• 복식
• /
• 제30권
• /
• pp.85-99
• /
• 1996

This study has been made to examine the symbolic meaning of our traditional costume colours based on the theory of yin-yang Wu-hsing the interaction of yin and yang with the rotation of the five agents wood firt earth metal and waters. Presenting the spirt and the life of our race the costume culture has been keep-ing its own systematic symbol. Being sensible the colour has to be under-stood as the colour sense therefore the cos-tume colour has begun to have the symbolic meaning with the feeling or the mental value. According to the theory of yin-yang wu-hsing the costume colour has presented our racial sprit way of thinking and way of life for a long time and it has become the tra-ditional culture at last. Based on the doctrine of cosmic harmony through the motion of yin and yang or the passive and active elements are their five agents form the material force of everything. The order of nature has its counterpart in five symbolic costume colours wood-blue ; fire-red: earth-yellow; metal-white: water-black. The five colours are called the primary colours. which produce the next compound colours. Accepted in the social system as well as the social stats the costume colour has set up systematically. The theory of Yin-yang Wu-hsing has given the five colours the symbolic meanings and its mainstream has been the function of Sangsaeng and Sangeuk which are genera-ted by the power of virture. The former is mu-tually beneficial while the latter destructive. The colour as a costume colour has been made distinction between the colour of the up-per classes and the colour of the middle and lower classes and the specific colour has presented the symbolic meanings. The yeollow the red and the purple have been regarded as the colour of king queen and upper classes Being the colour recognition the costume colour has been established by the society and the race generally Implied the spiritual elements the colour recognition could select the lucky colour in accordance with one's des-tiny. Besides the colour recognition has begun to appear as the racial costumes to protect the society and to pray for good fortune. According to the theory of Yin-yang Wu-hsing the costume colour has been forming through our long history and has become our costume culture. Therefore the colour of the costume has signified not only the colour sense but also the important symbolic meanings.

• 대한토목학회논문집
• /
• 제3권4호
• /
• pp.95-107
• /
• 1983

기존(旣存) 범용 구조해석용(構造解析用) 프로그램들은 선택(選擇)된 역학적(力學的) 이론(理論), 계산(計算) algorithm등이 고정(固定)되어 있으므로 이용자(利用者)는 프로그램을 원하는 대로 control하기 어렵고 프로그램에 정의(定義)된 대로 data input만 준비(準備)한다. 이용자(利用者)가 계산과정(計算過程)을 control 할 수 있으며 원하는 역학적(力學的) 이론(理論) 및 계산(計算) algorithm등을 보완(補完)하여 이용(利用)할 수 있도록 한 구조해석용(構造解析用) 프로그램인 Symbolic Manipulation Program들이 개발(開發)되었으나 이들은 single domain 문제(問題) 해석용(解析用)이므로 대형(大型)콤퓨터가 필요(必要)하다. 본(本) 연구(硏究)에서는 substructure technique을 도입(導入)하여 구조물(構造物)을 multi domain으로 하여 중(中), 소형(小型)콤퓨터로도 해석(解析)할 수 있으며, matrix analysis 및 finite element analysis를 할 수 있도록 finite element characteristic arrays(Stiffness, Mass matrix)등을 계산(計算)하는 Element Subroutine 중 3D Beam element, Plate bending element 및 동력학계산(動力學計算)을 위한 Eigenvalue routine을 포함(包含)한 Symbolic Manipulation Program 개발(開發)이다. 이 프로그램의 구조(構造)는 module화(化)된 독립적(獨立的) 기능(機能)을 가진 processor 들로 구성(構成)되어 프로그램의 수정(修正), 첨가(添加), 삭제(削除)가 용이(容易)하며, Integrated Program Network(IPN) 개념중(槪念中) data base 방법(方法)으로 matrix form으로 된 data의 취급이 효율적(效率的)이다.

