• 건축역사연구
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• 제14권4호
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• pp.117-135
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• 2005

This paper is a study of the possibility of experience and expression in the architecture of Louis I. Kahn by focusing on the characters of entrance, court and window/wall of his public buildings. In the course of composition, Kahn defined the entrance, court and window/wall as an connecting elements and elements of boundary. The characters revealed by these elements or rooms give the clue to insight Kahn's thought of relation of interior and exterior space or inner and outer space. Following are the characters of these elements. First, a entrance reveals the fact that inner space separates from outer space by connecting these two space and giving the value to inner space as the entity and totality like outer space. The entrance gives its ontological being to human subjects not by vision but experience and expression which is the essence of commonness, that is, Silence. Kahn made the possibility of activity amplify in this common and silent space. Second, this entrance is connected with wide and huge central space not individual spaces of interior space. This extreme procedure of entering makes human subject feel sublime of intoner space. And the central spaces becomes another exterior or another world in the inner world of architecture by the lights from above and by having the boundary wall which shows same pattern of exterior wall. Third, Kahn regarded a window as the giver of lights not as the medium of vision connecting inner space with outer. He tried to connect interior with exterior through the being and character of the light expressed in the interior. And in his buildings, interior space is connected with exterior by expressing the purpose of building, composition of inner space, structural truth and construction facts through the Form, a pattern of wall, details and ornamental joints. By practicing this thoughts in the real buildings, Kahn tried to gave aura to both the interior space and entity of architecture which is regarded as micro universe like flowers, rocks and human beings.

• 대한가정학회지
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• 제42권9호
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• pp.99-109
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• 2004

In residential spaces, sanitary zones are where the most basic needs of human beings are met and are used by all members of the family. A high level of privacy is therefore required in their use. This research studies the current state of sanitary zones in collective houses and in detached houses from a comparative perspective first, and then analyses the satisfaction and dissatisfaction requirement levels of dwellers of each house in comparison so as to provide data to formulate a new design for sanitary zones that is suitable for each dwelling house. The results of this research are as follows. (1) The questionnaire respondents were mostly in their 30s and 40s (99.1% in total), and lived in a nuclear family system (87.7%). (2) The number of sanitary zones was found to be more than 2 in 62% of collective houses and in 60.7% of detached houses, which leads us to conclude that non-dwelling spaces are increasing in both types of houses. (3) Of the housing facilities,13% of collective houses and 9% of detached houses were equipped with a bidet. Both percentages are very low but it needs to be noted that the percentage is relatively high in collective houses. In safety facilities, the ratio of houses furnished with safety handlers for the aged was very low in both types of houses. (4) The residents of collective houses showed high levels of dissatisfaction with regard to the problems of storage space and steam production, while residents of detached houses expressed high levels of dissatisfaction with regard to the heating system, colors of finishing materials, size, dampness, steam production, and storage space.

• Journal of the Korean Institute of Landscape Architecture International Edition
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• 제1호
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• pp.167-175
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• 2001

After World War II, Japan experienced a great political and social shift, which brought a concern of emerging public landscape in urban development. This paper analyses the management of the aesthetic intentions in urban design effort. We reviewed the development of various public installation of artworks concerning urban landscape aesthetics through its administrative process in chronological order. The monuments during the first decade marked a shift in emphasis from the militarism of the pre-war and wartime period to one of peace. However, some of the monuments and sculptures are not immune to controversy. This became an issue that could no be ignored by public officials whose responsibility was to place the sculptures while maintaining sensitivity to public opinion. As public administrators began to consider the possibility that sculptures may contribute to improving public amenities, the contextual concepts were basically ignored. Some of the programs in 1970s began to show more respect to the context, while other programs in this period expressed more interest in educational aspects of sculptures in the public spaces. Urban development projects also seek to introduce artworks integrated to their urban design concepts in 1990s. Generally, the administrators responsible for these programs were rarely trained in any relative field study other than public administration. Installing sculptures tended to be considered as part of public works projects on the level of urban planning and construction. The general public is basically removed from participating in the critical decisions that actually impact their lives in relation to the artworks. In conclusion, public art in japan has unique social and historic background both in its advantages and disadvantages. Issues pertaining to art in public spaces have evolved over the decades as the term "sculpture pollution" began to appear by the mid 1990s. most of the problems originated in either the lack of monumentality, contextual consideration, quality, or public participation. From another point of view, these programs played great roll in the development of modern Japanese sculpture and patronizing process, and the creation of new urban landscape with aesthetic value. In this sense, they must be considered as successful and noteworthy examples of cultural administration and urban design policy.

