• 한국문화재보존과학회:학술대회논문집
• /
• 한국문화재보존과학회 2005년도 제22회 학술대회 발표 논문집
• /
• pp.154-159
• /
• 2005

The most common conception of a work of art is as a unique object. In conservation the prevalent notion of authenticity is based on physical integrity, this guides judgements about loss. For the majority of traditional art objects, minimising change to the physical work means minimising loss, where loss is understood as compromising the (physical) integrity of a unique object, and this forms the focus of conservation. Fundamental to conservators' approach to the conservation of contemporary art is the notion that the artist's intent should guide conservators' practice. Since most of the artists creating installation art are living, it is possible to interview them about the details of the installation, attitudes to changing technology, parameters of acceptable change and their views about what aspects of the installation are essential to preserve. Conservation is no longer focused on intervening to repair the art object but has become concerned with documentation and determining what change is acceptable and managing those changes. In order to accurately install works in the future it is necessary to broaden our focus to include elements of an installation that affect the viewer's experience. This might mean documenting the space, the acoustics, the balance of the different channels of sound, the light levels and the way one enters and leaves the installation. These are as important as the more tangible or material elements in the conservation of the work. It is also necessary to work with industry and specialists outside the field of conservation to develop new skills to preserve and manage new types of objects in our care. We can also document the less tangible details of an installation such as the light levels, the character of the sound etc. This is a new area of conservation and as a profession our understanding and knowledge will deepen with time. All of these strategies work together to help to limit the risk of not being able to accurately install these works in the future. Deciding what can be changed and how to best care for any element of an installation will depend on its meaning and role. For both contemporary and traditional objects such decisions are documented by conservators and although the focus of the conservator may have moved away from the material object, the approach is still rooted in traditional notions of collection care.

• International Journal of Advanced Culture Technology
• /
• 제10권2호
• /
• pp.269-280
• /
• 2022

It has been common since ancient times to use fashion accessories to make a positive impression on others and develop personal brands. For this manuscript, I've designed a range of personalized electronic sounds and perfume accessories that use personalized scents and sounds to create memorable experiences. These have built-in auditory and olfactory actuators that can generate unique sound and fragrance signatures from the wearer and the other party. Based on the design explorations, I also discussed the issues of design and implementation of personalized electronic sound and fragrance accessories, as well as issues and additional business opportunities for the use of these personalized electronic sound and odor accessories in everyday life.

• 한국정보처리학회:학술대회논문집
• /
• 한국정보처리학회 2023년도 추계학술발표대회
• /
• pp.605-607
• /
• 2023

Recent research has highlighted the effectiveness of Deep Learning (DL) techniques in automating the detection of lung sound anomalies. However, the available lung sound datasets often suffer from limitations in both size and balance, prompting DL methods to employ data preprocessing such as augmentation and transfer learning techniques. These strategies, while valuable, contribute to the increased complexity of DL models and necessitate substantial training memory. In this study, we proposed a streamlined and lightweight DL method but effectively detects lung sound anomalies from small and imbalanced dataset. The utilization of 1D dilated convolutional neural networks enhances sensitivity to lung sound anomalies by efficiently capturing deep temporal features and small variations. We conducted a comprehensive evaluation of the ICBHI dataset and achieved a notable improvement over state-of-the-art results, increasing the average score of sensitivity and specificity metrics by 2.7%.

• 영어어문교육
• /
• 제3호
• /
• pp.231-248
• /
• 1997

With the trend of globalization more people are absorbing in the English learning programs. Not a few attend even the English-Korean translation training course to be semi-professional translators, but we English teachers have already experienced that it is not so easy to translate any language into another, and that it is far more difficult to translate poetry. Much time has been devoted to investigating the problems of translating poetry than any other mode. Poetry translation theory is concerned with the problem of faithfulness to the original poetry. To be a good translator we must fully understand the sound and sense of the original work. But when in translating English poetry into Korean we feel keenly our limits of understanding the sound and style of English poetry, and of expressing them into Korean. Even our sense-oriented translation is far from satisfactory. We often make quite a few mistranslation. Another immediate problem is that of alternation between word-for-word translation and free translation method, but first of all, we should have a perfect knowledge and understanding in English, and a good command of our mother tongue. We should also have a sound interpretation ability because poetry translation is based on the interpretation of the original, and on the shaping of that interpretation. Some doubts have been raised over the feasibility of poetry translation. They say it is not possible to combine in another language the emotion, the form, the style, the musical devices of English poetry. Yet the art of translation has been practiced everywhere in the world. Through this art we can share our experience and culture with foreigners and theirs with us.

• 한국소음진동공학회논문집
• /
• 제16권5호
• /
• pp.485-494
• /
• 2006

The state-of-the-art of low-noise fan design usually includes the consideration of optimal sound level and sound quality. The influential design parameters of the noise level by the centrifugal fan were selected based on the preliminary test. The centrifugal fans were designed according to the experiment plan method by specifying the selected design parameters. The experiment with these machined mock-up's of centrifugal impellers suggested the major design parameters among many, having impacts upon the indices of sound quality (e.g. loudness, sharpness, roughness and fluctuation strength) at the same operation point. With the response surface method, the major design parameters selected thereafter were analyzed to estimate each contribution upon the sound quality of the centrifugal fan, and the optimal values were drawn by the consideration of the sound quality levels and their regression equations. In addition, the validity of the regression equations was numerically verified by means of the coefficient of determination. Furthermore, the mechanism by which the centrifugal fan impeller influences the determinants of its sound quality was suggested.

