• 디자인학연구
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• 제12권1호
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• pp.133-142
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• 1999

빛은 인간에게 모든 사물을 보게 하는 절대적인 요소이다. 특히 시각을 통하여 느끼고 시각적으로 표현하는 미술가에 있어서 그 중요함이란 더 말할 나위가 없을 것이다. 회화 사에 있어서나 인간생활에 있어서나 빛은 매우 중요한 의미를 가진다. 빛은 3차원적인 공간의 표현을 가능하게 할 뿐만 아니라 정신적, 심리적, 조형적 의미도 함께 지니며 현대에 와서는 빛 그 자체만으로도 회화상의 존재가치를 부여받고 있다. 일반적으로 회화에 있어서 빛의 연구와 색채 표현에 관한 접근은 어려운 것으로 간주되어 왔다. 색채 및 빛의 효과란 비단 가시적인 효과뿐만 아니라 심리적인 경험과 정신적 상징이 내포된 무의식의 존재로 이해되는 것으로서 주관적인 경우가 대부분이기 때문이다. 본 논문은 이처럼 인간의 역사나 미술사에서 언제나 부단한 관심의 대상이었던 빛이 과연 과거에 어떠한 방식으로 탐구되고 전개되었으며 현대에 와서 새롭게 조명될 수 있는 의미는 무엇인가를 분석한다. 그것을 바탕으로 빛의 효과가 동양회화와 르네상스, 바로크의 렘브란트, 그리고 인상파의 서양미술사를 중점으로 어떻게 전개되었으며 오늘날의 현대적 일러스트레이션에 적용되었는가를 조사하여 현대에 나타난 빛의 의미 등을 인식할 수 있는 새로운 계기를 제공한다.

• KIEAE Journal
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• 제15권2호
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• pp.79-86
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• 2015

Purpose: The concept of the tectonic has researched to find out the identify of modern architecture. The meaning of traditional tectonic knowledge to emphasize structural joints and attention to detail in creativity has developed in various ways in contemporary architecture. The purpose of this study is to analyze the tectonic characteristics and architectural expressions of the light appeared in the works of Santiago Calatrava. Major features in his works could be found is to maximize structural beauties through deducing the architectural images from the nature and expressing the material properties and the kinetic structures, and thus, to ultimately create the functional space and form by connecting the light to the tectonic structure. Method: Accordingly, I tried to analyze the three works of Santiago Calatrava (the Milwaukee Art Museum, the Bodegas Ysios Winery and the City and Arts and Sciences) as following categories - the structural aesthetics, the expression of material properties, the relationship between he kinetic structures and the light. Result: According to the results of the study, Santiago Calatrava tried to create his own architectural aesthetic by combining structural tectonic with nature, material, regional place and culture. He also sought to express the tense and dynamic tectonic rather than the stable one in his works.

• 한국심리학회지:학교
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• 제16권2호
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• pp.159-187
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• 2019

본 연구는 한국 고등학생 및 대학생을 대상으로 삶의 의미추구와 학업만족의 관계에서 희망의 역할을 파악하고 희망을 향상시키는 방안을 모색하는데 목적이 있다. 삶의 의미추구와 학업만족의 관계를 희망이 매개할 것이라고 가정하였고, 삶의 의미추구와 희망의 관계에서 가족 및 친구지원의 조절효과를 예상하였다. 연구 1에서 대학생 190명을 대상으로 설문을 진행한 결과, 희망이 삶의 의미추구와 학업만족의 관계를 완전 매개함을 확인하였다. 연구 2에서는 희망을 내적 희망과 가족, 친구, 초월적 존재에 기반 한 외적 희망으로 구분하여 삶의 의미추구와 학업만족의 관계에서 희망의 역할을 세부적으로 파악하고자 하였다. 고등학생 313명을 대상으로 설문을 진행한 결과(연구 2), 고등학생의 삶의 의미추구와 학업만족의 관계가 내적 희망과 친구에게 기반 한 외적 희망에 의해 완전매개 되는 것으로 나타났으며 가족 및 초월적 존재에 기반 한 외적 희망의 매개효과는 유의하지 않았다. 사회적 지원의 조절효과와 관련하여, 삶의 의미추구와 희망의 관계에서 가족 지지의 조절효과가 유의하였다. 즉, 가족으로부터 지지를 받는 사람은 그렇지 않은 사람보다 삶의 의미추구와 희망의 정적 관계(연구 1) 및 삶의 의미추구와 내적 희망의 정적관계(연구 2)가 강하게 나타났다. 삶의 의미추구와 희망의 관계에서 친구지원의 조절효과는 연구 1과 연구 2에서 모두 유의하지 않았다. 연구 결과를 바탕으로 연구의 의의, 한계점 및 후속 연구에 대한 제언을 논의하였다.