• 한국컴퓨터그래픽스학회논문지
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• 제29권3호
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• pp.149-158
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• 2023

최신 기술이 적용된 HMD는 고해상도 디스플레이와 빠른 모션인식으로 멀미를 최소화하며 위치와 동작을 정확히 추적할 수 있다. 이는 가상의 삼차원 공간에 몰입할 수 있는 환경을 제공해 줄 수 있으며 이러한 특징을 활용하여 재난 시뮬레이터나 고위험 장비 학습 공간 등의 가상현실 콘텐츠가 발전하고 있다. 이러한 장점은 기초과학 교육 분야에서도 적용 가능하다. 특히 기존 2차원 자료로 설명되는 물리학의 전기장과 자기장의 개념을 삼차원 공간으로 확장하여 실시간으로 시각화한다면 학습 이해도 향상에 큰 도움이 될 수 있다. 본 논문에서는 삼차원 가상현실 기반의 실감형 물리 교육 환경 및 콘텐츠를 개발하고 개발된 학습 콘텐츠를 실제 학습 대상자에게 체험시켜 효과를 증명한다. 학습 대상자는 총 46명의 중학생과 대학생이며 가상현실 환경에서 삼차원으로 표현되는 전기장과 자기장을 실시간으로 경험하고 학습하였다. 설문 조사 결과 85% 이상의 긍정적인 반응을 얻을 수 있었으며 삼차원 가상공간 기반의 물리 학습이 효과적으로 적용될 수 있다는 긍정적인 결과를 얻었다.

• 패션비즈니스
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• 제5권5호
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• pp.49-64
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• 2001

Fur is conceived as a material signifier, not only with its commodity value as luxury goods but also as its symbolic value as objects invested by one's libidinal desire. In this study, complex meanings of fur as multi-layered signs of political and sexual power focusing on fetishism shall be explored, especially on the spectacle fetishism acted by mass media during the anti-fur movement in the 1980s. In conjuction herewith, a highlight shall also be made to the symbolic value in fashion design since 1990s. In this study, first, as a theoretical investigation, fetishism, that has been traditionally considered only as sexual fetishism in fashion discourse will be explored in socio-economic level. Second, in historical context, how the meanings and values of fur have become realized in various cultural spaces, such as literature, art, film and finally, fashion will be viewed. In fashion, fur is a product of desire and power influenced by commodity fetishism as well as sexual fetishism. During the anti-fur movement, mass media has developed the concept of spectacle fetishism. Fur is a sign of animal-victim, and fur-clad women is viewed with images full of imperialsm, sexism and racism, thus act as derisive spectacles of consumerism. Since 1990s as a reflection on anti-fur movement, fetishistic characteristics, which challenge traditional operation method, are expressed by disguise, parody, and returning to the nature. First, fur as disguise is intended to hide sexually perverse, decadent characteristics and expensiveness of fur by texturing or patterning techniques. Second, fur as parody uses fake fur or dyed fur in order to satirize erotically and ethnographically fetishized meanings of fur. Third, aboriginal design of fur is adapted to use symbolic values outside the West, which can potentially mobilize antagonistic oppositions out of their fetishistic regimes. In conclusion, fur as sign of female sexuality and its libidinal profits of exchange, has significant symbolic values expressed in fashion.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.231-236
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• 2007

