• 제목/요약/키워드: Traditional design elements

검색결과 642건 처리시간 0.03초

동양회화(東洋繪畵)에서 형상(形象)의 심미작용(審美作用) (A Study of application on the Figurative Aesthetics of Oriental Painting)

  • 정진룡
    • 조형예술학연구
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    • 제8권
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    • pp.211-239
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    • 2005
  • The purpose of this thesis is to explore a common characteristic of the diverse oriental images mainly from the figurative point of view, and apply it to the contemporary expressions and methods of painting. To do that, I separated the concept of figure into two factors - form and image - and then approached and solved the problems of figure by explaining the two factors respectively. Separating form from image is neither to set two factors against each other nor to isolate any of those values. It is worth dividing the form and the image not only because the image of the oriental painting has a figurative value constituted from an external frame of the form, but also because it has a close connection with the meaning that the form holds inside. These are the reasons why I conceptualize the individual language of form and image. Furthermore, I attempted to investigate how those two factors and mutual relations between them make real figurative images under the principle of harmony and coexistence. The theme of this thesis - the figurative aesthetics and its contemporaneity in the oriental paintings is analyzed based on the understanding of 'figure' within the framework of oriental paintings. A research of image from the figurative point of view is valuable in that it criticizes the past method of thinking, and proposes an alternative formula for new way of thinking. In this regard, I indicated the limit of the theory of form-and-spirit that has been one of the most important conceptual theories . Instead, I' accessed to various aesthetic concepts - that are created in the course of image formulation - from the actual figurative point of view, and then even interpreted it as a figurative value of the oriental paintings and it's application within the specific and practical scope. During the course of research, I explored the conceptual elements of the tradition and the principle of figuration. I expect this study to make a footstone for bringing traditional aesthetics to the contemporary context of oriental painting.

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포인트 클라우드 형태의 인터랙티브 홀로그램 콘텐츠 (Point Cloud Content in Form of Interactive Holograms)

  • 김동현;김상욱
    • 한국콘텐츠학회논문지
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    • 제12권9호
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    • pp.40-47
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    • 2012
  • 미디어 아트는 새로운 경로의 인식과 지각을 동반하고, 기존의 미술과는 다른 인간의 신체를 도구화 하여 상호작용을 만들어내는 새로운 감상방식을 제안한다. 시각적인 영상을 제작하는 방식 중 포인트 클라우드는 점으로 형태를 표현한다는 점에 있어 서양미술의 점묘법과 유사하며 이는 전통회화 기법을 디지털 기술을 활용해 재구성한다는 의미를 가진다. 본 논문에서는 미학적 요소와 디지털 기술을 융합한 새로운 감상방식으로 포인트 클라우드 형태의 영상을 제작하여 홀로그램 필름에 투사하고, 관람자의 손짓이 영상과 상호작용하는 콘텐츠를 제시한다. 콘텐츠 제작은 콘텐츠 제작 배경 의도를 기획하고 포인트 클라우드 형태의 이미지 제작, 상호작용을 위한 3D 제스처 디자인 과정을 거쳐 최종적으로 홀로그램 필름에 투사하는 과정을 거친다. 콘텐츠는 사람의 의식 속에서 일어나는 기억의 회상 과정을 시각적, 체감적으로 표현한다. 이를 위해 기억의 회상 과정을 불확실한 기억, 기억의 구체화, 완전한 회상으로 설정하였다. 불확실한 기억은 포인트 클라우드 형태의 이미지를 통해 모호한 형태의 이미지로 표현되고, 상호작용으로 이미지를 조작하는 행위를 통해 기억을 구체화 해 나가면서 완전한 회상을 하게 된다.