• 정보보호학회논문지
• /
• 제29권5호
• /
• pp.1039-1048
• /
• 2019

프로그램 자동 분석 방법 중 하나인 기호 실행은 지난 몇 해 동안 기술적으로 크게 향상 되었다. 그러나 여전히 기호실행 그 자체만을 이용하여 프로그램을 분석하는 것은 실용적이지 않다. 가장 큰 이유로는 프로그램 분석 중에 발생하는 경로 폭발 문제로 인한 메모리 부족으로, 기호 실행을 이용해 프로그램의 모든 경로의 해를 구할 수 없다. 따라서 분석가는 모든 경로의 해를 구하는 것이 아닌 취약성을 갖는 지점으로 기호 실행 탐색 경로를 구성하는 것이 실용적이다. 본 논문에서는 기호 실행 과정에서 사용될 수 있는 정적분석 기반 바이너리 역방향 제어 흐름 그래프 생성 방법 기술을 제안한다. 역방향 제어 흐름 그래프 생성을 통해 분석가는 바이너리 내의 잠재적인 취약지점을 선정할 수 있고, 해당 지점으로부터 생성된 역추적 경로는 향후 기호 실행을 위해 효율적으로 사용될 수 있다. 우리는 리눅스 바이너리(x86)를 대상으로 실험을 진행하였고, 실제로 잠재적인 취약점 선정 및 역추적 경로 생성이 바이너리의 다양한 상황에서 가능함을 보였다.

• 복식문화연구
• /
• 제22권1호
• /
• pp.167-182
• /
• 2014

This study researched the symbolic meaning of the costume colors in the independent film . The purpose of the study is to shed light on the relation between a film and the clothing color by exploring the symbolic meaning of costume colors as based on place images and as reflected in characters' internal psychological states and situations. The conclusions of this study are as follows. First, the colors primarily presented were neutral shades of black and white or dark, almost-black tones, representing the negative narrative structure and depicting the image of a human being. Second, a series of bright blue shades were presented to reflect the positive narrative structure of a human being returning successfully to reality. Third, the application of color, involving both the psychological aspect as well as the symbolism of color, was effectively delivered to the audience. Fourth, the emphasis on color in the smallest details of costumes was analyzed, and it was found that symbolic color effectively communicated the whole image of transformation as the story progressed, clearly delivered delicate emotional messages, and contained symbolism relating to particular places and situations.

• 한국디지털정책학회:학술대회논문집
• /
• 한국디지털정책학회 2005년도 춘계학술대회
• /
• pp.505-516
• /
• 2005

According to Mead's (1934) symbolic interaction theory, social roles are learned through interaction and experiences in everyday life. Over time, these rules of behavior become internalized and serve to structure one's actions accordingly. Ultimately, these rules provide us with a powerful means of controlling our actions, and in time, they define our identity. Transforming the socialization process is one's conscious interpretation of stimuli through the use of symbols. Furthermore, society's perceptual processes can be shaped by the symbols we learn. The meaning of symbols can be learned from a variety of social influences, one of which may be mediated messages and advertising. This paper attempts to establish a link between media exposure and one's perception of social reality regarding character judgments made of unknown others based on the target's product or brand usage. Using magazine advertisements for fictitious products, the experiment herein seeks to establish two fundamental goals: 1) to determine if perceptions can be manipulated via association with companion symbolic elements: and 2) to detect whether television exposure is a moderating factor. Respondents were asked their perceptions of both product quality and of product users.

• 한국지능시스템학회:학술대회논문집
• /
• 한국퍼지및지능시스템학회 2005년도 추계학술대회 학술발표 논문집 제15권 제2호
• /
• pp.448-451
• /
• 2005

교통의 혼잡량이라든가 공기의 쾌적도 둥을 측정할 때는 상징적인 정보량을 이용한 퍼지 센서 알고리즘을 사용한다. 그런데 퍼지 센서를 구현할 때는 몇 개의 상징적인 정보량을 퍼지 규칙으로서 종합하여 출력을 산출하는데 상징적인 정보량을 퍼지 규칙이라는 막연한 방법을 사용하므로서 정확하지 못한 결과를 산출할 수밖에 없다. 따라서 본 논문에서는 퍼지 규칙으로 퍼지 센서를 구현하는 방법이 아닌 계층 분석 방법이라는 분석적인 방법을 이용하여 퍼지 센서를 구현하였고 이를 검증하기 위하여 퍼지 규칙 방법의 괴지 센서와 계층 분석 방법의 퍼지 센서를 교통량 제어에 적용하여 많은 통과차량수의 검증을 통하여 비교하여 보았다.

