• 한국의상디자인학회지
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• 제3권2호
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• pp.51-62
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• 2001

This study was intended to investigate the contemporary meaning of transparent design expressed in contemporary fashion by inquiring into its plasticity expressed in contemporary design and fashion and analyzing the association between them. It used the comparative anesthetic method widely used by H. W lfflin and other scholars in eliciting the differences and similarities in styles. It attempted to investigate the plasticity of transparent design expressed in contemporary design by dividing it into the epidermal, spatial and ideological effects. Contemporary design expressed the epidermal effects such as lightness(nimbleness), smoothness, contrast and stress It expressed the spatial effects such as spatial flexibility through the interpenetration of interior and exterior spaces, expansion of the space and the like. And it expressed ideological effects such as openness, pureness, playfulness and the like. In terms of lightness, contemporary design expressed actual or visual lightness by using transparent materials. In terms of the interpenetration of interior and exterior spaces, it expressed the interpenetration of the interior space into the exterior spaces and vice versa. In terms of spatial expansion, contemporary design expressed the infinite spatial connection by drawing the exterior space into the interior space. Contrast and stress were formed by imposing visual unity on contemporary fashion by using opaque and transparent materials. In terms of openness, contemporary design expressed contemporary people's candor and dependability by making the inside of the building or object look outward. To express pureness, contemporary design used the clear and transparent image by using the glass or translucent materials taking on the pure property. To express playfulness, contemporary made use of the vagueness of the spatial boundary, the locational switching of inner and outer spaces, and interesting external forms occurring when light pass through opaque and transparent materials.

• 한국경제지리학회지
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• 제21권4호
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• pp.350-369
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• 2018

본 연구의 목적은 2000~2015년 동안 부산광역시 16개 구에 거주하는 외국인의 공간변화 그리고 산업종사자와 관계를 고찰하는 것이다. 이를 위해 기술적 추론적 통계 방법이 사용되었다. 분석의 결과는 다음과 같다. 첫째, 2000~2015년 동안 총외국인이 거주하는 공간변화는 국적에 따라 상이하게 나타나고 있다. 둘째, 국적별 혹은 성별 외국인의 공간변화는 총외국인의 경우보다 복잡하다. 구별 외국인의 공간변화는 어떠한 기간을 선택하느냐에 따라 의미가 있거나 그렇지 않다. 셋째, 16개 구에 속한 외국인과 산업종사자 간의 관계는 국적과 성별에 따라 차이를 나타내고 있다. 연구 방법은 다른 도시 혹은 지역 사례에 적용할 수 있다. 그리고 연구 결과의 축적은 한국 도시 혹은 지역에 거주하는 외국인의 공간변화 양상을 조망하고, 이와 관련된 사회 경제 문제를 해결하는 데 도움을 줄 수 있다.

• 한국실내디자인학회논문집
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• 제31호
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• pp.29-40
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• 2002

Environment artworks occupy the diverse spaces of architecture not as one of ornaments or supplementaries to edifice but as a main subject of architectural effect. The application of artworks in architectural design, such as paintings or sculptures including installation art possesses social and historical functions as well as contextual meaning. In Korea the interest of environment artworks has increased since early 1980s, during which large projects began to establish. However environment artworks have been selected merely by the owner's preference or the artist's aesthetic value without collaboration with architects or interior architects, who are willing to allow the minimal units of signification to architectural space. The purpose of the study is to prove the importance of environment artworks in spatial design of architecture. The essence intrinsic to design issue will be defined by proposing the selection factors for environment artworks to escalate the value of architectural space, so that we can expect not only the unification of art and architecture but also the accordance between artistry and publicity.

• 한국주거학회논문집
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• 제17권1호
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• pp.67-75
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• 2006

Multi-family housings caused several problems related to physical form such as isolation of housing estate, inhumanity of the exterior space, and mismatch with the urban structure. To handle these problems, the purpose of this study is to analyse density elements which have a direct impact on physical forms, thereby understand the characteristics of physical form and also identify a meaning of inter-relationships between them. Therefore both formal constituents and density elements are reformed into respective analyzing indices. From the analysis, physical form and the spatial layout of buildings were more uniform in large-scale housing estates than in medium or small housing estates. However, small-scale housing estates showed various form and the spatial layout of buildings in order to increase the building density.

