• 동의생리병리학회지
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• 제20권4호
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• pp.784-792
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• 2006

The Neo-Confucian study of the thee of ministerial fire(相火論) constitute of the rule of iung jung(中正), the principal of form and use(體用) and of real nature and emotion(性情) of human and ethic mind(人心道心). The present study is to evaluate a fundamental concept of the theory of ministerial fire, which is one of traditional medical ideology in China, through the Neo-Confucianism projects to The theory of ministerial fire. The theory of ministerial fire of Judange(朱丹溪) was recognized by ontological principal of Heaven-Human being-Earth, ontological structure of Form-Use and the structure that mind consist of real nature and emotion(심統性惰). The ethic and human mind(道心人心) of Judange and constancy and transition(常變) of seven emotion have relationship in the ontological structure of Form-Use. The real nature of human Doing consisted of apriority of Heaven rule is unitary constructed by Form-Use(체용) of inactivated real nature and activated seven emotion and then activated seven emotion shows dual form of appropriate(中節) and inappropriate(不中節). Emperor's and ministerial fire(君火相火) which has a relationships of Heaven-Human being synchronization represents all kinds of fire and classified to heaven fire(天火) and human fire(人火). The emperor's fire was triggered by inactivated fire and ministerial fire(相火) was triggered by activated fire. Inactivated ministerial fires have dual form of physiological ministerial and pathological ministerial fire. Regarding the forementioned analytic thinking, it was clear that manifest processing of One's real nature and the ministerial fire undergo the same principal and logics. Since maintained One's real nature that is inactivated seven emotion and appropriated activated seven emotion, ministerial fire can be stable and keep one's health and well-being in mind and body.

• 한국주거학회논문집
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• 제10권4호
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• pp.161-174
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• 1999

This study tried to search for solutions of present problems in architecture through interdisciplinary study which includes biology, literature, aesthetics, and psychology, and set up two models composed of the nature and the human perception which contemporary architecture has problems on. By nature-oriented approach through biology and romanticist literature, the five types of organic principles which could be obtained from structure and order in natural system and by human perception-oriented approach through aesthetic theory of Harold Osborne and perceptual and cognitive psychology the structure and order of perceptual arousal, perceptual balance, and perceptual order in human cognition based on perceptual appropriateness could be found. The unified and organic framework of architectural composition must be considered through a deductive and inductive study as this study was approached. The results of the present study can be applied to construct human-oriented design principles and factors in architectural space and form, and better environmental quality.

• 사상체질의학회지
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• 제19권3호
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• pp.1-9
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• 2007

1. Objectives This Study is to comprehend the Sasang structure created by Lee Je-Ma. 2. Methods We analyzed $\ulcorner$Dongyisusebowon(東醫壽世保元)$\lrcorner$ & $\ulcorner$Gyukchigo(格致藁)$\lrcorner$ which contain the contents of 'Heaven-Human-Narure-Order(天人性命), and 'Affairs-Mind-Body-Objects(事心身物)'. 3. Results and Conclusions 1) The structure of Sasang is divided into two, which are 'Talent(才能的 部分)-Action(行爲的 部分)' and 'Self examination(正己的 部分)-Perception of mankind(知人的 部分)'. 2) 'Talent-Action' is the ontological structure of the Sasang. 'Self examination-Perception of mankind' is the administrative structure of the Sasang. 3) The ontological structure of Sasang is essential concept which is explaining the existence of mankind. An administrative strucrure of Sasang is operative concept which makes human as oneself. 4) It is necessary to have the insight to organize these four parts into the one organic whole if one has to comprehend the profound meaning of Sasang. 5) Four parts of Sasang structure could be matched as 'Heaven(天)-Affairs(事), Human(人)-Objects(物)', 'Nature (性)-Mind(心), Order(命)-Body(身)'.

• 만화애니메이션 연구
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• 통권16호
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• pp.101-112
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• 2009

<슈렉>은 기존의 동화와는 다른 새로운 내용과 형식을 선보이며 기존 관습에 균열을 만들어서 고정화된 관념에 대한 인식의 변화, 사고의 전환을 유도한 작품이다. 본 연구는 세 편의 슈렉 이야기에 반복되는 의미구조를 그레마스의 행위자 모델과 기호학적 사각형을 통해 분석하고자 한다. 행위자 모델은, 잘 알려져 있듯이, 세 쌍의 대립항을 통해 이야기의 기본적인 서사도식을 분석하는 기호학적 도구다. 이에 비해 기호학적 사각형은 기본적인 이항대립을 중심으로 형성된 의미지형을 통해 이야기의 의미생성 경로를 시각화하는 모델이다. 기호학적 사각형이 심층층위에서의 의미경로를 탐색하는 모델이라면 행위자 모델은 심층적 의미가 서사적 차원에서 구조화된 것이라고 할 수 있다. 본 논문에서는 공주와 괴물의 사랑과 결혼, 그리고 영원한 행복 찾기를 중심으로 한 행위자 분석과 기호학적 사각형을 통한 의미생성 과정을 분석함으로써 자연과 문화간의 대립에 기반한 슈렉의 이야기 구조를 시각화한다. 분석의 중심 대상은 1편은 슈렉과 피오나의 사랑, 2편은 슈렉과 피오나의 결혼 생활, 3편은 권력과 자유이다.