• 한국조경학회지
• /
• 제33권5호통권112호
• /
• pp.114-122
• /
• 2005

Anyang city performed a design competition for the existing paper mill site and this design is the work that was submitted to that competition. The design instructions for the competition were about an organic site which had harmony of aboveground park and underground parking lot, establishment of park planning which is fit for the features of nearby areas, and security of proper parking space. This design criteria set the design concept to a new wave of Anyang by reflecting the design instructions of prize contest and features of the site and developed it as three waves. First, the eco wave, one of three waves, means that it compose the ecological healthy park and urban environment together with restoration and preservation of Suamcheon (stream), and futhermore the waves that the natural resource are maintained in a delicate ecological balance as the water resource of Anyang city are connected to the axis of mountain resource. Secondly, the emotion wave indicates that the wave toward culture and art emotional park that stimulates and fills up the emotion to makes impoverishing modems minds fertile. Thirdly, the health wave means the waves toward a park to keep the sound of minds and bodies of Anyang citizens, and healthy and sound life as well as the waves toward a park to contribute the healthy leap and development of Anyang. These three waves will enrich the park keeping the dynamic relationship mutually and will be a new culture and art code of Anyang city.

• 문화기술의 융합
• /
• 제6권4호
• /
• pp.559-565
• /
• 2020

본 연구는 인터랙티브 멀티미디어 아트 공연을 초기 치매 환자의 재활 운동을 위해 활용하고자 한다. 무대 위의 퍼포머와 관객인 치매 환자의 소통과 참여로 인터랙티브 공연이 완성되며 이러한 과정을 통해 치매 환자는 흥미와 몰입을 동반한 효율적인 재활 운동을 하게 된다. 연구를 위해 초기 치매 환자의 특성과 효과적인 운동 방법을 살펴보고 환자의 공연 관람이 참여로 이어지면서 재활 운동으로 유도 될 수 있도록 프로그램 맵을 구축한다. 관객의 참여로 발생하는 동작과 소리는 Sound Level, Pitch, Velocity의 MIDI 신호로 변환되어 실시간으로 음악과 영상을 콘트롤하는 퍼포먼스가 된다. 이를 통해 환자는 흥미를 가지고 재활 운동에 몰입하게 되며 공연의 참여자로서 성취감을 가질 수 있을 것이다. 또한 이 연구는 인터랙티브 멀티미디어 아트의 다양한 활용과 응용으로 영역 확장의 의의가 있다.

• 디자인학연구
• /
• 제16권3호
• /
• pp.101-110
• /
• 2003

인간은 자연현상으로 발생되는 소리와 인공적으로 발생되는 소리 속에 살고 있다. 인간의 생물학적 행동을 유발시키는 것 또한 소리이다. 감각기관 즉, 청각으로만 인식할 수 있는 소리의 또 다른 표현은 예술의 형식을 통해서 가능하다. 음악과 미술은 같은 감정을 표현하는 예술호서 표현방법만 다를 뿐 둘 모두 우뇌(右惱, dextrocerebral)를 사용하고 직관력이 필요하다는 공통점을 가지고 있다. 이런 관계로 지금까지 음과 시각예술을 접목하려는 시도가 계속되어 왔으며, 주관적인 해석의 예술적 작품에서 컴퓨터를 이용한 작품에 이르기까지 음의 시각화 실험은 계속 시도되어지고 있다. 본 연구는 음의 시각적 표현 중 디자인 저 표현의 본질과 특성을 규명하며, 기존의 학문적 특성과 연구 범주, 최근의 주요 동향에 대한 고찰을 바탕으로 향후 음의 시각표현의 방법론을 정리하고 재해석하여 이의 디자인에 대한 연구 방향을 제시함을 목적으로 한다. 본 연구를 토대로 향후 한국음악 특히 사물놀이가 가지고있는 음색적 특색 및 각 악기의 상징을 이용한 시각적 표현의 가능성을 모색하는 후속연구를 통해 음의 새로운 시각표현의 기능성을 모색코자 한다.

• 한국디자인학회:학술대회논문집
• /
• 한국디자인학회 2005년도 춘계 학술발표대회 논문집
• /
• pp.186-187
• /
• 2005

• 셀메드
• /
• 제6권3호
• /
• pp.19.1-19.3
• /
• 2016

Jindo Ssitgimgut has been known as a funeral ritual for a long time in Korea. However, there is no study for music therapy on anxiety disorder. The aims of this study were to argue that Oral sound Daseureum of Jindo Ssitgimgut may have meaningful effect on anxiety disorder. Jindo Ssitgimgut is literally a cleansing soul. Jindo Ssitgimgut is designated as the Intangible Cultural Property No. 2 by the Korean government. Jindo Ssitgimgut is transmitted from generation to generation, not the descent of God. So, the accent is on art and one's sincere sympathy. So, with careful listening Youtube, this music Daseureum exhibits an exquisite balance between the human voice and the sounds do the instruments. The author think a good combination of his voice, Jing (Korean gong), and Ajaeng (Korean cello) can help with anxiety disorder.