중국 현대 상업건축 실내 공간의 문화적 표현특성에 대한 사례연구 (A Case Study on the Characteristics of Cultural Expression in Contemporary Commercial Architecture Design in China)

  • 위더셩
    • 한국콘텐츠학회논문지
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    • 제19권10호
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    • pp.32-44
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    • 2019
  • 본 논문은 문화적 표현특성을 기초로, 중국 6개 최대 도시의 대표적인 현대 상업건축 공간 사례에 대해 비교분석을 진행한 것이다. 본 논문에서는 중국 현대 상업용 건물의 실내공간 문화가 지속 가능한 발전을 이루기를 기대한다. 6개 사례를 각각 문화의 전통성, 지역성, 대중성, 기술성, 생태성 5가지 관점에서 분석했고 결과는 다음과 같다. 첫째, 문화의 전통성은 상업건축의 실내공간에서 구체적인 지역의 전통적 요소를 중시하도록 요구한다. 둘째, 문화의 지역성은 상업건축의 실내공간이 있는 곳의 경제발전 정도, 역사적 내막, 지리적 환경조건, 기후 등 사회와 자연환경 요인과 밀접하게 연관되어 있다. 셋째, 문화의 대중성은 상업건축의 실내공간을 통해 대중문화의 통합화, 레저화, 오락화, 기호화를 나타낸다. 넷째, 문화의 기술성은 현지의 문화성을 가진 시공 방법, 구조 형식, 재료를 상업건축 실내공간에 통합하는 것이다. 다섯째, 문화의 생태성은 상업건축의 실내공간에 식물을 배치하고, 건강하고 쾌적하며 안전한 환경을 만드는 것이다.

Experimental and numerical study on shear studs connecting steel girder and precast concrete deck

  • Xia, Ye;Chen, Limu;Ma, Haiying;Su, Dan
    • Structural Engineering and Mechanics
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    • 제71권4호
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    • pp.433-444
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    • 2019
  • Shear studs are often used to connect steel girders and concrete deck to form a composite bridge system. The application of precast concrete deck to steel-concrete composite bridges can improve the strength of decks and reduce the shrinkage and creep effect on the long-term behavior of structures. How to ensure the connection between steel girders and concrete deck directly influences the composite behavior between steel girder and precast concrete deck as well as the behavior of the structure system. Compared with traditional multi-I girder systems, a twin-I girder composite bridge system is more simplified but may lead to additional requirements on the shear studs connecting steel girders and decks due to the larger girder spacing. Up to date, only very limited quantity of researches has been conducted regarding the behavior of shear studs on twin-I girder bridge systems. One convenient way for steel composite bridge system is to cast concrete deck in place with shear studs uniformly-distributed along the span direction. For steel composite bridge system using precast concrete deck, voids are included in the precast concrete deck segments, and they are casted with cast-in-place concrete after the concrete segments are erected. In this paper, several sets of push-out tests are conducted, which are used to investigate the heavier of shear studs within the voids in the precast concrete deck. The test data are analyzed and compared with those from finite element models. A simplified shear stud model is proposed using a beam element instead of solid elements. It is used in the finite element model analyses of the twin-I girder composite bridge system to relieve the computational efforts of the shear studs. Additionally, a parametric study is developed to find the effects of void size, void spacing, and shear stud diameter and spacing. Finally, the recommendations are given for the design of precast deck using void for twin I-girder bridge systems.

스와힐리 문화의 기풍으로써 캉가의 가치 (A Study on the Value of Kanga as an Ethos of the Swahili Culture)

  • 이효진
    • 한국의류산업학회지
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    • 제24권1호
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    • pp.42-52
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    • 2022
  • The goal of this study is to analyze the value of Kanga as an ethos of the Swahili culture. The theoretical background of the research method was the analysis of the domestic and foreign literature, journals, and research data from various internet sites related to the subject, and the conclusion was drawn based on these studies. With the spread Pan-Africanism, the interest in African ethos has become a source of inspiration for contemporary fashion. Moreover, as a symbol of Swahili culture in East Africa, Kanga has been developed by embracing its own diverse cultures, The unique feature of Kanga is that it can easily be transformed created ceaselessly and creatively. Consequently, the following results were obtained based on the theoretical content. Firstly, as a representative of Women's Voice, Kanga serves as an outlet for the voices of women coming from a poor social status under the political background in East Africa. Secondly, as a Reliable Advocate, Kanga performs the positive functions as a medium of communication through its traditional usage and distinctive arrangement of clothes. Thirdly, as a Versatile Messenger, the uniqueness of Kanga with the external elements in most interestingly and active mannerly, and it has become the value of communication channel which clearly inspired the fashion designers. I believe that it will be interesting and meaningful to study the strategies on the social role of Kanga in the future which has started receiving more attention in the 21st century. And it can be said that Kanga's unique identity lies in the attraction and value which influences contemporary fashion.