• 사상체질의학회지
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• 제16권2호
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• pp.32-43
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• 2004

1. Objectives This paper was tried to find out Dong-Mu's recognition systemfor Sasang Structure about "Dongyi Suse Bowon" and "Gyukchigo" 2. Methods The study was researched through comparative studying in a structural manner between "Gyukchigo" 's Affairs-Mind-Body-Objects(事心身物) and "Dongyi Suse Bowon" 's Heaven-Human-Nature-Order(天人性命). 3. Results and Conculusions "Gyukchigo" 's Affairs-Mind-Body-Objects(事心身物) should be understood as Dong-Mu's change process of thinking scheme before writing the book of "Dongyi Suse Bowon" and it is somewhat difficult to make a connected attachment in a lump between "Dongyi Suse Bowon" 's Heaven-Human-Nature-Order(天人性命) and "Gyukchigo" 's Affairs-Mind-Body-Objects(事心身物). Just "Dongyi Suse Bowon" 's Heaven-Human-Nature-Order(天人性命) can be understood as a new recognition systemto encompass" Gyukchigo" 's Affairs-Mind-Body-Objects(事心身物).

• 사상체질의학회지
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• 제9권1호
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• pp.1-12
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• 1997

Neiging Medicine(內經醫學) based on Yin-Yang and Five elements was the main stream of Korea Traditional Medicine until the end of 19th century. And the establishment of Sasang Constitutional medicine. In this paper, author proved that the Yin-Yang of Sasang Constitutional Medicine was different from that of Neiging Medicine and that explained the Yin-Yang of Sasang Constitutional Medicine as our own medicine. After considering the philosophical and medical background of Sasang Constitutional Medicine, and author researched the Yin-Yang of ontology, structure, function, symptoms in Sasang Constitutional Medicine. Also we compared this with that of Neiging medicine. The results were as follows 1. Neiging Medicine was based on the Yin-Yang and Five elements centering on the nature and Sasang joy, and pleasure centering on the human. 2. The ontology of Sasang Constitutional Medicine were the mind as a unitary substance, the mind and body as a dual substance, and affair, mind, body, and objects as a four substance which were the basic theory of philosophy. 3. Sasang Constitutional Medicine explained social phenomenon with a four substancial structure consisted of affairs, mind, body, and objects, a complex four substancial structure consisted of heaves, human, nature and order, and a three dimension structure including time. 4. On the other hand Neiging Medicine recognized seven emotions as five emotions, Sasang Constitutional Medicine recognized seven emotions as qi, nature, and emotions which consisted of sorrow, anger, joy, and pleasure. The qi had an effect on internal and external part of body and the nature and the emotion had an effect on the upward and downward of body. 5. It was taked great importance to control the up and down balance and the internal and external balance in Sasang Constitutional Medicine instead of reinforcing and reducting method of Neiging Medicine. 6. The Yin-Yang of Korean Traditional Medicine developed centering on the human from centering on the nature and Sasang Constitutional Medicine was a practical medicine compared with Neiging Medicine.

• 동의생리병리학회지
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• 제26권6호
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• pp.855-863
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• 2012

The organic and holistic recognition method about nature in east asian philosophy is also applied to the study of the human body in Korean medicine. In Korean medicine, the human body is being understood from a holistic point of view rather than a mechanical or reductive one. The main east asian philosophies are the heavens thought and the Yin-yang/Five Phase Theory. This study will explore the influence the general flow of heavens thought has on explaining the human body in Korean medicine and the formation of how the human body is perceived in "Huangdineijing"(黃帝內經). First, the primitive meaning of heaven was developed to include the natural heaven of Xia (夏), the lord heaven of Shang(商) and the moral heaven of Zhou(周) dynasties. Among these, the natural heaven notion of the Xia(夏) dynasty which recognized heaven as the one with the power to create everything. This was followed by Taoism which established the contrasting system of heaven and earth. Based on this, "Huangdineijing"(黃帝 內經) developed the perception of the human body, taking into account, heaven as the original substance to generate the human body through the mutual sympathy between heavenly energy and earthly form. The perspective of the correspondence between nature and human in "Huainantzu"(淮南子) and "L$\breve{u}$shichunqiu"(呂氏春秋) was succeeded by Tung Chung-Shu(董仲舒). Based on this development, the perception of the human body in "Huangdineijing"(黃帝內經) is related to the seasonal cycle and the notion of night and day to balance the physiology of the human body. It recognizes that its structure, shape, emotional state and physiological actions are correlated with heaven.