The aspects of contemporary society change have been changed rapidly running for function value on the part of part industrialization and information-oriented. The transfer to the society focused on a human being emphasis and symbol value is in progress rising with natural desire of recurrence of human nature accordingly and desires of a human being inborn of sensitivity-oriented and pluralism-oriented are being expressed. Answering these social and cultural demands, concerns about an arbitrary mind world of a human being and pursuit dispositions about impractical and transcendental world are coincided with to the purpose and so various kinds of expressions except for art sphere are being experimented and applied. Here upon also in the field of the contemporary interior design, answering sensual desire of users, various arts and cultural tendency, the concept of surrealism is being applied in design introducing the concept of surrealism positive. And fantastical and unreasonable expression features of surrealism are being used as subjective essential elements to make new spaces. Especially amoung various kinds of the interiors designs, the features like surrealistic expressions in Food & Beverage Space which proper identity and strong symbolism will be expressed can be recognized as appropriate expression patterns to give still more sensitivity stimuli to customers. Thus this research disclosed conceptual and ideological background of surrealism and also analyzed and studied surrealistic expression features applied to the interiors designs of Contemporary Food & Beverage Space through expression disposition, study and classification of techniques. And standing on the result of analyzing surrealistic expression features of Contemporary Food & Beverage Space with a key word of expression features derived we groped for estatescape trend demanded in Food & Beverage Space and direction coming.

• 한국보육지원학회지
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• 제8권5호
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• pp.253-274
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• 2012

본 연구는 한국 전래동요 중에서 유아에게 적합한 것을 선정하기 위한 기준을 마련하여 유아교육 현장에서 전래동요가 효율적으로 적용되기 위한 가능성의 구안에 그 목적을 두었다. 이를 위해 설정한 연구문제는 첫째, 유아에게 적합한 한국 전래동요의 선정 기준은 어떠한가, 둘째, 선정기준에 따른 유아를 위한 한국 전래동요는 어떠한가이다. 먼저, 유아에게 적합한 한국 전래동요의 기준을 선정하기위해 유아교육 및 유아교육 관련 전문가 30명을 대상으로 델파이 조사를 통해 문항을 선정하였다. 수집된 응답들은 spss 12.0의 프로그램을 이용하여 평균과 표준편차를 계산하였다. 연구 결과 유아에게 적합한 한국 전래동요의 선정 기준은 '전통적 놀이공간과 놀이언어의 즐거움이 살아있는가, 옛 아이들의 생활 모습과 정서를 담고 있는가, 유아가 쉽게 이해할만한 내용인가, 유아가 흥미를 느낄만한 내용인가, 유아의 발달에 도움을 주는가, 유아가 쉽게 부를 수 있는 선율인가, 장단이 단순하고 반복적인가'로 나타났다. 또한 선정기준이 확정됨에 따라 이 기준을 바탕으로 유아에게 적합한 전래동요 112곡이 선정되었다. 112곡의 노랫말은 주로 '놀이의 즐거움'을 표현한 곡들로 전래동요의 전승을 위해서는 놀이가 함께 연행되어야 함을 시사한다.

• 디자인학연구
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• 제19권2호
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• pp.273-282
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• 2006

초기의 애니메이션은 단순히 삽화에 움직임을 줌으로서 살아있는 듯한 표현의 리얼감을 목표로 하였다. 이후 애니메이션은 미디어 기술의 발달과 인간의 의식변화, 그리고 사회현상들의 다양한 변화에 의해 영향을 받고, 영향을 끼쳐왔다. 그 중에서도 1946년에 처음 등장한 컴퓨터는 애니메이션의 리얼리티 표현의 도구를 더욱 다양화시켰고, 나아가 표현 매체의 지적능력 향상을 초래하여 새로운 시각영역의 확대와 의식을 확장하는 다원적인 영상정보 환경으로 바뀌었다. 또한 이 기술은 모든 영역에 있어서 보편적 질서의 해체와 다의적이고 다양함과 모호함, 그리고 때로는 서로 모순적인 요소들이 함께 내포하고 있는 포스트모더니즘 속에서 애니메이션은 기존의 리얼리티(지각적 리얼리티와 반영적 리얼리티)에서 새로운 돌파구를 찾아야만 하였다. 따라서 애니메이션은 단순한 화상처리라는 기술의 벽을 넘어서서 논리적인 지각과정의 경로보다 빠르고 즉흥적이고 감성적으로 지각할 수 있는 리얼리티로의 전환을 이루게 된 것이다. 이를 본 연구에서는 '감각적(感覺的) 리얼리티'라고 명명하며, 이에 관한 연구의 일환으로서 질 들뢰즈(Gilles Deleuze,)의 공간에 관한 리얼리티를 실제 애니메이션영화에 적용하여 해석하고 있다.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.3-11
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• 2012