• 복식
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• 제64권7호
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• pp.82-96
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• 2014

This study views the shadows cast by the light and a subject provides new interpretations rather than it simply being an additive product. Particularly in fashion photograph, light and shadows are often used as tools to convey meaning. Accordingly, this study aims to classify the utilization of the shadow created by light and deriving its expressive characteristics in fashion photograph. To achieve these research aims, literature and case studies were conducted. The results are as follows. First, the shadows were mainly focused on a subject. Secondly, shadows caused by lighting is casted directly into the inside of the main subject in a frame takes a role of omission or emphasis. Third, shadows caused by a second unseen object outside the frame are utilized with the main subject in the frame. Based on these results above, spatial third dimensionality, optical illusion and accentuation were derived as expressive characteristics of the shadow in fashion photograph. As such, in fashion photograph, shadow is an important element for photographers. The variability of the shadow makes it possible for creative changes as its amount, angle and direction can be altered by adjusting the light in accordance with the intention of the artist. Therefore, its utilization methods will be diversified hereafter. Accordingly, it is required to recognize that shadow may be recreated as an independent object in fashion photograph.

• 한국실내디자인학회논문집
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• 제14권3호
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• pp.199-207
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• 2005

We recognize analysing and quantifying an effect of light and colors on people' psychological response changing according to environmental conditions as important. Therefore, this study intends to improve efficiency in realizing emotional design that contributes to creation of helpful and pleasant interior using architecture that is able to refresh human emotion or light and colors which are important factors in interior design. For the purpose, this study analyses an effect of colors in interior space and the effect of interaction between light and color through modeling to identify types of psychological response. And it is to present a generalized conclusion through an analysis of meaning of the two effects. The ultimate goal of this study is to identify the value and possibility of actual design. This study measures response on questionnaire through representative vocabulary by abstracting based on evaluation image selected through the 1st and 2nd preparatory research and grouping similar words. In next step, images represented both by light and colors are presented as virtual space and for data input and analysis based on psychological response corresponding to each image, this study uses SPSS 11.0 statistical package program to analyse data collected. The space to be experimented is a livingroom, a center of residential area.

• 한국조경학회지
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• 제32권4호
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• pp.1-6
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• 2004

This study was carried out to investigate the effects of light intensities on the growth and net photosynthesis of Piper kauzura under different shading levels : 0％, 50％, 70％ and 90％ of sunlight. Mortality rate was lowest under a 70％ shading level but 0％ and 90％ shading levels were about 46％ and 53％ each respectively. Plant height was shorter and leaf size was smaller and yellowish under a 0％ shading level but increased when light intensity was decreased. However, under a 90％ shading level, growth of Piper kauzura was inferior to other treatments. Top fresh weight was about 11.24g under a 50％ shading level and about two times higher than that observed in about 6.6g under a 90％ shading level. Root fresh weight was about 7.7g under a 0％ shading level and was about two times higher than that showed in about 3.84g and 3.64g under 90％ and 70％ respectively. Total chlorophyll content and chlorophyll a/b rate were increased when light intensity was decreased. Net Photosynthesis achieved the highest under a 70％ shading level and maximum photosynthetic photon flux density was 150 molㆍm/sup -2/ㆍs/sup -1/. Therefore, growth of Piper kauzura was good under 50∼70％ shading, Meaning that it is an indoor plant that could be highly utilized.

• 한국실내디자인학회논문집
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• 제17호
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• pp.65-72
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• 1998