• 사상체질의학회지
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• 제10권2호
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• pp.29-40
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• 1998

동무의 사상의학은 단순히 임상적 차원에서만이 아니라 철학적 차원에서 자연관에 대한 중요한 인식론을 담고 있다. 그 내용으로서 사상의학의 사상체질을 마치 결정론적으로 해석하는 것에 대한 반론을 제기한다. 사상의학은 실체론에 근거한 서구 전통철학으로 볼 때 결정론적으로 보이지만 실제로는 인간의 의지를 더 중시하는 유기적 치심(治心)의 철학임을 보이고자 한다. 사상의학에서 본 인간의 창국단장(廠局短長)의 체질은 각기 태어나면서 정해진 것이지만, 그로 인해 모든 성정이 고정됨을 의미하는 것이 아니라 피심(治心)을 통하여 후천적인 변화와 자기 가변성에 초점을 두는 것이 바로 사상의학의 핵심이라고 본다. 철학적으로는 서구철학처럼 인식이 행위를 결정하는 것이 아니라 행위가 인식을 지배할 수 있다는 것을 주장하고자 했으며, 그 근거로서 사상의학에서 본 자연관을 도입하였다.

• 한국실내디자인학회논문집
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• 제12호
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• pp.91-99
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• 1997

Alvar Aalto has pursued National Romanticism, cultural art movement in scandinavian peninsula, organic concepts of growth and suitability, comprehensive view of nature including a possibility of coexistance of human-being and the nature well harmonized. For instance, his design expressed local features of the nature, human emotions instead of geometical arts and mathematical principles. It is noteworthy today that he built up the identity with satrical architecture vocabularies, different from modern arch-itechtural idiology. The characte-ristics of his design related to interior architecture are collectively as follows; The first, Space discontinuity of the interior and exterior, gradual process by joints which are inclined to collage with many shapes in plan and section of the space and such joints are adjusted by sensual ways and stressed with inner collectivity in his works. The second, He pursued the architectural orderfor modern irreqularity, various changes and sensual harmonies. As result, free curved line, fan shape and irregular modeling were individually expressed by technics of natural features and national characteristics of Finland. The third, Organic synthesis. A harmony through med-ums in its space, materials and space effectiveness relations are made and expressed for mixed design especially harmonized of all the materials he planned, entire harmony with total design, itemized details, materials and furnitures in entire space. The fourth, The interest of the nature based on his sense harmonized with nature made him mainly use native materials, lumbers and red bricks masonry and showed and arranged various interior sky light and grazed in to let natural light in, harmony with garden to sensually cohere to the nature and courtyard, etcetera. His major subject are to direct architectural developments through the nature and human-being in his works. At this point, it is considered that his direction of the locality and independence as a human-being made the concepts of organic space structure possible.

• 감성과학
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• 제8권3호
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• pp.241-251
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• 2005

유학은 인간의 심성(心性)에 대한 탐구를 2,000여 년에 거쳐 해온 학문분야이다. 따라서 유학에서의 인간의 심성에 대한 관점과 연구방법은 현대의 감성과학에 적용될 가능성이 매우 높다. 유학에서의 인간심성을 유학의 전반적 개념과 퇴계 이황의 개념으로 고찰하여본 결과 현대의 감성과 유사한 정(情)이라는 개념이 있었으며, 본 마음(性)의 발로의 결과인 정의 좋음과 나쁨의 관점은 정이 발현되는 과정에서 좋은 정과 나쁜 정으로 구분된다고 하여 정의 형식이 중요한 것이 아니라 인간의 본성이 왜곡됨 없이 발현된 정이 좋은 정, 즉 감성이라 하고 있어 현대의 감성의 호악과는 다른 기준을 가지고 있었음을 알 수 있었다 또한 심성을 파악하는 구조는 심성작용이 일어나는 형식구조로 파악하고 있는 것이 아니라 심성의 내용과 작용주체를 파악하기 위한 관점으로 파악하고 있음도 알 수 있었다. 또한 현재의 인지, 감성, 생리, 철학 등의 관점이 총체적 ·종합적인 관점으로 인간의 심성을 바라보고 있음을 알 수 있었다. 연구의 종합결론으로서는 유학에서도 인간의 심성을 탐구하기 위한 연구가 매우 오랜 기간 수준 높게 진행되었으며, 현재 감성과학에 부분적인 참고와 도움뿐만이 아니라 감성과학의 지향점을 찾는 데 중요한 관점과 지식을 충분히 제공할 수 있을 것이라는 알 수 있었다.