• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 추계학술발표대회 논문집
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• pp.84-88
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• 2007

Movie has a light, colors, and texture in the space and a design. Movie is a ovation of the 3-dimensional reality with time and space. Just like a movie, a space can also express time, personality of characters and background stories. Symbolization of a space tells philosophy and emotions, making meaning of the space abundant and consistency in entire composition of the space. Expression of beauty through order of space inside proves meaning of space. Think that can do and present to production methodology of space design to universalize ureas through symbolic productions that is based on story.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제11권3호
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• pp.1700-1721
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• 2017

The problem of blocking artifacts is very common in block-based image and video compression, especially at very low bit rates. In this paper, we propose a post-processing method for JPEG-coded image deblocking via sparse representation and adaptive residual threshold. This method includes three steps. First, we obtain the dictionary by online dictionary learning and the compressed images. The dictionary is then modified by the histogram of oriented gradient (HOG) feature descriptor and K-means cluster. Second, an adaptive residual threshold for orthogonal matching pursuit (OMP) is proposed and used for sparse coding by combining blind image blocking assessment. At last, to take advantage of human visual system (HVS), the edge regions of the obtained deblocked image can be further modified by the edge regions of the compressed image. The experimental results show that our proposed method can keep the image more texture and edge information while reducing the image blocking artifacts.

• 한국컴퓨터그래픽스학회논문지
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• 제14권1호
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• pp.17-25
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• 2008

본 논문은 프로그래밍 가능한 GPU를 이용한 포토 모자이크 생성 방법을 제안한다. 그래픽스 파이프라인을 통해 포토 모자이크를 생성할 수 있도록 정점을 디자인하고, 타일로 사용할 영상 데이터베이스의 텍스처 표현을 제시한다. 정점 셰이더에서는 텍스처에 저장된 입력 영상과 타일 영상들을 이용해 최적 타일을 찾고, 프래그먼트 셰이더는 이것을 프레임 버퍼에 그림으로써 포토 모자이크를 생성한다. 본 논문에서 제안한 방법은 최적 타일을 찾는 기존의 포토 모자이크 알고리즘에 비해 월등히 빠른 결과를 보여준다.

• Journal of Information Processing Systems
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• 제12권1호
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• pp.46-56
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• 2016

Dynamic textures are videos that exhibit a stationary property with respect to time (i.e., they have patterns that repeat themselves over a large number of frames). These patterns can easily be tracked by a linear dynamic system. In this paper, a model that identifies the underlying linear dynamic system using wavelet coefficients, rather than a raw sequence, is proposed. Content based threshold filtering based on Set Partitioning in a Hierarchical Tree (SPIHT) helps to get another representation of the same frames that only have low frequency components. The main idea of this paper is to apply SPIHT based threshold filtering on different bands of wavelet transform so as to have more significant information in fewer parameters for singular value decomposition (SVD). In this case, more flexibility is given for the component selection, as SVD is independently applied to the different bands of frames of a dynamic texture. To minimize the time complexity, the proposed model is implemented on a graphics processing unit (GPU). Test results show that the proposed dynamic system, along with a discrete wavelet and SPIHT, achieve a highly compact model with better visual quality, than the available LDS, Fourier descriptor model, and higher-order SVD (HOSVD).

• 복식
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• 제58권10호
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• pp.65-77
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• 2008

The purpose of this study is to analyze the correlation between the density, the Count and the width of cross section in 2D function through comparison the difference of simulated fabrics based on the various yarns, and to compare the 3D effect by Lay Mapping of diverse fabrics. The method of research is to weave the eight fabrics composed of cotton, linen, worsted, slender yarn, loop, $m{\acute{e}}lange$, woolen, and yarn twist with Hi-Tex program, and to practice 3D mapping with Hi-Print program. As a mapping object, the flared skirt which is a basic costume item is selected. As a result, the thickness of yarn in CAD system was fixed by the width of cross section rather than Count, especially by the width of core section not including the fluff section. The type of yarn such as cotton yarn, linen yarn, and worsted had effect on the shape of texture, but had few interrelations with dimension. In the case of 3D mapping, the textural characteristic and the dimension were presented precisely, whereas there were several limitations. First, the thickness of tissue has not been represented. Secondly, the effect of texture such as fuzzy look, loop was not expressed on the skirt outline including sideline and hemline. Thirdly, the difference of silhouette was not distinct. The common point in 2D and 3D operations is that the representation of texture is relatively accurate and that is difficult to measure and manifest of thickness, the side. For more professional digitalizing in fashion industry, above all in the domain of 3D, it must be supplement the subdivided and differentiated mapping process according to the texture, deviating from the existing analog-based organization which has to designate the form and silhouette suitable for tissue.