• 한국주거학회논문집
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• 제1권2호
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• pp.1-11
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• 1990

A study of domestic furniture arrangements may reveal the living style relevant to the room as conceived and coded by occupants and the effects of the physical environment on the structure of behavior settings. The purpose of this study was to investigate, through analizing the furniture usage and behavior as a non-reactive and activity oriented behavioral measures, the occupants` domestic habits as a living style using MDS. MDS(multidimensional scaling technique) is a statistical technique for creating a spatial representation of data. It Is a particularly appropriate technique for analizing qualitative data such as the furniture usage and behavior because it takes into account all of the relationships between items. For the MDS analysis, the furniture usage and behavior examined by housing types based on 114 households in Seoul. The result of spatial configuration by MDS has three dimensions : recogn;lion of room function, pattern of room organization, understanding of room meaning. The effect of housing types for dimensions is identical but configuration of furniture items is different.

• 한국조경학회지
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• 제24권3호
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• pp.68-78
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• 1996

In this study, it was carried out to characterize the figures of landform of Yong-San, called dragon mountain implied indentity and emblem of local landscape by analyzing palce name extracted from four county in Kyongsang Nam-Do. The figures of landform of Yong-San was characterized and divided into three types, called as Waryong lying dragon), Banryong(dragon lying in a coil), Yongdu(dragon's crown). And the spatial characterstics of three types of landform were analyzed. Furthermore, it was investigated the development of outlines of characteristic landform recognoxed as a Yong-San and figured out the structure of landform which was easily recognized. According to the results, the outlines and the spatial structure of landform recognized as a Yong-San including a symbolic meaning can be used as a standard of judgement if an area should be reserved for the efficient conduct of regional plan.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제13권3호
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• pp.47-55
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• 2007

The theme of this study is holistic healing environment of children's library and it was researched on the basis of anthroposophy theory of Rudolf Steiner. According to Steiner's theory, human being consists of body, spirit, and soul. Especially, children are sensitive ones, and through synthetic function of 12 kinds of senses, they can be holistically healed (healing of body, spirit, and soul). As the sense independently functions or it is a element that cannot be described, it needs spatial plan to support synthetic function of it. We classified the healing space's meaning of children library by motion (including art and music), reading, & landscape healing activities and analyzed spatial characteristic to support each activity.

• 한국가구학회지
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• 제20권5호
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• pp.533-542
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• 2009

The space is generally the discontinuation space without being understood agreed by some people. In this time, expressing transparency has various significances in furniture design because modern people want transparence and space due to the complication, numerous unreasonable facts and the lack of honesty in the society. Philip Johnson's Glass House in 1946 influenced architecture, interior, furniture and life article to use transparent materials and space that is being until currently development. The transparency which comes to be preferred clearly means to develop the society continuously. It can be more liberal, honest, and transparent society. The trend appeared in furniture design has meaning as the representative product. This research has perceptional transparency(visible transparency), abstract transparency through space(phenomenal transparency), overlap of surface element, display of line element, image using dot, and changing the image of various spaces.

• 중국학논총
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• 제70호
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• pp.169-195
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• 2021

The spatial background is a key element in the development of the character's identity. It is very important to understand the symbolic significance of the spatial background in Eileen Chang's Chuan Qi, a collection of short stories and novellas. The space in Chang's Chuan Qi largely consists of Shanghai and Hong Kong. Smaller spaces include the characters' abodes, such as the mansion and apartment. Even smaller spaces are the interior of a room. The mansion is where she experienced abuse and neglect from her father during her adolescence. The apartment is a place of attachment, as was the place where she lived with her mother. This paper categorizes the mansion, her father's abode, as "a place of daydreams," "a place of death and graves," and the apartment, her mother's abode, as "a place of female independence," "a place of hope for a better life," This paper then examines these spaces to analyze how the symbolic meaning of space influences the identity of the characters.

• 건축역사연구
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• 제32권4호
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• pp.7-18
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• 2023

Recognizing that the debate on the original form of the Seokguram Grotto is closely related to the mythologization of the Seokguram Grotto, which is far from factual understanding, this paper is prepared to restore the Seokguram Grotto based on scientific facts. To this end, we will first analyze its active meaning and fiction from three directions: the founding legend, the rediscovery story, and the concept and discourse of the Line of sight for Buddha statue (對佛像視準線), which have contributed to the mythologization of the Seokguram Grotto. The original restoration of the Seokguram Grotto should be based on a scientific understanding of the Seokguram space. However, past debates and restoration attempts have been based on imagination and not on scientific knowledge. Therefore, Chapter 3 attempts a scientific analysis of the light environment of thr Seokguram Grotto and critically examines the existing errors and realistic mythological images to correct the public's spatial perception of Seokguram's architecture and to propose a rational restoration of Seokguram's architectural space.