• 복식
• /
• 제52권4호
• /
• pp.51-63
• /
• 2002

The purpose of this study is to review the symbolic meaning in 20th century men’s fashion through analyzing of social environment factors. After recent industrial society, men had expressed their privilege, prestige and social power according to fashion. Men's fashion at the beginning of the 20th century was emerged as the images of robustness and strictness with perfect cutting, thick and stick fabric and dark color that were influenced by british style. It was symbolic meaning of authority orientation which showed the superiorities of social and sex classes. It was beginning of change according to social phenomena. The world war Ⅰ,Ⅱ and change of lifestyle by material affluence in automobile industry mollified rules of men's fashion. It showed a serenity of living. Also, the growth of young culture changed trickle-down of men's fashion into bottom-up and showed opposition for elite culture in fashion. These change particularly became acceleration by Individualism, open-society and the collapse of sex class. Men expressed sexual and inherent desire for fashion that was no longer concerned with symbolizing of authority but rather with pleasure pursuit.

• 한국실내디자인학회논문집
• /
• 제19권4호
• /
• pp.22-30
• /
• 2010

Light has primary function to enlighten the darkness. However, as development and progresses in media has caused big change in our life, the range of usage and application of light is broadened. And these days, light is actively used as a communication tool in a space. This thesis is based on an idea that a new prospect of light is required and at the same time the theoretical foundation should be established to take active advantage of light. In Chapter two, analysis criteria are established to verify study hypothesis. The applied methodology is to analysis the contents based on literature review. Key words related light in space design are extracted and the frequency of those key words are quantitatively measured. Taking advantage of the result, the characteristics of light are divided into three categories, 'light as symbolic information', 'light as communication medium' and 'light as topological form'. In chapter three, analysis of cases is performed. The cases are selected based on space analyzing criteria established in Chapter two. Qualitative analysis is performed on the cases categorized into natural light and artificial light. Basic analysis elements are evaluated for each case. And each case is allocated to one of three categories, 'light as symbolic information', 'light as communication medium' and 'light as topological form'. Through this analysis, it is found that light in space has prevailing characteristics of 'light as symbolic information' and 'light as communication medium'.

• 농촌계획
• /
• 제20권2호
• /
• pp.151-158
• /
• 2014

The purposes of this study is to identify a proper spot to create a symbolic place for the International Jazz Festival and to improve the connections among the place assets of Gapyeong as a place marketing strategies. To this end, the analysis and interpretation of spatial structure was conducted using space syntax. The results of the study showed that the entire structure of the space formed in the axis of a total of 200. The value of total integration was 0.833, which is relatively low, and the local integration degree was 1.588 degrees. Gahwa Street has the highest value of full integration (1.264) among the major points related with the Festival, followed by the former Gapeyong Station area (1.189). As a result, the former Gapeyong station area was identified as a recommendable place for symbolic place because it is highly accessible to the surrounding areas and spacious enough to function as a plaza. Developing a cultural street occupied by jazz cafes, concerts, shops and restaurants, and transforming the old railroad into a linear park will enhance the image of jazz city and help place marketing.

• 한국의상디자인학회지
• /
• 제10권3호
• /
• pp.73-88
• /
• 2008

The media culture influences upon young people while introducing new cultures by every hour. Considering the mainstream culture, in which media has the greatest effect on young people, this article examines the symbolic significances of youth fashion through media culture. The results of this study can be summarized as the following: First, young people's popular culture ("pop culture") is becoming the medium that leads to the creation of similar cultures of the young people globally through various routes. Culture is being created by integration of diverse media, and not by what is seen through a single medium. Typical young people's culture, which is formed due to the influence of media culture, includes community culture, pun culture, virtual culture and fandom culture. Second, in order to examine youth fashion that is seen in those media, the survey has been conducted on media stars, tecktonik dance groups, fashion models, avatars and online communities, which are fashion icons influencing young people. Third, youth fashion, which has been formed centering on media culture, has the flexible property that varies the symbolic significance according to which culture becomes the main axis. The symbolic significance in fashion, which is seen on media culture young people are contacting, has been examined in the aspects of value orientation, diversity orientation, speed orientation and digital orientation.