• 대한전자공학회논문지SP
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• 제38권5호
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• pp.498-508
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• 2001

본 논문에서는 zoom 영상 세트로부터 최적의 깊이와 텍스쳐 정보를 추출하는 효과적인 영상 코딩 알고리듬을 제안하였다. 제안된 알고리듬은 깊이 추출 단계와 텍스쳐 추출의 2단계로 구성되어 있다. 물체 공간에서 X-Y면을 삼각패치로 나누고 각 삼각패치 노드의 깊이 값은 깊이 추출 단계에서 결정한 후, 두 번째 단계에서 각 삼각패치의 텍스쳐를 추출한다. 깊이 추출 단계에서는 각 삼각패치의 노드를 중심으로 이루어진 사각형 윈도우 영역에 대하여 블록에 기반한 변이 보상 방법을 적용함으로 노드의 깊이를 결정한다. 텍스쳐 추출 단계에서는 아휜 변환에 기반한 변이 보상 모델을 이용하여 zoom 영상으로부터 삼각패치의 텍스쳐가 추출된다. 영상의 화질을 개선하기 위하여, 영상 평면에서 보정하는 대신 물체 공간에서 보정을 수행하였다.

• 한국의상디자인학회지
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• 제6권3호
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• pp.123-138
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• 2004

The objective of this study is to review the expressive effect of fashion illustrations and to enlarge its expressive range by analysing the correlations between fashion illustrations and surrealistic expressive characteristics. The results are as follows. The surrealistic expressive methods of fashion illustration such as depaysement and automatism have been used by many foreign and domestic fashion illustrators. I think that these methods reinforce the subjective aspect of expressive effects and enlarge the transmitting function of fashion message. The elements of expression are divided into color, texture, shape/form and space. Subjective colors rather than natural colors are used for the surrealistic expressive effect of color in fashion illustrations, and illusion of space is expressed by the change of brightness. The surrealistic expressive effect in fashion illustrations distorted the experience of factual texture and disturbed the visual texture. The use of tactile texture presented strange effects perspectively. The objects of shape in fashion illustrations were mainly human body. The form of human body presents reconstituted and reinterpreted figure by transformation or distortion according to the intention of the artist rather than realistic and physical form. In fashion illustration, the transformation of the human body itself whose body parts get separated, superposition of exterior material and human body, and the distortion of human body by the change are done. Space is where background and shapes are inter-penetrated because they are ambiguous and untransparent, and where all are in disorder and unbalance. The method of projection uses distance perspective, multiple perspective and amplified perspective representation, and forms a psychological space feeling. And I think the use of surrealistic expressive methods are very useful for the subjective sensitiveness and the transmission of a fashion message, and presents a possibility to develop a new expressive method.

• 한국정보과학회논문지:시스템및이론
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• 제29권1호
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• pp.1-9
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• 2002

비사실적 렌더링 기법(NPR, Non Photorealistic Rendering)에 대한 관심이 증가하면서 여러 컴퓨터 그래픽스 연구자들에 의해서 펜화, 수채화 , 인상파 기법 등 예술적 기법들을 표현하기 위한 연구가 진행되어 오고 있다. 비사실적 렌더링 기법에서 가장 초점을 두고있는 것은 사람이 직접 그리거나 조작 한 듯한 표현을 만들어 낼 수 있으냐 하는 것이다. 본 논문은 교육이나 예술적인 표현을 위해 사용되고 있는 종이를 찢어 붙여 표현하는 모자이크 작품을 자도으로 생성해 주는 기법을 제시하였다. 이를 위해 종 이를 칼이나 가위같은 도구에 의해 잘려진 것이 아닌 자연스럽게 찢어진 종이 표현 기술, 종이의 질감 표 현 기술, 붙여지는 종이의 형태를 결정하기 위한 다각형 생성기법등을 제시한다.

• 한국방송∙미디어공학회:학술대회논문집
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• 한국방송공학회 2009년도 IWAIT
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• pp.17-22
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• 2009

In this paper, we discuss two fundamental issues of hybrid scene representation: constructing and rendering. A hybrid scene consists of triangular meshes and point-set models. Consider the maturity of modeling techniques of triangular meshes, we suggest that generate a point-set model from a triangular mesh might be an easier and more economical way. We improve stratified sampling by introducing the concept of priority. Our method has the flexibility that one may easily change the importance criteria by substituting priority functions. While many works were devoted to blend rendering results of point and triangle, our work tries to render point-set models and triangular meshes as individuals. We propose a novel way to eliminate depth occlusion artifacts and to texture a point-set model. Finally, we implement our rendering algorithm with the new features of the shader model 4.0 and turns out to be easily integrated with existing rendering techniques for triangular meshes.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제2권6호
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• pp.280-298
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• 2008

For efficient content-based image retrieval, diverse visual features such as color, texture, and shape have been widely used. In the case of leaf images, further improvement can be achieved based on the following observations. Most plants have unique shape of leaves that consist of one or more blades. Hence, blade-based matching can be more efficient than whole shape-based matching since the number and shape of blades are very effective to filtering out dissimilar leaves. Guaranteeing rotational invariance is critical for matching accuracy. In this paper, we propose a new shape representation, indexing and matching scheme for leaf image retrieval. For leaf shape representation, we generated a distance curve that is a sequence of distances between the leaf’s center and all the contour points. For matching, we developed a blade-based matching algorithm called rotation invariant - partial dynamic time warping (RI-PDTW). To speed up the matching, we suggest two additional techniques: i) priority queue-based pruning of unnecessary blade sequences for rotational invariance, and ii) lower bound-based pruning of unnecessary partial dynamic time warping (PDTW) calculations. We implemented a prototype system on the GEMINI framework [1][2]. Using experimental results, we showed that our scheme achieves excellent performance compared to competitive schemes.