Re-Engineering of Educational Contexts in the Digital Transformation of Socio-Economic Interactions of Society

  • Tsekhmister Yaroslav;Tetiana Konovalova;Tsekhmister Bogdan
    • International Journal of Computer Science & Network Security
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    • 제24권3호
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    • pp.135-141
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    • 2024
  • The article examines the key constants of reengineering the modern educational cluster, associated with the processes of digital transformation of all spheres of modern socio-cultural space. The first constant is the strategic rethinking of the educational process organization and awareness of the new roles of all participants (tutors, applicants, controlling elements, etc.). The other constant involves practical re-design of the system of educational services, which consists in the reorientation from the traditional model of education functioning for society to the implementation of the educational format in the form of new projects (structural, target, business). Consequently, the purpose of the study is to highlight the attitudes relevant to the modern realities of information and technological support of education in the context of socio-economic interactions of society. The criteria for the reengineering of educational concepts and the structural organization of the educational sphere are defined. The modern world is going through a period of complete digital transformation of all spheres of public activity. The scientific intelligence notes that education is no exception in these processes, as the dependence of educational realities on information and computer technologies is now noted. The COVID-19 pandemic, for all its tragedy, was also a kind of trigger, clearly marking the new components that have become defined in the organization of the educational process. The conclusion is made that the use of digital technologies in the organization of the educational institution or in the organization of the educational process has become not an auxiliary element, but a dominant factor. Mobility, dynamism, interdisciplinarity, synergy - all these aspects are relevant for socio-economic interactions of society and should be provided by educational programs. The results of the study can be used in the reorganization processes of educational institutions and institutions. Further research requires aspects of the analysis of the foreign experience of reengineering in education, carried out taking into account digital transformations of modern sociocultural space.

동적 수치해석을 통한 베이스먼트의 지진토압에 대한 매개변수 연구 (Parametric Study on Seismic Earth Pressure Through Dynamic Numerical Analyses of Basements)

  • 박두희;이충현
    • 한국지반공학회논문집
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    • 제40권4호
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    • pp.19-32
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    • 2024
  • 동적 토압 해석은 지하 구조물의 내진 설계에서 핵심적인 파라미터이다. 그러나 기존 토압식들은 지반과 구조물의 상호작용, 상대적 유연성 비율(F) 및 구조물의 래킹 비율(R), 종횡비(L/H) 등 중요한 변수들을 종합적으로 고려하지 않은 것들이 대다수이다. 본 연구의 목적은 이러한 매개변수들이 동적 토압에 미치는 영향을 확인하여 기존의 옹벽 토압식의 신뢰도를 평가하는 것이며, 이를 위해 베이스먼트에 대해 동적 수치해석을 통한 매개변수 연구를 수행하였다. 그 결과, 종횡비가 높고 유연성이 낮은 구조물이 종횡비가 낮고 유연성이 높은 구조물보다 지진 토압에 더 취약하다는 사실을 확인하였다. 따라서 베이스먼트의 지진 토압 또는 동적 토압 추정에 있어 종횡비 및 유연비를 고려하는 것이 필요하고, 기존 옹벽의 토압식 적용 시 주의가 필요하다고 판단된다.

