• Journal of the Korean housing association
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• v.16 no.2
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• pp.55-65
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• 2005

'Movement System' is made of the interaction of user and architectural spaces related to each other in order. 'Movement' meant in movement system is possible only in the status of user and architectural space together. Movement created and disappeared by the user is not subordinated to the existing architectural space but becomes the main element of formating movement system. It is required that movement conception applied to architecture should be derived from the essence of movement and this study presents the movement system. To explain the formating process of movement system, A. N. Whitehead's process philosophy theory is at the basis and transformed in architectural aspects. On basis of these theoretical backgrounds, the process of making movement system can be explained. There are unit movement, unit object, and elements for movement process as the basic requirements for movement system, each unit is apprehended by individual operation and the nexus is composed by associative operation of apprehended units. This nexus becomes the object of a new subject and forms multiple nexus. Relation of unit movement and unit object and nexus are apprehended as the continuation and extensive continuum is made. At that time, movement with multiple phases set inbetween systems and extended multiplied. Through above study, movement system is applied to Korean traditional houses.

• Journal of the Korean housing association
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• v.5 no.1
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• pp.59-69
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• 1994

This paper was made to examine floor plan and block plan of traditional upper-class houses in the north Kyeungsangbukdo region with consideration into city and country each. The results of this study were as following; First, Munkyung area is latitudinally located in northern area along with the Yechon and Andong. However, Munkyung area has open plot system while Yechon and Andong has not. It is because even if Munkyung area is located in the western of Nak-Dong river and belongs to the northern region, it has belonged to the cultural area which is developed around Sangju area. Second, Youngduk area belongs to the east-coast but it had frequent cultural exchange and marriage with Andong which is located on the road along with Tae-Baek Mountain. Due to the cultural exchange, their housing type is very similar to those of Andong which is close plot plan of "ㅁ" type. Therefore, even if Youngduk is located in the east-coast area, it should belong to the cultural background of Andong area. Regionally, the culture of Kyongsangbukdo has been divided into northern area, southern area, and east-coast area. But, the findings of this study indicate that the analysis of location and floor plan of housing should not be based on the natural environment oand geographic characteristics. Hence, it should be based on the all aspects of environment, including social and cultural nature to find more reliable and accurate results.e results.

• Korean Institute of Interior Design Journal
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• no.38
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• pp.108-115
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• 2003

Between 1890-1914, the fundamental changes of the housing in United Sates of America were provoked to attempt the housing developments to adapt modern social system. The worthy of notice is that F L. Wright's Prairie House had been tested and built during the period as 'the first and second era' Despite the transition period in America, this represents that Wright's Prairie House series were developed. There are possibilities that some of the reformers assertion for Housing Development, on behalf of Arts & Crafts Movement, led to Wright's early house inner space design. For this reason, this study is to examine Ideologies that Wright has been accepted between the turning point of America's Arts & Crafts Movement and Hull House Circle. In terms of the ideologies acceptance, the study is also to examine how to be represented his inner space design characteristics. As the result, between'Simplification'housing development and the traditional housing In America, F L. Wright sublimated his own architectural aesthetic as accepting all functional elements to consider inevitability in this period, such as the association between economical and rational space, the plan to led on free plane, the spatial side and the stability of family life and the community, through the unification space having the consecutiveness.

• Journal of the Korean Institute of Rural Architecture
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• v.7 no.2
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• pp.56-63
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• 2005

This study is to provide basic research data of village composition and housing types of Central Java in Indonesia. So, I needed both field survey and research for 3 villages. I surveyed several houses cased on three village which located in two Desa of Salatica and one Desa of Purbowangi in rural area. The analysis of this research is divided into main categories as follow; The first is characteristics of village composition. And the second is classification of exterior form types and spatial composition of housing. Through this survey, the results of study are as follows. 1. The main elements of village compositions are public facilities, cross street including in naturalism, and shadow within high-rise tree. But it is not important to planning for orientation. 2. The types of house are 16 in all Indonesia land. But in this study 3 village are followed to Java style which has traditional roof style and clay tile material 지붕, 처마, conservation 3. Spatial composition of inner side is focused of living room-Ruang Tamu, and others are organized in small size. But recently new type of improved village house has rest room into living space.

• Journal of the Korean Institute of Rural Architecture
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• v.15 no.1
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• pp.81-88
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• 2013

The recently built rural Hanoks have shown changes in appearances regarding its shape, space and size in the traditional floor plan. This is probably the transformation process to suit the needs of modern residence as new spaces and other factors are considered these days. The purpose of the research is to provide basic data for the innovation and construction of future Hankoks by analyzing the size features of the Hanoks in the rural areas of Jeeollanam-do and changing trends. They were divided into 5 types depending on the shape and the spacing of the living room and kitchen. Then size features per each type were analyzed. From this, it was revealed that there needs to be reasonable development of types in the standard design of Hanok because the size of the rooms is actually bigger than the standard design of Hanok in Jeollanam-do. The composition of the utility rooms should be classified as either domestic space or agricultural workspace considering that this area is rural but there are not enough storage spaces for agricultural machines and materials in most houses as they did not install external storage spaces. Therefore, it was analyzed that the size varies with the changes in the composition of space because of Hankok's similarities in the area of the rooms with typical apartments.

