simulacres and the essence of yard. The meaning of this research is to have found out that yard has the meaning of "a bowl that contains the simulacres of life," going over the simple meaning as a space between door and fence. Also, the simulacre concept is thought to be discussed as a motive for creation of various spaces from now on.

• 헤리티지:역사와 과학
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• 제57권2호
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• pp.118-141
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• 2024

본 연구는 고문헌(古文獻) 기록과 도상자료(圖像資料)를 조사·분석하여 조선시대 수해 방지를 위해 계획적으로 조성된 한양도성(漢陽都城) 내 청계천(淸溪川) 가산(假山)에 식재된 버드나무 수책(樹柵)에 대해 고찰하였다. 그동안 버드나무에 관련된 연구 사례는 있었으나 버드나무의 구체적인 활용사례와 그 역사적 배경을 조사·분석하여 그 원형적 가치를 파악하는 데 목적을 두고 진행된 연구는 찾아보기 어렵다. 이에 본 연구는 조선시대 청계천에 조성된 버드나무 수책의 사례를 확인하고 조성 배경과 지역적 특징을 조명함으로써 그 가치를 재해석하고자 하였다. 본 연구의 주요 내용은 다음과 같다. 조선시대의 수재(水災)는 제일 큰 위해 요소로 작용하였을 것으로 추정된다. 16~18세기 조선은 홍수로 인한 피해가 심각하였다. 영조 시기에 이르러서는 도성의 사산(四山)이 모두 민둥산이 되었는데, 이는 잦은 홍수의 원인이 되었다. 1760년(영조 36)에 영조는 준천사업(濬川事業)을 통해 장마 때마다 넘치는 청계천 바닥을 준설하고 오간수문 양안에 조성된 가산에 버드나무 수책을 조성하여 수해를 예방하고 토양의 유실을 방지하는 조치를 시행하였다. 영조 시기인 18세기 중반에 제작된 《광여도(廣輿圖)》 속의 <도성도(都城圖)>에는 오간수문(五間水門) 앞에 조성된 가산이 보이고, 『신증동국여지승람(新增東國輿地勝覽)』의 기록에서 1760년(영조 36)에 버들을 양쪽 가산에 심었다는 기록을 검증하였으며, 1770년(영조 46) 제작된 <한양도성도(漢陽都城圖)>를 통해 18세기 후반에는 오간수문 근처의 가산 위 버드나무가 숲을 이루어 우거졌던 사실도 확증하였다. 또한 『조선왕조실록(朝鮮王朝實錄)』이나 『승정원일기(承政院日記)』, 『일성록(日省錄)』 등의 고문헌 기록을 통해 청계천 준천사업과 버드나무 수책의 조성이 조선 전기인 15세기부터 조선 후기인 19세기 말까지 계속되었다는 사실을 확인하였다. 본 연구는 홍수 및 수해 방지는 물론 아름다운 경관을 형성하는데 큰 바탕이 되었던 조선시대 버드나무 수책의 조성사례와 그 활용성을 조사함으로써 버드나무가 고유한 문화유산이자 전통 경관자원이었음을 알리고, 버드나무의 역사적 의미를 되새기는 데 의의가 있다.

• 한국전통조경학회지
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• 제40권1호
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• pp.15-25
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• 2022

본 연구는 창덕궁 승화루(承華樓) 남측 공간에 위치한 화계(花階)의 조성 경위를 탐색하고, 화계 조성 전후의 실상을 파악하여 향후 내전(內殿) 지역의 복원정비에 유용한 기초자료를 확보하기 위해 수행되었다. 연구의 주요 결과는 다음과 같다. 첫째, 1900년대 초반 승화루 남측 공간은 낙선재(樂善齋) 일곽보다 상대적으로 높은 지대(地帶)를 형성하고 있었다. 또한 북고남저지형을 따라 행각으로 위요된 마당, 낙선재 서행각(西行閣)과 연결되는 장방형 공지(空地)가 조성되어 있었다. 특히 장방형 공지는 일정 간격으로 장대석 석렬을 배치한 계단형 경사지였다. 둘째, 승화루 화계는 1920년대 후반에 시행된 낙선재 서행각의 신관(新館) 개축공사로부터 비롯되었다. 신관 건립 과정에서 건축 및 부대공간 조성에 필요한 가용지(可用地)를 충분히 확보하기 위해 승화루 남측 공간의 원지형을 절토한 이후 절개지를 따라 지형처리 목적의 화계가 조성되었다. 셋째, 화계 조성 이후 승화루 남측 공간의 지형지물에 많은 변형이 발생하였다. 승화루의 앞마당은 낙선재 일곽보다 고지대에 자리하고 있었지만, 화계가 조성되는 과정에서 대부분 절토되어 사라졌다. 계단형 경사지 역시 신관 건축과 화계 조성 이후 자취를 감추었다. 화계의 선형을 따라 승화루 기단과 담장이 새롭게 조성되었으며, 독특한 양식의 협문과 부속 계단도 신설 담장으로 이설되었다.

• 한국공간구조학회논문집
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• 제22권4호
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• pp.15-22
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• 2022

Micro-climate measurements and computational fluid analysis were conducted to use it as basic data for the preservation and management of the old house of Kim Myung-kwan, a traditional building that is National Folk Cultural Property No. 26. As a result of the actual measurement, the temperature and humidity are relatively evenly distributed indoors unlike outdoors, but the temperature and humidity vary depending on the time change and the installation location in the outdoors. It was found that the temperature increases after dawn and the temperature varies depending on the installation position around 14:00-15:00, when the temperature becomes the highest. In particular, the temperature was high at the outdoor measurement point adjacent to the building and the fence. As a result of the computational fluid analysis, the temperature was high in the buildings and fences in the old house or in the area adjacent to the building, and it was about 1℃ higher than the surrounding area. In this area, it is judged that the thickening of wood will occur more severely than in other locations, and special preservation management is required.

• 건축역사연구
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• 제22권4호
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• pp.73-82
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• 2013

This study aims to find architectural characteristic of Nam-kwan-wang-myo as known as Nam-myo, Especially focusing on difference between before and after it's reconstruction in 1899. Nam-kwan-wang-myo is a shrine for Kwan-woo who was warlord in ancient china. Belief of Kwan-Woo was introduced to Korea in Japanese invasion of 1592 and the shrine was built in 1598. Belief of Kwan-Woo diffused for the late Joseon, during the reign of Gojong, many people have faith in Kwan-Woo including the king. There was four Kwan-wang-myo around the Hanyang at that time. In 1899 a fire of unknown cause broke out at Nam-kwan-wang-myo, so the main buildings burned down. The king instructed reconstruction of the shrine even though there was in financial difficulties, it had done in the midst of a national crisis. The buildings almost restored as before. The buildings in the shrine has strong characteristics of Chinese architecture because it made by people of the Ming dynasty. Two side-by-side roofs, accumulated brick exterior are important architectural feature, but also all the buildings in the mail hall area Surrounded by the closed-connected fence is hard to find examples in Korea traditional architecture. And Nam-kwan-wang-myo just had maintained architectural characteristics including layout of buildings, shape of the each building until it's reconstruction(1899).