This study intends to analyze the various spatial structures and characteristics of the museum based on the two of the Renzo Piano's recent projects Menil Collection '||'&'||' Museum and Beyeler Foundation Museum Which defined the direction of the "Third Generation" in museum architecture with reference to the quality of spatial experience and design applications. Comparison and analysis were done on the basic spatial organization floor layout accessibility exhibition area lighting plan and circulation between the two museum. Through the itemized common characteristics of the museum the architect's proposal on meaning and direction of the new museum architecture can be viewed. The contemporary museums distinguish themselves quite clearly from their predecessors and this applies both to their own form and to their spatial organization. As the public demands and requests toward the museum building facility expand everyday the architect must respond by providing multiple types of space where people can experience different atmosphere in each area. One concept he used to create multi experienced area was manipulation of the natural light using by the state-of-the-art techniques of the light filtering system and multi-layering roof system to protect the valuable collections against the direct sunlight. But mainly it was to prove his strong belief in "architecture of light" by creating space with minimized meaning by purposely distinguished area in order to provide maximum support to the physical value of the collection " The connection with nature" is another concept which Piano used to provide the public a tranquil experience through out the architecture which engages in a lively dialogue with art. In spatial organization Piano concerned on functionality which not only concentrated on the visitor's point of view but also on the museum staff's comfort. Unlkie the traditional museum he alternates various size of exhibition areas for spatial hierarchy. Specially the spatial flexibility that the temporary exhibition areas are able to be expanded to the permanent exhibition areas by adjoining t재 spaces differentiate Piano's new museum from the rest. museum from the rest.

• 한국실내디자인학회논문집
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• 제25권4호
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• pp.51-59
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• 2016

Recent modern architecture shows a lot of cases that introduce natural light in indoor space, arousing diverse emotions within a minimal space by means of changes in the light. There are various causes for the background of these streams of times, and it may be said that pursuing the relationship between natural phenomena and space, using changes in light, is an important factor among them. This is closely linked to the raise of phenomenological architecture. In the case of Japan, there are many cases where the architectural language connected to the traditional architecture has been restructured to fit to modern architectural technique. The modern reinterpretation and development of the Japanese traditional effect of light and its meaning can be seen in cases of Kuma Kengo and Tadao Anndo. Of the modern architects that have used the appearance of spatial concept of light in Japanese architectural space, Kengo Kuma shows his attempt at finding identity in his designs through the acceptance and modern reinterpretation of orientalism of nature, along with the traditional and regional interpretation through materials and ways construction. It is his use oh light input used in traditional Japanese settings that have differentiated his work. On this, the present thesis intends to analyze and synthesize what impressions Kengo Kuma's unique methods of light production create in the formation of users' spatial perception, how the unique encounter of light and materials seems to perceivers, and the characteristics of his light production and expression that harmonize space, human, and nature in the visual and perceptual experience of space;

• 한국자원식물학회지
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• 제11권2호
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• pp.124-130
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• 1998

It failed occasionally to take a reasonable emergence rate since tobacco (Nicotiana tabacum L.) seeds were planted on late Jan. showing lowest temperature. This experiment was done to measure the effect of GA3 (concentration ; period) , light quality (red ; white ; dark) during or after its treatment, daily irradiation hours( 0 ; 8 ; 12 ;16) and germination termperature (20 or 10 $^{\circ}C$ ocnstant ; 20/1$0^{\circ}C$ alternating) on the germination rate. Red and white light given during grmination showed no differences between the other daily irradiation hours except that 8 hours red light delayed germination although their 12 hours irradiation had the gratest rate. The rate was increased with increased concentration to GA3 0.01 mM or increased imbibition period to 3 days although the rate of cv. NC 82 was less than that of cv. Burley 21 in the case of dark imbibition of GA3 but daily 12 hours irradiation during germination. Light quality forced during GA3 imbibition eliminated such effect of GA3 shown in the darkness so that only light quality pretreatment and termperature during germinition were affected on the rate. The germination rate of thecultivars was decreased in the order of red, white light, darkness meaning that it was highly influenced by the light quality during GA3 treatment. Regardless of GA3 or light quality treatment,on the other hand, the rate was greater in 20 $^{\circ}C$ constat than 1$0^{\circ}C$ constant and 20/1$0^{\circ}C$ alternating germination temperature having similar germinative patterns.

• 한국지구과학회지
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• 제31권6호
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• pp.647-655
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• 2010

본 연구의 목적은 중등과학수업에서 나타나는 담화양상과 의미형성 전략을 분석하는 것이다. 연구 참여 교사는 서울의 한 중학교에서 과학을 가르치고 있었으며, 연구에 자발적으로 참여하였다. 연구진은 참여교사의 수업을 관찰하고 비디오 녹화하였고 전사하였다. 자료는 두 단계로 분석되었다. 첫 단계에서는 담화 양상을 범주화하였다. 두 번째 단계에서는 미시적 수준에서 의미형성 전략을 확인하였다. 연구 결과로서, 초임교사의 '빛의 경로와 성질' 단원의 과학 수업담화에서 나타난 담화양상과 의미형성 전략에 관하여 5개의 에피소드가 제시되었다. 연구결과를 토대로, 결론 및 후속연구와 교사전문성 발달에 관한 시사점이 탐색되었다.