• 한국디자인학회:학술대회논문집
• /
• 한국디자인학회 2000년도 추계 학술발표대회 논문집
• /
• pp.64-65
• /
• 2000

본격적인 CI(Corporate Identity) 개념의 출발은 2차 대전 이후로 보는 견해가 지배적이다. 그 배경은 과학기술의 발달로 각기 다른 기업에서 생산한 동종 제품의 질적 차이가 거의 없어지면서, 제품을 생산 또는 판매하는 기업의 이미지가 고객의 주요 구매 동기요인으로 작용함에 따른 것으로, 기업의 호의적 이미지 재고를 위해서라 할 수 있겠다. (중략)

• 한국감성과학회:학술대회논문집
• /
• 한국감성과학회 1999년도 춘계학술발표논문집 논문집
• /
• pp.67-71
• /
• 1999

• 한국실내디자인학회논문집
• /
• 제20권6호
• /
• pp.105-115
• /
• 2011

We are inundated with visual media; countless such media, ranging from Hollywood blockbusters, American drama, Korean films with enormous budgets to independent films, appeal to our sensibility and engage our empathy and insight. The making of mega-hits that attract millions and a drama of viewer ratings of over forty percent lies in how persuasive the sensibility of the narratives are to an audience from a different milieu and personality. It leads to a question: how can empathy of such a varied group of people be won towards the perspective of directors and authors who come from different nationality and ethnicity to themselves? In exploring the issue, I aim to adopt a psychoanalytical view of human psychology, into consciousness and unconsciousness. Freudian psychoanalysis and Jungian analytic psychology in depth psychology underpin my analysis of visual media. It further enables my examination of unconsciousness applied to spatial design, which is elementary in visual media. In sum, this research aims to improve understanding of spatial design in films, a product of creative human consciousness, by interpreting this as an outcome of the unconscious. This is to apply the concept of collective unconscious in Jung's analytical psychology.

• 대한전자공학회논문지TC
• /
• 제46권4호
• /
• pp.70-76
• /
• 2009

본 논문에서는 ABAB 형 준직교 시공간 부호(Quasi-Orthogonal Space-Time Block Code; QOSTBC)에 사용되는 전처리 과정을 설계하는 조건을 제안하였다. 본 논문에서 제안한 설계 조건은 최대 다이버시티 및 최대 전송율(Full Diversity and Full Rate; FDFR), 단일 심볼 복호 능력, 향상된 부호 이득을 얻을 수 있는 방법을 제공한다. 또한 본 논문에서는 제안된 설계 조건을 이용하여 개선된 ABAB 형 QOSTBC를 설계하였다. 이 QOSTBC는 기존에 Dalton이 제안했던 ABAB 형 QOSTBC 부호 보다 뛰어난 성능을 가질 뿐 아니라, 동일하게 FDFR을 충족하며, PAM 신호 성좌가 사용되는 경우, 단일 심볼 복호가 가능하다.

• 한국실내디자인학회논문집
• /
• 제23권1호
• /
• pp.152-161
• /
• 2014

Beijing, the capital city of China, has gradually increased its amount of culture space and has also introduced a diverse range of cultural facilities to improve the satisfaction of its citizens lives. In particular are its art museums, which are a symbol of the urban culture and enrich the cultural life of its citizens and are also expected to play a role as a psychological pivot point. However, in comparison with the characteristics of various ethics, local, and the influence on the museums of China, studies which analyze the exterior of the art museums are not sufficient. This is because previous research has focused too heavily on the interior of the art museums. This paper aims to derive distinction through the analysis of the exterior of several art museums and present design factors and application methodology. This research looks at art museums in China and analyzes the current state of the art museums that have been developed based on the culture of Beijing. Through analyzing the case study of five art museums that have been selected in Beijing we can improve our understanding of Chinese culture space and derive distinct design factors. Distinct factors in the exterior of art museums include connection, culture, geographic features, public, and creation. This study is expected to contribute to that exterior of the art museum will be as a contact zone to form a spatial connection and a cultural symbol that can reflect Beijing's unique culture characteristics.

• 복식문화연구
• /
• 제18권4호
• /
• pp.640-654
• /
• 2010

The purpose of this study is to design neckties that are motivated by Christmas symbol images that have been known to public most widely in the basis of Day marketing so as to develop the competitive commodities closed to consumers' emotion in the fashion industry. As a method of this study were to use Adobe Illustrator CS2, which is one of the vector graphic programs, to present the motif design such as Santa Claus, trees, presents and letters among Christmas symbols, and are to apply to neckties by giving a change with striped pattern, all over pattern and one point pattern. The results are as follows; Firstly, Santa Claus image was expressed by color contrast with red and white, which was perceived by red, green and white that are mostly used in Christmas. Secondly, tree images are expressed abstractly with color contrast where red and green are contrasted, and color way change was given for symbol color of Christmas. Third, in the image of gift, the image of share and image of colorfulness were considered for expression by making motifs of three dimensional hexahedron shape. Fourthly, in the image of type, motif was expressed by giving a change in horizontal and vertical writing types.

• International Journal of Advanced Culture Technology
• /
• 제11권1호
• /
• pp.45-54
• /
• 2023

The digital age start in earnest with the widespread use of the Internet. As a digital product, virtual idols bring new value to the design and dissemination of commercial brand images. "Luo Tianyi" is the world's first avatar and VOCALOID voice bank of Chinese. It has a large number of fans in China and is widely used in brand promotion. Therefore, "Luo Tianyi" is taken as the research object. Initially, we investigated the virtual idols through books, literature on the internet and other materials. Then we discussed semiotics and theories related to culture code brand design methodology (CCBD). After that, putting the above theories into practice, combined with brand design cases, we analyzed the strategy of virtual idols in brand promotion and dissemination, at last, we have the conclusion as followed. The results show that the virtual idols, visual symbol of "Luo Tianyi" can express the Index and Symbol corresponding to the brand information according to the characteristics of the brand. As an image of cultural code, "Luo Tianyi" can present three visual images at the same time, which are contemporary, traditional and future. In addition, these three visual images are presented in a strong and weak combination, which has a positive impact on the visual communication of the brand.