동북(東北)아시아 유의 기원(起源)과 그 교류(交流)에 관(關)한 연구(硏究) -$4{\sim}8$세기(世紀)를 중심(中心)으로- (A study on the origination and Transmission of Yu in Northeast Asia. -from the 4th Century to the 8th Century-)

  • 박경자;조선희
    • 복식
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    • 제17권
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    • pp.29-43
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    • 1991
  • Yu was a type of dress worn on the upper part of the body which was commonly used in Northeast Asia. It was originally used by the Northern race for the need of courtesy as well as protecting cold. It was believed that Yu in Northeast Asia, which was called Kaftan, was came from Scythai lived in North Eurasian land around the Black sea. Scythians were the first-formed horse-riding race in the world and their civilization influenced those of far Asiatic sector along the steppe route. As their power expanded, their costume culture transmitted to the East(China, Korea, Japan). The upper garment, Yu, was characterized by the left-sided collars, narrow sleeves belted at the waist to the length of the hip line and the tight trouser on the lower part, which we commonly called HoBok(胡服) style. 1. Yu in Northeast Asia was originated from the Eurasians, Scythian Culture. Being exchanged, active style costumes were widely used among Chinese, Koreans and Japanese throughout centuries' including $4{\sim}8$ century. 2. Chinese Yu had a style of wide-sleeves and right-sided collars. The traditional costumes of Han race are consisted of wide-sleeved Yu on the upper and long-skirt on the lower part of the body. Before the adoptation of HoBok during reign of King Jo Mooryung in 307. B.C., HoBok style had already found in the remains since the Sang period. There were various names among Yu during the Han period. Seup, Sean Eui, Kye, Kyu were one of the styles and several names were meant for collar and sleeves. During $4{\sim}8$ centuries, clothes of right-sided collar were found, superior to that of left-sided and narrow sleeves were widely used both the royal and the humble. Various styles of decoration were seen in Yu around neck, back and sleeves comparing other nations. 3. Yu, in Korea, was typical style of Northern-bound HoBok. Both men and women had similarity in Yu style, narrow sleeves, left-sided collar, belted at the waist and to the length of hip line. Influenced by Han race, in the $4th{\sim}8th$ centuries, dual system of collar was found. But we cannot see major change in Yu and finally was connected to the present. 4. The original design of the Japanese costumes was not similar to that of Northern nomadic hunting race, which was suitable for horse-riding activities. Owing to the climates along the island, we could see various conditions ranging from the cold and to the warm. Influenced by the climates, pulling over the neck(Pancho style) were major design in Japan. As Korea was advanced earlier than Japan, Korean landed Japanese territory showing clothes. So primitive costumes had changes in style. During the $4th{\sim}8th$ period. The Korean mode was found in Haniwa (which was built to make sacrifices to the dead King) and costumes in Jeong Chang Won. Among the costumes in Jeong Chang Won, we put 3 or more costumes to the category of Yu characterizing elements of Korea and Tang period. From the $4th{\sim}8th$ century, China, Korea, Japan fell into the same cultural category, Scythai. Styles in Yu among three nations, we saw little differences, basically along times. Originated from the West Asia, Yu was transmitted to the far East changing Chinese costumes, Koreans melted it into the traditional elements and then influenced Japan.

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앱북(App Book)으로의 매체 전환을 위한 퍼놀로지(Funology)에 관한 연구: '무, 바, 라라라!(Moo, Baa, La La La!)' 앱북(App Book)을 중심으로 (A Study Funology for Reformatting to App Book: Focused on 'Moo, Baa, La La La!' of App Book)