The first visual contact in architecture happens in surface, and it could be significant object as well as the starting point to recognize the essence and perceive the buildings. Architecture surface could not get out of the restriction of structures and materials that support buildings for a long time in the past. Architecture surface in the past should fulfill the structural role to form are appearance of buildings and support buildings at the same time, so it was difficult to get out of logic for material and thickness of walls, arrangements and sizes of windows. However, since the modern age, architecture surface came to be freer according to the development of building technology, and development of technology changes shows tendencies to express role of new design factor as an architectural element emphasized expression and autonomy,s which was escaped from the subordinate relationship that the surface of building must do the structural function. In this study, it would be examined the expressive characteristics of various epidermis that are expressed in architecture of Herzog & de Meuron since the end of 20thcentury focused on comprehended and analyzed results of changes and characteristics of contemporary society. Through this, it would be comprehended the epidermis of architecture that has particular character expressed in modern buildings of Herzog & de Meuron, and it would be composed a certain linkage between this and characteristics of contemporary society and it would be investigated that the establishing process of inner spaces. Identification through case analysis for this would perform a role of catalyst for the new possibility and development of contemporary architecture's surface expression in the future.

• 한국환경복원기술학회지
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• 제20권4호
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• pp.77-87
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• 2017

In this study, we investigated the physical form of planting foundation of the parks and green spaces in the waterside of Korea and classified them into groups showing common features. It was clssified into 7 kinds of parks and green spaces of 27 waterside parks in Korea including landscape, ecology, art, shields, site boundaries, windbreaks, and soundproofing. As a result, the study was carried out on the detailed type and size estimation through the sampling survey of planting foundation of landscape and ecological type mounding which can be statistically analyzed. Landscape and ecological mounding have the characteristics of securing the ecological stability of the waterside planting areas and the diversity of planting landscape. It is possible to create a green landscape through various terrain changes such as enclosing, focusing, and panoramic view. The physical characteristics of ecological and landscape type mounding can be expressed as height, width, and length And physical data can appear in various forms and sizes depending on the purpose and function of the buffer effect of the land use in the waterside planting areas, the landscape creation, the ecological buffer. In this study, the range of the physical scale for landscape and ecological mounding of waterside parks and green spaces was calculated. The range of the mounding height was analyzed to be less than 1.25m and more than 1.25m and the average height was 0.74~1.08m and 1.75~2.75m respectively. In addition, the range of width of mounding was less than 6.13m, 6.13~17.5m, and more than 17.5m, and the average width of each was 3.45~4.95m, 7.05~10.85m and 31.54~51.54m respectively. The range for the length of mounding was less than 50m, 50~500m, and more than 500m. The mean length of each mounding was 34.0m, 116.3m and 955.8m. It is difficult to distinguish the difference between the waterside planting areas and the urban greenery in the purpose and function of landscape and ecological mounding. However, considering the average distance of 60m from the waterside and the average height of 1.26m, we can conclud that opened planting foundation is prefered to high mounding designs in waterside planting areas. It is expected that the results presented for the improvement of the logical and spatial value of the waterside parks and green areas planting foundation design can be served as the basic data helpful for practical application in landscape architecture planning and design.