• Journal of the Korean housing association
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• v.26 no.3
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• pp.77-84
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• 2015

The purpose of this study is to analyze the aesthetic factors in color combinations of house exteriors in hillside villages, Busan. The so-called 'Hillside renaissance' is a representative urban regeneration project in Busan. The towns in hillside area in Busan have developed colorful sceneries. But all the colorful sceneries are not the same. Each town has own color characters and different aesthetic color effects. This study is to determine the unique aesthetic components in color combination of Gamcheon and Daecheong. This study is based on the traditional color harmony theories. The analysis focuses, inter alia, on Moon-Spencer's 'Aesthetic Measure'. A house exterior color has relations with two neighboring colors in array. And those three colors with next two houses have again each three hue, value and chroma relations. This analysis is first to determine whether each sample color combination is harmonized, and if harmonized, next step to list which aesthetic factor is dominantly contributing to color harmony. And at last, to study the subcategorized sectors of each color components of the hue, value and chroma.

• Journal of the Korean housing association
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• v.22 no.3
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• pp.135-144
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• 2011

This study has extracted elements and related factors in the modernization of Hanok, using an evaluation method, and has also considered the possibilities of modern images using AHP analysis. As a result, first, the elements that form the urban landscape of historical and cultural environment have to be created by extracting elements from the subject standard for construction of the elements selected. As for the aspect of blending history, culture and environment, scenic and important architectural aspects were delineated. Second, based on selected components of the basic type of features and construction, roof types, vertical and horizontal elements were simulated after setting the criteria. Third, according to its historical cultural circumstances the man-made landscape and the traditional measure of the model, specific values of the elements for the formation of structures were evaluated by priority. A region characterized by old city houses constructed of objective elements can possibly be combined. In addition, a Hanok multi-family house fitted for modern life and a variety of models to develop and validate the possibility and utilization of this study can be expected.

• Korean Institute of Interior Design Journal
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• no.27
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• pp.120-127
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• 2001

The purpose of this study is to examine the characteristics of space design of Isamu Noguchi's works barred on the stage sets and environmental designs. From the end of 19th century, space which was begun to be studied about in architects has continued to be researched by not only scientists but artists. Recently, space Is expressed in free and new forms due to diversity of societies and advancement of technology, As a result, space has become an essential part in art and is used in the titles of many art exhibitions. This study scrutinizes space in Isamu Noguchi's works. No other 20th century artist has as clear and progressive space conception as Noguchi's. His notion of modern art was modified through space in the tradition of cubism and Russian Constructivism and Bauhaus. Combined with his experience in the traditional Japanese houses and gardens, these influences led toward a broadened conception of sculpture as the creation of living space. These modernist's characteristics are found in his early expression of stage sets for choreographer Martha Graham, and they would lead to a wide range of design activities, from gardens and interiors to fountains and furniture. Isamu Noguchi had created a body of work that crossed the boundary between fine and applied art as a sculptor, and as an environmental designer.

• Journal of the Korea Furniture Society
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• v.28 no.3
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• pp.169-184
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• 2017

The purpose of this study is to understand the characteristics of the common people and the furniture they used and to investigate the general characteristics of traditional Korean culture in the late Chosun Dynasty in order to study the Characteristics of Bandagein Gyeongnam province. Local characteristics of the Bandaji were examined through comparing local style of Folk Houses Interior space composition and the utilization Bandaji of that space through the case study and literature review. Bandagein Gyeongnam province are classified as Tongyeong, Jinju, Miryang, Namhae, Yangsan, Gimhae. The height of Bandaji is relatively lower than in other provinces, the metal ornaments are simple, and the wood pattern is used to show simple and natural beauty. As a characteristic of metal decoration, Bandaji of Miryang have a lot of openwork decoration, Bandaji in Jinju have a cicada hinge and a decorative iron hook, Bandaji in Namhae have a peak of a lotus flowers shaped hinge and Ying-yang/ number pattern on openwork facet and Bandajji in Yangsan have a Violin hinge and Bandajji in Gimhae have emphasized ornamental features by using a rivet and lock made of tin and the cast iron.

• Journal of the Korean Institute of Landscape Architecture
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• v.21 no.4
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• pp.101-111
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• 1994

This study deals with the degree of enclosure on the Court Space in 'Suh-Won' that has warious perceptual composition elements. 1. The size of Court Space in which we can read the complexion of others and easily understand every behavior of them is similar to that of the 'Madang' in the Korean traditional houses. 2. The angles of elevation are within the range of suitable enclosure as going from the center of the court Space to 'Kang-Dang' and the space -from the center of the Court Space to 'Kang-Dang'- is restricted and surrounded. It is also within the range of the least enclosure as going from the center of the Court Space to the 'Mun-Ru'. 3. The degrees of enclosure based on the horizontal angle are within the degree we can perceive the objects of structure easily. 4. The degree of enclosure based on the ratio D/H is increased as approaching from 'Mun-Ru' to 'Kang-Dang'. The distance as approaching from 'Mun-Ru' to 'Kang-Dang' is changed from social distance to personal distance. To conclude this the Court Space in 'Suh-Won' represents the hierarchical system with variety and the degree of enclosure and the size of space are within the range of human scale.