  • 권지은;김보영
    • 만화애니메이션 연구
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    • 통권30호
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    • pp.221-243
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    • 2013
  • 전통적인 인쇄매체의 종이책이 최근 디지털 기술의 발달로 인해 스마트기기에서도 전자책이라는 매체로도 확장 되고 있다. 특히 애플리케이션(Application) 형태의 콘텐츠로 제공되는 앱북(App Book)은 책이 가지고 있는 기본적인 정보제공과 교육, 감성전달 목적 이외에 멀티미디어 기술을 활용한 재미 요소를 부가하여 몰입도를 배가 시키고 체험적 효과를 증가시키고 있다. 기존에 이미 검증받은 고퀄리티 콘텐츠를 애플리케이션 매체로 전환하는데 있어서 그 효과를 높이기 위해 다양한 시도들이 이루어지고 있다. 본 논문은 앱북으로의 매체 전환에 있어서 디지털 기술과 재미 요소가 융합된 퍼놀로지(Funology)가 어떻게 활용되고 사용자에게 어떠한 효과를 제공하는지에 대해 사례를 분석하여 앞으로의 앱북 콘텐츠 개발에 가이드를 제공하고 활용될 수 있도록 하고자 한다. 본 논문에서는 첫째, 문헌조사를 통해 퍼놀로지에 대한 개념과 요소들을 살펴보고 분석할 수 있는 기준의 토대를 마련한다. 둘째, 원작 '무, 바, 라라라!(Moo, Baa, La La La!)' 그림책을 아이패드(iPad)용 애플리케이션으로 전환한 앱북을 선정하여 퍼놀로지 요소에 따라 분석하였다. 셋째, 분석한 요소들이 실제로 인쇄매체의 종이책과 비교하여 퍼놀로지의 활용과 효과를 확인하기 위해 심층인터뷰인 FGI(Focus Group Interview)를 실행하였다. 그 결과 사운드를 활용한 감각적 퍼놀로지에 대한 감성적 효과가 높았으며 즉각적이고 직관적인 모션과 변화에 따른 인터랙션에 의한 퍼놀로지 요소를 선호하고 있었다. 또한 기존의 오리지널 책에서 강조되던 유희 자체를 위한 퍼놀로지 요소는 다른 관점에서의 즐거운 감성으로 유도하고 있어 책의 콘텐츠 내용과 정보 보다는 게임적 성향의 인터랙션 자체에 더욱 치중되어 체험하고 있음을 알 수 있었다. 이러한 분석과 인터뷰 결과는 지속적으로 개발되고 있는 앱북 개발에 있어서 본래 책이라는 매체가 가지고 있는 콘텐츠의 장점을 살리면서 애플리케이션의 퍼놀로지 요소의 특징을 부각시킬 수 있는 매체전환 방법에 대한 활용 가능성을 기대해 본다.

직장생활에 대한 새로운 인식 (Quality of Working Life)

  • 김영환
    • 산업경영시스템학회지
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    • 제4권4호
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    • pp.43-61
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    • 1981
  • Interest in the Quality of working life is spreading rapidly and the phrase has entered the popular vocabulary. That this should be so is probably due in large measure to changes in the values of society, nowadays accelerated as never before by the concerns and demands of younger people. But however topical the concept has become, there is very little agreement on its definition. Rather, the term appears to have become a kind of depository for a variety of sometimes contradictory meanings attributed to it by different groups. A list of all the elements it if held to cover would include availability and security of employment, adaquate income, safe and pleasant physical working conditions, reasonable hours of work, equitable treatment and democracy in the workplace, the possibility of self-development, control over one's work, a sense of pride in craftsmanship or product, wider career choices, and flexibility in matters such as the time of starting work, the number of working days in the week, Job sharing and so on altogether an array that encompasses a variety of traditional aspirations and many new ones reflecting the entry into the post industrial era. The term "quality of working life" was introduced by professor Louis E. Davis and his colleagues in the late 1960s to call attention to the prevailing and needlessly poor quality of life at the workplace. In their usage it referred to the quality of the relationship between the worker and his working environment as a whole, and was intended to emphasize the human dimension so often forgotten among the technical and economic factors in job design. Treating workers as if they were elements or cogs in the production process is not only an affront to the dignity of human life, but is also a serious underestimation of the human capabilities needed to operate more advanced technologies. When tasks demand high levels of vigilence, technical problem-solving skills, self initiated behavior, and social and communication skills. it is imperative that our concepts of man be of requisite complexity. Our aim is not just to protect the worker's life and health but to give them an informal interest in their job and opportunity to express their views and exercise control over everything that affects their working life. Certainly, so far as his work is concerned, a man must feel better protected but he must also have a greater feeling of freedom and responsibility. Something parallel but wholly different if happening in Europe, industrial democracy. What has happened in Europe has been discrete, fixed, finalized, and legalized. Those developing centuries driving toward industrialization like R.O.K, shall have to bear in mind the human complexity in processing and designing the work and its environment. Increasing attention is needed to the contradiction between autocratic rule at the workplace and democratic rights in society.n society.

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