• 한국의류학회지
• /
• 제1권2호
• /
• pp.65-70
• /
• 1977

The purpose of this study was to investigate the relation of attitudes and usage of denim cloth-ing to masculinity femininity, attitudes toward women's role, and four aspects of clothing interests. Masculinity-femininity was assessed by The Fe Scale of the California Psychological Inventory. Attitudes toward women's role was measured by selected items from The Inventory of Feminine Values and The Sex Ideology Scale. Measures of attitudes toward denim clothing consisted of: 1) attitudes regarding practicality and youth symbol, 2) possession, and 3) frequency of wearing denim clothing. Four aspects of clothing interests in general were assessed by statements dealing with choice of design, conformity-individuality, fashion and practicality in clothing. The sample consisted of 388 students in Sookmyung Women's University in Seoul, Korea. The data, collected by means of a self-administered questionnaire, were analyzed by correlation. The results indicate that: 1) Masculinity-femininity was related to youth symbol attitudes, possession, and frequency of wear-ing denim clothing. 2) Attitudes toward women's role was related to practicality attitudes, and frequency of wearing denim clothing. 3) Practicality attitudes toward denim clothing was related to conformity-individuality, and practicality in clothing. 4) Youth symbol attitudes toward denim clothing was related to fashion in clothing. 5) Possession of denim clothing was related to fashion and the choice of design in clothing. 6) Frequency of wearing denim clothing was related to the choice of design, and conformity-individuality in clothing.

• 디자인학연구
• /
• 제14권3호
• /
• pp.177-186
• /
• 2001

현대는 이미지의 시대라 불리고 있다. 이는 우리사회의 비중이 유형적인 상품중심의 산업사회로부터 무형적인 문화중심의 사회로 옮겨가고 있다는 것을 의미한다. 따라서 우리주변에서 형성되는 공간이나 물건, 사건(이벤트)등에는 어떤 이미지의, 어떤 컨셉의, 어떤 심리적 요인을 작용시키는 가 하는 점이 매우 중요해 지고 있다. 이러한 점에서 일찍부터 선진외국에서는 국가의 대표이미지를 적극적으로 활용하여 자국의 물건이나 장소 이벤트 등에 적용함으로써 국가의 긍정적 이미지를 부각시키고 이를 통해 자국민의 긍지를 높이는데 많은 노력을 기울이고 있다. 본 연구는 국가를 상징하는 기본이미지(국호, 국가, 국기, 국화)를 디자인 원리를 통해 일정수준 이상의 형태와 구성으로 표현 가능하도록 접근한 것이다. 각각의 개별이미지의 기본표현을 기준으로 다양한 응용모티브의 제공과 이를 활용한 상품의 사례 등을 제시하고 있으며, 이미지전개의 과정을 소개함으로써 향후 더 많은 변형과 발전의 계기를 제공하려 하였다. 이는 국가의 이미지를 국민이 자유롭게, 적극적으로 사용토록 함으로써 국가에 대한 자부심을 키우고, 국민 생활 속에서 친숙한 이미지로 자리잡을 수 있게 함으로써, 누구나 필요할 때 우리자신을 홍보할 수 있는 기본자료로 제공하려 한 것이다. 또한 외국인에게는 우리국가에 대한 정보를 제공하고 호감을 느끼게 함으로써 긍정적인 국가이미지를 형성하는데 기여코자 하였다.

• 한국안광학회지
• /
• 제19권4호
• /
• pp.435-443
• /
• 2014

목적: 안경원 브랜드의 디자인아이덴티티 시각 요소들의 분석을 통해 안경원의 브랜드 디자인 개발에 필요한 객관적인 자료로 활용하고자 하였다. 방법: 안경원의 브랜드 디자인아이덴티티 개념을 살펴보고 국내 프랜차이즈 안경원의 상징물, 심벌마크의 형태와 로고타입의 표현 스타일, 색상 활용도, 캐릭터 사용 여부 등을 중심으로 브랜드 디자인아이덴티티의 시각 요소들을 분석하였다. 결과: 안경과 눈, 얼굴과 홍채 같은 안경과 관련된 직접적인 상징물이 많았고 글자와 도형도 나타났다. 심벌 유형으로는 대부분이 구상형과 워드마크 형태의 디자인이 많았고 워드마크형에는 국문보다 영문이 많이 사용되었다. 로고타입 형식은 고딕체 형식이 주류를 이루었고 획의 굵기는 보통과 두꺼운 볼드체가 고루 사용되는 것으로 나타났다. 안경원 브랜드 디자인에서 가장 많이 사용되고 있는 색상 도수는 2도 조합 사용이 대부분이었고 색상 사용 빈도로는 검정과 빨강이 많았는데 심벌이나 로고타입의 전용 색상에는 검정과 함께 주황도 많이 나타났다. 캐릭터는 일부 안경원에서만 사용하고 있고 대부분 동물 소재로 표현은 만화와 그래픽 형식이었다. 결론: 상징물, 심벌마크와 로고타입, 색상, 캐릭터는 브랜드 디자인아이덴티티 기본 개발 시스템이다. 안경원 브랜드의 중요한 시각적 구성요소로 상호간 일관성이 있으면서 기능과 역할을 분명히 할 수 있는 체계적인 디자인이 되어야 한다.